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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06F4D it is the complementary color #3F90B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06F4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06F4D shade: #C56F48, #D6815B, #E7936E, #F8A581 and #FFB794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06F4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06F4D shade: #C06F4D, #AF5D3A, #9E4B27, #8D3914 and #7C2701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06F4D shade: #C06F4D, #C0504D and #C04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06F4D shade: #C06F4D, #C08E4D, #C0AD4D, #B4C04D and #95C04D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06F4D shade matches the following richer shades: #C06F4D, #D4673A, #E75F26 and #FA5713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06F4D shade: #C06F4D, #AD7761, #997F74, #868787 and #738F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06F4D shade: #C04D6A, #C04F4D, #C06E4D, #C08C4D and #C0AB4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06F4D shade: #8A4B30, #A95C3B, #C06F4D, #CB886C and #D6A08A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06F4D shade: #C06F4D, #89C04D and #4D5BC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06F4D shade: #C06F4D, #4DC06E and #6E4DC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06F4D shade: #C06F4D, #89C04D, #4DA0C0 and #854DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06F4D shade: #C06F4D, #66C04D, #4DA0C0 and #A74DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

Complementary color

CMYK 65 / 19 / 0 / 30

HEX #3F90B2

RGB 63 144 178

HSL 197.74, 0.48%, 0.47%

LAB 56.31, -13.97, -25.12

 

CMYK 0 / 44 / 63 / 23

HEX #C56F48

RGB 197 111 72

HSL 18.72, 0.52%, 0.53%

LAB 55.79, 30.52, 36.24

 

CMYK 0 / 40 / 57 / 16

HEX #D6815B

RGB 214 129 91

HSL 18.54, 0.6%, 0.6%

LAB 62.3, 29.13, 34.39

 

CMYK 0 / 36 / 52 / 9

HEX #E7936E

RGB 231 147 110

HSL 18.35, 0.72%, 0.67%

LAB 68.74, 27.89, 32.71

 

CMYK 0 / 33 / 48 / 3

HEX #F8A581

RGB 248 165 129

HSL 18.15, 0.89%, 0.74%

LAB 75.11, 26.78, 31.18

 

CMYK 0 / 28 / 42 / 0

HEX #FFB794

RGB 255 183 148

HSL 19.63, 1%, 0.79%

LAB 80.33, 21.94, 28.14

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 47 / 67 / 31

HEX #AF5D3A

RGB 175 93 58

HSL 17.95, 0.5%, 0.46%

LAB 48.57, 30.32, 34.58

 

CMYK 0 / 53 / 75 / 38

HEX #9E4B27

RGB 158 75 39

HSL 18.15, 0.6%, 0.39%

LAB 41.92, 31.97, 36.71

 

CMYK 0 / 60 / 86 / 45

HEX #8D3914

RGB 141 57 20

HSL 18.35, 0.75%, 0.32%

LAB 35.28, 33.73, 38.76

 

CMYK 0 / 69 / 99 / 51

HEX #7C2701

RGB 124 39 1

HSL 18.54, 0.98%, 0.25%

LAB 28.74, 35.41, 40.12

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 58 / 60 / 25

HEX #C0504D

RGB 192 80 77

HSL 1.57, 0.48%, 0.53%

LAB 48.86, 44.79, 24.62

 

CMYK 0 / 60 / 60 / 25

HEX #C04D4D

RGB 192 77 77

HSL 0, 0.48%, 0.53%

LAB 48.32, 46.2, 23.92

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 26 / 60 / 25

HEX #C08E4D

RGB 192 142 77

HSL 33.91, 0.48%, 0.53%

LAB 62.58, 11.82, 41.51

 

CMYK 0 / 10 / 60 / 25

HEX #C0AD4D

RGB 192 173 77

HSL 50.09, 0.48%, 0.53%

LAB 70.61, -4.93, 50.72

 

CMYK 6 / 0 / 60 / 25

HEX #B4C04D

RGB 180 192 77

HSL 66.26, 0.48%, 0.53%

LAB 74.79, -19.74, 55.06

 

CMYK 22 / 0 / 60 / 25

HEX #95C04D

RGB 149 192 77

HSL 82.43, 0.48%, 0.53%

LAB 72.64, -32.15, 52.09

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 51 / 73 / 17

HEX #D4673A

RGB 212 103 58

HSL 17.53, 0.64%, 0.53%

LAB 56.09, 39.85, 44.52

 

CMYK 0 / 59 / 84 / 9

HEX #E75F26

RGB 231 95 38

HSL 17.72, 0.8%, 0.53%

LAB 57.38, 50.09, 56.12

 

CMYK 0 / 65 / 92 / 2

HEX #FA5713

RGB 250 87 19

HSL 17.66, 0.96%, 0.53%

LAB 59.15, 59.78, 65.37

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 31 / 44 / 32

HEX #AD7761

RGB 173 119 97

HSL 17.37, 0.32%, 0.53%

LAB 55.01, 18.44, 20.61

 

CMYK 0 / 17 / 24 / 40

HEX #997F74

RGB 153 127 116

HSL 17.84, 0.15%, 0.53%

LAB 55.29, 8.21, 9.71

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 26 / 8 / 0 / 39

HEX #738F9B

RGB 115 143 155

HSL 198, 0.17%, 0.53%

LAB 57.71, -7, -9.61

 

CMYK 0 / 60 / 45 / 25

HEX #C04D6A

RGB 192 77 106

HSL 344.87, 0.48%, 0.53%

LAB 48.95, 48.69, 7.33

 

CMYK 0 / 59 / 60 / 25

HEX #C04F4D

RGB 192 79 77

HSL 1.04, 0.48%, 0.53%

LAB 48.68, 45.26, 24.38

 

CMYK 0 / 43 / 60 / 25

HEX #C06E4D

RGB 192 110 77

HSL 17.22, 0.48%, 0.53%

LAB 54.96, 29.39, 32.33

 

CMYK 0 / 27 / 60 / 25

HEX #C08C4D

RGB 192 140 77

HSL 32.87, 0.48%, 0.53%

LAB 62.08, 12.92, 40.92

 

CMYK 0 / 11 / 60 / 25

HEX #C0AB4D

RGB 192 171 77

HSL 49.04, 0.48%, 0.53%

LAB 70.08, -3.87, 50.13

 

CMYK 0 / 46 / 65 / 46

HEX #8A4B30

RGB 138 75 48

HSL 18, 0.48%, 0.36%

LAB 38.98, 24.08, 27.55

 

CMYK 0 / 46 / 65 / 34

HEX #A95C3B

RGB 169 92 59

HSL 18, 0.48%, 0.45%

LAB 47.5, 28.46, 32.55

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 0 / 33 / 47 / 20

HEX #CB886C

RGB 203 136 108

HSL 17.68, 0.48%, 0.61%

LAB 62.83, 22.43, 25.46

 

CMYK 0 / 25 / 36 / 16

HEX #D6A08A

RGB 214 160 138

HSL 17.37, 0.48%, 0.69%

LAB 70.37, 17.11, 19.28

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 29 / 0 / 60 / 25

HEX #89C04D

RGB 137 192 77

HSL 88.7, 0.48%, 0.53%

LAB 71.93, -36.67, 51.09

 

CMYK 60 / 53 / 0 / 25

HEX #4D5BC0

RGB 77 91 192

HSL 232.7, 0.48%, 0.53%

LAB 42.56, 25.47, -54.85

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 60 / 0 / 43 / 25

HEX #4DC06E

RGB 77 192 110

HSL 137.22, 0.48%, 0.53%

LAB 69.76, -50.46, 31.85

 

CMYK 43 / 60 / 0 / 25

HEX #6E4DC0

RGB 110 77 192

HSL 257.22, 0.48%, 0.53%

LAB 41.89, 40.76, -55.8

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 29 / 0 / 60 / 25

HEX #89C04D

RGB 137 192 77

HSL 88.7, 0.48%, 0.53%

LAB 71.93, -36.67, 51.09

 

CMYK 60 / 17 / 0 / 25

HEX #4DA0C0

RGB 77 160 192

HSL 196.7, 0.48%, 0.53%

LAB 62.1, -15.68, -24.07

 

CMYK 31 / 60 / 0 / 25

HEX #854DC0

RGB 133 77 192

HSL 269.22, 0.48%, 0.53%

LAB 44.38, 46.01, -51.67

 

CMYK 0 / 42 / 60 / 25

HEX #C06F4D

RGB 192 111 77

HSL 17.74, 0.48%, 0.53%

LAB 55.19, 28.85, 32.6

 

CMYK 47 / 0 / 60 / 25

HEX #66C04D

RGB 102 192 77

HSL 106.96, 0.48%, 0.53%

LAB 70.22, -48.44, 48.69

 

CMYK 60 / 17 / 0 / 25

HEX #4DA0C0

RGB 77 160 192

HSL 196.7, 0.48%, 0.53%

LAB 62.1, -15.68, -24.07

 

CMYK 13 / 60 / 0 / 25

HEX #A74DC0

RGB 167 77 192

HSL 286.96, 0.48%, 0.53%

LAB 48.67, 54.35, -44.56

 

Description

Color code: HEX #C06F4D | qconv.com Color code: HEX #C06F4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 111 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 111 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 60 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 60% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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