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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C040CB it is the complementary color #3FBF34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C040CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C040CB shade: #C540C6, #D652D9, #E764EC, #F876FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C040CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C040CB shade: #C040CB, #AF2EB8, #9E1CA5, #8D0A92 and #7C007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C040CB shade: #BF3FCA, #CA3FB0, #CA3F8A, #CA3F65 and #CA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C040CB shade: #BF3FCA, #9A3FCA, #743FCA, #4E3FCA and #3F3FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C040CB shade matches the following richer shades: #BF3FCA, #D02BDE and #E117F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C040CB shade: #BF3FCA, #AF53B7, #9E66A3, #8D7A8F and #7D8E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C040CB shade: #743FCA, #9A3FCA, #BF3FCA, #CA3FB1 and #CA3F8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C040CB shade: #87278F, #A630B0, #BF3FCA, #CA5FD3 and #D580DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C040CB shade: #C040CB, #CA4F3F and #3FCA87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C040CB shade: #C040CB, #CABF3F and #3FCABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C040CB shade: #C040CB, #CA4F3F, #4ACA3F and #3FBACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C040CB shade: #C040CB, #CA793F, #4ACA3F and #3F90CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

Complementary color

CMYK 67 / 0 / 73 / 25

HEX #3FBF34

RGB 63 191 52

HSL 115.25, 0.57%, 0.48%

LAB 68.44, -60.24, 56.66

 

CMYK 1 / 68 / 0 / 22

HEX #C540C6

RGB 197 64 198

HSL 299.55, 0.54%, 0.51%

LAB 51.4, 68.05, -43.43

 

CMYK 1 / 62 / 0 / 15

HEX #D652D9

RGB 214 82 217

HSL 298.67, 0.64%, 0.59%

LAB 57.41, 68.24, -44.61

 

CMYK 2 / 58 / 0 / 7

HEX #E764EC

RGB 231 100 236

HSL 297.79, 0.78%, 0.66%

LAB 63.47, 68.08, -45.52

 

CMYK 3 / 54 / 0 / 0

HEX #F876FF

RGB 248 118 255

HSL 296.93, 1%, 0.73%

LAB 69.56, 67.69, -46.24

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

CMYK 5 / 75 / 0 / 28

HEX #AF2EB8

RGB 175 46 184

HSL 296.09, 0.6%, 0.45%

LAB 44.98, 67.08, -45.7

 

CMYK 4 / 83 / 0 / 35

HEX #9E1CA5

RGB 158 28 165

HSL 296.93, 0.71%, 0.38%

LAB 39.27, 65.51, -43.72

 

CMYK 3 / 93 / 0 / 43

HEX #8D0A92

RGB 141 10 146

HSL 297.79, 0.87%, 0.31%

LAB 33.89, 62.65, -40.97

 

CMYK 2 / 100 / 0 / 50

HEX #7C007F

RGB 124 0 127

HSL 298.58, 1%, 0.25%

LAB 28.95, 58.09, -37.25

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 0 / 69 / 13 / 21

HEX #CA3FB0

RGB 202 63 176

HSL 311.22, 0.57%, 0.52%

LAB 50.97, 66.15, -31.26

 

CMYK 0 / 69 / 32 / 21

HEX #CA3F8A

RGB 202 63 138

HSL 327.63, 0.57%, 0.52%

LAB 49.43, 61.11, -11.09

 

CMYK 0 / 69 / 50 / 21

HEX #CA3F65

RGB 202 63 101

HSL 343.6, 0.57%, 0.52%

LAB 48.32, 57.34, 9.71

 

CMYK 0 / 69 / 69 / 21

HEX #CA3F3F

RGB 202 63 63

HSL 0, 0.57%, 0.52%

LAB 47.59, 54.74, 31.64

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 24 / 69 / 0 / 21

HEX #9A3FCA

RGB 154 63 202

HSL 279.28, 0.57%, 0.52%

LAB 45.21, 59.77, -56

 

CMYK 43 / 69 / 0 / 21

HEX #743FCA

RGB 116 63 202

HSL 262.88, 0.57%, 0.52%

LAB 40.46, 52.23, -63.9

 

CMYK 61 / 69 / 0 / 21

HEX #4E3FCA

RGB 78 63 202

HSL 246.47, 0.57%, 0.52%

LAB 36.82, 45.98, -70.01

 

CMYK 69 / 69 / 0 / 21

HEX #3F3FCA

RGB 63 63 202

HSL 240, 0.57%, 0.52%

LAB 35.74, 44.06, -71.81

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 6 / 81 / 0 / 13

HEX #D02BDE

RGB 208 43 222

HSL 295.31, 0.73%, 0.52%

LAB 52.3, 80.49, -55.62

 

CMYK 7 / 90 / 0 / 5

HEX #E117F2

RGB 225 23 242

HSL 295.34, 0.89%, 0.52%

LAB 55.1, 89.98, -62.25

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 4 / 55 / 0 / 28

HEX #AF53B7

RGB 175 83 183

HSL 295.2, 0.41%, 0.52%

LAB 50.36, 51.82, -36.6

 

CMYK 3 / 37 / 0 / 36

HEX #9E66A3

RGB 158 102 163

HSL 295.08, 0.25%, 0.52%

LAB 51.17, 32.8, -23.82

 

CMYK 1 / 15 / 0 / 44

HEX #8D7A8F

RGB 141 122 143

HSL 294.29, 0.09%, 0.52%

LAB 53.56, 11.3, -8.66

 

CMYK 12 / 0 / 13 / 44

HEX #7D8E7B

RGB 125 142 123

HSL 113.68, 0.08%, 0.52%

LAB 57.21, -9.93, 8.07

 

CMYK 43 / 69 / 0 / 21

HEX #743FCA

RGB 116 63 202

HSL 262.88, 0.57%, 0.52%

LAB 40.46, 52.23, -63.9

 

CMYK 24 / 69 / 0 / 21

HEX #9A3FCA

RGB 154 63 202

HSL 279.28, 0.57%, 0.52%

LAB 45.21, 59.77, -56

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 0 / 69 / 12 / 21

HEX #CA3FB1

RGB 202 63 177

HSL 310.79, 0.57%, 0.52%

LAB 51.02, 66.3, -31.77

 

CMYK 0 / 69 / 31 / 21

HEX #CA3F8C

RGB 202 63 140

HSL 326.76, 0.57%, 0.52%

LAB 49.5, 61.35, -12.19

 

CMYK 6 / 73 / 0 / 44

HEX #87278F

RGB 135 39 143

HSL 295.38, 0.57%, 0.36%

LAB 35.17, 53.62, -37.14

 

CMYK 6 / 73 / 0 / 31

HEX #A630B0

RGB 166 48 176

HSL 295.31, 0.57%, 0.44%

LAB 43.29, 63.15, -43.77

 

CMYK 5 / 69 / 0 / 21

HEX #BF3FCA

RGB 191 63 202

HSL 295.25, 0.57%, 0.52%

LAB 50.56, 67.75, -47.11

 

CMYK 4 / 55 / 0 / 17

HEX #CA5FD3

RGB 202 95 211

HSL 295.34, 0.57%, 0.6%

LAB 57.51, 58.51, -41.17

 

CMYK 3 / 42 / 0 / 14

HEX #D580DC

RGB 213 128 220

HSL 295.43, 0.57%, 0.68%

LAB 65.55, 46.86, -33.54

 

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

CMYK 0 / 61 / 69 / 21

HEX #CA4F3F

RGB 202 79 63

HSL 6.91, 0.57%, 0.52%

LAB 50.11, 47.95, 34.64

 

CMYK 69 / 0 / 33 / 21

HEX #3FCA87

RGB 63 202 135

HSL 151.08, 0.57%, 0.52%

LAB 72.92, -52.41, 22.94

 

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

CMYK 0 / 5 / 69 / 21

HEX #CABF3F

RGB 202 191 63

HSL 55.25, 0.57%, 0.52%

LAB 76.18, -10.87, 62.84

 

CMYK 69 / 0 / 5 / 21

HEX #3FCABF

RGB 63 202 191

HSL 175.25, 0.57%, 0.52%

LAB 74.23, -39.01, -5.3

 

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

CMYK 0 / 61 / 69 / 21

HEX #CA4F3F

RGB 202 79 63

HSL 6.91, 0.57%, 0.52%

LAB 50.11, 47.95, 34.64

 

CMYK 63 / 0 / 69 / 21

HEX #4ACA3F

RGB 74 202 63

HSL 115.25, 0.57%, 0.52%

LAB 72.27, -60.77, 56.57

 

CMYK 69 / 8 / 0 / 21

HEX #3FBACA

RGB 63 186 202

HSL 186.91, 0.57%, 0.52%

LAB 69.78, -28.3, -17.95

 

CMYK 5 / 68 / 0 / 20

HEX #C040CB

RGB 192 64 203

HSL 295.25, 0.57%, 0.52%

LAB 50.9, 67.78, -47.14

 

CMYK 0 / 40 / 69 / 21

HEX #CA793F

RGB 202 121 63

HSL 25.04, 0.57%, 0.52%

LAB 58.59, 26.65, 44.34

 

CMYK 63 / 0 / 69 / 21

HEX #4ACA3F

RGB 74 202 63

HSL 115.25, 0.57%, 0.52%

LAB 72.27, -60.77, 56.57

 

CMYK 69 / 29 / 0 / 21

HEX #3F90CA

RGB 63 144 202

HSL 205.04, 0.57%, 0.52%

LAB 57.34, -5.96, -37.13

 

Description

Color code: HEX #C040CB | qconv.com Color code: HEX #C040CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 64 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 64 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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