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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0C6F3CE it is the complementary color #3F390CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0C6F3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0C6F3CE shade: #C5C6EECE, #D6D8FFCE, #E7EAFFCE, #F8FCFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0C6F3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0C6F3CE shade: #C0C6F3CE, #AFB4E0CE, #9EA2CDCE, #8D90BACE and #7C7EA7CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0C6F3CE shade: #BFC5F3, #C7BFF3, #D5BFF3, #E3BFF3 and #F1BFF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0C6F3CE shade: #BFC5F3 and #BFBFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0C6F3CE shade matches the following richer shades: #BFC5F3 and #B9C0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0C6F3CE shade: #BFC5F3, #C5CAED, #CBCEE6, #D1D3E0 and #D7D8DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0C6F3CE shade: #BFE1F3, #BFD4F3, #BFC6F3, #C6BFF3 and #D4BFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0C6F3CE shade: #7986E6, #9CA6EC, #BFC5F3, #E1E4F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0C6F3CE shade: #C0C6F3, #F3BFEF and #DAF3BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0C6F3CE shade: #C0C6F3, #F3BFC6 and #C6F3BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0C6F3CE shade: #C0C6F3, #F3BFEF, #F3ECBF and #BFF3C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0C6F3CE shade: #C0C6F3, #F3BFE0, #F3ECBF and #BFF3D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 15 / 0 / 4

HEX #C0C6F3CE

RGBA 192 198 243 0.81

HSLA 232.94, 0.68%, 0.85%, 0.81

LABA 80.78, 7.23, -22.86, 0.81

 

Complementary color

CMYK 0 / 8 / 66 / 61

HEX #3F390CCE

RGBA 63 57 12 0.81

HSLA 52.94, 0.68%, 0.15%, 0.81

LABA 23.7, -3.54, 27.52, 0.81

 

CMYK 14 / 14 / 0 / 5

HEX #C5C6EECE

RGBA 197 198 238 0.81

HSLA 238.54, 0.55%, 0.85%, 0.81

LABA 80.98, 7.67, -19.85, 0.81

 

CMYK 13 / 12 / 0 / 0

HEX #D6D8FFCE

RGBA 214 216 255 0.81

HSLA 237.07, 1%, 0.92%, 0.81

LABA 87.3, 6.98, -19.19, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E7EAFFCE

RGBA 231 234 255 0.81

HSLA 232.5, 1%, 0.95%, 0.81

LABA 93.04, 2.93, -10.47, 0.81

 

CMYK 2 / 1 / 0 / 0

HEX #F8FCFFCE

RGBA 248 252 255 0.81

HSLA 205.71, 1%, 0.99%, 0.81

LABA 98.75, -0.77, -1.9, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 17 / 15 / 0 / 4

HEX #C0C6F3CE

RGBA 192 198 243 0.81

HSLA 232.94, 0.68%, 0.85%, 0.81

LABA 80.78, 7.23, -22.86, 0.81

 

CMYK 18 / 16 / 0 / 10

HEX #AFB4E0CE

RGBA 175 180 224 0.81

HSLA 233.88, 0.44%, 0.78%, 0.81

LABA 74.28, 7.53, -22.63, 0.81

 

CMYK 19 / 17 / 0 / 16

HEX #9EA2CDCE

RGBA 158 162 205 0.81

HSLA 234.89, 0.32%, 0.71%, 0.81

LABA 67.66, 7.85, -22.4, 0.81

 

CMYK 20 / 18 / 0 / 22

HEX #8D90BACE

RGBA 141 144 186 0.81

HSLA 236, 0.25%, 0.64%, 0.81

LABA 60.92, 8.21, -22.21, 0.81

 

CMYK 21 / 20 / 0 / 28

HEX #7C7EA7CE

RGBA 124 126 167 0.81

HSLA 237.21, 0.2%, 0.57%, 0.81

LABA 54.02, 8.61, -22.04, 0.81

 

CMYK 21 / 19 / 0 / 5

HEX #BFC5F3

RGB 191 197 243

HSL 233.08, 0.68%, 0.85%

LAB 80.45, 7.47, -23.37

 

CMYK 18 / 21 / 0 / 5

HEX #C7BFF3

RGB 199 191 243

HSL 249.23, 0.68%, 0.85%

LAB 79.54, 13.16, -24.69

 

CMYK 12 / 21 / 0 / 5

HEX #D5BFF3

RGB 213 191 243

HSL 265.38, 0.68%, 0.85%

LAB 80.67, 17.52, -22.87

 

CMYK 7 / 21 / 0 / 5

HEX #E3BFF3

RGB 227 191 243

HSL 281.54, 0.68%, 0.85%

LAB 81.87, 21.98, -20.93

 

CMYK 1 / 21 / 0 / 5

HEX #F1BFF3

RGB 241 191 243

HSL 297.69, 0.68%, 0.85%

LAB 83.14, 26.51, -18.89

 

CMYK 21 / 19 / 0 / 5

HEX #BFC5F3

RGB 191 197 243

HSL 233.08, 0.68%, 0.85%

LAB 80.45, 7.47, -23.37

 

CMYK 21 / 21 / 0 / 5

HEX #BFBFF3

RGB 191 191 243

HSL 240, 0.68%, 0.85%

LAB 78.93, 10.71, -25.68

 

CMYK 21 / 19 / 0 / 5

HEX #BFC5F3

RGB 191 197 243

HSL 233.08, 0.68%, 0.85%

LAB 80.45, 7.47, -23.37

 

CMYK 26 / 23 / 0 / 2

HEX #B9C0F9

RGB 185 192 249

HSL 233.44, 0.84%, 0.85%

LAB 78.96, 9.76, -28.9

 

CMYK 21 / 19 / 0 / 5

HEX #BFC5F3

RGB 191 197 243

HSL 233.08, 0.68%, 0.85%

LAB 80.45, 7.47, -23.37

 

CMYK 17 / 15 / 0 / 7

HEX #C5CAED

RGB 197 202 237

HSL 232.5, 0.53%, 0.85%

LAB 81.96, 5.32, -17.83

 

CMYK 12 / 10 / 0 / 10

HEX #CBCEE6

RGB 203 206 230

HSL 233.33, 0.35%, 0.85%

LAB 83.21, 3.63, -12.18

 

CMYK 7 / 6 / 0 / 12

HEX #D1D3E0

RGB 209 211 224

HSL 232, 0.19%, 0.85%

LAB 84.75, 1.77, -6.64

 

CMYK 1 / 1 / 0 / 15

HEX #D7D8DA

RGB 215 216 218

HSL 220, 0.04%, 0.85%

LAB 86.32, 0.03, -1.11

 

CMYK 21 / 7 / 0 / 5

HEX #BFE1F3

RGB 191 225 243

HSL 200.77, 0.68%, 0.85%

LAB 87.68, -7.3, -12.47

 

CMYK 21 / 13 / 0 / 5

HEX #BFD4F3

RGB 191 212 243

HSL 215.77, 0.68%, 0.85%

LAB 84.29, -0.53, -17.54

 

CMYK 21 / 19 / 0 / 5

HEX #BFC6F3

RGB 191 198 243

HSL 231.92, 0.68%, 0.85%

LAB 80.7, 6.93, -22.98

 

CMYK 19 / 21 / 0 / 5

HEX #C6BFF3

RGB 198 191 243

HSL 248.08, 0.68%, 0.85%

LAB 79.46, 12.85, -24.82

 

CMYK 13 / 21 / 0 / 5

HEX #D4BFF3

RGB 212 191 243

HSL 264.23, 0.68%, 0.85%

LAB 80.59, 17.21, -23

 

CMYK 47 / 42 / 0 / 10

HEX #7986E6

RGB 121 134 230

HSL 232.84, 0.69%, 0.69%

LAB 58.82, 20.56, -50.29

 

CMYK 34 / 30 / 0 / 7

HEX #9CA6EC

RGB 156 166 236

HSL 232.5, 0.68%, 0.77%

LAB 69.75, 12.69, -36.25

 

CMYK 21 / 19 / 0 / 5

HEX #BFC5F3

RGB 191 197 243

HSL 233.08, 0.68%, 0.85%

LAB 80.45, 7.47, -23.37

 

CMYK 10 / 8 / 0 / 2

HEX #E1E4F9

RGB 225 228 249

HSL 232.5, 0.67%, 0.93%

LAB 90.93, 2.95, -10.52

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 21 / 19 / 0 / 5

HEX #C0C6F3

RGB 192 198 243

HSL 232.94, 0.68%, 0.85%

LAB 80.78, 7.23, -22.86

 

CMYK 0 / 21 / 2 / 5

HEX #F3BFEF

RGB 243 191 239

HSL 304.62, 0.68%, 0.85%

LAB 83.2, 26.44, -16.64

 

CMYK 10 / 0 / 21 / 5

HEX #DAF3BF

RGB 218 243 191

HSL 88.85, 0.68%, 0.85%

LAB 92.91, -17.13, 22.41

 

CMYK 21 / 19 / 0 / 5

HEX #C0C6F3

RGB 192 198 243

HSL 232.94, 0.68%, 0.85%

LAB 80.78, 7.23, -22.86

 

CMYK 0 / 21 / 19 / 5

HEX #F3BFC6

RGB 243 191 198

HSL 351.92, 0.68%, 0.85%

LAB 82.05, 19.65, 3.63

 

CMYK 19 / 0 / 21 / 5

HEX #C6F3BF

RGB 198 243 191

HSL 111.92, 0.68%, 0.85%

LAB 91.63, -23.97, 20.42

 

CMYK 21 / 19 / 0 / 5

HEX #C0C6F3

RGB 192 198 243

HSL 232.94, 0.68%, 0.85%

LAB 80.78, 7.23, -22.86

 

CMYK 0 / 21 / 2 / 5

HEX #F3BFEF

RGB 243 191 239

HSL 304.62, 0.68%, 0.85%

LAB 83.2, 26.44, -16.64

 

CMYK 0 / 3 / 21 / 5

HEX #F3ECBF

RGB 243 236 191

HSL 51.92, 0.68%, 0.85%

LAB 92.93, -4.71, 22.71

 

CMYK 21 / 0 / 20 / 5

HEX #BFF3C2

RGB 191 243 194

HSL 123.46, 0.68%, 0.85%

LAB 91.27, -25.78, 18.32

 

CMYK 21 / 19 / 0 / 5

HEX #C0C6F3

RGB 192 198 243

HSL 232.94, 0.68%, 0.85%

LAB 80.78, 7.23, -22.86

 

CMYK 0 / 21 / 8 / 5

HEX #F3BFE0

RGB 243 191 224

HSL 321.92, 0.68%, 0.85%

LAB 82.75, 23.82, -9.29

 

CMYK 0 / 3 / 21 / 5

HEX #F3ECBF

RGB 243 236 191

HSL 51.92, 0.68%, 0.85%

LAB 92.93, -4.71, 22.71

 

CMYK 21 / 0 / 14 / 5

HEX #BFF3D2

RGB 191 243 210

HSL 141.92, 0.68%, 0.85%

LAB 91.61, -22.93, 10.53

 

Description

Color code: HEX #C0C6F3CE | qconv.com Color code: HEX #C0C6F3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 198 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 198 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 15 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 15% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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