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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C098AC it is the complementary color #3F6753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C098AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C098AC shade: #C598A7, #D6AABA, #E7BCCD, #F8CEE0 and #FFE0F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C098AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C098AC shade: #C098AC, #AF8699, #9E7486, #8D6273 and #7C5060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C098AC shade: #BF97AB, #BF97A0 and #BF9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C098AC shade: #BF97AB, #BF97B6, #BD97BF, #B397BF and #A897BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C098AC shade matches the following richer shades: #BF97AB, #CD89AB, #DA7BAB, #E86EAB and #F660AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C098AC shade: #BF97AB, #B1A4AB, #A4B2AB, #96C0AB and #89CDAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C098AC shade: #BE97BF, #BF97B6, #BF97AB, #BF97A0 and #BF9897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C098AC shade: #A06382, #AF7D96, #BF97AB, #CFB0BF and #DECAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C098AC shade: #C098AC, #BFB397 and #97BBBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C098AC shade: #C098AC, #ABBF97 and #97ABBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C098AC shade: #C098AC, #BFB397, #97BFAB and #97A3BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C098AC shade: #C098AC, #BFBF97, #97BFAB and #9797BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

Complementary color

CMYK 39 / 0 / 19 / 60

HEX #3F6753

RGB 63 103 83

HSL 150, 0.24%, 0.33%

LAB 40.22, -19.05, 6.89

 

CMYK 0 / 23 / 15 / 23

HEX #C598A7

RGB 197 152 167

HSL 340, 0.28%, 0.68%

LAB 67.36, 19.16, -1.33

 

CMYK 0 / 21 / 13 / 16

HEX #D6AABA

RGB 214 170 186

HSL 338.18, 0.35%, 0.75%

LAB 73.93, 18.6, -2.04

 

CMYK 0 / 19 / 11 / 9

HEX #E7BCCD

RGB 231 188 205

HSL 336.28, 0.47%, 0.82%

LAB 80.38, 18.09, -2.71

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEE0

RGB 248 206 224

HSL 334.29, 0.75%, 0.89%

LAB 86.74, 17.61, -3.34

 

CMYK 0 / 12 / 5 / 0

HEX #FFE0F3

RGB 255 224 243

HSL 323.23, 1%, 0.94%

LAB 92.15, 13.8, -5.32

 

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

CMYK 0 / 23 / 13 / 31

HEX #AF8699

RGB 175 134 153

HSL 332.2, 0.2%, 0.61%

LAB 60.31, 18.77, -4.05

 

CMYK 0 / 27 / 15 / 38

HEX #9E7486

RGB 158 116 134

HSL 334.29, 0.18%, 0.54%

LAB 53.47, 19.4, -3.34

 

CMYK 0 / 30 / 18 / 45

HEX #8D6273

RGB 141 98 115

HSL 336.28, 0.18%, 0.47%

LAB 46.49, 20.12, -2.56

 

CMYK 0 / 35 / 23 / 51

HEX #7C5060

RGB 124 80 96

HSL 338.18, 0.22%, 0.4%

LAB 39.36, 20.93, -1.67

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 21 / 16 / 25

HEX #BF97A0

RGB 191 151 160

HSL 346.5, 0.24%, 0.67%

LAB 66.33, 16.36, 1

 

CMYK 0 / 21 / 21 / 25

HEX #BF9797

RGB 191 151 151

HSL 0, 0.24%, 0.67%

LAB 66.09, 14.94, 5.71

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 21 / 5 / 25

HEX #BF97B6

RGB 191 151 182

HSL 313.5, 0.24%, 0.67%

LAB 66.97, 20.17, -10.38

 

CMYK 1 / 21 / 0 / 25

HEX #BD97BF

RGB 189 151 191

HSL 297, 0.24%, 0.67%

LAB 67.06, 21.16, -15.29

 

CMYK 6 / 21 / 0 / 25

HEX #B397BF

RGB 179 151 191

HSL 282, 0.24%, 0.67%

LAB 66.12, 17.78, -16.8

 

CMYK 12 / 21 / 0 / 25

HEX #A897BF

RGB 168 151 191

HSL 265.5, 0.24%, 0.67%

LAB 65.14, 14.1, -18.39

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 33 / 17 / 20

HEX #CD89AB

RGB 205 137 171

HSL 330, 0.4%, 0.67%

LAB 64.81, 30.91, -7.25

 

CMYK 0 / 44 / 22 / 15

HEX #DA7BAB

RGB 218 123 171

HSL 329.68, 0.56%, 0.67%

LAB 63.35, 42.83, -9.26

 

CMYK 0 / 53 / 26 / 9

HEX #E86EAB

RGB 232 110 171

HSL 330, 0.73%, 0.67%

LAB 62.72, 53.85, -10.01

 

CMYK 0 / 61 / 30 / 4

HEX #F660AB

RGB 246 96 171

HSL 330, 0.89%, 0.67%

LAB 62.42, 64.36, -10.24

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 7 / 3 / 31

HEX #B1A4AB

RGB 177 164 171

HSL 327.69, 0.08%, 0.67%

LAB 68.63, 5.97, -1.92

 

CMYK 8 / 0 / 4 / 30

HEX #A4B2AB

RGB 164 178 171

HSL 150, 0.08%, 0.67%

LAB 71.33, -6.22, 1.9

 

CMYK 22 / 0 / 11 / 25

HEX #96C0AB

RGB 150 192 171

HSL 150, 0.25%, 0.67%

LAB 74.27, -18.25, 6.02

 

CMYK 33 / 0 / 17 / 20

HEX #89CDAB

RGB 137 205 171

HSL 150, 0.4%, 0.67%

LAB 77.23, -28.75, 10.17

 

CMYK 1 / 21 / 0 / 25

HEX #BE97BF

RGB 190 151 191

HSL 298.5, 0.24%, 0.67%

LAB 67.16, 21.51, -15.13

 

CMYK 0 / 21 / 5 / 25

HEX #BF97B6

RGB 191 151 182

HSL 313.5, 0.24%, 0.67%

LAB 66.97, 20.17, -10.38

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 21 / 16 / 25

HEX #BF97A0

RGB 191 151 160

HSL 346.5, 0.24%, 0.67%

LAB 66.33, 16.36, 1

 

CMYK 0 / 20 / 21 / 25

HEX #BF9897

RGB 191 152 151

HSL 1.5, 0.24%, 0.67%

LAB 66.34, 14.39, 6.07

 

CMYK 0 / 38 / 19 / 37

HEX #A06382

RGB 160 99 130

HSL 329.51, 0.24%, 0.51%

LAB 49.51, 29.17, -6.83

 

CMYK 0 / 29 / 14 / 31

HEX #AF7D96

RGB 175 125 150

HSL 330, 0.24%, 0.59%

LAB 58.02, 23.32, -5.71

 

CMYK 0 / 21 / 10 / 25

HEX #BF97AB

RGB 191 151 171

HSL 330, 0.24%, 0.67%

LAB 66.63, 18.21, -4.72

 

CMYK 0 / 15 / 8 / 19

HEX #CFB0BF

RGB 207 176 191

HSL 330.97, 0.24%, 0.75%

LAB 74.87, 13.7, -3.47

 

CMYK 0 / 9 / 5 / 13

HEX #DECAD4

RGB 222 202 212

HSL 330, 0.23%, 0.83%

LAB 83.19, 8.7, -2.44

 

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

CMYK 0 / 6 / 21 / 25

HEX #BFB397

RGB 191 179 151

HSL 42, 0.24%, 0.67%

LAB 73.25, -0.31, 15.85

HEX #BFB397

CMYK 21 / 2 / 0 / 25

HEX #97BBBF

RGB 151 187 191

HSL 186, 0.24%, 0.67%

LAB 73.47, -11.14, -6.02

HEX #97BBBF

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

CMYK 10 / 0 / 21 / 25

HEX #ABBF97

RGB 171 191 151

HSL 90, 0.24%, 0.67%

LAB 74.92, -14.08, 17.94

 

CMYK 21 / 10 / 0 / 25

HEX #97ABBF

RGB 151 171 191

HSL 210, 0.24%, 0.67%

LAB 69.09, -2.57, -12.55

 

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

CMYK 0 / 6 / 21 / 25

HEX #BFB397

RGB 191 179 151

HSL 42, 0.24%, 0.67%

LAB 73.25, -0.31, 15.85

HEX #BFB397

CMYK 21 / 0 / 10 / 25

HEX #97BFAB

RGB 151 191 171

HSL 150, 0.24%, 0.67%

LAB 74.05, -17.41, 5.72

HEX #97BFAB

CMYK 21 / 15 / 0 / 25

HEX #97A3BF

RGB 151 163 191

HSL 222, 0.24%, 0.67%

LAB 66.93, 1.84, -15.8

HEX #97A3BF

CMYK 0 / 21 / 10 / 25

HEX #C098AC

RGB 192 152 172

HSL 330, 0.24%, 0.67%

LAB 67.01, 18.19, -4.72

 

CMYK 0 / 0 / 21 / 25

HEX #BFBF97

RGB 191 191 151

HSL 60, 0.24%, 0.67%

LAB 76.42, -6.64, 20.24

 

CMYK 21 / 0 / 10 / 25

HEX #97BFAB

RGB 151 191 171

HSL 150, 0.24%, 0.67%

LAB 74.05, -17.41, 5.72

 

CMYK 21 / 21 / 0 / 25

HEX #9797BF

RGB 151 151 191

HSL 240, 0.24%, 0.67%

LAB 63.73, 8.57, -20.65

 

Description

Color code: HEX #C098AC | qconv.com Color code: HEX #C098AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 152 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 152 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 10 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 10% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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