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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0AE18 it is the complementary color #3F51E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0AE18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0AE18 shade: #C5AE13, #D6C026, #E7D239, #F8E44C and #FFF65F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0AE18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0AE18 shade: #C0AE18, #AF9C05, #9E8A00, #8D7800 and #7C6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0AE18 shade: #BFAD18, #BF8018, #BF5318, #BF2618 and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0AE18 shade: #BFAD18, #A3BF18, #76BF18, #49BF18 and #1CBF18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0AE18 shade matches the following richer shades: #BFAD18 and #D0BA06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0AE18 shade: #BFAD18, #AD9F29, #9C923A, #8B844C and #79765D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0AE18 shade: #BF5218, #BF7F18, #BFAB18, #A6BF18 and #79BF18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0AE18 shade: #756A0E, #9A8B13, #BFAD18, #E3CE1C and #E8D641

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0AE18 shade: #C0AE18, #18BF25 and #6818BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0AE18 shade: #C0AE18, #18BFAB and #AB18BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0AE18 shade: #C0AE18, #18BF25, #182BBF and #BF18B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0AE18 shade: #C0AE18, #18BF58, #182BBF and #BF187F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

Complementary color

CMYK 73 / 65 / 0 / 9

HEX #3F51E7

RGB 63 81 231

HSL 233.57, 0.78%, 0.58%

LAB 42.32, 43.07, -77.65

 

CMYK 0 / 12 / 90 / 23

HEX #C5AE13

RGB 197 174 19

HSL 52.25, 0.82%, 0.42%

LAB 71, -5.76, 70.88

 

CMYK 0 / 10 / 82 / 16

HEX #D6C026

RGB 214 192 38

HSL 52.5, 0.7%, 0.49%

LAB 77.36, -7.23, 72.5

 

CMYK 0 / 9 / 75 / 9

HEX #E7D239

RGB 231 210 57

HSL 52.76, 0.78%, 0.56%

LAB 83.64, -8.48, 73.03

HEX #E7D239

CMYK 0 / 8 / 69 / 3

HEX #F8E44C

RGB 248 228 76

HSL 53.02, 0.92%, 0.64%

LAB 89.84, -9.56, 72.87

HEX #F8E44C

CMYK 0 / 4 / 63 / 0

HEX #FFF65F

RGB 255 246 95

HSL 56.63, 1%, 0.69%

LAB 95.16, -14.52, 71.19

HEX #FFF65F

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

CMYK 0 / 11 / 97 / 31

HEX #AF9C05

RGB 175 156 5

HSL 53.29, 0.94%, 0.35%

LAB 64.08, -6.28, 66.77

 

CMYK 0 / 13 / 100 / 38

HEX #9E8A00

RGB 158 138 0

HSL 52.41, 1%, 0.31%

LAB 57.51, -4.41, 62.02

 

CMYK 0 / 15 / 100 / 45

HEX #8D7800

RGB 141 120 0

HSL 51.06, 1%, 0.28%

LAB 50.8, -2.39, 56.47

 

CMYK 0 / 18 / 100 / 51

HEX #7C6600

RGB 124 102 0

HSL 49.35, 1%, 0.24%

LAB 43.93, -0.27, 50.79

 

CMYK 0 / 9 / 87 / 25

HEX #BFAD18

RGB 191 173 24

HSL 53.53, 0.78%, 0.42%

LAB 70.2, -7.79, 69.05

 

CMYK 0 / 33 / 87 / 25

HEX #BF8018

RGB 191 128 24

HSL 37.37, 0.78%, 0.42%

LAB 58.58, 16.55, 59.72

 

CMYK 0 / 57 / 87 / 25

HEX #BF5318

RGB 191 83 24

HSL 21.2, 0.78%, 0.42%

LAB 48.67, 40.5, 51.74

 

CMYK 0 / 80 / 87 / 25

HEX #BF2618

RGB 191 38 24

HSL 5.03, 0.78%, 0.42%

LAB 42.04, 58.4, 46.4

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 9 / 87 / 25

HEX #BFAD18

RGB 191 173 24

HSL 53.53, 0.78%, 0.42%

LAB 70.2, -7.79, 69.05

 

CMYK 15 / 0 / 87 / 25

HEX #A3BF18

RGB 163 191 24

HSL 70.06, 0.78%, 0.42%

LAB 72.97, -28.89, 70.38

 

CMYK 38 / 0 / 87 / 25

HEX #76BF18

RGB 118 191 24

HSL 86.23, 0.78%, 0.42%

LAB 70.3, -46.31, 67.07

 

CMYK 62 / 0 / 87 / 25

HEX #49BF18

RGB 73 191 24

HSL 102.4, 0.78%, 0.42%

LAB 68.57, -59.65, 64.9

 

CMYK 85 / 0 / 87 / 25

HEX #1CBF18

RGB 28 191 24

HSL 118.56, 0.78%, 0.42%

LAB 67.71, -67.05, 63.82

 

CMYK 0 / 9 / 87 / 25

HEX #BFAD18

RGB 191 173 24

HSL 53.53, 0.78%, 0.42%

LAB 70.2, -7.79, 69.05

 

CMYK 0 / 11 / 97 / 18

HEX #D0BA06

RGB 208 186 6

HSL 53.47, 0.94%, 0.42%

LAB 75.16, -7.33, 76.14

 

CMYK 0 / 9 / 87 / 25

HEX #BFAD18

RGB 191 173 24

HSL 53.53, 0.78%, 0.42%

LAB 70.2, -7.79, 69.05

 

CMYK 0 / 8 / 76 / 32

HEX #AD9F29

RGB 173 159 41

HSL 53.64, 0.62%, 0.42%

LAB 64.84, -7.88, 59.07

 

CMYK 0 / 6 / 63 / 39

HEX #9C923A

RGB 156 146 58

HSL 53.88, 0.46%, 0.42%

LAB 59.83, -7.54, 46.66

 

CMYK 0 / 5 / 45 / 45

HEX #8B844C

RGB 139 132 76

HSL 53.33, 0.29%, 0.42%

LAB 54.57, -5.77, 31.08

 

CMYK 0 / 2 / 23 / 53

HEX #79765D

RGB 121 118 93

HSL 53.57, 0.13%, 0.42%

LAB 49.27, -3.31, 14.22

 

CMYK 0 / 57 / 87 / 25

HEX #BF5218

RGB 191 82 24

HSL 20.84, 0.78%, 0.42%

LAB 48.48, 40.99, 51.59

 

CMYK 0 / 34 / 87 / 25

HEX #BF7F18

RGB 191 127 24

HSL 37.01, 0.78%, 0.42%

LAB 58.34, 17.1, 59.52

 

CMYK 0 / 10 / 87 / 25

HEX #BFAB18

RGB 191 171 24

HSL 52.81, 0.78%, 0.42%

LAB 69.66, -6.75, 68.62

 

CMYK 13 / 0 / 87 / 25

HEX #A6BF18

RGB 166 191 24

HSL 68.98, 0.78%, 0.42%

LAB 73.18, -27.64, 70.64

 

CMYK 37 / 0 / 87 / 25

HEX #79BF18

RGB 121 191 24

HSL 85.15, 0.78%, 0.42%

LAB 70.45, -45.25, 67.26

 

CMYK 0 / 9 / 88 / 54

HEX #756A0E

RGB 117 106 14

HSL 53.59, 0.79%, 0.26%

LAB 44.41, -5.64, 47.47

 

CMYK 0 / 10 / 88 / 40

HEX #9A8B13

RGB 154 139 19

HSL 53.33, 0.78%, 0.34%

LAB 57.45, -6.47, 58.42

 

CMYK 0 / 9 / 87 / 25

HEX #BFAD18

RGB 191 173 24

HSL 53.53, 0.78%, 0.42%

LAB 70.2, -7.79, 69.05

 

CMYK 0 / 9 / 88 / 11

HEX #E3CE1C

RGB 227 206 28

HSL 53.67, 0.78%, 0.5%

LAB 82.14, -9.01, 79.14

 

CMYK 0 / 8 / 72 / 9

HEX #E8D641

RGB 232 214 65

HSL 53.53, 0.78%, 0.58%

LAB 84.81, -9.74, 71.45

 

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

CMYK 87 / 0 / 81 / 25

HEX #18BF25

RGB 24 191 37

HSL 124.67, 0.78%, 0.42%

LAB 67.72, -66.75, 60.62

 

CMYK 46 / 87 / 0 / 25

HEX #6818BF

RGB 104 24 191

HSL 268.74, 0.78%, 0.42%

LAB 32.61, 63.3, -70.39

 

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

CMYK 87 / 0 / 10 / 25

HEX #18BFAB

RGB 24 191 171

HSL 172.81, 0.78%, 0.42%

LAB 69.75, -43.56, -1.06

 

CMYK 10 / 87 / 0 / 25

HEX #AB18BF

RGB 171 24 191

HSL 292.81, 0.78%, 0.42%

LAB 42.87, 72.98, -53.22

 

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

CMYK 87 / 0 / 81 / 25

HEX #18BF25

RGB 24 191 37

HSL 124.67, 0.78%, 0.42%

LAB 67.72, -66.75, 60.62

 

CMYK 87 / 77 / 0 / 25

HEX #182BBF

RGB 24 43 191

HSL 233.17, 0.78%, 0.42%

LAB 28.6, 48.77, -77.23

 

CMYK 0 / 87 / 7 / 25

HEX #BF18B1

RGB 191 24 177

HSL 305.03, 0.78%, 0.42%

LAB 45.5, 74.38, -40.59

 

CMYK 0 / 9 / 88 / 25

HEX #C0AE18

RGB 192 174 24

HSL 53.57, 0.78%, 0.42%

LAB 70.56, -7.87, 69.38

 

CMYK 87 / 0 / 54 / 25

HEX #18BF58

RGB 24 191 88

HSL 142.99, 0.78%, 0.42%

LAB 68.14, -61.51, 40.63

 

CMYK 87 / 77 / 0 / 25

HEX #182BBF

RGB 24 43 191

HSL 233.17, 0.78%, 0.42%

LAB 28.6, 48.77, -77.23

 

CMYK 0 / 87 / 34 / 25

HEX #BF187F

RGB 191 24 127

HSL 322.99, 0.78%, 0.42%

LAB 43.16, 68.1, -14.09

 

Description

Color code: HEX #C0AE18 | qconv.com Color code: HEX #C0AE18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 174 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 174 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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