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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06751 it is the complementary color #3F98AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06751 shade: #C5674C, #D6795F, #E78B72, #F89D85 and #FFAF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06751 shade: #C06751, #AF553E, #9E432B, #8D3118 and #7C1F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06751 shade: #C16853 and #C15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06751 shade: #C16853, #C18653, #C1A453, #C0C153 and #A2C153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06751 shade matches the following richer shades: #C16853, #D45D40, #E7522D and #FA461A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06751 shade: #C16853, #AE7466, #9B7F79, #888B8C and #75969E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06751 shade: #C15379, #C1535C, #C16753, #C18453 and #C1A253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06751 shade: #8E4533, #AC543E, #C16853, #CC8371 and #D79D8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06751 shade: #C06751, #97C153 and #536AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06751 shade: #C06751, #53C167 and #6753C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06751 shade: #C06751, #97C153, #53ADC1 and #7D53C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06751 shade: #C06751, #75C153, #53ADC1 and #9E53C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

Complementary color

CMYK 64 / 13 / 0 / 32

HEX #3F98AE

RGB 63 152 174

HSL 191.89, 0.47%, 0.46%

LAB 58.57, -19.56, -19.37

 

CMYK 0 / 48 / 61 / 23

HEX #C5674C

RGB 197 103 76

HSL 13.39, 0.51%, 0.54%

LAB 54.13, 35.04, 32

 

CMYK 0 / 43 / 56 / 16

HEX #D6795F

RGB 214 121 95

HSL 13.11, 0.59%, 0.61%

LAB 60.6, 33.69, 30.05

 

CMYK 0 / 40 / 51 / 9

HEX #E78B72

RGB 231 139 114

HSL 12.82, 0.71%, 0.68%

LAB 67.03, 32.47, 28.31

 

CMYK 0 / 37 / 46 / 3

HEX #F89D85

RGB 248 157 133

HSL 12.52, 0.89%, 0.75%

LAB 73.39, 31.35, 26.75

 

CMYK 0 / 31 / 40 / 0

HEX #FFAF98

RGB 255 175 152

HSL 13.4, 1%, 0.8%

LAB 78.57, 26.55, 23.63

 

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

CMYK 0 / 51 / 65 / 31

HEX #AF553E

RGB 175 85 62

HSL 12.21, 0.48%, 0.46%

LAB 46.92, 34.84, 30.36

 

CMYK 0 / 58 / 73 / 38

HEX #9E432B

RGB 158 67 43

HSL 12.52, 0.57%, 0.39%

LAB 40.34, 36.32, 32.8

 

CMYK 0 / 65 / 83 / 45

HEX #8D3118

RGB 141 49 24

HSL 12.82, 0.71%, 0.32%

LAB 33.83, 37.78, 35.45

 

CMYK 0 / 75 / 96 / 51

HEX #7C1F05

RGB 124 31 5

HSL 13.11, 0.92%, 0.25%

LAB 27.51, 38.92, 37.46

 

CMYK 0 / 46 / 57 / 24

HEX #C16853

RGB 193 104 83

HSL 11.45, 0.47%, 0.54%

LAB 53.88, 33.47, 27.62

 

CMYK 0 / 57 / 57 / 24

HEX #C15353

RGB 193 83 83

HSL 0, 0.47%, 0.54%

LAB 49.68, 44.16, 22.16

 

CMYK 0 / 46 / 57 / 24

HEX #C16853

RGB 193 104 83

HSL 11.45, 0.47%, 0.54%

LAB 53.88, 33.47, 27.62

 

CMYK 0 / 31 / 57 / 24

HEX #C18653

RGB 193 134 83

HSL 27.82, 0.47%, 0.54%

LAB 60.79, 17.12, 36.26

 

CMYK 0 / 15 / 57 / 24

HEX #C1A453

RGB 193 164 83

HSL 44.18, 0.47%, 0.54%

LAB 68.4, 0.74, 45.35

 

CMYK 1 / 0 / 57 / 24

HEX #C0C153

RGB 192 193 83

HSL 60.55, 0.47%, 0.54%

LAB 76.05, -14.82, 54.07

 

CMYK 16 / 0 / 57 / 24

HEX #A2C153

RGB 162 193 83

HSL 76.91, 0.47%, 0.54%

LAB 73.83, -27.03, 50.96

 

CMYK 0 / 46 / 57 / 24

HEX #C16853

RGB 193 104 83

HSL 11.45, 0.47%, 0.54%

LAB 53.88, 33.47, 27.62

 

CMYK 0 / 56 / 70 / 17

HEX #D45D40

RGB 212 93 64

HSL 11.76, 0.63%, 0.54%

LAB 54.23, 45.07, 39.3

 

CMYK 0 / 65 / 81 / 9

HEX #E7522D

RGB 231 82 45

HSL 11.94, 0.79%, 0.54%

LAB 55.29, 55.96, 51.09

 

CMYK 0 / 72 / 90 / 2

HEX #FA461A

RGB 250 70 26

HSL 11.79, 0.96%, 0.54%

LAB 56.86, 66.19, 61.69

 

CMYK 0 / 46 / 57 / 24

HEX #C16853

RGB 193 104 83

HSL 11.45, 0.47%, 0.54%

LAB 53.88, 33.47, 27.62

 

CMYK 0 / 33 / 41 / 32

HEX #AE7466

RGB 174 116 102

HSL 11.67, 0.31%, 0.54%

LAB 54.5, 21.11, 17.06

 

CMYK 0 / 18 / 22 / 39

HEX #9B7F79

RGB 155 127 121

HSL 10.59, 0.15%, 0.54%

LAB 55.61, 9.79, 7.3

 

CMYK 3 / 1 / 0 / 45

HEX #888B8C

RGB 136 139 140

HSL 195, 0.02%, 0.54%

LAB 57.65, -0.9, -0.92

 

CMYK 26 / 5 / 0 / 38

HEX #75969E

RGB 117 150 158

HSL 191.71, 0.17%, 0.54%

LAB 59.95, -9.52, -7.96

 

CMYK 0 / 57 / 37 / 24

HEX #C15379

RGB 193 83 121

HSL 339.27, 0.47%, 0.54%

LAB 50.58, 47.84, 0.65

 

CMYK 0 / 57 / 52 / 24

HEX #C1535C

RGB 193 83 92

HSL 355.09, 0.47%, 0.54%

LAB 49.85, 44.9, 17.04

 

CMYK 0 / 47 / 57 / 24

HEX #C16753

RGB 193 103 83

HSL 10.91, 0.47%, 0.54%

LAB 53.67, 34, 27.34

 

CMYK 0 / 32 / 57 / 24

HEX #C18453

RGB 193 132 83

HSL 26.73, 0.47%, 0.54%

LAB 60.31, 18.22, 35.67

 

CMYK 0 / 16 / 57 / 24

HEX #C1A253

RGB 193 162 83

HSL 43.09, 0.47%, 0.54%

LAB 67.87, 1.81, 44.74

 

CMYK 0 / 51 / 64 / 44

HEX #8E4533

RGB 142 69 51

HSL 11.87, 0.47%, 0.38%

LAB 38.28, 29.34, 25.07

 

CMYK 0 / 51 / 64 / 33

HEX #AC543E

RGB 172 84 62

HSL 12, 0.47%, 0.46%

LAB 46.26, 34.18, 29.45

 

CMYK 0 / 46 / 57 / 24

HEX #C16853

RGB 193 104 83

HSL 11.45, 0.47%, 0.54%

LAB 53.88, 33.47, 27.62

 

CMYK 0 / 36 / 45 / 20

HEX #CC8371

RGB 204 131 113

HSL 11.87, 0.47%, 0.62%

LAB 61.88, 26.07, 21.41

 

CMYK 0 / 27 / 33 / 16

HEX #D79D8F

RGB 215 157 143

HSL 11.67, 0.47%, 0.7%

LAB 69.86, 19.74, 15.84

 

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 57 / 45 / 0 / 24

HEX #536AC1

RGB 83 106 193

HSL 227.45, 0.47%, 0.54%

LAB 46.97, 17.54, -48.33

 

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

CMYK 57 / 0 / 47 / 24

HEX #53C167

RGB 83 193 103

HSL 130.91, 0.47%, 0.54%

LAB 70.15, -50.6, 35.96

 

CMYK 47 / 57 / 0 / 24

HEX #6753C1

RGB 103 83 193

HSL 250.91, 0.47%, 0.54%

LAB 42.64, 36.01, -55.2

 

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 57 / 10 / 0 / 24

HEX #53ADC1

RGB 83 173 193

HSL 190.91, 0.47%, 0.54%

LAB 66.19, -21.06, -18.37

 

CMYK 35 / 57 / 0 / 24

HEX #7D53C1

RGB 125 83 193

HSL 262.91, 0.47%, 0.54%

LAB 44.8, 41.06, -51.62

 

CMYK 0 / 46 / 58 / 25

HEX #C06751

RGB 192 103 81

HSL 11.89, 0.47%, 0.54%

LAB 53.49, 33.44, 28.23

 

CMYK 39 / 0 / 57 / 24

HEX #75C153

RGB 117 193 83

HSL 101.45, 0.47%, 0.54%

LAB 71.25, -43.5, 47.31

 

CMYK 57 / 10 / 0 / 24

HEX #53ADC1

RGB 83 173 193

HSL 190.91, 0.47%, 0.54%

LAB 66.19, -21.06, -18.37

 

CMYK 18 / 57 / 0 / 24

HEX #9E53C1

RGB 158 83 193

HSL 280.91, 0.47%, 0.54%

LAB 48.64, 49.32, -45.26

 

Description

Color code: HEX #C06751 | qconv.com Color code: HEX #C06751 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 103 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 103 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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