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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C049DD it is the complementary color #3FB622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C049DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C049DD shade: #C549D8, #D65BEB, #E76DFE, #F87FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C049DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C049DD shade: #C049DD, #AF37CA, #9E25B7, #8D13A4 and #7C0191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C049DD shade: #C14ADE, #DE4AD3, #DE4AAB, #DE4A83 and #DE4A5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C049DD shade: #C14ADE, #994ADE, #714ADE and #4A4ADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C049DD shade matches the following richer shades: #C14ADE and #CB39EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C049DD shade: #C14ADE, #B65BCC, #AC6DBB, #A17EAA and #978F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C049DD shade: #714ADE, #994ADE, #C04ADE, #DE4AD4 and #DE4AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C049DD shade: #9721B4, #B527D7, #C14ADE, #CD6DE4 and #D990EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C049DD shade: #C049DD, #DE4A4A and #4ADE85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C049DD shade: #C049DD, #DEC04A and #4ADEC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C049DD shade: #C049DD, #DE4A4A, #68DE4A and #4ADEDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C049DD shade: #C049DD, #DE764A, #68DE4A and #4AB1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

Complementary color

CMYK 65 / 0 / 81 / 29

HEX #3FB622

RGB 63 182 34

HSL 108.24, 0.69%, 0.42%

LAB 65.46, -58.42, 59.6

 

CMYK 9 / 66 / 0 / 15

HEX #C549D8

RGB 197 73 216

HSL 292.03, 0.65%, 0.57%

LAB 53.59, 67.74, -50.24

 

CMYK 9 / 61 / 0 / 8

HEX #D65BEB

RGB 214 91 235

HSL 291.25, 0.78%, 0.64%

LAB 59.69, 67.66, -51.11

 

CMYK 9 / 57 / 0 / 0

HEX #E76DFE

RGB 231 109 254

HSL 290.48, 0.99%, 0.71%

LAB 65.81, 67.31, -51.76

 

CMYK 3 / 50 / 0 / 0

HEX #F87FFF

RGB 248 127 255

HSL 296.72, 1%, 0.75%

LAB 71.12, 63.55, -43.81

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

CMYK 13 / 73 / 0 / 21

HEX #AF37CA

RGB 175 55 202

HSL 288.98, 0.58%, 0.5%

LAB 47.12, 67.25, -52.76

 

CMYK 14 / 80 / 0 / 28

HEX #9E25B7

RGB 158 37 183

HSL 289.73, 0.66%, 0.43%

LAB 41.23, 66.27, -51.27

 

CMYK 14 / 88 / 0 / 36

HEX #8D13A4

RGB 141 19 164

HSL 290.48, 0.79%, 0.36%

LAB 35.61, 64.22, -49.15

 

CMYK 14 / 99 / 0 / 43

HEX #7C0191

RGB 124 1 145

HSL 291.25, 0.99%, 0.29%

LAB 30.28, 60.96, -46.33

 

CMYK 13 / 67 / 0 / 13

HEX #C14ADE

RGB 193 74 222

HSL 288.24, 0.69%, 0.58%

LAB 53.5, 67.55, -53.83

 

CMYK 0 / 67 / 5 / 13

HEX #DE4AD3

RGB 222 74 211

HSL 304.46, 0.69%, 0.58%

LAB 57.2, 72.23, -41.45

 

CMYK 0 / 67 / 23 / 13

HEX #DE4AAB

RGB 222 74 171

HSL 320.68, 0.69%, 0.58%

LAB 55.45, 66.49, -21.16

 

CMYK 0 / 67 / 41 / 13

HEX #DE4A83

RGB 222 74 131

HSL 336.89, 0.69%, 0.58%

LAB 54.1, 61.85, 0.38

 

CMYK 0 / 67 / 59 / 13

HEX #DE4A5B

RGB 222 74 91

HSL 353.11, 0.69%, 0.58%

LAB 53.15, 58.48, 22.88

 

CMYK 13 / 67 / 0 / 13

HEX #C14ADE

RGB 193 74 222

HSL 288.24, 0.69%, 0.58%

LAB 53.5, 67.55, -53.83

 

CMYK 31 / 67 / 0 / 13

HEX #994ADE

RGB 153 74 222

HSL 272.03, 0.69%, 0.58%

LAB 48.19, 59.04, -62.65

 

CMYK 49 / 67 / 0 / 13

HEX #714ADE

RGB 113 74 222

HSL 255.81, 0.69%, 0.58%

LAB 43.77, 51.4, -70.02

 

CMYK 67 / 67 / 0 / 13

HEX #4A4ADE

RGB 74 74 222

HSL 240, 0.69%, 0.58%

LAB 40.62, 45.5, -75.31

 

CMYK 13 / 67 / 0 / 13

HEX #C14ADE

RGB 193 74 222

HSL 288.24, 0.69%, 0.58%

LAB 53.5, 67.55, -53.83

 

CMYK 15 / 76 / 0 / 6

HEX #CB39EF

RGB 203 57 239

HSL 288.13, 0.85%, 0.58%

LAB 53.87, 78.67, -62.73

 

CMYK 13 / 67 / 0 / 13

HEX #C14ADE

RGB 193 74 222

HSL 288.24, 0.69%, 0.58%

LAB 53.5, 67.55, -53.83

 

CMYK 11 / 55 / 0 / 20

HEX #B65BCC

RGB 182 91 204

HSL 288.32, 0.53%, 0.58%

LAB 53.8, 53.84, -43.21

 

CMYK 8 / 42 / 0 / 27

HEX #AC6DBB

RGB 172 109 187

HSL 288.46, 0.36%, 0.58%

LAB 55.38, 38.18, -31.09

 

CMYK 5 / 26 / 0 / 33

HEX #A17EAA

RGB 161 126 170

HSL 287.73, 0.21%, 0.58%

LAB 57.46, 21.55, -18.21

 

CMYK 1 / 6 / 0 / 40

HEX #978F98

RGB 151 143 152

HSL 293.33, 0.04%, 0.58%

LAB 60.33, 4.68, -3.7

 

CMYK 49 / 67 / 0 / 13

HEX #714ADE

RGB 113 74 222

HSL 255.81, 0.69%, 0.58%

LAB 43.77, 51.4, -70.02

 

CMYK 31 / 67 / 0 / 13

HEX #994ADE

RGB 153 74 222

HSL 272.03, 0.69%, 0.58%

LAB 48.19, 59.04, -62.65

 

CMYK 14 / 67 / 0 / 13

HEX #C04ADE

RGB 192 74 222

HSL 287.84, 0.69%, 0.58%

LAB 53.36, 67.33, -54.06

 

CMYK 0 / 67 / 5 / 13

HEX #DE4AD4

RGB 222 74 212

HSL 304.05, 0.69%, 0.58%

LAB 57.25, 72.39, -41.94

 

CMYK 0 / 67 / 22 / 13

HEX #DE4AAD

RGB 222 74 173

HSL 319.86, 0.69%, 0.58%

LAB 55.53, 66.75, -22.2

 

CMYK 16 / 82 / 0 / 29

HEX #9721B4

RGB 151 33 180

HSL 288.16, 0.69%, 0.42%

LAB 39.52, 65.56, -52.32

 

CMYK 16 / 82 / 0 / 16

HEX #B527D7

RGB 181 39 215

HSL 288.41, 0.69%, 0.5%

LAB 47.21, 75.54, -60.04

 

CMYK 13 / 67 / 0 / 13

HEX #C14ADE

RGB 193 74 222

HSL 288.24, 0.69%, 0.58%

LAB 53.5, 67.55, -53.83

 

CMYK 10 / 52 / 0 / 11

HEX #CD6DE4

RGB 205 109 228

HSL 288.4, 0.69%, 0.66%

LAB 61.24, 55.77, -44.82

 

CMYK 8 / 39 / 0 / 8

HEX #D990EB

RGB 217 144 235

HSL 288.13, 0.69%, 0.74%

LAB 69.96, 42.52, -34.95

 

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

CMYK 0 / 67 / 67 / 13

HEX #DE4A4A

RGB 222 74 74

HSL 0, 0.69%, 0.58%

LAB 52.86, 57.44, 32.47

 

CMYK 67 / 0 / 40 / 13

HEX #4ADE85

RGB 74 222 133

HSL 143.92, 0.69%, 0.58%

LAB 79.27, -58.58, 32.49

 

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

CMYK 0 / 14 / 67 / 13

HEX #DEC04A

RGB 222 192 74

HSL 47.84, 0.69%, 0.58%

LAB 78.3, -2.27, 61.16

 

CMYK 67 / 0 / 14 / 13

HEX #4ADEC0

RGB 74 222 192

HSL 167.84, 0.69%, 0.58%

LAB 80.46, -45.96, 3.32

 

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

CMYK 0 / 67 / 67 / 13

HEX #DE4A4A

RGB 222 74 74

HSL 0, 0.69%, 0.58%

LAB 52.86, 57.44, 32.47

 

CMYK 53 / 0 / 67 / 13

HEX #68DE4A

RGB 104 222 74

HSL 107.84, 0.69%, 0.58%

LAB 79.43, -59.69, 60.15

 

CMYK 67 / 0 / 0 / 13

HEX #4ADEDE

RGB 74 222 222

HSL 180, 0.69%, 0.58%

LAB 81.28, -38.06, -11.44

 

CMYK 13 / 67 / 0 / 13

HEX #C049DD

RGB 192 73 221

HSL 288.24, 0.69%, 0.58%

LAB 53.16, 67.55, -53.82

 

CMYK 0 / 47 / 67 / 13

HEX #DE764A

RGB 222 118 74

HSL 17.84, 0.69%, 0.58%

LAB 60.76, 36.94, 41.88

 

CMYK 53 / 0 / 67 / 13

HEX #68DE4A

RGB 104 222 74

HSL 107.84, 0.69%, 0.58%

LAB 79.43, -59.69, 60.15

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DE

RGB 74 177 222

HSL 198.24, 0.69%, 0.58%

LAB 68.15, -15.85, -31.39

 

Description

Color code: HEX #C049DD | qconv.com Color code: HEX #C049DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 73 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 73 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 67 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 67% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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