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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0486B it is the complementary color #3FB794. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0486B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0486B shade: #C54866, #D65A79, #E76C8C, #F87E9F and #FF90B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0486B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0486B shade: #C0486B, #AF3658, #9E2445, #8D1232 and #7C001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0486B shade: #C0486B, #C0484B and #C04848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0486B shade: #C0486B, #C0488B, #C048AC, #B448C0 and #9448C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0486B shade matches the following richer shades: #C0486B, #D43463, #E8215B and #FB0D52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0486B shade: #C0486B, #AC5C73, #98707C, #858484 and #71978C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0486B shade: #C048AC, #C0488C, #C0486C, #C0484C and #C06448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0486B shade: #882E48, #A63959, #C0486B, #CB6784 and #D5869D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0486B shade: #C0486B, #C0B448 and #489CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0486B shade: #C0486B, #6CC048 and #486CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0486B shade: #C0486B, #C0B448, #48C09C and #4854C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0486B shade: #C0486B, #A8C048, #48C09C and #6048C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

Complementary color

CMYK 66 / 0 / 19 / 28

HEX #3FB794

RGB 63 183 148

HSL 162.5, 0.49%, 0.48%

LAB 67.32, -41.69, 8.12

 

CMYK 0 / 63 / 48 / 23

HEX #C54866

RGB 197 72 102

HSL 345.6, 0.52%, 0.53%

LAB 48.84, 52.18, 9.71

 

CMYK 0 / 58 / 43 / 16

HEX #D65A79

RGB 214 90 121

HSL 345, 0.6%, 0.6%

LAB 55.06, 51.53, 7.54

 

CMYK 0 / 53 / 39 / 9

HEX #E76C8C

RGB 231 108 140

HSL 344.39, 0.72%, 0.66%

LAB 61.31, 50.74, 5.73

 

CMYK 0 / 49 / 36 / 3

HEX #F87E9F

RGB 248 126 159

HSL 343.77, 0.9%, 0.73%

LAB 67.56, 49.88, 4.19

 

CMYK 0 / 44 / 30 / 0

HEX #FF90B2

RGB 255 144 178

HSL 341.62, 1%, 0.78%

LAB 72.51, 45.62, 0.84

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 69 / 50 / 31

HEX #AF3658

RGB 175 54 88

HSL 343.14, 0.53%, 0.45%

LAB 41.93, 51.4, 8.05

 

CMYK 0 / 77 / 56 / 38

HEX #9E2445

RGB 158 36 69

HSL 343.77, 0.63%, 0.38%

LAB 35.91, 51.21, 11.22

 

CMYK 0 / 87 / 65 / 45

HEX #8D1232

RGB 141 18 50

HSL 344.39, 0.77%, 0.31%

LAB 30.22, 50.04, 15.39

 

CMYK 0 / 100 / 75 / 51

HEX #7C001F

RGB 124 0 31

HSL 345, 1%, 0.24%

LAB 24.9, 47.81, 20.62

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 63 / 61 / 25

HEX #C0484B

RGB 192 72 75

HSL 358.5, 0.49%, 0.52%

LAB 47.43, 48.34, 23.96

 

CMYK 0 / 63 / 63 / 25

HEX #C04848

RGB 192 72 72

HSL 0, 0.49%, 0.52%

LAB 47.38, 48.14, 25.68

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 63 / 28 / 25

HEX #C0488B

RGB 192 72 139

HSL 326.5, 0.49%, 0.52%

LAB 49.14, 54.74, -12.3

 

CMYK 0 / 63 / 10 / 25

HEX #C048AC

RGB 192 72 172

HSL 310, 0.49%, 0.52%

LAB 50.48, 59.49, -29.81

 

CMYK 6 / 63 / 0 / 25

HEX #B448C0

RGB 180 72 192

HSL 294, 0.49%, 0.52%

LAB 49.67, 59.83, -42.86

 

CMYK 23 / 63 / 0 / 25

HEX #9448C0

RGB 148 72 192

HSL 278, 0.49%, 0.52%

LAB 45.27, 52.13, -50.13

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 75 / 53 / 17

HEX #D43463

RGB 212 52 99

HSL 342.38, 0.65%, 0.52%

LAB 48.7, 63.91, 11.73

 

CMYK 0 / 86 / 61 / 9

HEX #E8215B

RGB 232 33 91

HSL 342.51, 0.81%, 0.52%

LAB 50.69, 73.35, 19.94

 

CMYK 0 / 95 / 67 / 2

HEX #FB0D52

RGB 251 13 82

HSL 342.61, 0.97%, 0.52%

LAB 53.39, 80.07, 29.62

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 47 / 33 / 33

HEX #AC5C73

RGB 172 92 115

HSL 342.75, 0.33%, 0.52%

LAB 49.08, 35.21, 1.71

 

CMYK 0 / 26 / 18 / 40

HEX #98707C

RGB 152 112 124

HSL 342, 0.16%, 0.52%

LAB 51.52, 17.73, -0.4

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 25 / 0 / 7 / 41

HEX #71978C

RGB 113 151 140

HSL 162.63, 0.15%, 0.52%

LAB 59.47, -15.49, 1.54

 

CMYK 0 / 63 / 10 / 25

HEX #C048AC

RGB 192 72 172

HSL 310, 0.49%, 0.52%

LAB 50.48, 59.49, -29.81

 

CMYK 0 / 63 / 27 / 25

HEX #C0488C

RGB 192 72 140

HSL 326, 0.49%, 0.52%

LAB 49.17, 54.87, -12.84

 

CMYK 0 / 63 / 44 / 25

HEX #C0486C

RGB 192 72 108

HSL 342, 0.49%, 0.52%

LAB 48.16, 51.15, 4.99

 

CMYK 0 / 63 / 60 / 25

HEX #C0484C

RGB 192 72 76

HSL 358, 0.49%, 0.52%

LAB 47.45, 48.41, 23.38

 

CMYK 0 / 48 / 63 / 25

HEX #C06448

RGB 192 100 72

HSL 14, 0.49%, 0.52%

LAB 52.72, 34.36, 32.35

 

CMYK 0 / 66 / 47 / 47

HEX #882E48

RGB 136 46 72

HSL 342.67, 0.49%, 0.36%

LAB 33.26, 40.6, 4.96

 

CMYK 0 / 66 / 46 / 35

HEX #A63959

RGB 166 57 89

HSL 342.39, 0.49%, 0.44%

LAB 40.82, 47.39, 5.62

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 49 / 35 / 20

HEX #CB6784

RGB 203 103 132

HSL 342.6, 0.49%, 0.6%

LAB 56.15, 42.7, 2.42

 

CMYK 0 / 37 / 26 / 16

HEX #D5869D

RGB 213 134 157

HSL 342.53, 0.48%, 0.68%

LAB 64.67, 33.29, 0.57

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 6 / 63 / 25

HEX #C0B448

RGB 192 180 72

HSL 54, 0.49%, 0.52%

LAB 72.44, -8.93, 54.98

 

CMYK 63 / 19 / 0 / 25

HEX #489CC0

RGB 72 156 192

HSL 198, 0.49%, 0.52%

LAB 60.75, -14.44, -26.17

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 44 / 0 / 63 / 25

HEX #6CC048

RGB 108 192 72

HSL 102, 0.49%, 0.52%

LAB 70.42, -47.1, 51.21

 

CMYK 63 / 44 / 0 / 25

HEX #486CC0

RGB 72 108 192

HSL 222, 0.49%, 0.52%

LAB 46.85, 13.79, -47.98

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 0 / 6 / 63 / 25

HEX #C0B448

RGB 192 180 72

HSL 54, 0.49%, 0.52%

LAB 72.44, -8.93, 54.98

 

CMYK 63 / 0 / 19 / 25

HEX #48C09C

RGB 72 192 156

HSL 162, 0.49%, 0.52%

LAB 70.51, -42.09, 8.33

 

CMYK 63 / 56 / 0 / 25

HEX #4854C0

RGB 72 84 192

HSL 234, 0.49%, 0.52%

LAB 40.45, 29.01, -58.28

 

CMYK 0 / 63 / 44 / 25

HEX #C0486B

RGB 192 72 107

HSL 342.5, 0.49%, 0.52%

LAB 48.14, 51.05, 5.56

 

CMYK 13 / 0 / 63 / 25

HEX #A8C048

RGB 168 192 72

HSL 72, 0.49%, 0.52%

LAB 73.86, -25.02, 55.96

 

CMYK 63 / 0 / 19 / 25

HEX #48C09C

RGB 72 192 156

HSL 162, 0.49%, 0.52%

LAB 70.51, -42.09, 8.33

 

CMYK 50 / 63 / 0 / 25

HEX #6048C0

RGB 96 72 192

HSL 252, 0.49%, 0.52%

LAB 39.46, 40.76, -59.81

 

Description

Color code: HEX #C0486B | qconv.com Color code: HEX #C0486B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 72 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 72 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 44 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 44% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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