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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A530 it is the complementary color #3F5ACF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A530. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A530 shade: #C5A52B, #D6B73E, #E7C951, #F8DB64 and #FFED77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A530. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A530 shade: #C0A530, #AF931D, #9E810A, #8D6F00 and #7C5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A530 shade: #C0A530, #C07E30, #C05730 and #C03030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A530 shade: #C0A530, #B4C030, #8DC030, #66C030 and #40C030

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A530 shade matches the following richer shades: #C0A530, #D3B11D and #E7BD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A530 shade: #C0A530, #AC9943, #998D57, #86806A and #72747E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A530 shade: #C05630, #C07D30, #C0A330, #B6C030 and #90C030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A530 shade: #7E6C1F, #9F8828, #C0A530, #D1B748 and #D9C469

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A530 shade: #C0A530, #30C030 and #6930C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A530 shade: #C0A530, #30C0A3 and #A330C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A530 shade: #C0A530, #30C030, #304DC0 and #C030C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A530 shade: #C0A530, #30C05B, #304DC0 and #C03095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

Complementary color

CMYK 70 / 57 / 0 / 19

HEX #3F5ACF

RGB 63 90 207

HSL 228.75, 0.6%, 0.53%

LAB 42.57, 29.07, -63.55

 

CMYK 0 / 16 / 78 / 23

HEX #C5A52B

RGB 197 165 43

HSL 47.53, 0.64%, 0.47%

LAB 68.72, -0.36, 62.8

 

CMYK 0 / 14 / 71 / 16

HEX #D6B73E

RGB 214 183 62

HSL 47.76, 0.65%, 0.54%

LAB 75.15, -1.64, 62.55

 

CMYK 0 / 13 / 65 / 9

HEX #E7C951

RGB 231 201 81

HSL 48, 0.76%, 0.61%

LAB 81.49, -2.72, 61.83

 

CMYK 0 / 12 / 60 / 3

HEX #F8DB64

RGB 248 219 100

HSL 48.24, 0.91%, 0.68%

LAB 87.75, -3.65, 60.86

 

CMYK 0 / 7 / 53 / 0

HEX #FFED77

RGB 255 237 119

HSL 52.06, 1%, 0.73%

LAB 93.08, -8.45, 58.58

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 0 / 16 / 83 / 31

HEX #AF931D

RGB 175 147 29

HSL 48.49, 0.72%, 0.4%

LAB 61.71, -0.96, 60.18

 

CMYK 0 / 18 / 94 / 38

HEX #9E810A

RGB 158 129 10

HSL 48.24, 0.88%, 0.33%

LAB 55.06, 0.71, 58.54

 

CMYK 0 / 21 / 100 / 45

HEX #8D6F00

RGB 141 111 0

HSL 47.23, 1%, 0.28%

LAB 48.3, 2.72, 54.72

 

CMYK 0 / 25 / 100 / 51

HEX #7C5D00

RGB 124 93 0

HSL 45, 1%, 0.24%

LAB 41.4, 5, 49.03

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 0 / 34 / 75 / 25

HEX #C07E30

RGB 192 126 48

HSL 32.5, 0.6%, 0.47%

LAB 58.36, 18.9, 50.8

 

CMYK 0 / 55 / 75 / 25

HEX #C05730

RGB 192 87 48

HSL 16.25, 0.6%, 0.47%

LAB 49.78, 39.7, 41.97

 

CMYK 0 / 75 / 75 / 25

HEX #C03030

RGB 192 48 48

HSL 0, 0.6%, 0.47%

LAB 43.56, 56.34, 35.22

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 6 / 0 / 75 / 25

HEX #B4C030

RGB 180 192 48

HSL 65, 0.6%, 0.47%

LAB 74.58, -21.43, 66.02

 

CMYK 27 / 0 / 75 / 25

HEX #8DC030

RGB 141 192 48

HSL 81.25, 0.6%, 0.47%

LAB 71.94, -37.25, 62.59

 

CMYK 47 / 0 / 75 / 25

HEX #66C030

RGB 102 192 48

HSL 97.5, 0.6%, 0.47%

LAB 69.99, -50.88, 60.03

 

CMYK 67 / 0 / 75 / 25

HEX #40C030

RGB 64 192 48

HSL 113.33, 0.6%, 0.47%

LAB 68.75, -60.68, 58.39

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 0 / 16 / 86 / 17

HEX #D3B11D

RGB 211 177 29

HSL 48.79, 0.76%, 0.47%

LAB 73.14, -0.97, 71.11

 

CMYK 0 / 18 / 96 / 9

HEX #E7BD09

RGB 231 189 9

HSL 48.65, 0.93%, 0.47%

LAB 78.11, 1.18, 78.96

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 0 / 11 / 61 / 33

HEX #AC9943

RGB 172 153 67

HSL 49.14, 0.44%, 0.47%

LAB 63.31, -3.63, 46.72

 

CMYK 0 / 8 / 43 / 40

HEX #998D57

RGB 153 141 87

HSL 49.09, 0.28%, 0.47%

LAB 58.52, -3.5, 30.38

 

CMYK 0 / 4 / 21 / 47

HEX #86806A

RGB 134 128 106

HSL 47.14, 0.12%, 0.47%

LAB 53.54, -1.61, 12.78

 

CMYK 10 / 8 / 0 / 51

HEX #72747E

RGB 114 116 126

HSL 230, 0.05%, 0.47%

LAB 48.98, 1.37, -5.75

 

CMYK 0 / 55 / 75 / 25

HEX #C05630

RGB 192 86 48

HSL 15.83, 0.6%, 0.47%

LAB 49.59, 40.2, 41.77

 

CMYK 0 / 35 / 75 / 25

HEX #C07D30

RGB 192 125 48

HSL 32.08, 0.6%, 0.47%

LAB 58.12, 19.45, 50.56

 

CMYK 0 / 15 / 75 / 25

HEX #C0A330

RGB 192 163 48

HSL 47.92, 0.6%, 0.47%

LAB 67.74, -1.29, 59.94

 

CMYK 5 / 0 / 75 / 25

HEX #B6C030

RGB 182 192 48

HSL 64.17, 0.6%, 0.47%

LAB 74.74, -20.59, 66.22

 

CMYK 25 / 0 / 75 / 25

HEX #90C030

RGB 144 192 48

HSL 80, 0.6%, 0.47%

LAB 72.12, -36.09, 62.82

 

CMYK 0 / 14 / 75 / 51

HEX #7E6C1F

RGB 126 108 31

HSL 48.63, 0.61%, 0.31%

LAB 45.99, -1.79, 43.33

 

CMYK 0 / 14 / 75 / 38

HEX #9F8828

RGB 159 136 40

HSL 48.4, 0.6%, 0.39%

LAB 57.2, -1.78, 51.75

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 0 / 12 / 66 / 18

HEX #D1B748

RGB 209 183 72

HSL 48.61, 0.6%, 0.55%

LAB 74.76, -3.24, 57.91

 

CMYK 0 / 10 / 52 / 15

HEX #D9C469

RGB 217 196 105

HSL 48.75, 0.6%, 0.63%

LAB 79.19, -4.24, 47.93

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 75 / 0 / 75 / 25

HEX #30C030

RGB 48 192 48

HSL 120, 0.6%, 0.47%

LAB 68.42, -63.52, 57.95

 

CMYK 45 / 75 / 0 / 25

HEX #6930C0

RGB 105 48 192

HSL 263.75, 0.6%, 0.47%

LAB 35.84, 54.91, -65.67

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 75 / 0 / 15 / 25

HEX #30C0A3

RGB 48 192 163

HSL 167.92, 0.6%, 0.47%

LAB 70.16, -43.99, 3.94

 

CMYK 15 / 75 / 0 / 25

HEX #A330C0

RGB 163 48 192

HSL 287.92, 0.6%, 0.47%

LAB 43.81, 65.42, -52.37

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 75 / 0 / 75 / 25

HEX #30C030

RGB 48 192 48

HSL 120, 0.6%, 0.47%

LAB 68.42, -63.52, 57.95

 

CMYK 75 / 60 / 0 / 25

HEX #304DC0

RGB 48 77 192

HSL 227.92, 0.6%, 0.47%

LAB 37.38, 30.08, -63.34

 

CMYK 0 / 75 / 0 / 25

HEX #C030C0

RGB 192 48 192

HSL 300, 0.6%, 0.47%

LAB 48.42, 71.29, -44.73

 

CMYK 0 / 14 / 75 / 25

HEX #C0A530

RGB 192 165 48

HSL 48.75, 0.6%, 0.47%

LAB 68.26, -2.36, 60.44

 

CMYK 75 / 0 / 53 / 25

HEX #30C05B

RGB 48 192 91

HSL 137.92, 0.6%, 0.47%

LAB 68.81, -58.77, 40.07

 

CMYK 75 / 60 / 0 / 25

HEX #304DC0

RGB 48 77 192

HSL 227.92, 0.6%, 0.47%

LAB 37.38, 30.08, -63.34

 

CMYK 0 / 75 / 22 / 25

HEX #C03095

RGB 192 48 149

HSL 317.92, 0.6%, 0.47%

LAB 46.3, 65.03, -22.64

 

Description

Color code: HEX #C0A530 | qconv.com Color code: HEX #C0A530 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 165 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 165 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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