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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C054E3 it is the complementary color #3FAB1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C054E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C054E3 shade: #C554DE, #D666F1, #E778FF, #F88AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C054E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C054E3 shade: #C054E3, #AF42D0, #9E30BD, #8D1EAA and #7C0C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C054E3 shade: #C054E3, #E354E0, #E354B9, #E35492 and #E3546C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C054E3 shade: #C054E3, #9954E3, #7354E3 and #5454E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C054E3 shade matches the following richer shades: #C054E3 and #C844F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C054E3 shade: #C054E3, #B864D3, #B074C3, #A784B3 and #9F94A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C054E3 shade: #7354E3, #9954E3, #BF54E3, #E354E1 and #E354BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C054E3 shade: #9C20C5, #B330DD, #C054E3, #CD77E9 and #DA9BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C054E3 shade: #C054E3, #E3545B and #54E386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C054E3 shade: #C054E3, #E3BF54 and #54E3BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C054E3 shade: #C054E3, #E3545B, #78E354 and #54E3DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C054E3 shade: #C054E3, #E37854, #78E354 and #54BFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

Complementary color

CMYK 63 / 0 / 84 / 33

HEX #3FAB1C

RGB 63 171 28

HSL 105.31, 0.72%, 0.39%

LAB 61.88, -54.98, 57.95

 

CMYK 11 / 62 / 0 / 13

HEX #C554DE

RGB 197 84 222

HSL 289.13, 0.68%, 0.6%

LAB 55.57, 64.27, -50.5

 

CMYK 11 / 58 / 0 / 5

HEX #D666F1

RGB 214 102 241

HSL 288.35, 0.83%, 0.67%

LAB 61.78, 63.89, -51.12

 

CMYK 9 / 53 / 0 / 0

HEX #E778FF

RGB 231 120 255

HSL 289.33, 1%, 0.74%

LAB 67.76, 62.4, -49.24

 

CMYK 3 / 46 / 0 / 0

HEX #F88AFF

RGB 248 138 255

HSL 296.41, 1%, 0.77%

LAB 73.12, 58.27, -40.67

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 16 / 68 / 0 / 18

HEX #AF42D0

RGB 175 66 208

HSL 286.06, 0.6%, 0.54%

LAB 48.96, 64.21, -53.26

 

CMYK 16 / 75 / 0 / 26

HEX #9E30BD

RGB 158 48 189

HSL 286.81, 0.59%, 0.46%

LAB 42.85, 63.87, -52.2

 

CMYK 17 / 82 / 0 / 33

HEX #8D1EAA

RGB 141 30 170

HSL 287.57, 0.7%, 0.39%

LAB 36.92, 62.74, -50.65

 

CMYK 18 / 92 / 0 / 41

HEX #7C0C97

RGB 124 12 151

HSL 288.35, 0.85%, 0.32%

LAB 31.31, 60.34, -48.36

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 0 / 63 / 1 / 11

HEX #E354E0

RGB 227 84 224

HSL 301.26, 0.72%, 0.61%

LAB 59.94, 71.7, -44.43

 

CMYK 0 / 63 / 19 / 11

HEX #E354B9

RGB 227 84 185

HSL 317.62, 0.72%, 0.61%

LAB 58.2, 65.79, -24.97

 

CMYK 0 / 63 / 36 / 11

HEX #E35492

RGB 227 84 146

HSL 333.99, 0.72%, 0.61%

LAB 56.83, 60.9, -4.37

 

CMYK 0 / 63 / 52 / 11

HEX #E3546C

RGB 227 84 108

HSL 349.93, 0.72%, 0.61%

LAB 55.84, 57.24, 16.61

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 33 / 63 / 0 / 11

HEX #9954E3

RGB 153 84 227

HSL 268.95, 0.72%, 0.61%

LAB 50.29, 55.37, -62.1

 

CMYK 49 / 63 / 0 / 11

HEX #7354E3

RGB 115 84 227

HSL 253.01, 0.72%, 0.61%

LAB 46.35, 47.73, -68.65

 

CMYK 63 / 63 / 0 / 11

HEX #5454E3

RGB 84 84 227

HSL 240, 0.72%, 0.61%

LAB 43.9, 42.58, -72.75

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 18 / 72 / 0 / 5

HEX #C844F3

RGB 200 68 243

HSL 285.26, 0.88%, 0.61%

LAB 54.95, 75.2, -63.25

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 13 / 53 / 0 / 17

HEX #B864D3

RGB 184 100 211

HSL 285.41, 0.56%, 0.61%

LAB 56.1, 51.28, -43.55

 

CMYK 10 / 41 / 0 / 24

HEX #B074C3

RGB 176 116 195

HSL 285.57, 0.4%, 0.61%

LAB 57.71, 37.2, -31.99

 

CMYK 7 / 26 / 0 / 30

HEX #A784B3

RGB 167 132 179

HSL 284.68, 0.24%, 0.61%

LAB 59.86, 22.01, -19.64

 

CMYK 2 / 9 / 0 / 36

HEX #9F94A3

RGB 159 148 163

HSL 284, 0.08%, 0.61%

LAB 62.67, 6.91, -6.41

 

CMYK 49 / 63 / 0 / 11

HEX #7354E3

RGB 115 84 227

HSL 253.01, 0.72%, 0.61%

LAB 46.35, 47.73, -68.65

 

CMYK 33 / 63 / 0 / 11

HEX #9954E3

RGB 153 84 227

HSL 268.95, 0.72%, 0.61%

LAB 50.29, 55.37, -62.1

 

CMYK 16 / 63 / 0 / 11

HEX #BF54E3

RGB 191 84 227

HSL 284.9, 0.72%, 0.61%

LAB 55.03, 63.84, -54.22

 

CMYK 0 / 63 / 1 / 11

HEX #E354E1

RGB 227 84 225

HSL 300.84, 0.72%, 0.61%

LAB 59.99, 71.86, -44.92

 

CMYK 0 / 63 / 18 / 11

HEX #E354BB

RGB 227 84 187

HSL 316.78, 0.72%, 0.61%

LAB 58.28, 66.07, -25.99

 

CMYK 21 / 84 / 0 / 23

HEX #9C20C5

RGB 156 32 197

HSL 285.09, 0.72%, 0.45%

LAB 41.43, 69.84, -59.19

 

CMYK 19 / 78 / 0 / 13

HEX #B330DD

RGB 179 48 221

HSL 285.43, 0.72%, 0.53%

LAB 48.16, 73.81, -61.96

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 12 / 49 / 0 / 9

HEX #CD77E9

RGB 205 119 233

HSL 285.26, 0.72%, 0.69%

LAB 63.39, 51.73, -44.21

 

CMYK 9 / 35 / 0 / 6

HEX #DA9BEF

RGB 218 155 239

HSL 285, 0.72%, 0.77%

LAB 72.61, 37.74, -33.02

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 0 / 63 / 60 / 11

HEX #E3545B

RGB 227 84 91

HSL 357.06, 0.72%, 0.61%

LAB 55.51, 55.99, 26.13

 

CMYK 63 / 0 / 41 / 11

HEX #54E386

RGB 84 227 134

HSL 140.98, 0.72%, 0.61%

LAB 81.04, -58.44, 34.36

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 0 / 16 / 63 / 11

HEX #E3BF54

RGB 227 191 84

HSL 44.9, 0.72%, 0.61%

LAB 78.6, 0.96, 57.3

 

CMYK 63 / 0 / 16 / 11

HEX #54E3BF

RGB 84 227 191

HSL 164.9, 0.72%, 0.61%

LAB 82.15, -46.74, 6.32

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 0 / 63 / 60 / 11

HEX #E3545B

RGB 227 84 91

HSL 357.06, 0.72%, 0.61%

LAB 55.51, 55.99, 26.13

 

CMYK 47 / 0 / 63 / 11

HEX #78E354

RGB 120 227 84

HSL 104.9, 0.72%, 0.61%

LAB 81.6, -56.24, 58.63

 

CMYK 63 / 0 / 3 / 11

HEX #54E3DC

RGB 84 227 220

HSL 177.06, 0.72%, 0.61%

LAB 82.91, -39.41, -7.93

 

CMYK 15 / 63 / 0 / 11

HEX #C054E3

RGB 192 84 227

HSL 285.31, 0.72%, 0.61%

LAB 55.17, 64.07, -53.99

 

CMYK 0 / 47 / 63 / 11

HEX #E37854

RGB 227 120 84

HSL 15.1, 0.72%, 0.61%

LAB 62, 38.47, 38.2

 

CMYK 47 / 0 / 63 / 11

HEX #78E354

RGB 120 227 84

HSL 104.9, 0.72%, 0.61%

LAB 81.6, -56.24, 58.63

 

CMYK 63 / 16 / 0 / 11

HEX #54BFE3

RGB 84 191 227

HSL 195.1, 0.72%, 0.61%

LAB 72.69, -20.01, -27.1

 

Description

Color code: HEX #C054E3 | qconv.com Color code: HEX #C054E3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 84 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 84 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 63 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 63% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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