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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0ADEE it is the complementary color #3F5211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0ADEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0ADEE shade: #C5ADE9, #D6BFFC, #E7D1FF, #F8E3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0ADEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0ADEE shade: #C0ADEE, #AF9BDB, #9E89C8, #8D77B5 and #7C65A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0ADEE shade: #C1AFEF, #D3AFEF, #E4AFEF, #EFAFE8 and #EFAFD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0ADEE shade: #C1AFEF, #B0AFEF and #AFAFEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0ADEE shade matches the following richer shades: #C1AFEF, #BEA7F6 and #BB9FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0ADEE shade: #C1AFEF, #C5B6E7, #C8BEDF, #CBC6D7 and #CECECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0ADEE shade: #AFBFEF, #B0AFEF, #C1AFEF, #D2AFEF and #E3AFEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0ADEE shade: #8D6AE0, #A78CE8, #C1AFEF, #DCD1F6 and #F6F3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0ADEE shade: #C0ADEE, #EFAFD0 and #B6EFAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0ADEE shade: #C0ADEE, #EFC1AF and #AFEFC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0ADEE shade: #C0ADEE, #EFAFD0, #DCEFAF and #AFEFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0ADEE shade: #C0ADEE, #EFAFBC, #DCEFAF and #AFEFE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

Complementary color

CMYK 23 / 0 / 79 / 68

HEX #3F5211

RGB 63 82 17

HSL 77.54, 0.66%, 0.19%

LAB 32.11, -17.92, 33.6

 

CMYK 15 / 26 / 0 / 9

HEX #C5ADE9

RGB 197 173 233

HSL 264, 0.58%, 0.8%

LAB 74.6, 20.2, -26.87

 

CMYK 15 / 24 / 0 / 1

HEX #D6BFFC

RGB 214 191 252

HSL 262.62, 0.91%, 0.87%

LAB 81.06, 19.72, -27.08

 

CMYK 9 / 18 / 0 / 0

HEX #E7D1FF

RGB 231 209 255

HSL 268.7, 1%, 0.91%

LAB 86.9, 16.02, -19.67

 

CMYK 3 / 11 / 0 / 0

HEX #F8E3FF

RGB 248 227 255

HSL 285, 1%, 0.95%

LAB 92.63, 12.05, -10.95

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

CMYK 20 / 29 / 0 / 14

HEX #AF9BDB

RGB 175 155 219

HSL 258.75, 0.47%, 0.73%

LAB 67.78, 20.29, -29.85

 

CMYK 21 / 32 / 0 / 22

HEX #9E89C8

RGB 158 137 200

HSL 260, 0.36%, 0.66%

LAB 61.07, 20.88, -29.75

 

CMYK 22 / 34 / 0 / 29

HEX #8D77B5

RGB 141 119 181

HSL 261.29, 0.3%, 0.59%

LAB 54.23, 21.53, -29.67

 

CMYK 23 / 38 / 0 / 36

HEX #7C65A2

RGB 124 101 162

HSL 262.62, 0.25%, 0.52%

LAB 47.24, 22.26, -29.63

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 12 / 27 / 0 / 6

HEX #D3AFEF

RGB 211 175 239

HSL 273.75, 0.67%, 0.81%

LAB 76.52, 24.75, -27.07

 

CMYK 5 / 27 / 0 / 6

HEX #E4AFEF

RGB 228 175 239

HSL 289.69, 0.67%, 0.81%

LAB 78.1, 30.12, -24.51

 

CMYK 0 / 27 / 3 / 6

HEX #EFAFE8

RGB 239 175 232

HSL 306.56, 0.67%, 0.81%

LAB 78.95, 32.37, -19.35

 

CMYK 0 / 27 / 10 / 6

HEX #EFAFD7

RGB 239 175 215

HSL 322.5, 0.67%, 0.81%

LAB 78.41, 29.44, -10.95

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 26 / 27 / 0 / 6

HEX #B0AFEF

RGB 176 175 239

HSL 240.94, 0.67%, 0.81%

LAB 73.62, 14.1, -31.76

 

CMYK 27 / 27 / 0 / 6

HEX #AFAFEF

RGB 175 175 239

HSL 240, 0.67%, 0.81%

LAB 73.55, 13.81, -31.89

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 23 / 32 / 0 / 4

HEX #BEA7F6

RGB 190 167 246

HSL 257.47, 0.81%, 0.81%

LAB 73.05, 24.29, -36.36

 

CMYK 26 / 37 / 0 / 0

HEX #BB9FFE

RGB 187 159 254

HSL 257.68, 0.98%, 0.81%

LAB 71.23, 29.74, -43.56

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 15 / 21 / 0 / 9

HEX #C5B6E7

RGB 197 182 231

HSL 258.37, 0.51%, 0.81%

LAB 76.74, 14.84, -22.52

 

CMYK 10 / 15 / 0 / 13

HEX #C8BEDF

RGB 200 190 223

HSL 258.18, 0.34%, 0.81%

LAB 78.71, 9.8, -15.19

 

CMYK 6 / 8 / 0 / 16

HEX #CBC6D7

RGB 203 198 215

HSL 257.65, 0.18%, 0.81%

LAB 80.73, 4.91, -7.84

 

CMYK 0 / 0 / 0 / 19

HEX #CECECF

RGB 206 206 207

HSL 240, 0.01%, 0.81%

LAB 82.79, 0.19, -0.5

 

CMYK 27 / 20 / 0 / 6

HEX #AFBFEF

RGB 175 191 239

HSL 225, 0.67%, 0.81%

LAB 77.64, 5.02, -25.6

 

CMYK 26 / 27 / 0 / 6

HEX #B0AFEF

RGB 176 175 239

HSL 240.94, 0.67%, 0.81%

LAB 73.62, 14.1, -31.76

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 12 / 27 / 0 / 6

HEX #D2AFEF

RGB 210 175 239

HSL 272.81, 0.67%, 0.81%

LAB 76.43, 24.43, -27.21

 

CMYK 5 / 27 / 0 / 6

HEX #E3AFEF

RGB 227 175 239

HSL 288.75, 0.67%, 0.81%

LAB 78.01, 29.8, -24.66

 

CMYK 37 / 53 / 0 / 12

HEX #8D6AE0

RGB 141 106 224

HSL 257.8, 0.66%, 0.65%

LAB 53.33, 40.04, -55.57

 

CMYK 28 / 40 / 0 / 9

HEX #A78CE8

RGB 167 140 232

HSL 257.61, 0.67%, 0.73%

LAB 64, 29.5, -42.97

 

CMYK 19 / 27 / 0 / 6

HEX #C1AFEF

RGB 193 175 239

HSL 256.88, 0.67%, 0.81%

LAB 74.97, 19.18, -29.58

 

CMYK 11 / 15 / 0 / 4

HEX #DCD1F6

RGB 220 209 246

HSL 257.84, 0.67%, 0.89%

LAB 85.74, 10.73, -16.75

 

CMYK 3 / 4 / 0 / 1

HEX #F6F3FD

RGB 246 243 253

HSL 258, 0.71%, 0.97%

LAB 96.32, 2.78, -4.45

 

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

CMYK 0 / 27 / 13 / 6

HEX #EFAFD0

RGB 239 175 208

HSL 329.06, 0.67%, 0.81%

LAB 78.21, 28.29, -7.46

 

CMYK 24 / 0 / 27 / 6

HEX #B6EFAF

RGB 182 239 175

HSL 113.44, 0.67%, 0.81%

LAB 89.29, -29.98, 25.26

 

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

CMYK 0 / 19 / 27 / 6

HEX #EFC1AF

RGB 239 193 175

HSL 16.88, 0.67%, 0.81%

LAB 81.61, 13.83, 15.27

 

CMYK 27 / 0 / 19 / 6

HEX #AFEFC1

RGB 175 239 193

HSL 136.88, 0.67%, 0.81%

LAB 89.25, -29.15, 15.87

 

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

CMYK 0 / 27 / 13 / 6

HEX #EFAFD0

RGB 239 175 208

HSL 329.06, 0.67%, 0.81%

LAB 78.21, 28.29, -7.46

 

CMYK 8 / 0 / 27 / 6

HEX #DCEFAF

RGB 220 239 175

HSL 77.81, 0.67%, 0.81%

LAB 91.7, -16.79, 28.95

 

CMYK 27 / 0 / 14 / 6

HEX #AFEFCD

RGB 175 239 205

HSL 148.13, 0.67%, 0.81%

LAB 89.51, -26.91, 10.01

 

CMYK 19 / 27 / 0 / 7

HEX #C0ADEE

RGB 192 173 238

HSL 257.54, 0.66%, 0.81%

LAB 74.36, 19.76, -29.98

 

CMYK 0 / 27 / 21 / 6

HEX #EFAFBC

RGB 239 175 188

HSL 347.81, 0.67%, 0.81%

LAB 77.66, 25.21, 2.62

 

CMYK 8 / 0 / 27 / 6

HEX #DCEFAF

RGB 220 239 175

HSL 77.81, 0.67%, 0.81%

LAB 91.7, -16.79, 28.95

 

CMYK 27 / 0 / 6 / 6

HEX #AFEFE1

RGB 175 239 225

HSL 166.88, 0.67%, 0.81%

LAB 89.99, -22.91, 0.28

 

Description

Color code: HEX #C0ADEE | qconv.com Color code: HEX #C0ADEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 173 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 173 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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