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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09C7F it is the complementary color #3F6380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09C7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09C7F shade: #C59C7A, #D6AE8D, #E7C0A0, #F8D2B3 and #FFE4C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09C7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09C7F shade: #C09C7F, #AF8A6C, #9E7859, #8D6646 and #7C5433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09C7F shade: #C19D81, #C18C81 and #C18181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09C7F shade: #C19D81, #C1AE81, #C1C081, #B0C181 and #9FC181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09C7F shade matches the following richer shades: #C19D81, #D09C71, #DF9A62, #EF9853 and #FE9744

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09C7F shade: #C19D81, #B19F90, #A2A09F, #93A2AE and #84A4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09C7F shade: #C18187, #C18B81, #C19C81, #C1AD81 and #C1BF81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09C7F shade: #A0734F, #B38865, #C19D81, #CEB39C and #DCC8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09C7F shade: #C09C7F, #98C181 and #8381C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09C7F shade: #C09C7F, #81C19C and #9C81C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09C7F shade: #C09C7F, #98C181, #81A5C1 and #A981C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09C7F shade: #C09C7F, #85C181, #81A5C1 and #BC81C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

Complementary color

CMYK 51 / 23 / 0 / 50

HEX #3F6380

RGB 63 99 128

HSL 206.77, 0.34%, 0.37%

LAB 40.47, -4.21, -20.17

 

CMYK 0 / 21 / 38 / 23

HEX #C59C7A

RGB 197 156 122

HSL 27.2, 0.39%, 0.63%

LAB 67.32, 10.6, 23.61

 

CMYK 0 / 19 / 34 / 16

HEX #D6AE8D

RGB 214 174 141

HSL 27.12, 0.47%, 0.7%

LAB 73.86, 9.93, 22.44

 

CMYK 0 / 17 / 31 / 9

HEX #E7C0A0

RGB 231 192 160

HSL 27.04, 0.6%, 0.77%

LAB 80.31, 9.35, 21.34

 

CMYK 0 / 15 / 28 / 3

HEX #F8D2B3

RGB 248 210 179

HSL 26.96, 0.83%, 0.84%

LAB 86.65, 8.83, 20.32

 

CMYK 0 / 11 / 22 / 0

HEX #FFE4C6

RGB 255 228 198

HSL 31.58, 1%, 0.89%

LAB 92.05, 4.71, 18.02

 

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

CMYK 0 / 21 / 38 / 31

HEX #AF8A6C

RGB 175 138 108

HSL 26.87, 0.3%, 0.55%

LAB 60.22, 9.88, 21.43

 

CMYK 0 / 24 / 44 / 38

HEX #9E7859

RGB 158 120 89

HSL 26.96, 0.28%, 0.48%

LAB 53.41, 10.67, 22.74

 

CMYK 0 / 28 / 50 / 45

HEX #8D6646

RGB 141 102 70

HSL 27.04, 0.34%, 0.41%

LAB 46.46, 11.63, 24.2

 

CMYK 0 / 32 / 59 / 51

HEX #7C5433

RGB 124 84 51

HSL 27.12, 0.42%, 0.34%

LAB 39.35, 12.8, 25.82

 

CMYK 0 / 19 / 33 / 24

HEX #C19D81

RGB 193 157 129

HSL 26.25, 0.34%, 0.63%

LAB 67.3, 9.31, 19.68

 

CMYK 0 / 27 / 33 / 24

HEX #C18C81

RGB 193 140 129

HSL 10.31, 0.34%, 0.63%

LAB 63.08, 18.67, 13.84

 

CMYK 0 / 33 / 33 / 24

HEX #C18181

RGB 193 129 129

HSL 0, 0.34%, 0.63%

LAB 60.45, 24.74, 10.14

 

CMYK 0 / 19 / 33 / 24

HEX #C19D81

RGB 193 157 129

HSL 26.25, 0.34%, 0.63%

LAB 67.3, 9.31, 19.68

 

CMYK 0 / 10 / 33 / 24

HEX #C1AE81

RGB 193 174 129

HSL 42.19, 0.34%, 0.63%

LAB 71.69, 0.11, 25.63

 

CMYK 0 / 1 / 33 / 24

HEX #C1C081

RGB 193 192 129

HSL 59.06, 0.34%, 0.63%

LAB 76.45, -9.36, 31.94

 

CMYK 9 / 0 / 33 / 24

HEX #B0C181

RGB 176 193 129

HSL 75.94, 0.34%, 0.63%

LAB 75.42, -16.47, 30.35

 

CMYK 18 / 0 / 33 / 24

HEX #9FC181

RGB 159 193 129

HSL 91.88, 0.34%, 0.63%

LAB 74.25, -22.85, 28.59

 

CMYK 0 / 19 / 33 / 24

HEX #C19D81

RGB 193 157 129

HSL 26.25, 0.34%, 0.63%

LAB 67.3, 9.31, 19.68

 

CMYK 0 / 25 / 46 / 18

HEX #D09C71

RGB 208 156 113

HSL 27.16, 0.5%, 0.63%

LAB 68.3, 14.07, 30.02

 

CMYK 0 / 31 / 56 / 13

HEX #DF9A62

RGB 223 154 98

HSL 26.88, 0.66%, 0.63%

LAB 69.24, 19.93, 39.52

 

CMYK 0 / 36 / 65 / 6

HEX #EF9853

RGB 239 152 83

HSL 26.54, 0.83%, 0.63%

LAB 70.48, 26.49, 49.05

 

CMYK 0 / 41 / 73 / 0

HEX #FE9744

RGB 254 151 68

HSL 26.77, 0.99%, 0.63%

LAB 71.97, 32.3, 58.26

 

CMYK 0 / 19 / 33 / 24

HEX #C19D81

RGB 193 157 129

HSL 26.25, 0.34%, 0.63%

LAB 67.3, 9.31, 19.68

 

CMYK 0 / 10 / 19 / 31

HEX #B19F90

RGB 177 159 144

HSL 27.27, 0.17%, 0.63%

LAB 66.64, 4.09, 10.22

 

CMYK 0 / 1 / 2 / 36

HEX #A2A09F

RGB 162 160 159

HSL 20, 0.02%, 0.63%

LAB 66, 0.53, 0.77

 

CMYK 16 / 7 / 0 / 32

HEX #93A2AE

RGB 147 162 174

HSL 206.67, 0.14%, 0.63%

LAB 65.83, -2.73, -8.01

 

CMYK 31 / 14 / 0 / 25

HEX #84A4BE

RGB 132 164 190

HSL 206.9, 0.31%, 0.63%

LAB 65.88, -4.8, -16.95

 

CMYK 0 / 33 / 30 / 24

HEX #C18187

RGB 193 129 135

HSL 354.38, 0.34%, 0.63%

LAB 60.59, 25.54, 6.91

 

CMYK 0 / 28 / 33 / 24

HEX #C18B81

RGB 193 139 129

HSL 9.37, 0.34%, 0.63%

LAB 62.83, 19.22, 13.5

 

CMYK 0 / 19 / 33 / 24

HEX #C19C81

RGB 193 156 129

HSL 25.31, 0.34%, 0.63%

LAB 67.05, 9.86, 19.34

 

CMYK 0 / 10 / 33 / 24

HEX #C1AD81

RGB 193 173 129

HSL 41.25, 0.34%, 0.63%

LAB 71.43, 0.64, 25.28

 

CMYK 0 / 1 / 33 / 24

HEX #C1BF81

RGB 193 191 129

HSL 58.13, 0.34%, 0.63%

LAB 76.18, -8.84, 31.59

 

CMYK 0 / 28 / 51 / 37

HEX #A0734F

RGB 160 115 79

HSL 26.67, 0.34%, 0.47%

LAB 52.17, 13.32, 26.85

 

CMYK 0 / 24 / 44 / 30

HEX #B38865

RGB 179 136 101

HSL 26.92, 0.34%, 0.55%

LAB 60.01, 11.84, 25.13

 

CMYK 0 / 19 / 33 / 24

HEX #C19D81

RGB 193 157 129

HSL 26.25, 0.34%, 0.63%

LAB 67.3, 9.31, 19.68

 

CMYK 0 / 13 / 24 / 19

HEX #CEB39C

RGB 206 179 156

HSL 27.6, 0.34%, 0.71%

LAB 74.67, 6.15, 15.32

 

CMYK 0 / 9 / 16 / 14

HEX #DCC8B8

RGB 220 200 184

HSL 26.67, 0.34%, 0.79%

LAB 81.83, 4.41, 10.53

 

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

CMYK 21 / 0 / 33 / 24

HEX #98C181

RGB 152 193 129

HSL 98.44, 0.34%, 0.63%

LAB 73.8, -25.39, 27.91

 

CMYK 32 / 33 / 0 / 24

HEX #8381C1

RGB 131 129 193

HSL 241.88, 0.34%, 0.63%

LAB 56.46, 15.68, -33.12

 

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

CMYK 33 / 0 / 19 / 24

HEX #81C19C

RGB 129 193 156

HSL 145.31, 0.34%, 0.63%

LAB 73.03, -28.38, 12.22

 

CMYK 19 / 33 / 0 / 24

HEX #9C81C1

RGB 156 129 193

HSL 265.31, 0.34%, 0.63%

LAB 58.62, 23.22, -29.6

 

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

CMYK 21 / 0 / 33 / 24

HEX #98C181

RGB 152 193 129

HSL 98.44, 0.34%, 0.63%

LAB 73.8, -25.39, 27.91

 

CMYK 33 / 15 / 0 / 24

HEX #81A5C1

RGB 129 165 193

HSL 206.25, 0.34%, 0.63%

LAB 66.08, -5.47, -18.34

 

CMYK 12 / 33 / 0 / 24

HEX #A981C1

RGB 169 129 193

HSL 277.5, 0.34%, 0.63%

LAB 59.88, 27.32, -27.56

 

CMYK 0 / 19 / 34 / 25

HEX #C09C7F

RGB 192 156 127

HSL 26.77, 0.34%, 0.63%

LAB 66.91, 9.2, 20.23

 

CMYK 31 / 0 / 33 / 24

HEX #85C181

RGB 133 193 129

HSL 116.25, 0.34%, 0.63%

LAB 72.7, -31.96, 26.24

 

CMYK 33 / 15 / 0 / 24

HEX #81A5C1

RGB 129 165 193

HSL 206.25, 0.34%, 0.63%

LAB 66.08, -5.47, -18.34

 

CMYK 3 / 33 / 0 / 24

HEX #BC81C1

RGB 188 129 193

HSL 295.31, 0.34%, 0.63%

LAB 61.86, 33.42, -24.33

 

Description

Color code: HEX #C09C7F | qconv.com Color code: HEX #C09C7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 156 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 156 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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