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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0BCD9 it is the complementary color #3F4326. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0BCD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0BCD9 shade: #C5BCD4, #D6CEE7, #E7E0FA and #F8F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0BCD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0BCD9 shade: #C0BCD9, #AFAAC6, #9E98B3, #8D86A0 and #7C748D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0BCD9 shade: #BEBAD8, #C6BAD8, #CEBAD8, #D6BAD8 and #D8BAD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0BCD9 shade: #BEBAD8 and #BABAD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0BCD9 shade matches the following richer shades: #BEBAD8, #B8B1E1, #B2A9E9, #ABA0F2 and #A597FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0BCD9 shade: #BEBAD8, #C4C3CF, #CBCBC7, #D1D4BE and #D7DDB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0BCD9 shade: #BAC6D8, #BABED8, #BEBAD8, #C6BAD8 and #CEBAD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0BCD9 shade: #8C85BA, #A5A0C9, #BEBAD8, #D7D4E7 and #F0EFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0BCD9 shade: #C0BCD9, #D8BACE and #C2D8BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0BCD9 shade: #C0BCD9, #D8BEBA and #BAD8BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0BCD9 shade: #C0BCD9, #D8BACE, #D4D8BA and #BAD8C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0BCD9 shade: #C0BCD9, #D8BAC5, #D4D8BA and #BAD8CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

Complementary color

CMYK 6 / 0 / 43 / 74

HEX #3F4326

RGB 63 67 38

HSL 68.28, 0.28%, 0.21%

LAB 27.33, -7.13, 17.06

 

CMYK 7 / 11 / 0 / 17

HEX #C5BCD4

RGB 197 188 212

HSL 262.5, 0.22%, 0.78%

LAB 77.63, 7.68, -10.89

 

CMYK 7 / 11 / 0 / 9

HEX #D6CEE7

RGB 214 206 231

HSL 259.2, 0.34%, 0.86%

LAB 84.07, 7.41, -11.33

 

CMYK 8 / 10 / 0 / 2

HEX #E7E0FA

RGB 231 224 250

HSL 256.15, 0.72%, 0.93%

LAB 90.41, 7.15, -11.77

 

CMYK 3 / 5 / 0 / 0

HEX #F8F2FF

RGB 248 242 255

HSL 267.69, 1%, 0.97%

LAB 96.28, 4.31, -5.53

 

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

CMYK 12 / 14 / 0 / 22

HEX #AFAAC6

RGB 175 170 198

HSL 250.71, 0.2%, 0.72%

LAB 70.83, 7.32, -13.62

 

CMYK 12 / 15 / 0 / 30

HEX #9E98B3

RGB 158 152 179

HSL 253.33, 0.15%, 0.65%

LAB 64.14, 7.61, -13.24

 

CMYK 12 / 16 / 0 / 37

HEX #8D86A0

RGB 141 134 160

HSL 256.15, 0.12%, 0.58%

LAB 57.32, 7.94, -12.86

 

CMYK 12 / 18 / 0 / 45

HEX #7C748D

RGB 124 116 141

HSL 259.2, 0.1%, 0.5%

LAB 50.33, 8.3, -12.49

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 8 / 14 / 0 / 15

HEX #C6BAD8

RGB 198 186 216

HSL 264, 0.28%, 0.79%

LAB 77.33, 9.89, -13.5

 

CMYK 5 / 14 / 0 / 15

HEX #CEBAD8

RGB 206 186 216

HSL 280, 0.28%, 0.79%

LAB 77.99, 12.55, -12.44

 

CMYK 1 / 14 / 0 / 15

HEX #D6BAD8

RGB 214 186 216

HSL 296, 0.28%, 0.79%

LAB 78.68, 15.23, -11.34

 

CMYK 0 / 14 / 3 / 15

HEX #D8BAD1

RGB 216 186 209

HSL 314, 0.28%, 0.79%

LAB 78.65, 14.63, -7.58

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 14 / 14 / 0 / 15

HEX #BABAD8

RGB 186 186 216

HSL 240, 0.28%, 0.79%

LAB 76.38, 5.97, -15.02

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 18 / 21 / 0 / 12

HEX #B8B1E1

RGB 184 177 225

HSL 248.75, 0.44%, 0.79%

LAB 74.24, 12.19, -23.17

 

CMYK 24 / 27 / 0 / 9

HEX #B2A9E9

RGB 178 169 233

HSL 248.44, 0.59%, 0.79%

LAB 72.04, 16.61, -30.93

 

CMYK 29 / 34 / 0 / 5

HEX #ABA0F2

RGB 171 160 242

HSL 248.05, 0.76%, 0.79%

LAB 69.62, 21.78, -39.64

 

CMYK 34 / 40 / 0 / 2

HEX #A597FB

RGB 165 151 251

HSL 248.4, 0.93%, 0.79%

LAB 67.35, 27.51, -48.14

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 5 / 6 / 0 / 19

HEX #C4C3CF

RGB 196 195 207

HSL 245, 0.11%, 0.79%

LAB 79.2, 2.61, -5.88

 

CMYK 0 / 0 / 2 / 20

HEX #CBCBC7

RGB 203 203 199

HSL 60, 0.04%, 0.79%

LAB 81.58, -0.72, 1.98

 

CMYK 1 / 0 / 10 / 17

HEX #D1D4BE

RGB 209 212 190

HSL 68.18, 0.2%, 0.79%

LAB 84.15, -4.85, 10.53

 

CMYK 3 / 0 / 18 / 13

HEX #D7DDB5

RGB 215 221 181

HSL 69, 0.37%, 0.79%

LAB 86.75, -8.74, 18.99

 

CMYK 14 / 8 / 0 / 15

HEX #BAC6D8

RGB 186 198 216

HSL 216, 0.28%, 0.79%

LAB 79.49, -0.48, -10.36

 

CMYK 14 / 12 / 0 / 15

HEX #BABED8

RGB 186 190 216

HSL 232, 0.28%, 0.79%

LAB 77.41, 3.81, -13.47

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 8 / 14 / 0 / 15

HEX #C6BAD8

RGB 198 186 216

HSL 264, 0.28%, 0.79%

LAB 77.33, 9.89, -13.5

 

CMYK 5 / 14 / 0 / 15

HEX #CEBAD8

RGB 206 186 216

HSL 280, 0.28%, 0.79%

LAB 77.99, 12.55, -12.44

 

CMYK 25 / 28 / 0 / 27

HEX #8C85BA

RGB 140 133 186

HSL 247.92, 0.28%, 0.63%

LAB 57.94, 14.25, -26.79

 

CMYK 18 / 20 / 0 / 21

HEX #A5A0C9

RGB 165 160 201

HSL 247.32, 0.28%, 0.71%

LAB 67.54, 10.26, -20.32

 

CMYK 12 / 14 / 0 / 15

HEX #BEBAD8

RGB 190 186 216

HSL 248, 0.28%, 0.79%

LAB 76.69, 7.26, -14.52

 

CMYK 7 / 8 / 0 / 9

HEX #D7D4E7

RGB 215 212 231

HSL 249.47, 0.28%, 0.87%

LAB 85.66, 4.57, -8.97

 

CMYK 2 / 3 / 0 / 4

HEX #F0EFF6

RGB 240 239 246

HSL 248.57, 0.28%, 0.95%

LAB 94.7, 1.59, -3.26

 

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

CMYK 0 / 14 / 5 / 15

HEX #D8BACE

RGB 216 186 206

HSL 320, 0.28%, 0.79%

LAB 78.56, 14.1, -6.09

 

CMYK 10 / 0 / 14 / 15

HEX #C2D8BA

RGB 194 216 186

HSL 104, 0.28%, 0.79%

LAB 84.03, -12.84, 12.32

 

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

CMYK 0 / 12 / 14 / 15

HEX #D8BEBA

RGB 216 190 186

HSL 8, 0.28%, 0.79%

LAB 79.02, 8.57, 5.39

 

CMYK 14 / 0 / 12 / 15

HEX #BAD8BE

RGB 186 216 190

HSL 128, 0.28%, 0.79%

LAB 83.58, -14.87, 9.5

 

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

CMYK 0 / 14 / 5 / 15

HEX #D8BACE

RGB 216 186 206

HSL 320, 0.28%, 0.79%

LAB 78.56, 14.1, -6.09

 

CMYK 2 / 0 / 14 / 15

HEX #D4D8BA

RGB 212 216 186

HSL 68, 0.28%, 0.79%

LAB 85.33, -6.49, 14.34

 

CMYK 14 / 0 / 9 / 15

HEX #BAD8C4

RGB 186 216 196

HSL 140, 0.28%, 0.79%

LAB 83.72, -13.77, 6.52

 

CMYK 12 / 13 / 0 / 15

HEX #C0BCD9

RGB 192 188 217

HSL 248.28, 0.28%, 0.79%

LAB 77.39, 7.04, -14

 

CMYK 0 / 14 / 9 / 15

HEX #D8BAC5

RGB 216 186 197

HSL 338, 0.28%, 0.79%

LAB 78.31, 12.53, -1.58

 

CMYK 2 / 0 / 14 / 15

HEX #D4D8BA

RGB 212 216 186

HSL 68, 0.28%, 0.79%

LAB 85.33, -6.49, 14.34

 

CMYK 14 / 0 / 5 / 15

HEX #BAD8CD

RGB 186 216 205

HSL 158, 0.28%, 0.79%

LAB 83.94, -12.06, 2.07

 

Description

Color code: HEX #C0BCD9 | qconv.com Color code: HEX #C0BCD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 188 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 188 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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