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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C060F8 it is the complementary color #3F9F07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C060F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C060F8 shade: #C560F3, #D672FF, #E784FF, #F896FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C060F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C060F8 shade: #C060F8, #AF4EE5, #9E3CD2, #8D2ABF and #7C18AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C060F8 shade: #BF5DF8, #E95DF8, #F85DDE, #F85DB4 and #F85D8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C060F8 shade: #BF5DF8, #955DF8, #6C5DF8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C060F8 shade matches the following richer shades: #BF5DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C060F8 shade: #BF5DF8, #BC6BEB, #B879DD, #B486CF and #B194C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C060F8 shade: #6A5DF8, #945DF8, #BD5DF8, #E65DF8 and #F85DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C060F8 shade: #A00EF5, #B036F7, #BF5DF8, #CF85FA and #DEADFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C060F8 shade: #C060F8, #F85D7A and #5DF87F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C060F8 shade: #C060F8, #F8BD5D and #5DF8BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C060F8 shade: #C060F8, #F85D7A, #99F85D and #5DF8DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C060F8 shade: #C060F8, #F86F5D, #99F85D and #5DE6F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

Complementary color

CMYK 60 / 0 / 96 / 38

HEX #3F9F07

RGB 63 159 7

HSL 97.89, 0.92%, 0.33%

LAB 57.91, -51.5, 58.64

 

CMYK 19 / 60 / 0 / 5

HEX #C560F3

RGB 197 96 243

HSL 281.22, 0.86%, 0.66%

LAB 58.7, 62.99, -57.26

 

CMYK 16 / 55 / 0 / 0

HEX #D672FF

RGB 214 114 255

HSL 282.55, 1%, 0.72%

LAB 64.6, 60.98, -54.36

 

CMYK 9 / 48 / 0 / 0

HEX #E784FF

RGB 231 132 255

HSL 288.29, 1%, 0.76%

LAB 69.97, 56.56, -45.75

 

CMYK 3 / 41 / 0 / 0

HEX #F896FF

RGB 248 150 255

HSL 296, 1%, 0.79%

LAB 75.44, 52.3, -37.06

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

CMYK 24 / 66 / 0 / 10

HEX #AF4EE5

RGB 175 78 229

HSL 278.54, 0.74%, 0.6%

LAB 52.08, 63.36, -60.19

 

CMYK 25 / 71 / 0 / 18

HEX #9E3CD2

RGB 158 60 210

HSL 279.2, 0.63%, 0.53%

LAB 45.84, 63.52, -59.55

 

CMYK 26 / 78 / 0 / 25

HEX #8D2ABF

RGB 141 42 191

HSL 279.87, 0.64%, 0.46%

LAB 39.72, 63.15, -58.56

 

CMYK 28 / 86 / 0 / 33

HEX #7C18AC

RGB 124 24 172

HSL 280.54, 0.76%, 0.38%

LAB 33.81, 61.87, -57.01

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 6 / 63 / 0 / 3

HEX #E95DF8

RGB 233 93 248

HSL 294.19, 0.92%, 0.67%

LAB 63.28, 73.55, -52.45

 

CMYK 0 / 63 / 10 / 3

HEX #F85DDE

RGB 248 93 222

HSL 310.06, 0.92%, 0.67%

LAB 64.21, 72.97, -36.39

 

CMYK 0 / 63 / 27 / 3

HEX #F85DB4

RGB 248 93 180

HSL 326.32, 0.92%, 0.67%

LAB 62.58, 67.25, -15.14

 

CMYK 0 / 63 / 44 / 3

HEX #F85D8A

RGB 248 93 138

HSL 342.58, 0.92%, 0.67%

LAB 61.33, 62.69, 7.25

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 40 / 63 / 0 / 3

HEX #955DF8

RGB 149 93 248

HSL 261.68, 0.92%, 0.67%

LAB 52.94, 55.14, -69.59

 

CMYK 56 / 63 / 0 / 3

HEX #6C5DF8

RGB 108 93 248

HSL 245.81, 0.92%, 0.67%

LAB 49.25, 47.62, -75.77

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 20 / 54 / 0 / 8

HEX #BC6BEB

RGB 188 107 235

HSL 277.97, 0.76%, 0.67%

LAB 59.16, 53.79, -52.14

 

CMYK 17 / 45 / 0 / 13

HEX #B879DD

RGB 184 121 221

HSL 277.8, 0.6%, 0.67%

LAB 60.86, 42.34, -41.67

 

CMYK 13 / 35 / 0 / 19

HEX #B486CF

RGB 180 134 207

HSL 277.81, 0.43%, 0.67%

LAB 62.73, 30.97, -30.95

 

CMYK 9 / 24 / 0 / 24

HEX #B194C2

RGB 177 148 194

HSL 277.83, 0.27%, 0.67%

LAB 65.3, 19.41, -19.75

 

CMYK 57 / 63 / 0 / 3

HEX #6A5DF8

RGB 106 93 248

HSL 245.03, 0.92%, 0.67%

LAB 49.09, 47.3, -76.02

 

CMYK 40 / 63 / 0 / 3

HEX #945DF8

RGB 148 93 248

HSL 261.29, 0.92%, 0.67%

LAB 52.84, 54.94, -69.76

 

CMYK 24 / 63 / 0 / 3

HEX #BD5DF8

RGB 189 93 248

HSL 277.16, 0.92%, 0.67%

LAB 57.49, 63.61, -62.04

 

CMYK 7 / 63 / 0 / 3

HEX #E65DF8

RGB 230 93 248

HSL 293.03, 0.92%, 0.67%

LAB 62.87, 72.86, -53.13

 

CMYK 0 / 63 / 9 / 3

HEX #F85DE1

RGB 248 93 225

HSL 308.9, 0.92%, 0.67%

LAB 64.34, 73.41, -37.86

 

CMYK 35 / 94 / 0 / 4

HEX #A00EF5

RGB 160 14 245

HSL 277.92, 0.92%, 0.51%

LAB 44.77, 82.72, -81.18

 

CMYK 29 / 78 / 0 / 3

HEX #B036F7

RGB 176 54 247

HSL 277.93, 0.92%, 0.59%

LAB 50.2, 76.47, -73.35

 

CMYK 23 / 63 / 0 / 3

HEX #BF5DF8

RGB 191 93 248

HSL 277.94, 0.92%, 0.67%

LAB 57.73, 64.05, -61.63

 

CMYK 17 / 47 / 0 / 2

HEX #CF85FA

RGB 207 133 250

HSL 277.95, 0.92%, 0.75%

LAB 67.23, 48.53, -47.51

 

CMYK 12 / 31 / 0 / 1

HEX #DEADFC

RGB 222 173 252

HSL 277.22, 0.93%, 0.83%

LAB 77.55, 31.9, -32.42

 

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

CMYK 0 / 63 / 51 / 3

HEX #F85D7A

RGB 248 93 122

HSL 348.77, 0.92%, 0.67%

LAB 60.95, 61.28, 16

 

CMYK 63 / 0 / 49 / 3

HEX #5DF87F

RGB 93 248 127

HSL 133.16, 0.92%, 0.67%

LAB 87.48, -65.47, 46.04

 

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

CMYK 0 / 24 / 63 / 3

HEX #F8BD5D

RGB 248 189 93

HSL 37.16, 0.92%, 0.67%

LAB 80.26, 11.33, 55.63

 

CMYK 63 / 0 / 24 / 3

HEX #5DF8BD

RGB 93 248 189

HSL 157.16, 0.92%, 0.67%

LAB 88.51, -54.35, 16.44

 

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

CMYK 0 / 63 / 51 / 3

HEX #F85D7A

RGB 248 93 122

HSL 348.77, 0.92%, 0.67%

LAB 60.95, 61.28, 16

 

CMYK 38 / 0 / 63 / 3

HEX #99F85D

RGB 153 248 93

HSL 96.77, 0.92%, 0.67%

LAB 89.25, -53.62, 63.74

 

CMYK 63 / 0 / 11 / 3

HEX #5DF8DC

RGB 93 248 220

HSL 169.16, 0.92%, 0.67%

LAB 89.22, -47.23, 1.37

 

CMYK 23 / 61 / 0 / 3

HEX #C060F8

RGB 192 96 248

HSL 277.89, 0.92%, 0.67%

LAB 58.37, 62.88, -60.61

 

CMYK 0 / 55 / 63 / 3

HEX #F86F5D

RGB 248 111 93

HSL 6.97, 0.92%, 0.67%

LAB 63.44, 51.21, 35.75

 

CMYK 38 / 0 / 63 / 3

HEX #99F85D

RGB 153 248 93

HSL 96.77, 0.92%, 0.67%

LAB 89.25, -53.62, 63.74

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

Description

Color code: HEX #C060F8 | qconv.com Color code: HEX #C060F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 96 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 96 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 61 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 61% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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