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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08714 it is the complementary color #3F78EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C08714 shade: #C5870F, #D69922, #E7AB35, #F8BD48 and #FFCF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C08714 shade: #C08714, #AF7501, #9E6300, #8D5100 and #7C3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C08714 shade: #C28814, #C25A14, #C22B14 and #C21414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C08714 shade: #C28814, #C2B714, #9EC214, #6FC214 and #40C214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C08714 shade matches the following richer shades: #C28814 and #D38E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C08714 shade: #C28814, #B18326, #9F7D37, #8E7748 and #7D715A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C08714 shade: #C22B14, #C25A14, #C28814, #C2B614 and #9FC214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C08714 shade: #77540D, #9D6E10, #C28814, #E7A319 and #EBB13E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C08714 shade: #C08714, #2BC214 and #4314C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C08714 shade: #C08714, #14C288 and #8814C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C08714 shade: #C08714, #2BC214, #144EC2 and #AB14C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C08714 shade: #C08714, #14C231, #144EC2 and #C214A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

Complementary color

CMYK 73 / 49 / 0 / 8

HEX #3F78EB

RGB 63 120 235

HSL 220.12, 0.81%, 0.58%

LAB 52.38, 20.22, -63.54

 

CMYK 0 / 31 / 92 / 23

HEX #C5870F

RGB 197 135 15

HSL 39.56, 0.86%, 0.42%

LAB 60.99, 15.18, 64

 

CMYK 0 / 29 / 84 / 16

HEX #D69922

RGB 214 153 34

HSL 39.67, 0.73%, 0.49%

LAB 67.42, 13.27, 65.21

 

CMYK 0 / 26 / 77 / 9

HEX #E7AB35

RGB 231 171 53

HSL 39.78, 0.79%, 0.56%

LAB 73.79, 11.61, 65.23

 

CMYK 0 / 24 / 71 / 3

HEX #F8BD48

RGB 248 189 72

HSL 39.89, 0.93%, 0.63%

LAB 80.08, 10.16, 64.62

 

CMYK 0 / 19 / 64 / 0

HEX #FFCF5B

RGB 255 207 91

HSL 42.44, 1%, 0.68%

LAB 85.32, 4.78, 62.32

 

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

CMYK 0 / 33 / 99 / 31

HEX #AF7501

RGB 175 117 1

HSL 40, 0.99%, 0.35%

LAB 53.86, 15.13, 60.19

 

CMYK 0 / 37 / 100 / 38

HEX #9E6300

RGB 158 99 0

HSL 37.59, 1%, 0.31%

LAB 47.23, 17.56, 54.98

 

CMYK 0 / 43 / 100 / 45

HEX #8D5100

RGB 141 81 0

HSL 34.47, 1%, 0.28%

LAB 40.49, 20.12, 49.5

 

CMYK 0 / 49 / 100 / 51

HEX #7C3F00

RGB 124 63 0

HSL 30.48, 1%, 0.24%

LAB 33.65, 22.75, 43.98

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 54 / 90 / 24

HEX #C25A14

RGB 194 90 20

HSL 24.14, 0.81%, 0.42%

LAB 50.49, 38.11, 54.74

 

CMYK 0 / 78 / 90 / 24

HEX #C22B14

RGB 194 43 20

HSL 7.93, 0.81%, 0.42%

LAB 43.13, 57.76, 49.24

 

CMYK 0 / 90 / 90 / 24

HEX #C21414

RGB 194 20 20

HSL 0, 0.81%, 0.42%

LAB 41.25, 63.11, 47.85

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 6 / 90 / 24

HEX #C2B714

RGB 194 183 20

HSL 56.21, 0.81%, 0.42%

LAB 73.15, -11.73, 72.26

 

CMYK 19 / 0 / 90 / 24

HEX #9EC214

RGB 158 194 20

HSL 72.41, 0.81%, 0.42%

LAB 73.48, -32.45, 71.38

 

CMYK 43 / 0 / 90 / 24

HEX #6FC214

RGB 111 194 20

HSL 88.62, 0.81%, 0.42%

LAB 70.88, -50.02, 68.17

 

CMYK 67 / 0 / 90 / 24

HEX #40C214

RGB 64 194 20

HSL 104.83, 0.81%, 0.42%

LAB 69.27, -62.75, 66.17

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 33 / 99 / 17

HEX #D38E03

RGB 211 142 3

HSL 40.1, 0.97%, 0.42%

LAB 64.32, 17.38, 68.99

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 26 / 79 / 31

HEX #B18326

RGB 177 131 38

HSL 40.14, 0.65%, 0.42%

LAB 57.77, 9.07, 53.73

 

CMYK 0 / 21 / 65 / 38

HEX #9F7D37

RGB 159 125 55

HSL 40.38, 0.49%, 0.42%

LAB 54.36, 5.21, 42.17

 

CMYK 0 / 16 / 49 / 44

HEX #8E7748

RGB 142 119 72

HSL 40.29, 0.33%, 0.42%

LAB 51.17, 2.44, 29.07

 

CMYK 0 / 10 / 28 / 51

HEX #7D715A

RGB 125 113 90

HSL 39.43, 0.16%, 0.42%

LAB 48.14, 0.78, 14.49

 

CMYK 0 / 78 / 90 / 24

HEX #C22B14

RGB 194 43 20

HSL 7.93, 0.81%, 0.42%

LAB 43.13, 57.76, 49.24

 

CMYK 0 / 54 / 90 / 24

HEX #C25A14

RGB 194 90 20

HSL 24.14, 0.81%, 0.42%

LAB 50.49, 38.11, 54.74

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 6 / 90 / 24

HEX #C2B614

RGB 194 182 20

HSL 55.86, 0.81%, 0.42%

LAB 72.88, -11.22, 72.05

 

CMYK 18 / 0 / 90 / 24

HEX #9FC214

RGB 159 194 20

HSL 72.07, 0.81%, 0.42%

LAB 73.55, -32.04, 71.46

 

CMYK 0 / 29 / 89 / 53

HEX #77540D

RGB 119 84 13

HSL 40.19, 0.8%, 0.26%

LAB 38.36, 8.24, 42.82

 

CMYK 0 / 30 / 90 / 38

HEX #9D6E10

RGB 157 110 16

HSL 40, 0.82%, 0.34%

LAB 49.93, 11.1, 53.25

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 0 / 29 / 89 / 9

HEX #E7A319

RGB 231 163 25

HSL 40.19, 0.81%, 0.5%

LAB 71.73, 15.08, 71.78

 

CMYK 0 / 25 / 74 / 8

HEX #EBB13E

RGB 235 177 62

HSL 39.88, 0.81%, 0.58%

LAB 75.73, 10.51, 63.83

 

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

CMYK 78 / 0 / 90 / 24

HEX #2BC214

RGB 43 194 20

HSL 112.07, 0.81%, 0.42%

LAB 68.86, -66.33, 65.65

 

CMYK 65 / 90 / 0 / 24

HEX #4314C2

RGB 67 20 194

HSL 256.21, 0.81%, 0.42%

LAB 28.35, 61.76, -79.33

 

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

CMYK 90 / 0 / 30 / 24

HEX #14C288

RGB 20 194 136

HSL 160, 0.81%, 0.42%

LAB 69.83, -53.83, 18.07

 

CMYK 30 / 90 / 0 / 24

HEX #8814C2

RGB 136 20 194

HSL 280, 0.81%, 0.42%

LAB 37.17, 68.92, -64.5

 

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

CMYK 78 / 0 / 90 / 24

HEX #2BC214

RGB 43 194 20

HSL 112.07, 0.81%, 0.42%

LAB 68.86, -66.33, 65.65

 

CMYK 90 / 60 / 0 / 24

HEX #144EC2

RGB 20 78 194

HSL 220, 0.81%, 0.42%

LAB 36.92, 27.87, -65.3

 

CMYK 12 / 90 / 0 / 24

HEX #AB14C2

RGB 171 20 194

HSL 292.07, 0.81%, 0.42%

LAB 42.84, 74.16, -55.02

 

CMYK 0 / 30 / 90 / 25

HEX #C08714

RGB 192 135 20

HSL 40.12, 0.81%, 0.42%

LAB 60.41, 13.05, 62.24

 

CMYK 90 / 0 / 75 / 24

HEX #14C231

RGB 20 194 49

HSL 130, 0.81%, 0.42%

LAB 68.72, -67.1, 57.79

 

CMYK 90 / 60 / 0 / 24

HEX #144EC2

RGB 20 78 194

HSL 220, 0.81%, 0.42%

LAB 36.92, 27.87, -65.3

 

CMYK 0 / 90 / 15 / 24

HEX #C214A5

RGB 194 20 165

HSL 310, 0.81%, 0.42%

LAB 45.2, 73.93, -33.9

 

Description

Color code: HEX #C08714 | qconv.com Color code: HEX #C08714 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 135 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 135 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 90 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 90% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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