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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0D138 it is the complementary color #3F2EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0D138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0D138 shade: #C5D133, #D6E346, #E7F559, #F8FF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0D138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0D138 shade: #C0D138, #AFBF25, #9EAD12, #8D9B00 and #7C8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0D138 shade: #C0D039, #D0B839, #D09039, #D06739 and #D03E39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0D138 shade: #C0D039, #97D039, #6ED039, #45D039 and #39D056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0D138 shade matches the following richer shades: #C0D039, #CFE425 and #DEF811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0D138 shade: #C0D039, #B0BD4D, #A1A960, #919574 and #828188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0D138 shade: #D08F39, #D0B739, #C1D039, #99D039 and #70D039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0D138 shade: #879423, #A6B52B, #C0D039, #CAD85A and #D5E07C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0D138 shade: #C0D138, #39D066 and #A339D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0D138 shade: #C0D138, #39C1D0 and #D039C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0D138 shade: #C0D138, #39D066, #4839D0 and #D039A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0D138 shade: #C0D138, #39D094, #4839D0 and #D03975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

Complementary color

CMYK 68 / 77 / 0 / 22

HEX #3F2EC7

RGB 63 46 199

HSL 246.67, 0.62%, 0.48%

LAB 32.11, 52.44, -76.05

 

CMYK 6 / 0 / 76 / 18

HEX #C5D133

RGB 197 209 51

HSL 64.56, 0.63%, 0.51%

LAB 80.58, -22.52, 71.09

 

CMYK 6 / 0 / 69 / 11

HEX #D6E346

RGB 214 227 70

HSL 64.97, 0.74%, 0.58%

LAB 86.84, -23.34, 71.16

 

CMYK 6 / 0 / 64 / 4

HEX #E7F559

RGB 231 245 89

HSL 65.38, 0.89%, 0.65%

LAB 93.02, -24.02, 70.75

 

CMYK 3 / 0 / 58 / 0

HEX #F8FF6C

RGB 248 255 108

HSL 62.86, 1%, 0.71%

LAB 97.05, -20.81, 67.75

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

CMYK 8 / 0 / 81 / 25

HEX #AFBF25

RGB 175 191 37

HSL 66.23, 0.68%, 0.45%

LAB 73.87, -23.48, 68.5

 

CMYK 9 / 0 / 90 / 32

HEX #9EAD12

RGB 158 173 18

HSL 65.81, 0.81%, 0.37%

LAB 67.43, -22.4, 66.83

 

CMYK 9 / 0 / 100 / 39

HEX #8D9B00

RGB 141 155 0

HSL 65.42, 1%, 0.3%

LAB 60.87, -21.11, 63.8

 

CMYK 9 / 0 / 100 / 46

HEX #7C8900

RGB 124 137 0

HSL 65.69, 1%, 0.27%

LAB 54.21, -19.52, 58.26

 

CMYK 8 / 0 / 73 / 18

HEX #C0D039

RGB 192 208 57

HSL 66.36, 0.62%, 0.52%

LAB 79.96, -23.84, 68.44

 

CMYK 0 / 12 / 73 / 18

HEX #D0B839

RGB 208 184 57

HSL 50.46, 0.62%, 0.52%

LAB 74.82, -4.98, 63.94

 

CMYK 0 / 31 / 73 / 18

HEX #D09039

RGB 208 144 57

HSL 34.57, 0.62%, 0.52%

LAB 64.69, 16.39, 53.87

 

CMYK 0 / 50 / 73 / 18

HEX #D06739

RGB 208 103 57

HSL 18.28, 0.62%, 0.52%

LAB 55.49, 38.25, 44.21

 

CMYK 0 / 70 / 73 / 18

HEX #D03E39

RGB 208 62 57

HSL 1.99, 0.62%, 0.52%

LAB 48.45, 56.76, 36.39

 

CMYK 8 / 0 / 73 / 18

HEX #C0D039

RGB 192 208 57

HSL 66.36, 0.62%, 0.52%

LAB 79.96, -23.84, 68.44

 

CMYK 27 / 0 / 73 / 18

HEX #97D039

RGB 151 208 57

HSL 82.65, 0.62%, 0.52%

LAB 77.27, -40.08, 64.91

 

CMYK 47 / 0 / 73 / 18

HEX #6ED039

RGB 110 208 57

HSL 98.94, 0.62%, 0.52%

LAB 75.28, -54.05, 62.27

 

CMYK 67 / 0 / 73 / 18

HEX #45D039

RGB 69 208 57

HSL 115.23, 0.62%, 0.52%

LAB 73.98, -64.32, 60.54

 

CMYK 73 / 0 / 59 / 18

HEX #39D056

RGB 57 208 86

HSL 131.52, 0.62%, 0.52%

LAB 73.97, -63.54, 48.61

 

CMYK 8 / 0 / 73 / 18

HEX #C0D039

RGB 192 208 57

HSL 66.36, 0.62%, 0.52%

LAB 79.96, -23.84, 68.44

 

CMYK 9 / 0 / 84 / 11

HEX #CFE425

RGB 207 228 37

HSL 66.6, 0.78%, 0.52%

LAB 86.45, -27.96, 80.19

 

CMYK 10 / 0 / 93 / 3

HEX #DEF811

RGB 222 248 17

HSL 66.75, 0.94%, 0.52%

LAB 92.89, -31.56, 88.92

 

CMYK 8 / 0 / 73 / 18

HEX #C0D039

RGB 192 208 57

HSL 66.36, 0.62%, 0.52%

LAB 79.96, -23.84, 68.44

 

CMYK 7 / 0 / 59 / 26

HEX #B0BD4D

RGB 176 189 77

HSL 66.96, 0.46%, 0.52%

LAB 73.65, -19.89, 53.73

 

CMYK 5 / 0 / 43 / 34

HEX #A1A960

RGB 161 169 96

HSL 66.58, 0.3%, 0.52%

LAB 67.12, -14.13, 36.61

 

CMYK 3 / 0 / 22 / 42

HEX #919574

RGB 145 149 116

HSL 67.27, 0.13%, 0.52%

LAB 60.58, -7.29, 16.99

 

CMYK 4 / 5 / 0 / 47

HEX #828188

RGB 130 129 136

HSL 248.57, 0.03%, 0.52%

LAB 54.26, 1.79, -3.65

 

CMYK 0 / 31 / 73 / 18

HEX #D08F39

RGB 208 143 57

HSL 34.17, 0.62%, 0.52%

LAB 64.44, 16.93, 53.62

 

CMYK 0 / 12 / 73 / 18

HEX #D0B739

RGB 208 183 57

HSL 50.07, 0.62%, 0.52%

LAB 74.55, -4.46, 63.69

 

CMYK 7 / 0 / 73 / 18

HEX #C1D039

RGB 193 208 57

HSL 65.96, 0.62%, 0.52%

LAB 80.04, -23.42, 68.54

 

CMYK 26 / 0 / 73 / 18

HEX #99D039

RGB 153 208 57

HSL 81.85, 0.62%, 0.52%

LAB 77.39, -39.33, 65.06

 

CMYK 46 / 0 / 73 / 18

HEX #70D039

RGB 112 208 57

HSL 98.15, 0.62%, 0.52%

LAB 75.36, -53.45, 62.38

 

CMYK 9 / 0 / 76 / 42

HEX #879423

RGB 135 148 35

HSL 66.9, 0.62%, 0.36%

LAB 58.46, -19.25, 54.03

 

CMYK 8 / 0 / 76 / 29

HEX #A6B52B

RGB 166 181 43

HSL 66.52, 0.62%, 0.44%

LAB 70.41, -22.14, 63.36

 

CMYK 8 / 0 / 73 / 18

HEX #C0D039

RGB 192 208 57

HSL 66.36, 0.62%, 0.52%

LAB 79.96, -23.84, 68.44

 

CMYK 6 / 0 / 58 / 15

HEX #CAD85A

RGB 202 216 90

HSL 66.67, 0.62%, 0.6%

LAB 83.13, -21.62, 59.07

 

CMYK 5 / 0 / 45 / 12

HEX #D5E07C

RGB 213 224 124

HSL 66.6, 0.62%, 0.68%

LAB 86.46, -18.19, 47.49

 

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

CMYK 73 / 0 / 51 / 18

HEX #39D066

RGB 57 208 102

HSL 137.88, 0.62%, 0.52%

LAB 74.15, -61.36, 41.32

 

CMYK 22 / 73 / 0 / 18

HEX #A339D0

RGB 163 57 208

HSL 282.12, 0.62%, 0.52%

LAB 46, 65.27, -58.12

 

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

CMYK 73 / 7 / 0 / 18

HEX #39C1D0

RGB 57 193 208

HSL 185.96, 0.62%, 0.52%

LAB 71.94, -30.68, -17.98

 

CMYK 0 / 73 / 7 / 18

HEX #D039C1

RGB 208 57 193

HSL 305.96, 0.62%, 0.52%

LAB 52.05, 72.11, -39.4

 

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

CMYK 73 / 0 / 51 / 18

HEX #39D066

RGB 57 208 102

HSL 137.88, 0.62%, 0.52%

LAB 74.15, -61.36, 41.32

 

CMYK 65 / 73 / 0 / 18

HEX #4839D0

RGB 72 57 208

HSL 245.96, 0.62%, 0.52%

LAB 35.71, 50.41, -75.33

 

CMYK 0 / 73 / 22 / 18

HEX #D039A3

RGB 208 57 163

HSL 317.88, 0.62%, 0.52%

LAB 50.66, 67.89, -24.02

 

CMYK 8 / 0 / 73 / 18

HEX #C0D138

RGB 192 209 56

HSL 66.67, 0.62%, 0.52%

LAB 80.23, -24.37, 69.04

 

CMYK 73 / 0 / 29 / 18

HEX #39D094

RGB 57 208 148

HSL 156.16, 0.62%, 0.52%

LAB 74.9, -52.94, 18.76

 

CMYK 65 / 73 / 0 / 18

HEX #4839D0

RGB 72 57 208

HSL 245.96, 0.62%, 0.52%

LAB 35.71, 50.41, -75.33

 

CMYK 0 / 73 / 44 / 18

HEX #D03975

RGB 208 57 117

HSL 336.16, 0.62%, 0.52%

LAB 49.03, 62.7, 1.13

 

Description

Color code: HEX #C0D138 | qconv.com Color code: HEX #C0D138 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 209 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 209 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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