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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C095E3 it is the complementary color #3F6A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C095E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C095E3 shade: #C595DE, #D6A7F1, #E7B9FF, #F8CBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C095E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C095E3 shade: #C095E3, #AF83D0, #9E71BD, #8D5FAA and #7C4D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C095E3 shade: #C096E3, #D596E3, #E396DC, #E396C7 and #E396B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C095E3 shade: #C096E3, #AB96E3, #9796E3 and #9696E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C095E3 shade matches the following richer shades: #C096E3, #C18BED and #C280F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C095E3 shade: #C096E3, #BFA0D8, #BEABCD, #BDB6C2 and #BCC1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C095E3 shade: #9796E3, #AC96E3, #C096E3, #D596E3 and #E396DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C095E3 shade: #9955D1, #AD75DA, #C096E3, #D4B6EB and #E7D7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C095E3 shade: #C095E3, #E396A9 and #96E3A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C095E3 shade: #C095E3, #E3C096 and #96E3C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C095E3 shade: #C095E3, #E396A9, #B8E396 and #96E3CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C095E3 shade: #C095E3, #E39A96, #B8E396 and #96DFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

Complementary color

CMYK 41 / 0 / 74 / 58

HEX #3F6A1C

RGB 63 106 28

HSL 93.08, 0.58%, 0.26%

LAB 40.33, -29.15, 37.27

 

CMYK 11 / 33 / 0 / 13

HEX #C595DE

RGB 197 149 222

HSL 279.45, 0.53%, 0.73%

LAB 68.49, 31.09, -30.24

 

CMYK 11 / 31 / 0 / 5

HEX #D6A7F1

RGB 214 167 241

HSL 278.11, 0.73%, 0.8%

LAB 75, 30.44, -30.45

 

CMYK 9 / 27 / 0 / 0

HEX #E7B9FF

RGB 231 185 255

HSL 279.43, 1%, 0.86%

LAB 81.24, 28.83, -28.28

 

CMYK 3 / 20 / 0 / 0

HEX #F8CBFF

RGB 248 203 255

HSL 291.92, 1%, 0.9%

LAB 86.94, 24.64, -19.47

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

CMYK 16 / 37 / 0 / 18

HEX #AF83D0

RGB 175 131 208

HSL 274.29, 0.45%, 0.66%

LAB 61.57, 31.33, -33.35

 

CMYK 16 / 40 / 0 / 26

HEX #9E71BD

RGB 158 113 189

HSL 275.53, 0.37%, 0.59%

LAB 54.82, 32.1, -33.22

 

CMYK 17 / 44 / 0 / 33

HEX #8D5FAA

RGB 141 95 170

HSL 276.8, 0.31%, 0.52%

LAB 47.94, 32.92, -33.1

 

CMYK 18 / 49 / 0 / 41

HEX #7C4D97

RGB 124 77 151

HSL 278.11, 0.32%, 0.45%

LAB 40.94, 33.78, -32.96

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 6 / 34 / 0 / 11

HEX #D596E3

RGB 213 150 227

HSL 289.09, 0.58%, 0.74%

LAB 70.53, 36.53, -29.72

 

CMYK 0 / 34 / 3 / 11

HEX #E396DC

RGB 227 150 220

HSL 305.45, 0.58%, 0.74%

LAB 71.77, 39.62, -23.84

 

CMYK 0 / 34 / 12 / 11

HEX #E396C7

RGB 227 150 199

HSL 321.82, 0.58%, 0.74%

LAB 71.05, 36.03, -13.33

 

CMYK 0 / 34 / 22 / 11

HEX #E396B2

RGB 227 150 178

HSL 338.18, 0.58%, 0.74%

LAB 70.43, 32.77, -2.6

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 25 / 34 / 0 / 11

HEX #AB96E3

RGB 171 150 227

HSL 256.36, 0.58%, 0.74%

LAB 66.53, 23.78, -36.22

 

CMYK 33 / 34 / 0 / 11

HEX #9796E3

RGB 151 150 227

HSL 240.78, 0.58%, 0.74%

LAB 64.91, 18.07, -38.87

 

CMYK 34 / 34 / 0 / 11

HEX #9696E3

RGB 150 150 227

HSL 240, 0.58%, 0.74%

LAB 64.84, 17.79, -38.99

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 19 / 41 / 0 / 7

HEX #C18BED

RGB 193 139 237

HSL 273.06, 0.73%, 0.74%

LAB 66.46, 38.6, -41.7

 

CMYK 22 / 48 / 0 / 3

HEX #C280F8

RGB 194 128 248

HSL 273, 0.9%, 0.74%

LAB 64.71, 47.24, -50.49

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 12 / 26 / 0 / 15

HEX #BFA0D8

RGB 191 160 216

HSL 273.21, 0.42%, 0.74%

LAB 70.3, 21.86, -24.2

 

CMYK 7 / 17 / 0 / 20

HEX #BEABCD

RGB 190 171 205

HSL 273.53, 0.25%, 0.74%

LAB 72.55, 13.2, -14.76

 

CMYK 3 / 6 / 0 / 24

HEX #BDB6C2

RGB 189 182 194

HSL 275, 0.09%, 0.74%

LAB 74.93, 4.7, -5.19

 

CMYK 3 / 0 / 5 / 24

HEX #BCC1B8

RGB 188 193 184

HSL 93.33, 0.07%, 0.74%

LAB 77.46, -3.38, 3.92

 

CMYK 33 / 34 / 0 / 11

HEX #9796E3

RGB 151 150 227

HSL 240.78, 0.58%, 0.74%

LAB 64.91, 18.07, -38.87

 

CMYK 24 / 34 / 0 / 11

HEX #AC96E3

RGB 172 150 227

HSL 257.14, 0.58%, 0.74%

LAB 66.62, 24.07, -36.08

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 6 / 34 / 0 / 11

HEX #D596E3

RGB 213 150 227

HSL 289.09, 0.58%, 0.74%

LAB 70.53, 36.53, -29.72

 

CMYK 0 / 34 / 3 / 11

HEX #E396DC

RGB 227 150 220

HSL 305.45, 0.58%, 0.74%

LAB 71.77, 39.62, -23.84

 

CMYK 27 / 59 / 0 / 18

HEX #9955D1

RGB 153 85 209

HSL 272.9, 0.57%, 0.58%

LAB 49.34, 50.63, -53.38

 

CMYK 21 / 46 / 0 / 15

HEX #AD75DA

RGB 173 117 218

HSL 273.27, 0.58%, 0.66%

LAB 58.67, 40.76, -43.52

 

CMYK 15 / 34 / 0 / 11

HEX #C096E3

RGB 192 150 227

HSL 272.73, 0.58%, 0.74%

LAB 68.44, 30.06, -33.12

 

CMYK 10 / 23 / 0 / 8

HEX #D4B6EB

RGB 212 182 235

HSL 273.96, 0.57%, 0.82%

LAB 78.14, 20.44, -22.43

 

CMYK 5 / 12 / 0 / 4

HEX #E7D7F4

RGB 231 215 244

HSL 273.1, 0.57%, 0.9%

LAB 88.03, 10.72, -12.18

 

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

CMYK 0 / 34 / 26 / 11

HEX #E396A9

RGB 227 150 169

HSL 345.19, 0.58%, 0.74%

LAB 70.18, 31.47, 2.05

 

CMYK 34 / 0 / 29 / 11

HEX #96E3A1

RGB 150 227 161

HSL 128.57, 0.58%, 0.74%

LAB 83.96, -36.95, 24.91

 

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

CMYK 0 / 15 / 34 / 11

HEX #E3C096

RGB 227 192 150

HSL 32.73, 0.58%, 0.74%

LAB 79.75, 6.55, 25.82

 

CMYK 34 / 0 / 15 / 11

HEX #96E3C0

RGB 150 227 192

HSL 152.73, 0.58%, 0.74%

LAB 84.6, -31.18, 9.62

 

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

CMYK 0 / 34 / 26 / 11

HEX #E396A9

RGB 227 150 169

HSL 345.19, 0.58%, 0.74%

LAB 70.18, 31.47, 2.05

 

CMYK 19 / 0 / 34 / 11

HEX #B8E396

RGB 184 227 150

HSL 93.51, 0.58%, 0.74%

LAB 85.67, -27.36, 33.17

 

CMYK 34 / 0 / 9 / 11

HEX #96E3CF

RGB 150 227 207

HSL 164.42, 0.58%, 0.74%

LAB 84.96, -28.05, 2.24

 

CMYK 15 / 34 / 0 / 11

HEX #C095E3

RGB 192 149 227

HSL 273.08, 0.58%, 0.74%

LAB 68.2, 30.62, -33.48

 

CMYK 0 / 32 / 34 / 11

HEX #E39A96

RGB 227 154 150

HSL 3.12, 0.58%, 0.74%

LAB 70.62, 26.82, 13.24

 

CMYK 19 / 0 / 34 / 11

HEX #B8E396

RGB 184 227 150

HSL 93.51, 0.58%, 0.74%

LAB 85.67, -27.36, 33.17

 

CMYK 34 / 2 / 0 / 11

HEX #96DFE3

RGB 150 223 227

HSL 183.12, 0.58%, 0.74%

LAB 84.38, -21.58, -9.18

 

Description

Color code: HEX #C095E3 | qconv.com Color code: HEX #C095E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 149 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 149 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 34 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 34% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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