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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07580 it is the complementary color #3F8A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07580 shade: #C5757B, #D6878E, #E799A1, #F8ABB4 and #FFBDC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07580 shade: #C07580, #AF636D, #9E515A, #8D3F47 and #7C2D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07580 shade: #C07782 and #C07777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07580 shade: #C07782, #C07795, #C077A9, #C077BD and #B077C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07580 shade matches the following richer shades: #C07782, #D06776, #E1576B and #F1465F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07580 shade: #C07782, #B0878D, #A09798, #90A7A4 and #80B7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07580 shade: #C077A9, #C07795, #C07782, #C07F77 and #C09377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07580 shade: #9D4854, #B35A68, #C07782, #CD939C and #DAAFB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07580 shade: #C07580, #BDC077 and #779FC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07580 shade: #C07580, #82C077 and #7782C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07580 shade: #C07580, #BDC077, #77C0B5 and #7A77C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07580 shade: #C07580, #A7C077, #77C0B5 and #9177C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

Complementary color

CMYK 54 / 0 / 8 / 46

HEX #3F8A7F

RGB 63 138 127

HSL 171.2, 0.37%, 0.39%

LAB 52.69, -26.07, -1.19

 

CMYK 0 / 41 / 38 / 23

HEX #C5757B

RGB 197 117 123

HSL 355.5, 0.41%, 0.62%

LAB 58.06, 32.07, 10.28

 

CMYK 0 / 37 / 34 / 16

HEX #D6878E

RGB 214 135 142

HSL 354.68, 0.49%, 0.68%

LAB 64.63, 31.12, 9.02

 

CMYK 0 / 34 / 30 / 9

HEX #E799A1

RGB 231 153 161

HSL 353.85, 0.62%, 0.75%

LAB 71.11, 30.25, 7.89

 

CMYK 0 / 31 / 27 / 3

HEX #F8ABB4

RGB 248 171 180

HSL 352.99, 0.85%, 0.82%

LAB 77.51, 29.45, 6.87

 

CMYK 0 / 26 / 22 / 0

HEX #FFBDC7

RGB 255 189 199

HSL 350.91, 1%, 0.87%

LAB 82.8, 25.14, 4.32

 

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

CMYK 0 / 43 / 38 / 31

HEX #AF636D

RGB 175 99 109

HSL 352.11, 0.32%, 0.54%

LAB 50.85, 31.78, 7.89

 

CMYK 0 / 49 / 43 / 38

HEX #9E515A

RGB 158 81 90

HSL 352.99, 0.32%, 0.47%

LAB 44.08, 32.82, 9.43

 

CMYK 0 / 55 / 50 / 45

HEX #8D3F47

RGB 141 63 71

HSL 353.85, 0.38%, 0.4%

LAB 37.25, 33.9, 11.32

 

CMYK 0 / 64 / 58 / 51

HEX #7C2D34

RGB 124 45 52

HSL 354.68, 0.47%, 0.33%

LAB 30.42, 34.92, 13.74

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 38 / 38 / 25

HEX #C07777

RGB 192 119 119

HSL 0, 0.37%, 0.61%

LAB 57.78, 28.59, 12.12

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 38 / 22 / 25

HEX #C07795

RGB 192 119 149

HSL 335.34, 0.37%, 0.61%

LAB 58.57, 32.66, -4.09

 

CMYK 0 / 38 / 12 / 25

HEX #C077A9

RGB 192 119 169

HSL 318.9, 0.37%, 0.61%

LAB 59.22, 35.85, -14.65

 

CMYK 0 / 38 / 2 / 25

HEX #C077BD

RGB 192 119 189

HSL 302.47, 0.37%, 0.61%

LAB 59.96, 39.39, -24.96

 

CMYK 8 / 38 / 0 / 25

HEX #B077C0

RGB 176 119 192

HSL 286.85, 0.37%, 0.61%

LAB 58.25, 34.93, -29.44

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 50 / 43 / 18

HEX #D06776

RGB 208 103 118

HSL 351.43, 0.53%, 0.61%

LAB 56.5, 42.88, 11.22

 

CMYK 0 / 61 / 52 / 12

HEX #E1576B

RGB 225 87 107

HSL 351.3, 0.7%, 0.61%

LAB 55.97, 55.23, 17.33

 

CMYK 0 / 71 / 61 / 5

HEX #F1465F

RGB 241 70 95

HSL 351.23, 0.86%, 0.61%

LAB 55.99, 66.02, 24.88

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 23 / 20 / 31

HEX #B0878D

RGB 176 135 141

HSL 351.22, 0.21%, 0.61%

LAB 60.32, 16.59, 2.84

 

CMYK 0 / 6 / 5 / 37

HEX #A09798

RGB 160 151 152

HSL 353.33, 0.05%, 0.61%

LAB 63.24, 3.48, 0.65

 

CMYK 14 / 0 / 2 / 35

HEX #90A7A4

RGB 144 167 164

HSL 172.17, 0.12%, 0.61%

LAB 66.71, -8.59, -1.15

 

CMYK 30 / 0 / 4 / 28

HEX #80B7AF

RGB 128 183 175

HSL 171.27, 0.28%, 0.61%

LAB 70.56, -19.66, -1.7

 

CMYK 0 / 38 / 12 / 25

HEX #C077A9

RGB 192 119 169

HSL 318.9, 0.37%, 0.61%

LAB 59.22, 35.85, -14.65

 

CMYK 0 / 38 / 22 / 25

HEX #C07795

RGB 192 119 149

HSL 335.34, 0.37%, 0.61%

LAB 58.57, 32.66, -4.09

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 34 / 38 / 25

HEX #C07F77

RGB 192 127 119

HSL 6.58, 0.37%, 0.61%

LAB 59.63, 24.2, 14.7

 

CMYK 0 / 23 / 38 / 25

HEX #C09377

RGB 192 147 119

HSL 23.01, 0.37%, 0.61%

LAB 64.49, 13.15, 21.36

 

CMYK 0 / 54 / 46 / 38

HEX #9D4854

RGB 157 72 84

HSL 351.53, 0.37%, 0.45%

LAB 41.91, 36.56, 10.07

 

CMYK 0 / 50 / 42 / 30

HEX #B35A68

RGB 179 90 104

HSL 350.56, 0.37%, 0.53%

LAB 49.37, 37.5, 8.85

 

CMYK 0 / 38 / 32 / 25

HEX #C07782

RGB 192 119 130

HSL 350.96, 0.37%, 0.61%

LAB 58.05, 29.98, 6.13

 

CMYK 0 / 28 / 24 / 20

HEX #CD939C

RGB 205 147 156

HSL 350.69, 0.37%, 0.69%

LAB 66.71, 23.16, 3.98

 

CMYK 0 / 20 / 17 / 15

HEX #DAAFB6

RGB 218 175 182

HSL 350.23, 0.37%, 0.77%

LAB 75.42, 16.7, 2.37

 

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 38 / 17 / 0 / 25

HEX #779FC0

RGB 119 159 192

HSL 207.12, 0.37%, 0.61%

LAB 63.77, -5.24, -21.34

 

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

CMYK 32 / 0 / 38 / 25

HEX #82C077

RGB 130 192 119

HSL 110.96, 0.37%, 0.61%

LAB 72.08, -34.06, 30.63

 

CMYK 38 / 32 / 0 / 25

HEX #7782C0

RGB 119 130 192

HSL 230.96, 0.37%, 0.61%

LAB 55.78, 11.41, -33.69

 

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 38 / 0 / 6 / 25

HEX #77C0B5

RGB 119 192 181

HSL 170.96, 0.37%, 0.61%

LAB 72.86, -25.34, -1.66

 

CMYK 36 / 38 / 0 / 25

HEX #7A77C0

RGB 122 119 192

HSL 242.47, 0.37%, 0.61%

LAB 53.1, 18.79, -37.87

 

CMYK 0 / 39 / 33 / 25

HEX #C07580

RGB 192 117 128

HSL 351.2, 0.37%, 0.61%

LAB 57.55, 30.81, 6.57

 

CMYK 13 / 0 / 38 / 25

HEX #A7C077

RGB 167 192 119

HSL 80.55, 0.37%, 0.61%

LAB 74.35, -20.71, 34.02

 

CMYK 38 / 0 / 6 / 25

HEX #77C0B5

RGB 119 192 181

HSL 170.96, 0.37%, 0.61%

LAB 72.86, -25.34, -1.66

 

CMYK 24 / 38 / 0 / 25

HEX #9177C0

RGB 145 119 192

HSL 261.37, 0.37%, 0.61%

LAB 55.09, 25.42, -34.6

 

Description

Color code: HEX #C07580 | qconv.com Color code: HEX #C07580 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 117 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 117 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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