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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0B118 it is the complementary color #3F4EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0B118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0B118 shade: #C5B113, #D6C326, #E7D539, #F8E74C and #FFF95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0B118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0B118 shade: #C0B118, #AF9F05, #9E8D00, #8D7B00 and #7C6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0B118 shade: #BFB018, #BF8318, #BF5618, #BF2918 and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0B118 shade: #BFB018, #A1BF18, #73BF18, #46BF18 and #19BF18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0B118 shade matches the following richer shades: #BFB018 and #D0BE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0B118 shade: #BFB018, #ADA129, #9C933A, #8B854C and #79775D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0B118 shade: #BF5518, #BF8118, #BFAE18, #A3BF18 and #76BF18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0B118 shade: #756C0E, #9A8E13, #BFB018, #E3D11C and #E8D941

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0B118 shade: #C0B118, #18BF28 and #6B18BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0B118 shade: #C0B118, #18BFAE and #AE18BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0B118 shade: #C0B118, #18BF28, #1828BF and #BF18AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0B118 shade: #C0B118, #18BF5A, #1828BF and #BF187C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

Complementary color

CMYK 73 / 66 / 0 / 9

HEX #3F4EE7

RGB 63 78 231

HSL 234.64, 0.78%, 0.58%

LAB 41.65, 44.87, -78.76

 

CMYK 0 / 10 / 90 / 23

HEX #C5B113

RGB 197 177 19

HSL 53.26, 0.82%, 0.42%

LAB 71.8, -7.33, 71.5

 

CMYK 0 / 9 / 82 / 16

HEX #D6C326

RGB 214 195 38

HSL 53.52, 0.7%, 0.49%

LAB 78.15, -8.76, 73.17

 

CMYK 0 / 8 / 75 / 9

HEX #E7D539

RGB 231 213 57

HSL 53.79, 0.78%, 0.56%

LAB 84.42, -9.99, 73.75

 

CMYK 0 / 7 / 69 / 3

HEX #F8E74C

RGB 248 231 76

HSL 54.07, 0.92%, 0.64%

LAB 90.61, -11.04, 73.63

 

CMYK 0 / 2 / 63 / 0

HEX #FFF95F

RGB 255 249 95

HSL 57.75, 1%, 0.69%

LAB 95.93, -15.98, 72

 

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

CMYK 0 / 9 / 97 / 31

HEX #AF9F05

RGB 175 159 5

HSL 54.35, 0.94%, 0.35%

LAB 64.9, -7.88, 67.37

 

CMYK 0 / 11 / 100 / 38

HEX #9E8D00

RGB 158 141 0

HSL 53.54, 1%, 0.31%

LAB 58.34, -6.05, 62.61

 

CMYK 0 / 13 / 100 / 45

HEX #8D7B00

RGB 141 123 0

HSL 52.34, 1%, 0.28%

LAB 51.64, -4.07, 57.07

 

CMYK 0 / 15 / 100 / 51

HEX #7C6900

RGB 124 105 0

HSL 50.81, 1%, 0.24%

LAB 44.78, -2.01, 51.4

 

CMYK 0 / 8 / 87 / 25

HEX #BFB018

RGB 191 176 24

HSL 54.61, 0.78%, 0.42%

LAB 71, -9.36, 69.7

 

CMYK 0 / 31 / 87 / 25

HEX #BF8318

RGB 191 131 24

HSL 38.44, 0.78%, 0.42%

LAB 59.32, 14.89, 60.31

 

CMYK 0 / 55 / 87 / 25

HEX #BF5618

RGB 191 86 24

HSL 22.28, 0.78%, 0.42%

LAB 49.25, 39.02, 52.21

 

CMYK 0 / 79 / 87 / 25

HEX #BF2918

RGB 191 41 24

HSL 6.11, 0.78%, 0.42%

LAB 42.35, 57.53, 46.65

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 8 / 87 / 25

HEX #BFB018

RGB 191 176 24

HSL 54.61, 0.78%, 0.42%

LAB 71, -9.36, 69.7

 

CMYK 16 / 0 / 87 / 25

HEX #A1BF18

RGB 161 191 24

HSL 70.78, 0.78%, 0.42%

LAB 72.83, -29.72, 70.21

 

CMYK 40 / 0 / 87 / 25

HEX #73BF18

RGB 115 191 24

HSL 87.31, 0.78%, 0.42%

LAB 70.16, -47.35, 66.89

 

CMYK 63 / 0 / 87 / 25

HEX #46BF18

RGB 70 191 24

HSL 103.47, 0.78%, 0.42%

LAB 68.48, -60.34, 64.8

 

CMYK 87 / 0 / 87 / 25

HEX #19BF18

RGB 25 191 24

HSL 119.64, 0.78%, 0.42%

LAB 67.68, -67.31, 63.78

 

CMYK 0 / 8 / 87 / 25

HEX #BFB018

RGB 191 176 24

HSL 54.61, 0.78%, 0.42%

LAB 71, -9.36, 69.7

 

CMYK 0 / 9 / 97 / 18

HEX #D0BE06

RGB 208 190 6

HSL 54.65, 0.94%, 0.42%

LAB 76.22, -9.38, 76.92

 

CMYK 0 / 8 / 87 / 25

HEX #BFB018

RGB 191 176 24

HSL 54.61, 0.78%, 0.42%

LAB 71, -9.36, 69.7

 

CMYK 0 / 7 / 76 / 32

HEX #ADA129

RGB 173 161 41

HSL 54.55, 0.62%, 0.42%

LAB 65.38, -8.94, 59.58

 

CMYK 0 / 6 / 63 / 39

HEX #9C933A

RGB 156 147 58

HSL 54.49, 0.46%, 0.42%

LAB 60.11, -8.08, 46.96

 

CMYK 0 / 4 / 45 / 45

HEX #8B854C

RGB 139 133 76

HSL 54.29, 0.29%, 0.42%

LAB 54.85, -6.32, 31.43

 

CMYK 0 / 2 / 23 / 53

HEX #79775D

RGB 121 119 93

HSL 55.71, 0.13%, 0.42%

LAB 49.56, -3.88, 14.61

 

CMYK 0 / 55 / 87 / 25

HEX #BF5518

RGB 191 85 24

HSL 21.92, 0.78%, 0.42%

LAB 49.06, 39.52, 52.05

 

CMYK 0 / 32 / 87 / 25

HEX #BF8118

RGB 191 129 24

HSL 37.72, 0.78%, 0.42%

LAB 58.83, 16, 59.92

 

CMYK 0 / 9 / 87 / 25

HEX #BFAE18

RGB 191 174 24

HSL 53.89, 0.78%, 0.42%

LAB 70.47, -8.32, 69.27

 

CMYK 15 / 0 / 87 / 25

HEX #A3BF18

RGB 163 191 24

HSL 70.06, 0.78%, 0.42%

LAB 72.97, -28.89, 70.38

 

CMYK 38 / 0 / 87 / 25

HEX #76BF18

RGB 118 191 24

HSL 86.23, 0.78%, 0.42%

LAB 70.3, -46.31, 67.07

 

CMYK 0 / 8 / 88 / 54

HEX #756C0E

RGB 117 108 14

HSL 54.76, 0.79%, 0.26%

LAB 45, -6.77, 47.96

 

CMYK 0 / 8 / 88 / 40

HEX #9A8E13

RGB 154 142 19

HSL 54.67, 0.78%, 0.34%

LAB 58.29, -8.09, 59.1

 

CMYK 0 / 8 / 87 / 25

HEX #BFB018

RGB 191 176 24

HSL 54.61, 0.78%, 0.42%

LAB 71, -9.36, 69.7

 

CMYK 0 / 8 / 88 / 11

HEX #E3D11C

RGB 227 209 28

HSL 54.57, 0.78%, 0.5%

LAB 82.92, -10.52, 79.76

 

CMYK 0 / 6 / 72 / 9

HEX #E8D941

RGB 232 217 65

HSL 54.61, 0.78%, 0.58%

LAB 85.59, -11.24, 72.19

 

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

CMYK 87 / 0 / 79 / 25

HEX #18BF28

RGB 24 191 40

HSL 125.75, 0.78%, 0.42%

LAB 67.73, -66.57, 59.75

 

CMYK 44 / 87 / 0 / 25

HEX #6B18BF

RGB 107 24 191

HSL 269.82, 0.78%, 0.42%

LAB 33.01, 63.65, -69.72

 

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

CMYK 87 / 0 / 9 / 25

HEX #18BFAE

RGB 24 191 174

HSL 173.89, 0.78%, 0.42%

LAB 69.83, -42.72, -2.58

 

CMYK 9 / 87 / 0 / 25

HEX #AE18BF

RGB 174 24 191

HSL 293.89, 0.78%, 0.42%

LAB 43.38, 73.49, -52.38

 

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

CMYK 87 / 0 / 79 / 25

HEX #18BF28

RGB 24 191 40

HSL 125.75, 0.78%, 0.42%

LAB 67.73, -66.57, 59.75

 

CMYK 87 / 79 / 0 / 25

HEX #1828BF

RGB 24 40 191

HSL 234.25, 0.78%, 0.42%

LAB 28.04, 50.37, -78.15

 

CMYK 0 / 87 / 9 / 25

HEX #BF18AE

RGB 191 24 174

HSL 306.11, 0.78%, 0.42%

LAB 45.34, 73.96, -39.07

 

CMYK 0 / 8 / 88 / 25

HEX #C0B118

RGB 192 177 24

HSL 54.64, 0.78%, 0.42%

LAB 71.36, -9.43, 70.03

 

CMYK 87 / 0 / 53 / 25

HEX #18BF5A

RGB 24 191 90

HSL 143.71, 0.78%, 0.42%

LAB 68.16, -61.21, 39.69

 

CMYK 87 / 79 / 0 / 25

HEX #1828BF

RGB 24 40 191

HSL 234.25, 0.78%, 0.42%

LAB 28.04, 50.37, -78.15

 

CMYK 0 / 87 / 35 / 25

HEX #BF187C

RGB 191 24 124

HSL 324.07, 0.78%, 0.42%

LAB 43.04, 67.79, -12.41

 

Description

Color code: HEX #C0B118 | qconv.com Color code: HEX #C0B118 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 177 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 177 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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