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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C04670 it is the complementary color #3FB98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C04670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C04670 shade: #C5466B, #D6587E, #E76A91, #F87CA4 and #FF8EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C04670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C04670 shade: #C04670, #AF345D, #9E224A, #8D1037 and #7C0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C04670 shade: #BF456F, #BF454E and #BF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C04670 shade: #BF456F, #BF4590, #BF45B1, #AC45BF and #8B45BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C04670 shade matches the following richer shades: #BF456F, #D33169, #E81C62 and #FC085C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C04670 shade: #BF456F, #AB5975, #976D7C, #838182 and #6E9688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C04670 shade: #BF45B1, #BF4590, #BF4570, #BF454F and #BF5B45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C04670 shade: #842D4B, #A3385D, #BF456F, #CA6487 and #D4829F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C04670 shade: #C04670, #BFAD45 and #45A1BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C04670 shade: #C04670, #70BF45 and #4570BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C04670 shade: #C04670, #BFAD45, #45BF94 and #4557BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C04670 shade: #C04670, #ADBF45, #45BF94 and #5745BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

Complementary color

CMYK 66 / 0 / 23 / 27

HEX #3FB98F

RGB 63 185 143

HSL 159.34, 0.49%, 0.49%

LAB 67.83, -43.74, 11.58

 

CMYK 0 / 64 / 46 / 23

HEX #C5466B

RGB 197 70 107

HSL 342.52, 0.52%, 0.52%

LAB 48.65, 53.51, 6.41

 

CMYK 0 / 59 / 41 / 16

HEX #D6587E

RGB 214 88 126

HSL 341.9, 0.61%, 0.59%

LAB 54.85, 52.96, 4.27

 

CMYK 0 / 54 / 37 / 9

HEX #E76A91

RGB 231 106 145

HSL 341.28, 0.72%, 0.66%

LAB 61.08, 52.24, 2.51

 

CMYK 0 / 50 / 34 / 3

HEX #F87CA4

RGB 248 124 164

HSL 340.65, 0.9%, 0.73%

LAB 67.32, 51.44, 1.01

 

CMYK 0 / 44 / 28 / 0

HEX #FF8EB7

RGB 255 142 183

HSL 338.23, 1%, 0.78%

LAB 72.25, 47.26, -2.32

 

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

CMYK 0 / 70 / 47 / 31

HEX #AF345D

RGB 175 52 93

HSL 340, 0.54%, 0.45%

LAB 41.78, 52.64, 4.7

 

CMYK 0 / 78 / 53 / 38

HEX #9E224A

RGB 158 34 74

HSL 340.65, 0.65%, 0.38%

LAB 35.81, 52.25, 7.85

 

CMYK 0 / 89 / 61 / 45

HEX #8D1037

RGB 141 16 55

HSL 341.28, 0.8%, 0.31%

LAB 30.18, 50.8, 12.01

 

CMYK 0 / 100 / 71 / 51

HEX #7C0024

RGB 124 0 36

HSL 342.58, 1%, 0.24%

LAB 24.99, 48.05, 17.33

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 64 / 59 / 25

HEX #BF454E

RGB 191 69 78

HSL 355.57, 0.49%, 0.51%

LAB 46.82, 49.54, 21.33

 

CMYK 0 / 64 / 64 / 25

HEX #BF4545

RGB 191 69 69

HSL 0, 0.49%, 0.51%

LAB 46.66, 48.93, 26.52

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 64 / 25 / 25

HEX #BF4590

RGB 191 69 144

HSL 323.11, 0.49%, 0.51%

LAB 48.69, 56.39, -15.98

 

CMYK 0 / 64 / 7 / 25

HEX #BF45B1

RGB 191 69 177

HSL 306.89, 0.49%, 0.51%

LAB 50.11, 61.26, -33.33

 

CMYK 10 / 64 / 0 / 25

HEX #AC45BF

RGB 172 69 191

HSL 290.66, 0.49%, 0.51%

LAB 47.99, 59.01, -45.02

 

CMYK 27 / 64 / 0 / 25

HEX #8B45BF

RGB 139 69 191

HSL 274.43, 0.49%, 0.51%

LAB 43.52, 51.29, -52.43

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 77 / 50 / 17

HEX #D33169

RGB 211 49 105

HSL 339.26, 0.65%, 0.51%

LAB 48.34, 65.02, 7.53

 

CMYK 0 / 88 / 58 / 9

HEX #E81C62

RGB 232 28 98

HSL 339.41, 0.82%, 0.51%

LAB 50.53, 74.64, 15.46

 

CMYK 0 / 97 / 63 / 1

HEX #FC085C

RGB 252 8 92

HSL 339.34, 0.98%, 0.51%

LAB 53.64, 81.14, 23.97

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 48 / 32 / 33

HEX #AB5975

RGB 171 89 117

HSL 339.51, 0.33%, 0.51%

LAB 48.37, 36.71, -0.55

 

CMYK 0 / 28 / 18 / 41

HEX #976D7C

RGB 151 109 124

HSL 338.57, 0.17%, 0.51%

LAB 50.65, 19.08, -1.68

 

CMYK 0 / 2 / 1 / 49

HEX #838182

RGB 131 129 130

HSL 330, 0.01%, 0.51%

LAB 54.17, 0.95, -0.28

 

CMYK 27 / 0 / 9 / 41

HEX #6E9688

RGB 110 150 136

HSL 159, 0.16%, 0.51%

LAB 58.89, -16.82, 2.94

 

CMYK 0 / 64 / 7 / 25

HEX #BF45B1

RGB 191 69 177

HSL 306.89, 0.49%, 0.51%

LAB 50.11, 61.26, -33.33

 

CMYK 0 / 64 / 25 / 25

HEX #BF4590

RGB 191 69 144

HSL 323.11, 0.49%, 0.51%

LAB 48.69, 56.39, -15.98

 

CMYK 0 / 64 / 41 / 25

HEX #BF4570

RGB 191 69 112

HSL 338.85, 0.49%, 0.51%

LAB 47.63, 52.55, 1.76

 

CMYK 0 / 64 / 59 / 25

HEX #BF454F

RGB 191 69 79

HSL 355.08, 0.49%, 0.51%

LAB 46.84, 49.61, 20.75

 

CMYK 0 / 52 / 64 / 25

HEX #BF5B45

RGB 191 91 69

HSL 10.82, 0.49%, 0.51%

LAB 50.67, 38.44, 31.51

 

CMYK 0 / 66 / 43 / 48

HEX #842D4B

RGB 132 45 75

HSL 339.31, 0.49%, 0.35%

LAB 32.46, 40.02, 1.76

 

CMYK 0 / 66 / 43 / 36

HEX #A3385D

RGB 163 56 93

HSL 339.25, 0.49%, 0.43%

LAB 40.25, 47.26, 2.23

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 50 / 33 / 21

HEX #CA6487

RGB 202 100 135

HSL 339.41, 0.49%, 0.59%

LAB 55.5, 44.24, -0.3

 

CMYK 0 / 39 / 25 / 17

HEX #D4829F

RGB 212 130 159

HSL 338.78, 0.49%, 0.67%

LAB 63.73, 35.35, -1.96

 

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

CMYK 0 / 9 / 64 / 25

HEX #BFAD45

RGB 191 173 69

HSL 51.15, 0.49%, 0.51%

LAB 70.45, -5.9, 54.12

 

CMYK 64 / 16 / 0 / 25

HEX #45A1BF

RGB 69 161 191

HSL 194.75, 0.49%, 0.51%

LAB 62.1, -17.97, -23.55

 

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

CMYK 41 / 0 / 64 / 25

HEX #70BF45

RGB 112 191 69

HSL 98.85, 0.49%, 0.51%

LAB 70.27, -45.68, 52.38

 

CMYK 64 / 41 / 0 / 25

HEX #4570BF

RGB 69 112 191

HSL 218.85, 0.49%, 0.51%

LAB 47.77, 10.39, -45.94

 

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

CMYK 0 / 9 / 64 / 25

HEX #BFAD45

RGB 191 173 69

HSL 51.15, 0.49%, 0.51%

LAB 70.45, -5.9, 54.12

 

CMYK 64 / 0 / 23 / 25

HEX #45BF94

RGB 69 191 148

HSL 158.85, 0.49%, 0.51%

LAB 69.94, -44.08, 11.86

 

CMYK 64 / 54 / 0 / 25

HEX #4557BF

RGB 69 87 191

HSL 231.15, 0.49%, 0.51%

LAB 40.97, 26.25, -56.87

 

CMYK 0 / 64 / 42 / 25

HEX #C04670

RGB 192 70 112

HSL 339.34, 0.49%, 0.51%

LAB 47.95, 52.43, 2.26

 

CMYK 9 / 0 / 64 / 25

HEX #ADBF45

RGB 173 191 69

HSL 68.85, 0.49%, 0.51%

LAB 73.92, -22.69, 57.38

 

CMYK 64 / 0 / 23 / 25

HEX #45BF94

RGB 69 191 148

HSL 158.85, 0.49%, 0.51%

LAB 69.94, -44.08, 11.86

 

CMYK 54 / 64 / 0 / 25

HEX #5745BF

RGB 87 69 191

HSL 248.85, 0.49%, 0.51%

LAB 37.92, 40.53, -61.76

 

Description

Color code: HEX #C04670 | qconv.com Color code: HEX #C04670 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 70 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 70 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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