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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0AF4A it is the complementary color #3F50B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0AF4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0AF4A shade: #C5AF45, #D6C158, #E7D36B, #F8E57E and #FFF791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0AF4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0AF4A shade: #C0AF4A, #AF9D37, #9E8B24, #8D7911 and #7C6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0AF4A shade: #BFAE49, #BF8E49, #BF6F49, #BF4F49 and #BF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0AF4A shade: #BFAE49, #B0BF49, #90BF49, #71BF49 and #51BF49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0AF4A shade matches the following richer shades: #BFAE49, #D3BC36, #E6CA22 and #FAD80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0AF4A shade: #BFAE49, #ABA05D, #979271, #838485 and #707699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0AF4A shade: #BF6F49, #BF8E49, #BFAD49, #B1BF49 and #92BF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0AF4A shade: #877A2F, #A5963A, #BFAE49, #CABC68 and #D4C986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0AF4A shade: #C0AF4A, #49BF4F and #7E49BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0AF4A shade: #C0AF4A, #49BFAD and #AD49BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0AF4A shade: #C0AF4A, #49BF4F, #495BBF and #BF49B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0AF4A shade: #C0AF4A, #49BF72, #495BBF and #BF4996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

Complementary color

CMYK 65 / 56 / 0 / 29

HEX #3F50B5

RGB 63 80 181

HSL 231.36, 0.48%, 0.48%

LAB 38.08, 26.23, -55.71

 

CMYK 0 / 11 / 65 / 23

HEX #C5AF45

RGB 197 175 69

HSL 49.69, 0.52%, 0.52%

LAB 71.53, -4.37, 55.44

 

CMYK 0 / 10 / 59 / 16

HEX #D6C158

RGB 214 193 88

HSL 50, 0.61%, 0.59%

LAB 77.96, -5.27, 54.45

 

CMYK 0 / 9 / 54 / 9

HEX #E7D36B

RGB 231 211 107

HSL 50.32, 0.72%, 0.66%

LAB 84.3, -6.03, 53.33

 

CMYK 0 / 8 / 49 / 3

HEX #F8E57E

RGB 248 229 126

HSL 50.66, 0.9%, 0.73%

LAB 90.55, -6.68, 52.16

 

CMYK 0 / 3 / 43 / 0

HEX #FFF791

RGB 255 247 145

HSL 55.64, 1%, 0.78%

LAB 95.92, -11.11, 49.82

 

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

CMYK 0 / 10 / 69 / 31

HEX #AF9D37

RGB 175 157 55

HSL 51, 0.52%, 0.45%

LAB 64.57, -5.24, 53.51

 

CMYK 0 / 12 / 77 / 38

HEX #9E8B24

RGB 158 139 36

HSL 50.66, 0.63%, 0.38%

LAB 57.91, -4.07, 53.88

 

CMYK 0 / 14 / 88 / 45

HEX #8D7911

RGB 141 121 17

HSL 50.32, 0.78%, 0.31%

LAB 51.13, -2.62, 53.22

 

CMYK 0 / 17 / 100 / 51

HEX #7C6700

RGB 124 103 0

HSL 49.84, 1%, 0.24%

LAB 44.21, -0.85, 50.99

 

CMYK 0 / 9 / 62 / 25

HEX #BFAE49

RGB 191 174 73

HSL 51.36, 0.48%, 0.52%

LAB 70.75, -6.16, 52.67

 

CMYK 0 / 26 / 62 / 25

HEX #BF8E49

RGB 191 142 73

HSL 35.08, 0.48%, 0.52%

LAB 62.43, 11.1, 43.32

 

CMYK 0 / 42 / 62 / 25

HEX #BF6F49

RGB 191 111 73

HSL 19.32, 0.48%, 0.52%

LAB 55, 28.14, 34.54

 

CMYK 0 / 59 / 62 / 25

HEX #BF4F49

RGB 191 79 73

HSL 3.05, 0.48%, 0.52%

LAB 48.45, 44.62, 26.42

 

CMYK 0 / 62 / 62 / 25

HEX #BF4949

RGB 191 73 73

HSL 0, 0.48%, 0.52%

LAB 47.39, 47.41, 25.07

 

CMYK 0 / 9 / 62 / 25

HEX #BFAE49

RGB 191 174 73

HSL 51.36, 0.48%, 0.52%

LAB 70.75, -6.16, 52.67

 

CMYK 8 / 0 / 62 / 25

HEX #B0BF49

RGB 176 191 73

HSL 67.63, 0.48%, 0.52%

LAB 74.17, -21.18, 56.03

 

CMYK 25 / 0 / 62 / 25

HEX #90BF49

RGB 144 191 73

HSL 83.9, 0.48%, 0.52%

LAB 72.01, -33.94, 53.05

 

CMYK 41 / 0 / 62 / 25

HEX #71BF49

RGB 113 191 73

HSL 99.66, 0.48%, 0.52%

LAB 70.35, -44.98, 50.75

 

CMYK 58 / 0 / 62 / 25

HEX #51BF49

RGB 81 191 73

HSL 115.93, 0.48%, 0.52%

LAB 69.11, -54.24, 49.01

 

CMYK 0 / 9 / 62 / 25

HEX #BFAE49

RGB 191 174 73

HSL 51.36, 0.48%, 0.52%

LAB 70.75, -6.16, 52.67

 

CMYK 0 / 11 / 74 / 17

HEX #D3BC36

RGB 211 188 54

HSL 51.21, 0.64%, 0.52%

LAB 76.12, -5.89, 66.37

 

CMYK 0 / 12 / 85 / 10

HEX #E6CA22

RGB 230 202 34

HSL 51.43, 0.8%, 0.52%

LAB 81.39, -5.56, 77.42

 

CMYK 0 / 14 / 94 / 2

HEX #FAD80E

RGB 250 216 14

HSL 51.36, 0.96%, 0.52%

LAB 86.73, -4.44, 85.57

 

CMYK 0 / 9 / 62 / 25

HEX #BFAE49

RGB 191 174 73

HSL 51.36, 0.48%, 0.52%

LAB 70.75, -6.16, 52.67

 

CMYK 0 / 6 / 46 / 33

HEX #ABA05D

RGB 171 160 93

HSL 51.54, 0.32%, 0.52%

LAB 65.43, -5.55, 36.23

 

CMYK 0 / 3 / 25 / 41

HEX #979271

RGB 151 146 113

HSL 52.11, 0.15%, 0.52%

LAB 60.19, -3.72, 18.2

 

CMYK 2 / 1 / 0 / 48

HEX #838485

RGB 131 132 133

HSL 210, 0.01%, 0.52%

LAB 55.09, -0.17, -0.67

 

CMYK 27 / 23 / 0 / 40

HEX #707699

RGB 112 118 153

HSL 231.22, 0.17%, 0.52%

LAB 50.34, 5.96, -19.63

 

CMYK 0 / 42 / 62 / 25

HEX #BF6F49

RGB 191 111 73

HSL 19.32, 0.48%, 0.52%

LAB 55, 28.14, 34.54

 

CMYK 0 / 26 / 62 / 25

HEX #BF8E49

RGB 191 142 73

HSL 35.08, 0.48%, 0.52%

LAB 62.43, 11.1, 43.32

 

CMYK 0 / 9 / 62 / 25

HEX #BFAD49

RGB 191 173 73

HSL 50.85, 0.48%, 0.52%

LAB 70.49, -5.64, 52.38

 

CMYK 7 / 0 / 62 / 25

HEX #B1BF49

RGB 177 191 73

HSL 67.12, 0.48%, 0.52%

LAB 74.25, -20.77, 56.14

 

CMYK 24 / 0 / 62 / 25

HEX #92BF49

RGB 146 191 73

HSL 82.88, 0.48%, 0.52%

LAB 72.13, -33.17, 53.22

 

CMYK 0 / 10 / 65 / 47

HEX #877A2F

RGB 135 122 47

HSL 51.14, 0.48%, 0.36%

LAB 51.01, -4.57, 41.65

 

CMYK 0 / 9 / 65 / 35

HEX #A5963A

RGB 165 150 58

HSL 51.59, 0.48%, 0.44%

LAB 61.76, -5.71, 48.98

 

CMYK 0 / 9 / 62 / 25

HEX #BFAE49

RGB 191 174 73

HSL 51.36, 0.48%, 0.52%

LAB 70.75, -6.16, 52.67

 

CMYK 0 / 7 / 49 / 21

HEX #CABC68

RGB 202 188 104

HSL 51.43, 0.48%, 0.6%

LAB 75.78, -6.35, 43.99

 

CMYK 0 / 5 / 37 / 17

HEX #D4C986

RGB 212 201 134

HSL 51.54, 0.48%, 0.68%

LAB 80.46, -5.92, 34.88

 

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

CMYK 62 / 0 / 59 / 25

HEX #49BF4F

RGB 73 191 79

HSL 123.05, 0.48%, 0.52%

LAB 68.93, -55.44, 46.03

 

CMYK 34 / 62 / 0 / 25

HEX #7E49BF

RGB 126 73 191

HSL 266.95, 0.48%, 0.52%

LAB 42.71, 46.27, -53.82

 

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

CMYK 62 / 0 / 9 / 25

HEX #49BFAD

RGB 73 191 173

HSL 170.85, 0.48%, 0.52%

LAB 70.66, -37.23, -0.72

 

CMYK 9 / 62 / 0 / 25

HEX #AD49BF

RGB 173 73 191

HSL 290.85, 0.48%, 0.52%

LAB 48.77, 57.49, -43.77

 

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

CMYK 62 / 0 / 59 / 25

HEX #49BF4F

RGB 73 191 79

HSL 123.05, 0.48%, 0.52%

LAB 68.93, -55.44, 46.03

 

CMYK 62 / 52 / 0 / 25

HEX #495BBF

RGB 73 91 191

HSL 230.85, 0.48%, 0.52%

LAB 42.25, 24.4, -54.79

 

CMYK 0 / 62 / 3 / 25

HEX #BF49B9

RGB 191 73 185

HSL 303.05, 0.48%, 0.52%

LAB 51.09, 60.92, -36.45

 

CMYK 0 / 9 / 61 / 25

HEX #C0AF4A

RGB 192 175 74

HSL 51.36, 0.48%, 0.52%

LAB 71.12, -6.19, 52.65

 

CMYK 62 / 0 / 40 / 25

HEX #49BF72

RGB 73 191 114

HSL 140.85, 0.48%, 0.52%

LAB 69.39, -50.23, 29.28

 

CMYK 62 / 52 / 0 / 25

HEX #495BBF

RGB 73 91 191

HSL 230.85, 0.48%, 0.52%

LAB 42.25, 24.4, -54.79

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

Description

Color code: HEX #C0AF4A | qconv.com Color code: HEX #C0AF4A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 175 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 175 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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