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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05025 it is the complementary color #3FAFDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05025 shade: #C55020, #D66233, #E77446, #F88659 and #FF986C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05025 shade: #C05025, #AF3E12, #9E2C00, #8D1A00 and #7C0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05025 shade: #C15025, #C12625 and #C12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05025 shade: #C15025, #C17A25, #C1A425, #B3C125 and #89C125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05025 shade matches the following richer shades: #C15025 and #D34812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05025 shade: #C15025, #AE5837, #9C614A, #89695C and #77716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05025 shade: #C1254E, #C12525, #C14E25, #C17825 and #C1A225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05025 shade: #7B3318, #9E421E, #C15025, #D96336 and #DF7E59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05025 shade: #C05025, #78C125 and #253AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05025 shade: #C05025, #25C14E and #4E25C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05025 shade: #C05025, #78C125, #2597C1 and #6E25C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05025 shade: #C05025, #49C125, #2597C1 and #9C25C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

Complementary color

CMYK 71 / 20 / 0 / 15

HEX #3FAFDA

RGB 63 175 218

HSL 196.65, 0.68%, 0.55%

LAB 67.11, -17.67, -30.82

 

CMYK 0 / 59 / 84 / 23

HEX #C55020

RGB 197 80 32

HSL 17.45, 0.72%, 0.45%

LAB 49.14, 44.42, 49.3

 

CMYK 0 / 54 / 76 / 16

HEX #D66233

RGB 214 98 51

HSL 17.3, 0.67%, 0.52%

LAB 55.35, 42.8, 47.33

 

CMYK 0 / 50 / 70 / 9

HEX #E77446

RGB 231 116 70

HSL 17.14, 0.77%, 0.59%

LAB 61.59, 41.22, 45.23

 

CMYK 0 / 46 / 64 / 3

HEX #F88659

RGB 248 134 89

HSL 16.98, 0.92%, 0.66%

LAB 67.82, 39.74, 43.22

 

CMYK 0 / 40 / 58 / 0

HEX #FF986C

RGB 255 152 108

HSL 17.96, 1%, 0.71%

LAB 72.76, 34.51, 39.48

 

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

CMYK 0 / 65 / 90 / 31

HEX #AF3E12

RGB 175 62 18

HSL 16.82, 0.81%, 0.38%

LAB 42.16, 44.27, 47.71

 

CMYK 0 / 72 / 100 / 38

HEX #9E2C00

RGB 158 44 0

HSL 16.71, 1%, 0.31%

LAB 36.12, 45.56, 48.54

 

CMYK 0 / 82 / 100 / 45

HEX #8D1A00

RGB 141 26 0

HSL 11.06, 1%, 0.28%

LAB 30.4, 46.23, 43.31

 

CMYK 0 / 94 / 100 / 51

HEX #7C0800

RGB 124 8 0

HSL 3.87, 1%, 0.24%

LAB 25.13, 45.41, 37.36

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 80 / 81 / 24

HEX #C12625

RGB 193 38 37

HSL 0.38, 0.68%, 0.45%

LAB 42.55, 59.31, 40.41

 

CMYK 0 / 81 / 81 / 24

HEX #C12525

RGB 193 37 37

HSL 0, 0.68%, 0.45%

LAB 42.45, 59.58, 40.32

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 37 / 81 / 24

HEX #C17A25

RGB 193 122 37

HSL 32.69, 0.68%, 0.45%

LAB 57.45, 21.1, 54.51

 

CMYK 0 / 15 / 81 / 24

HEX #C1A425

RGB 193 164 37

HSL 48.85, 0.68%, 0.45%

LAB 68.04, -1.8, 63.97

 

CMYK 7 / 0 / 81 / 24

HEX #B3C125

RGB 179 193 37

HSL 65.38, 0.68%, 0.45%

LAB 74.73, -22.77, 69.37

 

CMYK 29 / 0 / 81 / 24

HEX #89C125

RGB 137 193 37

HSL 81.54, 0.68%, 0.45%

LAB 71.95, -39.74, 65.84

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 66 / 91 / 17

HEX #D34812

RGB 211 72 18

HSL 16.79, 0.84%, 0.45%

LAB 50.13, 52.69, 56.39

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 49 / 68 / 32

HEX #AE5837

RGB 174 88 55

HSL 16.64, 0.52%, 0.45%

LAB 47.31, 32.42, 34.72

 

CMYK 0 / 38 / 53 / 39

HEX #9C614A

RGB 156 97 74

HSL 16.83, 0.36%, 0.45%

LAB 47.12, 21.41, 23.1

 

CMYK 0 / 23 / 33 / 46

HEX #89695C

RGB 137 105 92

HSL 17.33, 0.2%, 0.45%

LAB 47.23, 10.82, 12.23

 

CMYK 0 / 5 / 7 / 53

HEX #77716F

RGB 119 113 111

HSL 15, 0.03%, 0.45%

LAB 48.11, 1.93, 1.93

 

CMYK 0 / 81 / 60 / 24

HEX #C1254E

RGB 193 37 78

HSL 344.23, 0.68%, 0.45%

LAB 43.08, 61.51, 16.41

 

CMYK 0 / 81 / 81 / 24

HEX #C12525

RGB 193 37 37

HSL 0, 0.68%, 0.45%

LAB 42.45, 59.58, 40.32

 

CMYK 0 / 60 / 81 / 24

HEX #C14E25

RGB 193 78 37

HSL 15.77, 0.68%, 0.45%

LAB 48.16, 44.03, 45.86

 

CMYK 0 / 38 / 81 / 24

HEX #C17825

RGB 193 120 37

HSL 31.92, 0.68%, 0.45%

LAB 56.98, 22.2, 54.08

 

CMYK 0 / 16 / 81 / 24

HEX #C1A225

RGB 193 162 37

HSL 48.08, 0.68%, 0.45%

LAB 67.51, -0.74, 63.5

 

CMYK 0 / 59 / 80 / 52

HEX #7B3318

RGB 123 51 24

HSL 16.36, 0.67%, 0.29%

LAB 30.98, 29.66, 31.56

 

CMYK 0 / 58 / 81 / 38

HEX #9E421E

RGB 158 66 30

HSL 16.88, 0.68%, 0.37%

LAB 40.01, 36.26, 39.4

 

CMYK 0 / 59 / 81 / 24

HEX #C15025

RGB 193 80 37

HSL 16.54, 0.68%, 0.45%

LAB 48.52, 43.08, 46.21

 

CMYK 0 / 54 / 75 / 15

HEX #D96336

RGB 217 99 54

HSL 16.56, 0.68%, 0.53%

LAB 56.03, 43.57, 46.7

 

CMYK 0 / 43 / 60 / 13

HEX #DF7E59

RGB 223 126 89

HSL 16.57, 0.68%, 0.61%

LAB 62.79, 34.15, 36.34

 

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

CMYK 38 / 0 / 81 / 24

HEX #78C125

RGB 120 193 37

HSL 88.08, 0.68%, 0.45%

LAB 71.05, -45.94, 64.69

 

CMYK 81 / 70 / 0 / 24

HEX #253AC1

RGB 37 58 193

HSL 231.92, 0.68%, 0.45%

LAB 32.41, 41.47, -72.08

 

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

CMYK 81 / 0 / 60 / 24

HEX #25C14E

RGB 37 193 78

HSL 135.77, 0.68%, 0.45%

LAB 68.81, -62.3, 46.17

 

CMYK 60 / 81 / 0 / 24

HEX #4E25C1

RGB 78 37 193

HSL 255.77, 0.68%, 0.45%

LAB 31.33, 56.41, -73.77

 

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

CMYK 38 / 0 / 81 / 24

HEX #78C125

RGB 120 193 37

HSL 88.08, 0.68%, 0.45%

LAB 71.05, -45.94, 64.69

 

CMYK 81 / 22 / 0 / 24

HEX #2597C1

RGB 37 151 193

HSL 196.15, 0.68%, 0.45%

LAB 58.39, -16.22, -30.45

 

CMYK 43 / 81 / 0 / 24

HEX #6E25C1

RGB 110 37 193

HSL 268.08, 0.68%, 0.45%

LAB 34.98, 60.4, -67.64

 

CMYK 0 / 58 / 81 / 25

HEX #C05025

RGB 192 80 37

HSL 16.65, 0.68%, 0.45%

LAB 48.36, 42.7, 45.99

 

CMYK 62 / 0 / 81 / 24

HEX #49C125

RGB 73 193 37

HSL 106.15, 0.68%, 0.45%

LAB 69.25, -59.75, 62.37

 

CMYK 81 / 22 / 0 / 24

HEX #2597C1

RGB 37 151 193

HSL 196.15, 0.68%, 0.45%

LAB 58.39, -16.22, -30.45

 

CMYK 19 / 81 / 0 / 24

HEX #9C25C1

RGB 156 37 193

HSL 285.77, 0.68%, 0.45%

LAB 41.6, 67.76, -56.57

 

Description

Color code: HEX #C05025 | qconv.com Color code: HEX #C05025 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 80 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 80 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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