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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A8C8 it is the complementary color #3F5737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A8C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A8C8 shade: #C5A8C3, #D6BAD6, #E7CCE9, #F8DEFC and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A8C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A8C8 shade: #C0A8C8, #AF96B5, #9E84A2, #8D728F and #7C607C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A8C8 shade: #C0A7C8, #C8A7C7, #C8A7BF, #C8A7B6 and #C8A7AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A8C8 shade: #C0A7C8, #B7A7C8, #AEA7C8 and #A7A7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A8C8 shade matches the following richer shades: #C0A7C8, #C69CD4, #CB90DF, #D185EB and #D779F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A8C8 shade: #C0A7C8, #BAB3BC, #B4BEB1, #AECAA5 and #A9D59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A8C8 shade: #AEA7C8, #B7A7C8, #C0A7C8, #C8A7C7 and #C8A7BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A8C8 shade: #9B74A8, #AE8EB8, #C0A7C8, #D2C1D8 and #E4DAE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A8C8 shade: #C0A8C8, #C8A7A9 and #A7C8B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A8C8 shade: #C0A8C8, #C8C0A7 and #A7C8C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A8C8 shade: #C0A8C8, #C8A7A9, #AFC8A7 and #A7C8C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A8C8 shade: #C0A8C8, #C8AFA7, #AFC8A7 and #A7C0C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

Complementary color

CMYK 28 / 0 / 37 / 66

HEX #3F5737

RGB 63 87 55

HSL 105, 0.23%, 0.28%

LAB 34.29, -16.07, 15.75

 

CMYK 0 / 15 / 1 / 23

HEX #C5A8C3

RGB 197 168 195

HSL 304.14, 0.2%, 0.72%

LAB 72.11, 15.28, -9.86

 

CMYK 0 / 13 / 0 / 16

HEX #D6BAD6

RGB 214 186 214

HSL 300, 0.25%, 0.78%

LAB 78.62, 14.86, -10.35

 

CMYK 1 / 12 / 0 / 9

HEX #E7CCE9

RGB 231 204 233

HSL 295.86, 0.4%, 0.86%

LAB 85.03, 14.47, -10.83

 

CMYK 2 / 12 / 0 / 1

HEX #F8DEFC

RGB 248 222 252

HSL 292, 0.83%, 0.93%

LAB 91.34, 14.11, -11.3

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

CMYK 3 / 17 / 0 / 29

HEX #AF96B5

RGB 175 150 181

HSL 288.39, 0.17%, 0.65%

LAB 65.17, 14.97, -12.67

 

CMYK 2 / 19 / 0 / 36

HEX #9E84A2

RGB 158 132 162

HSL 292, 0.14%, 0.58%

LAB 58.4, 15.44, -12.24

 

CMYK 1 / 20 / 0 / 44

HEX #8D728F

RGB 141 114 143

HSL 295.86, 0.11%, 0.5%

LAB 51.47, 15.97, -11.79

 

CMYK 0 / 23 / 0 / 51

HEX #7C607C

RGB 124 96 124

HSL 300, 0.13%, 0.43%

LAB 44.38, 16.56, -11.33

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 0 / 17 / 0 / 22

HEX #C8A7C7

RGB 200 167 199

HSL 301.82, 0.23%, 0.72%

LAB 72.26, 17.61, -11.81

 

CMYK 0 / 17 / 5 / 22

HEX #C8A7BF

RGB 200 167 191

HSL 316.36, 0.23%, 0.72%

LAB 72.01, 16.14, -7.77

 

CMYK 0 / 17 / 9 / 22

HEX #C8A7B6

RGB 200 167 182

HSL 332.73, 0.23%, 0.72%

LAB 71.75, 14.54, -3.19

 

CMYK 0 / 17 / 14 / 22

HEX #C8A7AD

RGB 200 167 173

HSL 349.09, 0.23%, 0.72%

LAB 71.51, 13.02, 1.42

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 9 / 17 / 0 / 22

HEX #B7A7C8

RGB 183 167 200

HSL 269.09, 0.23%, 0.72%

LAB 70.78, 12.05, -14.72

 

CMYK 13 / 17 / 0 / 22

HEX #AEA7C8

RGB 174 167 200

HSL 252.73, 0.23%, 0.72%

LAB 70.04, 9.07, -15.92

 

CMYK 17 / 17 / 0 / 22

HEX #A7A7C8

RGB 167 167 200

HSL 240, 0.23%, 0.72%

LAB 69.49, 6.78, -16.81

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 7 / 26 / 0 / 17

HEX #C69CD4

RGB 198 156 212

HSL 285, 0.39%, 0.72%

LAB 69.85, 25.52, -22.63

 

CMYK 9 / 35 / 0 / 13

HEX #CB90DF

RGB 203 144 223

HSL 284.81, 0.55%, 0.72%

LAB 68, 35.89, -31.5

 

CMYK 11 / 43 / 0 / 8

HEX #D185EB

RGB 209 133 235

HSL 284.71, 0.72%, 0.72%

LAB 66.77, 45.99, -39.99

 

CMYK 13 / 51 / 0 / 4

HEX #D779F6

RGB 215 121 246

HSL 285.12, 0.87%, 0.72%

LAB 65.57, 56, -47.87

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 1 / 5 / 0 / 26

HEX #BAB3BC

RGB 186 179 188

HSL 286.67, 0.06%, 0.72%

LAB 73.75, 4.15, -3.69

 

CMYK 5 / 0 / 7 / 25

HEX #B4BEB1

RGB 180 190 177

HSL 106.15, 0.09%, 0.72%

LAB 75.89, -5.87, 5.36

 

CMYK 14 / 0 / 18 / 21

HEX #AECAA5

RGB 174 202 165

HSL 105.41, 0.26%, 0.72%

LAB 78.44, -16.3, 15.38

 

CMYK 21 / 0 / 28 / 16

HEX #A9D59A

RGB 169 213 154

HSL 104.75, 0.41%, 0.72%

LAB 80.94, -25.3, 24.6

 

CMYK 13 / 17 / 0 / 22

HEX #AEA7C8

RGB 174 167 200

HSL 252.73, 0.23%, 0.72%

LAB 70.04, 9.07, -15.92

 

CMYK 9 / 17 / 0 / 22

HEX #B7A7C8

RGB 183 167 200

HSL 269.09, 0.23%, 0.72%

LAB 70.78, 12.05, -14.72

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 0 / 17 / 0 / 22

HEX #C8A7C7

RGB 200 167 199

HSL 301.82, 0.23%, 0.72%

LAB 72.26, 17.61, -11.81

 

CMYK 0 / 17 / 5 / 22

HEX #C8A7BF

RGB 200 167 191

HSL 316.36, 0.23%, 0.72%

LAB 72.01, 16.14, -7.77

 

CMYK 8 / 31 / 0 / 34

HEX #9B74A8

RGB 155 116 168

HSL 285, 0.23%, 0.56%

LAB 54.33, 24.85, -21.9

 

CMYK 5 / 23 / 0 / 28

HEX #AE8EB8

RGB 174 142 184

HSL 285.71, 0.23%, 0.64%

LAB 63.18, 19.73, -17.37

 

CMYK 4 / 17 / 0 / 22

HEX #C0A7C8

RGB 192 167 200

HSL 285.45, 0.23%, 0.72%

LAB 71.56, 15.08, -13.47

 

CMYK 3 / 11 / 0 / 15

HEX #D2C1D8

RGB 210 193 216

HSL 284.35, 0.23%, 0.8%

LAB 80.07, 10.12, -9.31

 

CMYK 2 / 6 / 0 / 9

HEX #E4DAE8

RGB 228 218 232

HSL 282.86, 0.23%, 0.88%

LAB 88.19, 5.92, -5.63

 

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

CMYK 0 / 17 / 16 / 22

HEX #C8A7A9

RGB 200 167 169

HSL 356.36, 0.23%, 0.72%

LAB 71.41, 12.37, 3.48

 

CMYK 17 / 0 / 11 / 22

HEX #A7C8B3

RGB 167 200 179

HSL 141.82, 0.23%, 0.72%

LAB 77.74, -15.16, 6.84

 

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

CMYK 0 / 4 / 17 / 22

HEX #C8C0A7

RGB 200 192 167

HSL 45.45, 0.23%, 0.72%

LAB 77.74, -1.38, 13.61

 

CMYK 17 / 0 / 4 / 22

HEX #A7C8C0

RGB 167 200 192

HSL 165.45, 0.23%, 0.72%

LAB 78.07, -12.61, 0.31

 

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

CMYK 0 / 17 / 16 / 22

HEX #C8A7A9

RGB 200 167 169

HSL 356.36, 0.23%, 0.72%

LAB 71.41, 12.37, 3.48

 

CMYK 13 / 0 / 17 / 22

HEX #AFC8A7

RGB 175 200 167

HSL 105.45, 0.23%, 0.72%

LAB 78, -14.59, 13.71

 

CMYK 17 / 0 / 1 / 22

HEX #A7C8C6

RGB 167 200 198

HSL 176.36, 0.23%, 0.72%

LAB 78.23, -11.38, -2.69

 

CMYK 4 / 16 / 0 / 22

HEX #C0A8C8

RGB 192 168 200

HSL 285, 0.23%, 0.72%

LAB 71.81, 14.53, -13.1

 

CMYK 0 / 13 / 17 / 22

HEX #C8AFA7

RGB 200 175 167

HSL 14.55, 0.23%, 0.72%

LAB 73.37, 7.7, 7.4

 

CMYK 13 / 0 / 17 / 22

HEX #AFC8A7

RGB 175 200 167

HSL 105.45, 0.23%, 0.72%

LAB 78, -14.59, 13.71

 

CMYK 17 / 4 / 0 / 22

HEX #A7C0C8

RGB 167 192 200

HSL 194.55, 0.23%, 0.72%

LAB 76.12, -6.77, -6.88

 

Description

Color code: HEX #C0A8C8 | qconv.com Color code: HEX #C0A8C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 168 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 168 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 16 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 16% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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