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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06387 it is the complementary color #3F9C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06387 shade: #C56382, #D67595, #E787A8, #F899BB and #FFABCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06387 shade: #C06387, #AF5174, #9E3F61, #8D2D4E and #7C1B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06387 shade: #BF6387, #BF636E and #BF6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06387 shade: #BF6387, #BF63A0, #BF63B9, #AD63BF and #9463BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06387 shade matches the following richer shades: #BF6387, #D15283, #E3407F and #F52E7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06387 shade: #BF6387, #AE758B, #9C878F, #8A9993 and #78AA97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06387 shade: #BF63B9, #BF63A1, #BF6388, #BF6370 and #BF7063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06387 shade: #943C5E, #B14871, #BF6387, #CB819E and #D79EB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06387 shade: #C06387, #BFAD63 and #63ADBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06387 shade: #C06387, #88BF63 and #6388BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06387 shade: #C06387, #BFAD63, #63BF9B and #6376BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06387 shade: #C06387, #B6BF63, #63BF9B and #6D63BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

Complementary color

CMYK 60 / 0 / 23 / 39

HEX #3F9C78

RGB 63 156 120

HSL 156.77, 0.42%, 0.43%

LAB 58.22, -36.38, 10.76

 

CMYK 0 / 50 / 34 / 23

HEX #C56382

RGB 197 99 130

HSL 341.02, 0.46%, 0.58%

LAB 54.45, 42.39, 1.03

 

CMYK 0 / 45 / 30 / 16

HEX #D67595

RGB 214 117 149

HSL 340.21, 0.54%, 0.65%

LAB 60.95, 41.51, -0.28

 

CMYK 0 / 42 / 27 / 9

HEX #E787A8

RGB 231 135 168

HSL 339.38, 0.67%, 0.72%

LAB 67.38, 40.64, -1.41

 

CMYK 0 / 38 / 25 / 3

HEX #F899BB

RGB 248 153 187

HSL 338.53, 0.87%, 0.79%

LAB 73.76, 39.81, -2.42

 

CMYK 0 / 33 / 19 / 0

HEX #FFABCE

RGB 255 171 206

HSL 335, 1%, 0.84%

LAB 78.95, 35.6, -5.08

 

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

CMYK 0 / 54 / 34 / 31

HEX #AF5174

RGB 175 81 116

HSL 337.66, 0.37%, 0.5%

LAB 47.31, 42.13, -1.43

 

CMYK 0 / 60 / 39 / 38

HEX #9E3F61

RGB 158 63 97

HSL 338.53, 0.43%, 0.43%

LAB 40.71, 42.86, 0.28

 

CMYK 0 / 68 / 45 / 45

HEX #8D2D4E

RGB 141 45 78

HSL 339.38, 0.52%, 0.36%

LAB 34.17, 43.32, 2.49

 

CMYK 0 / 78 / 52 / 51

HEX #7C1B3B

RGB 124 27 59

HSL 340.21, 0.64%, 0.3%

LAB 27.8, 43.18, 5.48

 

CMYK 0 / 48 / 29 / 25

HEX #BF6387

RGB 191 99 135

HSL 336.52, 0.42%, 0.57%

LAB 53.76, 40.95, -3.04

 

CMYK 0 / 48 / 42 / 25

HEX #BF636E

RGB 191 99 110

HSL 352.83, 0.42%, 0.57%

LAB 53.09, 37.9, 10.76

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 0 / 48 / 29 / 25

HEX #BF6387

RGB 191 99 135

HSL 336.52, 0.42%, 0.57%

LAB 53.76, 40.95, -3.04

 

CMYK 0 / 48 / 16 / 25

HEX #BF63A0

RGB 191 99 160

HSL 320.22, 0.42%, 0.57%

LAB 54.59, 44.61, -16.46

 

CMYK 0 / 48 / 3 / 25

HEX #BF63B9

RGB 191 99 185

HSL 303.91, 0.42%, 0.57%

LAB 55.59, 48.81, -29.43

 

CMYK 9 / 48 / 0 / 25

HEX #AD63BF

RGB 173 99 191

HSL 288.26, 0.42%, 0.57%

LAB 53.57, 44.68, -36.2

 

CMYK 23 / 48 / 0 / 25

HEX #9463BF

RGB 148 99 191

HSL 271.96, 0.42%, 0.57%

LAB 50.67, 37.55, -40.97

 

CMYK 0 / 48 / 29 / 25

HEX #BF6387

RGB 191 99 135

HSL 336.52, 0.42%, 0.57%

LAB 53.76, 40.95, -3.04

 

CMYK 0 / 61 / 37 / 18

HEX #D15283

RGB 209 82 131

HSL 336.85, 0.58%, 0.57%

LAB 53.2, 54.6, -1.18

 

CMYK 0 / 72 / 44 / 11

HEX #E3407F

RGB 227 64 127

HSL 336.81, 0.74%, 0.57%

LAB 53.52, 66.53, 2.04

 

CMYK 0 / 81 / 50 / 4

HEX #F52E7B

RGB 245 46 123

HSL 336.78, 0.91%, 0.57%

LAB 54.86, 76.03, 6.78

 

CMYK 0 / 48 / 29 / 25

HEX #BF6387

RGB 191 99 135

HSL 336.52, 0.42%, 0.57%

LAB 53.76, 40.95, -3.04

 

CMYK 0 / 33 / 20 / 32

HEX #AE758B

RGB 174 117 139

HSL 336.84, 0.26%, 0.57%

LAB 55.67, 25.65, -2.82

 

CMYK 0 / 13 / 8 / 39

HEX #9C878F

RGB 156 135 143

HSL 337.14, 0.1%, 0.57%

LAB 58.4, 9.36, -1.35

 

CMYK 10 / 0 / 4 / 40

HEX #8A9993

RGB 138 153 147

HSL 156, 0.07%, 0.57%

LAB 61.91, -6.55, 1.32

 

CMYK 29 / 0 / 11 / 33

HEX #78AA97

RGB 120 170 151

HSL 157.2, 0.23%, 0.57%

LAB 65.73, -20.76, 4.48

 

CMYK 0 / 48 / 3 / 25

HEX #BF63B9

RGB 191 99 185

HSL 303.91, 0.42%, 0.57%

LAB 55.59, 48.81, -29.43

 

CMYK 0 / 48 / 16 / 25

HEX #BF63A1

RGB 191 99 161

HSL 319.57, 0.42%, 0.57%

LAB 54.63, 44.77, -16.99

 

CMYK 0 / 48 / 29 / 25

HEX #BF6388

RGB 191 99 136

HSL 335.87, 0.42%, 0.57%

LAB 53.79, 41.09, -3.58

 

CMYK 0 / 48 / 41 / 25

HEX #BF6370

RGB 191 99 112

HSL 351.52, 0.42%, 0.57%

LAB 53.13, 38.12, 9.65

 

CMYK 0 / 41 / 48 / 25

HEX #BF7063

RGB 191 112 99

HSL 8.48, 0.42%, 0.57%

LAB 55.65, 29.82, 20.71

 

CMYK 0 / 59 / 36 / 42

HEX #943C5E

RGB 148 60 94

HSL 336.82, 0.42%, 0.41%

LAB 38.44, 40.56, -1.36

 

CMYK 0 / 59 / 36 / 31

HEX #B14871

RGB 177 72 113

HSL 336.57, 0.42%, 0.49%

LAB 45.87, 46.82, -1.68

 

CMYK 0 / 48 / 29 / 25

HEX #BF6387

RGB 191 99 135

HSL 336.52, 0.42%, 0.57%

LAB 53.76, 40.95, -3.04

 

CMYK 0 / 36 / 22 / 20

HEX #CB819E

RGB 203 129 158

HSL 336.49, 0.42%, 0.65%

LAB 62.39, 32.53, -3.48

 

CMYK 0 / 27 / 16 / 16

HEX #D79EB4

RGB 215 158 180

HSL 336.84, 0.42%, 0.73%

LAB 71.01, 24.5, -3.01

 

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

CMYK 0 / 9 / 48 / 25

HEX #BFAD63

RGB 191 173 99

HSL 48.26, 0.42%, 0.57%

LAB 70.78, -3.51, 40.16

 

CMYK 48 / 9 / 0 / 25

HEX #63ADBF

RGB 99 173 191

HSL 191.74, 0.42%, 0.57%

LAB 66.75, -18.17, -16.36

 

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

CMYK 29 / 0 / 48 / 25

HEX #88BF63

RGB 136 191 99

HSL 95.87, 0.42%, 0.57%

LAB 71.82, -34.24, 40.56

 

CMYK 48 / 29 / 0 / 25

HEX #6388BF

RGB 99 136 191

HSL 215.87, 0.42%, 0.57%

LAB 56.11, 2.35, -32.7

 

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

CMYK 0 / 9 / 48 / 25

HEX #BFAD63

RGB 191 173 99

HSL 48.26, 0.42%, 0.57%

LAB 70.78, -3.51, 40.16

 

CMYK 48 / 0 / 19 / 25

HEX #63BF9B

RGB 99 191 155

HSL 156.52, 0.42%, 0.57%

LAB 71.06, -36.01, 9.79

 

CMYK 48 / 38 / 0 / 25

HEX #6376BF

RGB 99 118 191

HSL 227.61, 0.42%, 0.57%

LAB 51.12, 13.1, -40.53

 

CMYK 0 / 48 / 30 / 25

HEX #C06387

RGB 192 99 135

HSL 336.77, 0.42%, 0.57%

LAB 53.9, 41.3, -2.82

 

CMYK 5 / 0 / 48 / 25

HEX #B6BF63

RGB 182 191 99

HSL 65.87, 0.42%, 0.57%

LAB 74.89, -16.54, 45

 

CMYK 48 / 0 / 19 / 25

HEX #63BF9B

RGB 99 191 155

HSL 156.52, 0.42%, 0.57%

LAB 71.06, -36.01, 9.79

 

CMYK 43 / 48 / 0 / 25

HEX #6D63BF

RGB 109 99 191

HSL 246.52, 0.42%, 0.57%

LAB 46.89, 27.17, -47.2

 

Description

Color code: HEX #C06387 | qconv.com Color code: HEX #C06387 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 99 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 99 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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