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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07D36 it is the complementary color #3F82C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07D36 shade: #C57D31, #D68F44, #E7A157, #F8B36A and #FFC57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07D36 shade: #C07D36, #AF6B23, #9E5910, #8D4700 and #7C3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07D36 shade: #BF7C36, #BF5736 and #BF3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07D36 shade: #BF7C36, #BFA136, #B8BF36, #93BF36 and #6EBF36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07D36 shade matches the following richer shades: #BF7C36, #D37D22 and #E77E0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07D36 shade: #BF7C36, #AB7C4A, #977B5D, #847B71 and #707A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07D36 shade: #BF363A, #BF5636, #BF7A36, #BF9F36 and #BABF36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07D36 shade: #7F5224, #9F672D, #BF7C36, #CE9150 and #D7A571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07D36 shade: #C07D36, #5FBF36 and #4436BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07D36 shade: #C07D36, #36BF7A and #7A36BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07D36 shade: #C07D36, #5FBF36, #367ABF and #9636BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07D36 shade: #C07D36, #36BF36, #367ABF and #BF36BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

Complementary color

CMYK 69 / 35 / 0 / 21

HEX #3F82C9

RGB 63 130 201

HSL 210.87, 0.56%, 0.52%

LAB 53.21, 1.9, -43.05

 

CMYK 0 / 37 / 75 / 23

HEX #C57D31

RGB 197 125 49

HSL 30.81, 0.6%, 0.48%

LAB 58.75, 21.65, 50.95

 

CMYK 0 / 33 / 68 / 16

HEX #D68F44

RGB 214 143 68

HSL 30.82, 0.64%, 0.55%

LAB 65.25, 20.06, 49.64

 

CMYK 0 / 30 / 62 / 9

HEX #E7A157

RGB 231 161 87

HSL 30.83, 0.75%, 0.62%

LAB 71.67, 18.68, 48.2

 

CMYK 0 / 28 / 57 / 3

HEX #F8B36A

RGB 248 179 106

HSL 30.85, 0.91%, 0.69%

LAB 78.01, 17.48, 46.75

 

CMYK 0 / 23 / 51 / 0

HEX #FFC57D

RGB 255 197 125

HSL 33.23, 1%, 0.75%

LAB 83.27, 12.42, 43.85

 

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

CMYK 0 / 39 / 80 / 31

HEX #AF6B23

RGB 175 107 35

HSL 30.86, 0.67%, 0.41%

LAB 51.55, 21.48, 49.02

 

CMYK 0 / 44 / 90 / 38

HEX #9E5910

RGB 158 89 16

HSL 30.85, 0.82%, 0.34%

LAB 44.87, 23.5, 49.32

 

CMYK 0 / 50 / 100 / 45

HEX #8D4700

RGB 141 71 0

HSL 30.21, 1%, 0.28%

LAB 38.14, 25.8, 48.05

 

CMYK 0 / 57 / 100 / 51

HEX #7C3500

RGB 124 53 0

HSL 25.65, 1%, 0.24%

LAB 31.42, 28.34, 42.54

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C36

RGB 191 124 54

HSL 30.66, 0.56%, 0.48%

LAB 57.81, 19.86, 47.46

 

CMYK 0 / 54 / 72 / 25

HEX #BF5736

RGB 191 87 54

HSL 14.45, 0.56%, 0.48%

LAB 49.69, 39.59, 38.67

 

CMYK 0 / 72 / 72 / 25

HEX #BF3636

RGB 191 54 54

HSL 0, 0.56%, 0.48%

LAB 44.21, 54.18, 32.42

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C36

RGB 191 124 54

HSL 30.66, 0.56%, 0.48%

LAB 57.81, 19.86, 47.46

 

CMYK 0 / 16 / 72 / 25

HEX #BFA136

RGB 191 161 54

HSL 46.86, 0.56%, 0.48%

LAB 67.15, -0.38, 57.02

 

CMYK 4 / 0 / 72 / 25

HEX #B8BF36

RGB 184 191 54

HSL 63.07, 0.56%, 0.48%

LAB 74.65, -18.97, 64.16

 

CMYK 23 / 0 / 72 / 25

HEX #93BF36

RGB 147 191 54

HSL 79.27, 0.56%, 0.48%

LAB 72.05, -34.13, 60.74

 

CMYK 42 / 0 / 72 / 25

HEX #6EBF36

RGB 110 191 54

HSL 95.47, 0.56%, 0.48%

LAB 70.07, -47.54, 58.1

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C36

RGB 191 124 54

HSL 30.66, 0.56%, 0.48%

LAB 57.81, 19.86, 47.46

 

CMYK 0 / 41 / 84 / 17

HEX #D37D22

RGB 211 125 34

HSL 30.85, 0.72%, 0.48%

LAB 60.46, 27.07, 59.15

 

CMYK 0 / 45 / 94 / 9

HEX #E77E0E

RGB 231 126 14

HSL 30.97, 0.89%, 0.48%

LAB 63.3, 34.44, 67.84

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C36

RGB 191 124 54

HSL 30.66, 0.56%, 0.48%

LAB 57.81, 19.86, 47.46

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C4A

RGB 171 124 74

HSL 30.93, 0.4%, 0.48%

LAB 55.65, 12.53, 34.22

 

CMYK 0 / 19 / 38 / 41

HEX #977B5D

RGB 151 123 93

HSL 31.03, 0.24%, 0.48%

LAB 53.53, 6.46, 20.49

 

CMYK 0 / 7 / 14 / 48

HEX #847B71

RGB 132 123 113

HSL 31.58, 0.08%, 0.48%

LAB 52.13, 1.61, 6.7

 

CMYK 16 / 8 / 0 / 48

HEX #707A85

RGB 112 122 133

HSL 211.43, 0.09%, 0.48%

LAB 50.75, -1.27, -7.25

 

CMYK 0 / 72 / 70 / 25

HEX #BF363A

RGB 191 54 58

HSL 358.25, 0.56%, 0.48%

LAB 44.26, 54.38, 30.12

 

CMYK 0 / 55 / 72 / 25

HEX #BF5636

RGB 191 86 54

HSL 14.01, 0.56%, 0.48%

LAB 49.49, 40.09, 38.45

 

CMYK 0 / 36 / 72 / 25

HEX #BF7A36

RGB 191 122 54

HSL 29.78, 0.56%, 0.48%

LAB 57.33, 20.96, 46.96

 

CMYK 0 / 17 / 72 / 25

HEX #BF9F36

RGB 191 159 54

HSL 45.99, 0.56%, 0.48%

LAB 66.63, 0.69, 56.5

 

CMYK 3 / 0 / 72 / 25

HEX #BABF36

RGB 186 191 54

HSL 62.19, 0.56%, 0.48%

LAB 74.8, -18.12, 64.37

 

CMYK 0 / 35 / 72 / 50

HEX #7F5224

RGB 127 82 36

HSL 30.33, 0.56%, 0.32%

LAB 39.03, 14.26, 33.85

 

CMYK 0 / 35 / 72 / 38

HEX #9F672D

RGB 159 103 45

HSL 30.53, 0.56%, 0.4%

LAB 48.59, 17.12, 40.8

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C36

RGB 191 124 54

HSL 30.66, 0.56%, 0.48%

LAB 57.81, 19.86, 47.46

 

CMYK 0 / 30 / 61 / 19

HEX #CE9150

RGB 206 145 80

HSL 30.95, 0.56%, 0.56%

LAB 64.92, 16.36, 43.13

 

CMYK 0 / 23 / 47 / 16

HEX #D7A571

RGB 215 165 113

HSL 30.59, 0.56%, 0.64%

LAB 71.25, 12.06, 33.98

 

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

CMYK 50 / 0 / 72 / 25

HEX #5FBF36

RGB 95 191 54

HSL 102.04, 0.56%, 0.48%

LAB 69.44, -52.18, 57.27

 

CMYK 64 / 72 / 0 / 25

HEX #4436BF

RGB 68 54 191

HSL 246.13, 0.56%, 0.48%

LAB 33.2, 46.26, -69.55

 

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

CMYK 72 / 0 / 36 / 25

HEX #36BF7A

RGB 54 191 122

HSL 149.78, 0.56%, 0.48%

LAB 69.08, -52.16, 24.58

 

CMYK 36 / 72 / 0 / 25

HEX #7A36BF

RGB 122 54 191

HSL 269.78, 0.56%, 0.48%

LAB 38.79, 54.9, -60.18

 

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

CMYK 50 / 0 / 72 / 25

HEX #5FBF36

RGB 95 191 54

HSL 102.04, 0.56%, 0.48%

LAB 69.44, -52.18, 57.27

 

CMYK 72 / 36 / 0 / 25

HEX #367ABF

RGB 54 122 191

HSL 210.22, 0.56%, 0.48%

LAB 50.06, 1.8, -42.35

 

CMYK 21 / 72 / 0 / 25

HEX #9636BF

RGB 150 54 191

HSL 282.04, 0.56%, 0.48%

LAB 42.59, 60.4, -53.85

 

CMYK 0 / 35 / 72 / 25

HEX #C07D36

RGB 192 125 54

HSL 30.87, 0.56%, 0.48%

LAB 58.17, 19.74, 47.88

 

CMYK 72 / 0 / 72 / 25

HEX #36BF36

RGB 54 191 54

HSL 120, 0.56%, 0.48%

LAB 68.25, -61.75, 55.67

 

CMYK 72 / 36 / 0 / 25

HEX #367ABF

RGB 54 122 191

HSL 210.22, 0.56%, 0.48%

LAB 50.06, 1.8, -42.35

 

CMYK 0 / 72 / 0 / 25

HEX #BF36BF

RGB 191 54 191

HSL 300, 0.56%, 0.48%

LAB 48.85, 69.05, -43.47

 

Description

Color code: HEX #C07D36 | qconv.com Color code: HEX #C07D36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 125 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 125 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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