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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07508 it is the complementary color #3F8AF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07508. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07508 shade: #C57503, #D68716, #E79929, #F8AB3C and #FFBD4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07508. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07508 shade: #C07508, #AF6300, #9E5100, #8D3F00 and #7C2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07508 shade: #BF7408, #BF4308, #BF1208 and #BF0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07508 shade: #BF7408, #BFA608, #A7BF08, #76BF08 and #44BF08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07508 shade matches the following richer shades: #BF7408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07508 shade: #BF7408, #AF7118, #9F6E28, #8F6B38 and #7F6848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07508 shade: #BF1108, #BF4208, #BF7308, #BFA308 and #AABF08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07508 shade: #704405, #975C06, #BF7408, #E78C0A and #F6A024

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07508 shade: #C07508, #30BF08 and #2A08BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07508 shade: #C07508, #08BF73 and #7308BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07508 shade: #C07508, #30BF08, #0854BF and #9708BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07508 shade: #C07508, #08BF17, #0854BF and #BF08B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

Complementary color

CMYK 74 / 44 / 0 / 3

HEX #3F8AF7

RGB 63 138 247

HSL 215.54, 0.92%, 0.61%

LAB 57.99, 13.49, -61.19

 

CMYK 0 / 41 / 98 / 23

HEX #C57503

RGB 197 117 3

HSL 35.26, 0.97%, 0.39%

LAB 56.68, 24.87, 63.06

 

CMYK 0 / 37 / 90 / 16

HEX #D68716

RGB 214 135 22

HSL 35.31, 0.81%, 0.46%

LAB 63.08, 22.71, 64.97

 

CMYK 0 / 34 / 82 / 9

HEX #E79929

RGB 231 153 41

HSL 35.37, 0.8%, 0.53%

LAB 69.42, 20.77, 65.49

 

CMYK 0 / 31 / 76 / 3

HEX #F8AB3C

RGB 248 171 60

HSL 35.43, 0.93%, 0.6%

LAB 75.7, 19.07, 65.07

 

CMYK 0 / 26 / 69 / 0

HEX #FFBD4F

RGB 255 189 79

HSL 37.5, 1%, 0.65%

LAB 80.86, 13.43, 62.74

 

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

CMYK 0 / 43 / 100 / 31

HEX #AF6300

RGB 175 99 0

HSL 33.94, 1%, 0.34%

LAB 49.54, 25.14, 57.6

 

CMYK 0 / 49 / 100 / 38

HEX #9E5100

RGB 158 81 0

HSL 30.76, 1%, 0.31%

LAB 42.99, 27.66, 52.32

 

CMYK 0 / 55 / 100 / 45

HEX #8D3F00

RGB 141 63 0

HSL 26.81, 1%, 0.28%

LAB 36.4, 30.17, 47.02

 

CMYK 0 / 64 / 100 / 51

HEX #7C2D00

RGB 124 45 0

HSL 21.77, 1%, 0.24%

LAB 29.82, 32.5, 41.37

 

CMYK 0 / 39 / 96 / 25

HEX #BF7408

RGB 191 116 8

HSL 35.41, 0.92%, 0.39%

LAB 55.67, 22.88, 61.1

 

CMYK 0 / 65 / 96 / 25

HEX #BF4308

RGB 191 67 8

HSL 19.34, 0.92%, 0.39%

LAB 45.78, 47.68, 54.6

 

CMYK 0 / 91 / 96 / 25

HEX #BF1208

RGB 191 18 8

HSL 3.28, 0.92%, 0.39%

LAB 40.45, 62.48, 51.52

 

CMYK 0 / 96 / 96 / 25

HEX #BF0808

RGB 191 8 8

HSL 0, 0.92%, 0.39%

LAB 40.03, 63.7, 51.3

 

CMYK 0 / 39 / 96 / 25

HEX #BF7408

RGB 191 116 8

HSL 35.41, 0.92%, 0.39%

LAB 55.67, 22.88, 61.1

 

CMYK 0 / 13 / 96 / 25

HEX #BFA608

RGB 191 166 8

HSL 51.8, 0.92%, 0.39%

LAB 68.29, -4.37, 70.15

 

CMYK 13 / 0 / 96 / 25

HEX #A7BF08

RGB 167 191 8

HSL 67.87, 0.92%, 0.39%

LAB 73.22, -27.5, 72.99

 

CMYK 38 / 0 / 96 / 25

HEX #76BF08

RGB 118 191 8

HSL 83.93, 0.92%, 0.39%

LAB 70.27, -46.66, 69.42

 

CMYK 64 / 0 / 96 / 25

HEX #44BF08

RGB 68 191 8

HSL 100.33, 0.92%, 0.39%

LAB 68.39, -61.21, 67.13

 

CMYK 0 / 39 / 96 / 25

HEX #BF7408

RGB 191 116 8

HSL 35.41, 0.92%, 0.39%

LAB 55.67, 22.88, 61.1

 

CMYK 0 / 39 / 96 / 25

HEX #BF7408

RGB 191 116 8

HSL 35.41, 0.92%, 0.39%

LAB 55.67, 22.88, 61.1

 

CMYK 0 / 35 / 86 / 31

HEX #AF7118

RGB 175 113 24

HSL 35.36, 0.76%, 0.39%

LAB 52.94, 17.78, 54.29

 

CMYK 0 / 31 / 75 / 38

HEX #9F6E28

RGB 159 110 40

HSL 35.29, 0.6%, 0.39%

LAB 50.31, 12.86, 44.94

 

CMYK 0 / 25 / 61 / 44

HEX #8F6B38

RGB 143 107 56

HSL 35.17, 0.44%, 0.39%

LAB 47.8, 8.34, 33.72

 

CMYK 0 / 18 / 43 / 50

HEX #7F6848

RGB 127 104 72

HSL 34.91, 0.28%, 0.39%

LAB 45.47, 4.48, 21.46

 

CMYK 0 / 91 / 96 / 25

HEX #BF1108

RGB 191 17 8

HSL 2.95, 0.92%, 0.39%

LAB 40.4, 62.62, 51.5

 

CMYK 0 / 65 / 96 / 25

HEX #BF4208

RGB 191 66 8

HSL 19.02, 0.92%, 0.39%

LAB 45.62, 48.11, 54.5

 

CMYK 0 / 40 / 96 / 25

HEX #BF7308

RGB 191 115 8

HSL 35.08, 0.92%, 0.39%

LAB 55.44, 23.43, 60.94

 

CMYK 0 / 15 / 96 / 25

HEX #BFA308

RGB 191 163 8

HSL 50.82, 0.92%, 0.39%

LAB 67.49, -2.78, 69.57

 

CMYK 11 / 0 / 96 / 25

HEX #AABF08

RGB 170 191 8

HSL 66.89, 0.92%, 0.39%

LAB 73.43, -26.24, 73.25

 

CMYK 0 / 39 / 96 / 56

HEX #704405

RGB 112 68 5

HSL 35.33, 0.91%, 0.23%

LAB 33.11, 14.3, 40.85

 

CMYK 0 / 39 / 96 / 41

HEX #975C06

RGB 151 92 6

HSL 35.59, 0.92%, 0.31%

LAB 44.58, 18.47, 51.28

 

CMYK 0 / 39 / 96 / 25

HEX #BF7408

RGB 191 116 8

HSL 35.41, 0.92%, 0.39%

LAB 55.67, 22.88, 61.1

 

CMYK 0 / 39 / 96 / 9

HEX #E78C0A

RGB 231 140 10

HSL 35.29, 0.92%, 0.47%

LAB 66.34, 27.09, 70.56

 

CMYK 0 / 35 / 85 / 4

HEX #F6A024

RGB 246 160 36

HSL 35.43, 0.92%, 0.55%

LAB 72.8, 23.26, 70.59

 

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

CMYK 75 / 0 / 96 / 25

HEX #30BF08

RGB 48 191 8

HSL 106.89, 0.92%, 0.39%

LAB 67.95, -65, 66.59

 

CMYK 78 / 96 / 0 / 25

HEX #2A08BF

RGB 42 8 191

HSL 251.15, 0.92%, 0.39%

LAB 25.04, 62.61, -83.13

 

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

CMYK 96 / 0 / 40 / 25

HEX #08BF73

RGB 8 191 115

HSL 155.08, 0.92%, 0.39%

LAB 68.42, -57.72, 27.3

 

CMYK 40 / 96 / 0 / 25

HEX #7308BF

RGB 115 8 191

HSL 275.08, 0.92%, 0.39%

LAB 33.09, 67.66, -69.53

 

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

CMYK 75 / 0 / 96 / 25

HEX #30BF08

RGB 48 191 8

HSL 106.89, 0.92%, 0.39%

LAB 67.95, -65, 66.59

 

CMYK 96 / 56 / 0 / 25

HEX #0854BF

RGB 8 84 191

HSL 215.08, 0.92%, 0.39%

LAB 38.12, 22.18, -61.59

 

CMYK 21 / 96 / 0 / 25

HEX #9708BF

RGB 151 8 191

HSL 286.89, 0.92%, 0.39%

LAB 38.75, 72.18, -60.05

 

CMYK 0 / 39 / 96 / 25

HEX #C07508

RGB 192 117 8

HSL 35.54, 0.92%, 0.39%

LAB 56.03, 22.77, 61.41

 

CMYK 96 / 0 / 88 / 25

HEX #08BF17

RGB 8 191 23

HSL 124.92, 0.92%, 0.39%

LAB 67.56, -68.4, 63.83

 

CMYK 96 / 56 / 0 / 25

HEX #0854BF

RGB 8 84 191

HSL 215.08, 0.92%, 0.39%

LAB 38.12, 22.18, -61.59

 

CMYK 0 / 96 / 8 / 25

HEX #BF08B0

RGB 191 8 176

HSL 304.92, 0.92%, 0.39%

LAB 44.78, 76.2, -41.14

 

Description

Color code: HEX #C07508 | qconv.com Color code: HEX #C07508 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 117 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 117 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 96 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 96% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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