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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08D45 it is the complementary color #3F72BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08D45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C08D45 shade: #C58D40, #D69F53, #E7B166, #F8C379 and #FFD58C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08D45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C08D45 shade: #C08D45, #AF7B32, #9E691F, #8D570C and #7C4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C08D45 shade: #BF8C45, #BF6B45, #BF4A45 and #BF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C08D45 shade: #BF8C45, #BFAE45, #B0BF45, #8FBF45 and #6EBF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C08D45 shade matches the following richer shades: #BF8C45, #D39031, #E8931C and #FC9708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C08D45 shade: #BF8C45, #AB8959, #97866D, #838281 and #6E7F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C08D45 shade: #BF4B45, #BF6C45, #BF8C45, #BFAD45 and #B1BF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C08D45 shade: #84602D, #A37738, #BF8C45, #CA9F64 and #D4B282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C08D45 shade: #C08D45, #5FBF45 and #5B45BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C08D45 shade: #C08D45, #45BF8C and #8C45BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C08D45 shade: #C08D45, #5FBF45, #4578BF and #A545BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C08D45 shade: #C08D45, #45BF4F, #4578BF and #BF45B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

Complementary color

CMYK 66 / 39 / 0 / 27

HEX #3F72BA

RGB 63 114 186

HSL 215.12, 0.49%, 0.49%

LAB 47.8, 6.33, -43.03

 

CMYK 0 / 28 / 68 / 23

HEX #C58D40

RGB 197 141 64

HSL 34.74, 0.53%, 0.51%

LAB 62.75, 13.66, 48.25

 

CMYK 0 / 26 / 61 / 16

HEX #D69F53

RGB 214 159 83

HSL 34.81, 0.62%, 0.58%

LAB 69.27, 12.37, 46.91

 

CMYK 0 / 23 / 56 / 9

HEX #E7B166

RGB 231 177 102

HSL 34.88, 0.73%, 0.65%

LAB 75.69, 11.26, 45.53

 

CMYK 0 / 21 / 51 / 3

HEX #F8C379

RGB 248 195 121

HSL 34.96, 0.9%, 0.72%

LAB 82.04, 10.3, 44.17

 

CMYK 0 / 16 / 45 / 0

HEX #FFD58C

RGB 255 213 140

HSL 38.09, 1%, 0.77%

LAB 87.36, 5.52, 41.48

 

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

CMYK 0 / 30 / 71 / 31

HEX #AF7B32

RGB 175 123 50

HSL 35.04, 0.56%, 0.44%

LAB 55.59, 13.2, 46.41

 

CMYK 0 / 34 / 80 / 38

HEX #9E691F

RGB 158 105 31

HSL 34.96, 0.67%, 0.37%

LAB 48.85, 14.87, 47.34

 

CMYK 0 / 38 / 91 / 45

HEX #8D570C

RGB 141 87 12

HSL 34.88, 0.84%, 0.3%

LAB 42.01, 16.88, 47.25

 

CMYK 0 / 44 / 100 / 51

HEX #7C4500

RGB 124 69 0

HSL 33.39, 1%, 0.24%

LAB 35.09, 19.26, 44.86

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 44 / 64 / 25

HEX #BF6B45

RGB 191 107 69

HSL 18.69, 0.49%, 0.51%

LAB 54.05, 30.03, 35.59

 

CMYK 0 / 61 / 64 / 25

HEX #BF4A45

RGB 191 74 69

HSL 2.46, 0.49%, 0.51%

LAB 47.5, 46.69, 27.58

 

CMYK 0 / 64 / 64 / 25

HEX #BF4545

RGB 191 69 69

HSL 0, 0.49%, 0.51%

LAB 46.66, 48.93, 26.52

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 9 / 64 / 25

HEX #BFAE45

RGB 191 174 69

HSL 51.64, 0.49%, 0.51%

LAB 70.72, -6.43, 54.41

 

CMYK 8 / 0 / 64 / 25

HEX #B0BF45

RGB 176 191 69

HSL 67.38, 0.49%, 0.51%

LAB 74.14, -21.46, 57.68

 

CMYK 25 / 0 / 64 / 25

HEX #8FBF45

RGB 143 191 69

HSL 83.61, 0.49%, 0.51%

LAB 71.91, -34.64, 54.64

 

CMYK 42 / 0 / 64 / 25

HEX #6EBF45

RGB 110 191 69

HSL 99.84, 0.49%, 0.51%

LAB 70.18, -46.33, 52.25

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 32 / 77 / 17

HEX #D39031

RGB 211 144 49

HSL 35.19, 0.65%, 0.51%

LAB 64.98, 17.33, 57.63

 

CMYK 0 / 37 / 88 / 9

HEX #E8931C

RGB 232 147 28

HSL 35, 0.82%, 0.51%

LAB 68.1, 24.06, 68.31

 

CMYK 0 / 40 / 97 / 1

HEX #FC9708

RGB 252 151 8

HSL 35.16, 0.98%, 0.51%

LAB 71.45, 30.04, 75.53

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 20 / 48 / 33

HEX #AB8959

RGB 171 137 89

HSL 35.12, 0.33%, 0.51%

LAB 59.22, 6.63, 30.55

 

CMYK 0 / 11 / 28 / 41

HEX #97866D

RGB 151 134 109

HSL 35.71, 0.17%, 0.51%

LAB 56.81, 2.38, 15.83

 

CMYK 0 / 1 / 2 / 49

HEX #838281

RGB 131 130 129

HSL 30, 0.01%, 0.51%

LAB 54.42, 0.18, 0.67

 

CMYK 27 / 15 / 0 / 41

HEX #6E7F96

RGB 110 127 150

HSL 214.5, 0.16%, 0.51%

LAB 52.61, -0.73, -14.42

 

CMYK 0 / 61 / 64 / 25

HEX #BF4B45

RGB 191 75 69

HSL 2.95, 0.49%, 0.51%

LAB 47.67, 46.23, 27.79

 

CMYK 0 / 43 / 64 / 25

HEX #BF6C45

RGB 191 108 69

HSL 19.18, 0.49%, 0.51%

LAB 54.27, 29.49, 35.85

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 9 / 64 / 25

HEX #BFAD45

RGB 191 173 69

HSL 51.15, 0.49%, 0.51%

LAB 70.45, -5.9, 54.12

 

CMYK 7 / 0 / 64 / 25

HEX #B1BF45

RGB 177 191 69

HSL 66.89, 0.49%, 0.51%

LAB 74.21, -21.04, 57.78

 

CMYK 0 / 27 / 66 / 48

HEX #84602D

RGB 132 96 45

HSL 35.17, 0.49%, 0.35%

LAB 43.45, 8.89, 34.21

 

CMYK 0 / 27 / 66 / 36

HEX #A37738

RGB 163 119 56

HSL 35.33, 0.49%, 0.43%

LAB 53.24, 10.47, 40.56

 

CMYK 0 / 27 / 64 / 25

HEX #BF8C45

RGB 191 140 69

HSL 34.92, 0.49%, 0.51%

LAB 61.88, 11.92, 44.68

 

CMYK 0 / 21 / 50 / 21

HEX #CA9F64

RGB 202 159 100

HSL 34.71, 0.49%, 0.59%

LAB 68.22, 8.7, 36.71

 

CMYK 0 / 16 / 39 / 17

HEX #D4B282

RGB 212 178 130

HSL 35.12, 0.49%, 0.67%

LAB 74.48, 5.69, 29.12

 

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

CMYK 50 / 0 / 64 / 25

HEX #5FBF45

RGB 95 191 69

HSL 107.21, 0.49%, 0.51%

LAB 69.56, -50.9, 51.39

 

CMYK 52 / 64 / 0 / 25

HEX #5B45BF

RGB 91 69 191

HSL 250.82, 0.49%, 0.51%

LAB 38.27, 41.25, -61.17

 

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

CMYK 64 / 0 / 27 / 25

HEX #45BF8C

RGB 69 191 140

HSL 154.92, 0.49%, 0.51%

LAB 69.77, -45.87, 15.95

 

CMYK 27 / 64 / 0 / 25

HEX #8C45BF

RGB 140 69 191

HSL 274.92, 0.49%, 0.51%

LAB 43.64, 51.52, -52.22

 

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

CMYK 50 / 0 / 64 / 25

HEX #5FBF45

RGB 95 191 69

HSL 107.21, 0.49%, 0.51%

LAB 69.56, -50.9, 51.39

 

CMYK 64 / 37 / 0 / 25

HEX #4578BF

RGB 69 120 191

HSL 214.92, 0.49%, 0.51%

LAB 50.05, 5.46, -42.33

 

CMYK 14 / 64 / 0 / 25

HEX #A545BF

RGB 165 69 191

HSL 287.21, 0.49%, 0.51%

LAB 47, 57.34, -46.66

 

CMYK 0 / 27 / 64 / 25

HEX #C08D45

RGB 192 141 69

HSL 35.12, 0.49%, 0.51%

LAB 62.24, 11.81, 45.12

 

CMYK 64 / 0 / 59 / 25

HEX #45BF4F

RGB 69 191 79

HSL 124.92, 0.49%, 0.51%

LAB 68.82, -56.31, 45.88

 

CMYK 64 / 37 / 0 / 25

HEX #4578BF

RGB 69 120 191

HSL 214.92, 0.49%, 0.51%

LAB 50.05, 5.46, -42.33

 

CMYK 0 / 64 / 5 / 25

HEX #BF45B5

RGB 191 69 181

HSL 304.92, 0.49%, 0.51%

LAB 50.3, 61.91, -35.37

 

Description

Color code: HEX #C08D45 | qconv.com Color code: HEX #C08D45 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 141 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 141 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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