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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0789F it is the complementary color #3F8760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0789F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0789F shade: #C5789A, #D68AAD, #E79CC0, #F8AED3 and #FFC0E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0789F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0789F shade: #C0789F, #AF668C, #9E5479, #8D4266 and #7C3053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0789F shade: #BF789F, #BF788B and #BF7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0789F shade: #BF789F, #BF78B2, #BA78BF, #A678BF and #9378BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0789F shade matches the following richer shades: #BF789F, #CF68A0, #E058A1 and #F047A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0789F shade: #BF789F, #AF889D, #9F989C, #8FA89B and #7FB899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0789F shade: #B978BF, #BF78B2, #BF789F, #BF788C and #BF7879

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0789F shade: #9B4976, #B25C8B, #BF789F, #CD94B3 and #DAB0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0789F shade: #C0789F, #BFA678 and #78BCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0789F shade: #C0789F, #9FBF78 and #789FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0789F shade: #C0789F, #BFA678, #78BF98 and #7891BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0789F shade: #C0789F, #BFBC78, #78BF98 and #787BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

Complementary color

CMYK 53 / 0 / 29 / 47

HEX #3F8760

RGB 63 135 96

HSL 147.5, 0.36%, 0.39%

LAB 50.95, -32.14, 14.25

 

CMYK 0 / 39 / 22 / 23

HEX #C5789A

RGB 197 120 154

HSL 333.51, 0.4%, 0.62%

LAB 59.56, 34.65, -5.45

 

CMYK 0 / 36 / 19 / 16

HEX #D68AAD

RGB 214 138 173

HSL 332.37, 0.48%, 0.69%

LAB 66.13, 33.85, -6.32

 

CMYK 0 / 32 / 17 / 9

HEX #E79CC0

RGB 231 156 192

HSL 331.2, 0.61%, 0.76%

LAB 72.61, 33.09, -7.09

 

CMYK 0 / 30 / 15 / 3

HEX #F8AED3

RGB 248 174 211

HSL 330, 0.84%, 0.83%

LAB 79, 32.39, -7.8

 

CMYK 0 / 25 / 10 / 0

HEX #FFC0E6

RGB 255 192 230

HSL 323.81, 1%, 0.88%

LAB 84.31, 28.36, -10.05

 

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

CMYK 0 / 42 / 20 / 31

HEX #AF668C

RGB 175 102 140

HSL 328.77, 0.31%, 0.54%

LAB 52.41, 34.48, -8.23

 

CMYK 0 / 47 / 23 / 38

HEX #9E5479

RGB 158 84 121

HSL 330, 0.31%, 0.47%

LAB 45.62, 35.32, -7.24

 

CMYK 0 / 53 / 28 / 45

HEX #8D4266

RGB 141 66 102

HSL 331.2, 0.36%, 0.41%

LAB 38.76, 36.15, -6.04

 

CMYK 0 / 61 / 33 / 51

HEX #7C3053

RGB 124 48 83

HSL 332.37, 0.44%, 0.34%

LAB 31.86, 36.85, -4.48

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 37 / 27 / 25

HEX #BF788B

RGB 191 120 139

HSL 343.94, 0.36%, 0.61%

LAB 58.39, 30.29, 1.4

 

CMYK 0 / 37 / 37 / 25

HEX #BF7878

RGB 191 120 120

HSL 0, 0.36%, 0.61%

LAB 57.91, 27.78, 11.7

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 37 / 7 / 25

HEX #BF78B2

RGB 191 120 178

HSL 310.99, 0.36%, 0.61%

LAB 59.64, 36.53, -19.18

 

CMYK 3 / 37 / 0 / 25

HEX #BA78BF

RGB 186 120 191

HSL 295.77, 0.36%, 0.61%

LAB 59.56, 37.33, -26.77

 

CMYK 13 / 37 / 0 / 25

HEX #A678BF

RGB 166 120 191

HSL 278.87, 0.36%, 0.61%

LAB 57.37, 31.04, -30.33

 

CMYK 23 / 37 / 0 / 25

HEX #9378BF

RGB 147 120 191

HSL 262.82, 0.36%, 0.61%

LAB 55.48, 25.2, -33.41

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 50 / 23 / 19

HEX #CF68A0

RGB 207 104 160

HSL 327.38, 0.52%, 0.61%

LAB 57.76, 47.26, -11.47

 

CMYK 0 / 61 / 28 / 12

HEX #E058A1

RGB 224 88 161

HSL 327.79, 0.69%, 0.61%

LAB 57.46, 60.1, -12.24

 

CMYK 0 / 70 / 32 / 6

HEX #F047A3

RGB 240 71 163

HSL 327.34, 0.85%, 0.61%

LAB 57.73, 71.32, -12.75

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 22 / 10 / 31

HEX #AF889D

RGB 175 136 157

HSL 327.69, 0.2%, 0.61%

LAB 60.92, 18.34, -5.43

 

CMYK 0 / 4 / 2 / 38

HEX #9F989C

RGB 159 152 156

HSL 325.71, 0.04%, 0.61%

LAB 63.53, 3.31, -1.19

 

CMYK 15 / 0 / 8 / 34

HEX #8FA89B

RGB 143 168 155

HSL 148.8, 0.13%, 0.61%

LAB 66.68, -11.3, 3.81

 

CMYK 31 / 0 / 17 / 28

HEX #7FB899

RGB 127 184 153

HSL 147.37, 0.29%, 0.61%

LAB 70.24, -25.19, 9.88

 

CMYK 3 / 37 / 0 / 25

HEX #B978BF

RGB 185 120 191

HSL 294.93, 0.36%, 0.61%

LAB 59.44, 37.01, -26.95

 

CMYK 0 / 37 / 7 / 25

HEX #BF78B2

RGB 191 120 178

HSL 310.99, 0.36%, 0.61%

LAB 59.64, 36.53, -19.18

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 37 / 27 / 25

HEX #BF788C

RGB 191 120 140

HSL 343.1, 0.36%, 0.61%

LAB 58.42, 30.43, 0.86

 

CMYK 0 / 37 / 37 / 25

HEX #BF7879

RGB 191 120 121

HSL 359.15, 0.36%, 0.61%

LAB 57.93, 27.9, 11.15

 

CMYK 0 / 53 / 24 / 39

HEX #9B4976

RGB 155 73 118

HSL 327.07, 0.36%, 0.45%

LAB 42.83, 39.66, -9.64

 

CMYK 0 / 48 / 22 / 30

HEX #B25C8B

RGB 178 92 139

HSL 327.21, 0.36%, 0.53%

LAB 50.67, 40.7, -10.2

 

CMYK 0 / 37 / 17 / 25

HEX #BF789F

RGB 191 120 159

HSL 327.04, 0.36%, 0.61%

LAB 58.99, 33.32, -9.26

 

CMYK 0 / 28 / 13 / 20

HEX #CD94B3

RGB 205 148 179

HSL 327.37, 0.36%, 0.69%

LAB 67.59, 26.22, -7.63

 

CMYK 0 / 19 / 9 / 15

HEX #DAB0C7

RGB 218 176 199

HSL 327.14, 0.36%, 0.77%

LAB 76.12, 18.96, -5.88

 

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

CMYK 0 / 13 / 37 / 25

HEX #BFA678

RGB 191 166 120

HSL 38.87, 0.36%, 0.61%

LAB 69.26, 2.5, 27.19

 

CMYK 37 / 2 / 0 / 25

HEX #78BCBF

RGB 120 188 191

HSL 182.54, 0.36%, 0.61%

LAB 72.04, -20.65, -8.33

 

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

CMYK 17 / 0 / 37 / 25

HEX #9FBF78

RGB 159 191 120

HSL 87.04, 0.36%, 0.61%

LAB 73.54, -23.11, 32.35

 

CMYK 37 / 17 / 0 / 25

HEX #789FBF

RGB 120 159 191

HSL 207.04, 0.36%, 0.61%

LAB 63.8, -5.23, -20.75

 

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

CMYK 0 / 13 / 37 / 25

HEX #BFA678

RGB 191 166 120

HSL 38.87, 0.36%, 0.61%

LAB 69.26, 2.5, 27.19

 

CMYK 37 / 0 / 20 / 25

HEX #78BF98

RGB 120 191 152

HSL 147.04, 0.36%, 0.61%

LAB 71.91, -30.92, 12.74

 

CMYK 37 / 24 / 0 / 25

HEX #7891BF

RGB 120 145 191

HSL 218.87, 0.36%, 0.61%

LAB 59.89, 2.67, -26.73

 

CMYK 0 / 38 / 17 / 25

HEX #C0789F

RGB 192 120 159

HSL 327.5, 0.36%, 0.61%

LAB 59.11, 33.67, -9.07

 

CMYK 0 / 2 / 37 / 25

HEX #BFBC78

RGB 191 188 120

HSL 57.46, 0.36%, 0.61%

LAB 75.08, -9.15, 34.8

 

CMYK 37 / 0 / 20 / 25

HEX #78BF98

RGB 120 191 152

HSL 147.04, 0.36%, 0.61%

LAB 71.91, -30.92, 12.74

 

CMYK 37 / 36 / 0 / 25

HEX #787BBF

RGB 120 123 191

HSL 237.46, 0.36%, 0.61%

LAB 53.94, 15.57, -35.98

 

Description

Color code: HEX #C0789F | qconv.com Color code: HEX #C0789F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 120 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 120 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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