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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07FE7 it is the complementary color #3F8018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07FE7 shade: #C57FE2, #D691F5, #E7A3FF, #F8B5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07FE7 shade: #C07FE7, #AF6DD4, #9E5BC1, #8D49AE and #7C379B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07FE7 shade: #C07EE7, #DC7EE7, #E77ED5, #E77EB9 and #E77E9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07FE7 shade: #C07EE7, #A37EE7, #877EE7 and #7E7EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07FE7 shade matches the following richer shades: #C07EE7 and #C372F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07FE7 shade: #C07EE7, #BC8BDA, #B997CE, #B6A4C1 and #B3B0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07FE7 shade: #877EE7, #A37EE7, #BF7EE7, #DA7EE7 and #E77ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07FE7 shade: #9D39D9, #AE5CE0, #C07EE7, #D1A1ED and #E2C4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07FE7 shade: #C07FE7, #E77E92 and #7EE795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07FE7 shade: #C07FE7, #E7BF7E and #7EE7BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07FE7 shade: #C07FE7, #E77E92, #A6E77E and #7EE7D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07FE7 shade: #C07FE7, #E78B7E, #A6E77E and #7EDAE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

Complementary color

CMYK 51 / 0 / 81 / 50

HEX #3F8018

RGB 63 128 24

HSL 97.5, 0.68%, 0.3%

LAB 47.7, -39.06, 46.02

 

CMYK 13 / 44 / 0 / 11

HEX #C57FE2

RGB 197 127 226

HSL 282.42, 0.63%, 0.69%

LAB 63.79, 43.88, -39.77

 

CMYK 13 / 41 / 0 / 4

HEX #D691F5

RGB 214 145 245

HSL 281.4, 0.83%, 0.76%

LAB 70.27, 43.11, -39.96

 

CMYK 9 / 36 / 0 / 0

HEX #E7A3FF

RGB 231 163 255

HSL 284.35, 1%, 0.82%

LAB 76.32, 40.56, -35.86

 

CMYK 3 / 29 / 0 / 0

HEX #F8B5FF

RGB 248 181 255

HSL 294.32, 1%, 0.85%

LAB 81.96, 36.25, -27.03

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

CMYK 17 / 49 / 0 / 17

HEX #AF6DD4

RGB 175 109 212

HSL 278.45, 0.54%, 0.63%

LAB 56.88, 44.33, -42.94

 

CMYK 18 / 53 / 0 / 24

HEX #9E5BC1

RGB 158 91 193

HSL 279.41, 0.45%, 0.56%

LAB 50.22, 45.15, -42.76

 

CMYK 19 / 58 / 0 / 32

HEX #8D49AE

RGB 141 73 174

HSL 280.4, 0.41%, 0.48%

LAB 43.48, 45.91, -42.5

 

CMYK 20 / 65 / 0 / 39

HEX #7C379B

RGB 124 55 155

HSL 281.4, 0.48%, 0.41%

LAB 36.71, 46.51, -42.09

 

CMYK 17 / 45 / 0 / 9

HEX #C07EE7

RGB 192 126 231

HSL 277.71, 0.69%, 0.7%

LAB 63.26, 44.05, -43.41

 

CMYK 5 / 45 / 0 / 9

HEX #DC7EE7

RGB 220 126 231

HSL 293.71, 0.69%, 0.7%

LAB 66.45, 51.98, -38.18

 

CMYK 0 / 45 / 8 / 9

HEX #E77ED5

RGB 231 126 213

HSL 310.29, 0.69%, 0.7%

LAB 67.06, 52.02, -27.13

 

CMYK 0 / 45 / 20 / 9

HEX #E77EB9

RGB 231 126 185

HSL 326.29, 0.69%, 0.7%

LAB 66.07, 47.64, -12.95

 

CMYK 0 / 45 / 32 / 9

HEX #E77E9D

RGB 231 126 157

HSL 342.29, 0.69%, 0.7%

LAB 65.24, 43.83, 1.67

 

CMYK 17 / 45 / 0 / 9

HEX #C07EE7

RGB 192 126 231

HSL 277.71, 0.69%, 0.7%

LAB 63.26, 44.05, -43.41

 

CMYK 29 / 45 / 0 / 9

HEX #A37EE7

RGB 163 126 231

HSL 261.14, 0.69%, 0.7%

LAB 60.32, 36.09, -48.25

 

CMYK 42 / 45 / 0 / 9

HEX #877EE7

RGB 135 126 231

HSL 245.14, 0.69%, 0.7%

LAB 57.89, 28.91, -52.26

 

CMYK 45 / 45 / 0 / 9

HEX #7E7EE7

RGB 126 126 231

HSL 240, 0.69%, 0.7%

LAB 57.2, 26.76, -53.39

 

CMYK 17 / 45 / 0 / 9

HEX #C07EE7

RGB 192 126 231

HSL 277.71, 0.69%, 0.7%

LAB 63.26, 44.05, -43.41

 

CMYK 20 / 53 / 0 / 5

HEX #C372F3

RGB 195 114 243

HSL 277.67, 0.84%, 0.7%

LAB 61.75, 53.71, -52.43

 

CMYK 17 / 45 / 0 / 9

HEX #C07EE7

RGB 192 126 231

HSL 277.71, 0.69%, 0.7%

LAB 63.26, 44.05, -43.41

 

CMYK 14 / 36 / 0 / 15

HEX #BC8BDA

RGB 188 139 218

HSL 277.22, 0.52%, 0.7%

LAB 65.14, 33, -33.29

 

CMYK 10 / 27 / 0 / 19

HEX #B997CE

RGB 185 151 206

HSL 277.09, 0.36%, 0.7%

LAB 67.2, 22.84, -23.46

 

CMYK 6 / 15 / 0 / 24

HEX #B6A4C1

RGB 182 164 193

HSL 277.24, 0.19%, 0.7%

LAB 69.72, 11.96, -12.47

 

CMYK 1 / 3 / 0 / 29

HEX #B3B0B5

RGB 179 176 181

HSL 276, 0.03%, 0.7%

LAB 72.21, 2, -2.18

 

CMYK 42 / 45 / 0 / 9

HEX #877EE7

RGB 135 126 231

HSL 245.14, 0.69%, 0.7%

LAB 57.89, 28.91, -52.26

 

CMYK 29 / 45 / 0 / 9

HEX #A37EE7

RGB 163 126 231

HSL 261.14, 0.69%, 0.7%

LAB 60.32, 36.09, -48.25

 

CMYK 17 / 45 / 0 / 9

HEX #BF7EE7

RGB 191 126 231

HSL 277.14, 0.69%, 0.7%

LAB 63.15, 43.77, -43.59

 

CMYK 6 / 45 / 0 / 9

HEX #DA7EE7

RGB 218 126 231

HSL 292.57, 0.69%, 0.7%

LAB 66.21, 51.41, -38.57

 

CMYK 0 / 45 / 7 / 9

HEX #E77ED7

RGB 231 126 215

HSL 309.14, 0.69%, 0.7%

LAB 67.14, 52.36, -28.13

 

CMYK 28 / 74 / 0 / 15

HEX #9D39D9

RGB 157 57 217

HSL 277.5, 0.68%, 0.54%

LAB 45.78, 65.99, -63.68

 

CMYK 22 / 59 / 0 / 12

HEX #AE5CE0

RGB 174 92 224

HSL 277.27, 0.68%, 0.62%

LAB 54.06, 55.48, -54.2

 

CMYK 17 / 45 / 0 / 9

HEX #C07EE7

RGB 192 126 231

HSL 277.71, 0.69%, 0.7%

LAB 63.26, 44.05, -43.41

 

CMYK 12 / 32 / 0 / 7

HEX #D1A1ED

RGB 209 161 237

HSL 277.89, 0.68%, 0.78%

LAB 73, 31.34, -31.41

 

CMYK 7 / 20 / 0 / 4

HEX #E2C4F4

RGB 226 196 244

HSL 277.5, 0.69%, 0.86%

LAB 83.01, 19.18, -19.76

 

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

CMYK 0 / 45 / 37 / 9

HEX #E77E92

RGB 231 126 146

HSL 348.57, 0.69%, 0.7%

LAB 64.95, 42.51, 7.51

 

CMYK 45 / 0 / 35 / 9

HEX #7EE795

RGB 126 231 149

HSL 133.14, 0.69%, 0.7%

LAB 83.84, -47.68, 30.72

 

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

CMYK 0 / 17 / 45 / 9

HEX #E7BF7E

RGB 231 191 126

HSL 37.14, 0.69%, 0.7%

LAB 79.48, 6.01, 38.06

 

CMYK 45 / 0 / 17 / 9

HEX #7EE7BF

RGB 126 231 191

HSL 157.14, 0.69%, 0.7%

LAB 84.66, -39.68, 10.09

 

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

CMYK 0 / 45 / 37 / 9

HEX #E77E92

RGB 231 126 146

HSL 348.57, 0.69%, 0.7%

LAB 64.95, 42.51, 7.51

 

CMYK 28 / 0 / 45 / 9

HEX #A6E77E

RGB 166 231 126

HSL 97.14, 0.69%, 0.7%

LAB 85.39, -38.65, 44.53

 

CMYK 45 / 0 / 9 / 9

HEX #7EE7D3

RGB 126 231 211

HSL 168.57, 0.69%, 0.7%

LAB 85.14, -35.22, 0.27

 

CMYK 17 / 45 / 0 / 9

HEX #C07FE7

RGB 192 127 231

HSL 277.5, 0.68%, 0.7%

LAB 63.47, 43.51, -43.08

 

CMYK 0 / 40 / 45 / 9

HEX #E78B7E

RGB 231 139 126

HSL 7.43, 0.69%, 0.7%

LAB 67.25, 33.61, 21.97

 

CMYK 28 / 0 / 45 / 9

HEX #A6E77E

RGB 166 231 126

HSL 97.14, 0.69%, 0.7%

LAB 85.39, -38.65, 44.53

 

CMYK 45 / 6 / 0 / 9

HEX #7EDAE7

RGB 126 218 231

HSL 187.43, 0.69%, 0.7%

LAB 82.03, -24.08, -14.94

 

Description

Color code: HEX #C07FE7 | qconv.com Color code: HEX #C07FE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 127 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 127 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 45 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 45% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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