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Color name
HEX #C0409C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0409C it is the complementary color #3FBF63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0409C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0409C shade: #C54097, #D652AA, #E764BD, #F876D0 and #FF88E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0409C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0409C shade: #C0409C, #AF2E89, #9E1C76, #8D0A63 and #7C0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0409C shade: #BF409B, #BF4079, #BF4057 and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0409C shade: #BF409B, #BF40BE, #9E40BF, #7C40BF and #5A40BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0409C shade matches the following richer shades: #BF409B, #D42BA4, #E916AD and #FD02B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0409C shade: #BF409B, #AB5492, #966989, #817E80 and #6D9277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0409C shade: #9D40BF, #BF40BF, #BF409D, #BF407B and #BF4059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0409C shade: #812B69, #A03582, #BF409B, #CA5FAB and #D47EBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0409C shade: #C0409C, #BF7B40 and #40BFAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0409C shade: #C0409C, #9DBF40 and #409DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0409C shade: #C0409C, #BF7B40, #40BF62 and #4084BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0409C shade: #C0409C, #BFA240, #40BF62 and #405EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

Complementary color

CMYK 67 / 0 / 48 / 25

HEX #3FBF63

RGB 63 191 99

HSL 136.88, 0.5%, 0.5%

LAB 68.91, -54.72, 36.29

 

CMYK 0 / 68 / 23 / 23

HEX #C54097

RGB 197 64 151

HSL 320.75, 0.53%, 0.51%

LAB 49.22, 61, -19.27

 

CMYK 0 / 62 / 21 / 16

HEX #D652AA

RGB 214 82 170

HSL 320, 0.62%, 0.58%

LAB 55.31, 60.98, -20.9

 

CMYK 0 / 57 / 18 / 9

HEX #E764BD

RGB 231 100 189

HSL 319.24, 0.73%, 0.65%

LAB 61.46, 60.65, -22.2

 

CMYK 0 / 52 / 16 / 3

HEX #F876D0

RGB 248 118 208

HSL 318.46, 0.9%, 0.72%

LAB 67.63, 60.14, -23.29

 

CMYK 0 / 47 / 11 / 0

HEX #FF88E3

RGB 255 136 227

HSL 314.12, 1%, 0.77%

LAB 72.5, 56.55, -26.27

 

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

CMYK 0 / 74 / 22 / 31

HEX #AF2E89

RGB 175 46 137

HSL 317.67, 0.58%, 0.43%

LAB 42.57, 59.88, -21.37

 

CMYK 0 / 82 / 25 / 38

HEX #9E1C76

RGB 158 28 118

HSL 318.46, 0.7%, 0.36%

LAB 36.76, 58.59, -18.84

 

CMYK 0 / 93 / 30 / 45

HEX #8D0A63

RGB 141 10 99

HSL 319.24, 0.87%, 0.3%

LAB 31.3, 55.99, -15.41

 

CMYK 0 / 100 / 35 / 51

HEX #7C0050

RGB 124 0 80

HSL 321.29, 1%, 0.24%

LAB 26.34, 51.62, -10.81

 

CMYK 0 / 66 / 19 / 25

HEX #BF409B

RGB 191 64 155

HSL 317.01, 0.5%, 0.5%

LAB 48.4, 59.94, -23

 

CMYK 0 / 66 / 37 / 25

HEX #BF4079

RGB 191 64 121

HSL 333.07, 0.5%, 0.5%

LAB 47.14, 55.61, -4.44

 

CMYK 0 / 66 / 54 / 25

HEX #BF4057

RGB 191 64 87

HSL 349.13, 0.5%, 0.5%

LAB 46.22, 52.34, 15.05

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 0 / 66 / 19 / 25

HEX #BF409B

RGB 191 64 155

HSL 317.01, 0.5%, 0.5%

LAB 48.4, 59.94, -23

 

CMYK 0 / 66 / 1 / 25

HEX #BF40BE

RGB 191 64 190

HSL 300.47, 0.5%, 0.5%

LAB 50.05, 65.34, -40.99

 

CMYK 17 / 66 / 0 / 25

HEX #9E40BF

RGB 158 64 191

HSL 284.41, 0.5%, 0.5%

LAB 45.22, 57.93, -49.56

 

CMYK 35 / 66 / 0 / 25

HEX #7C40BF

RGB 124 64 191

HSL 268.35, 0.5%, 0.5%

LAB 40.76, 50.5, -56.98

 

CMYK 53 / 66 / 0 / 25

HEX #5A40BF

RGB 90 64 191

HSL 252.28, 0.5%, 0.5%

LAB 37.12, 43.94, -63.05

 

CMYK 0 / 66 / 19 / 25

HEX #BF409B

RGB 191 64 155

HSL 317.01, 0.5%, 0.5%

LAB 48.4, 59.94, -23

 

CMYK 0 / 80 / 23 / 17

HEX #D42BA4

RGB 212 43 164

HSL 317.04, 0.66%, 0.5%

LAB 49.98, 73, -25.6

 

CMYK 0 / 91 / 26 / 9

HEX #E916AD

RGB 233 22 173

HSL 317.06, 0.83%, 0.5%

LAB 52.86, 82.33, -26.16

 

CMYK 0 / 99 / 28 / 1

HEX #FD02B6

RGB 253 2 182

HSL 316.97, 0.98%, 0.5%

LAB 56.39, 88.82, -25.66

 

CMYK 0 / 66 / 19 / 25

HEX #BF409B

RGB 191 64 155

HSL 317.01, 0.5%, 0.5%

LAB 48.4, 59.94, -23

 

CMYK 0 / 51 / 15 / 33

HEX #AB5492

RGB 171 84 146

HSL 317.24, 0.34%, 0.5%

LAB 48.35, 43.63, -17.97

 

CMYK 0 / 30 / 9 / 41

HEX #966989

RGB 150 105 137

HSL 317.33, 0.18%, 0.5%

LAB 49.97, 23.31, -10.42

 

CMYK 0 / 2 / 1 / 49

HEX #817E80

RGB 129 126 128

HSL 320, 0.01%, 0.5%

LAB 53.11, 1.53, -0.69

 

CMYK 25 / 0 / 18 / 43

HEX #6D9277

RGB 109 146 119

HSL 136.22, 0.15%, 0.5%

LAB 57.21, -18.6, 10.21

 

CMYK 18 / 66 / 0 / 25

HEX #9D40BF

RGB 157 64 191

HSL 283.94, 0.5%, 0.5%

LAB 45.08, 57.7, -49.8

 

CMYK 0 / 66 / 0 / 25

HEX #BF40BF

RGB 191 64 191

HSL 300, 0.5%, 0.5%

LAB 50.1, 65.51, -41.49

 

CMYK 0 / 66 / 18 / 25

HEX #BF409D

RGB 191 64 157

HSL 316.06, 0.5%, 0.5%

LAB 48.48, 60.22, -24.06

 

CMYK 0 / 66 / 36 / 25

HEX #BF407B

RGB 191 64 123

HSL 332.13, 0.5%, 0.5%

LAB 47.2, 55.84, -5.56

 

CMYK 0 / 66 / 53 / 25

HEX #BF4059

RGB 191 64 89

HSL 348.19, 0.5%, 0.5%

LAB 46.26, 52.5, 13.89

 

CMYK 0 / 67 / 19 / 49

HEX #812B69

RGB 129 43 105

HSL 316.74, 0.5%, 0.34%

LAB 32.73, 43.99, -17.25

 

CMYK 0 / 67 / 19 / 37

HEX #A03582

RGB 160 53 130

HSL 316.82, 0.5%, 0.42%

LAB 40.62, 52.33, -20.3

 

CMYK 0 / 66 / 19 / 25

HEX #BF409B

RGB 191 64 155

HSL 317.01, 0.5%, 0.5%

LAB 48.4, 59.94, -23

 

CMYK 0 / 53 / 15 / 21

HEX #CA5FAB

RGB 202 95 171

HSL 317.38, 0.5%, 0.58%

LAB 55.77, 51.75, -20.94

 

CMYK 0 / 41 / 11 / 17

HEX #D47EBC

RGB 212 126 188

HSL 316.74, 0.5%, 0.66%

LAB 63.79, 41.94, -18.31

 

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

CMYK 0 / 36 / 66 / 25

HEX #BF7B40

RGB 191 123 64

HSL 27.87, 0.5%, 0.5%

LAB 57.67, 20.98, 42.42

 

CMYK 66 / 0 / 9 / 25

HEX #40BFAE

RGB 64 191 174

HSL 171.97, 0.5%, 0.5%

LAB 70.46, -38.46, -1.59

 

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

CMYK 18 / 0 / 66 / 25

HEX #9DBF40

RGB 157 191 64

HSL 76.06, 0.5%, 0.5%

LAB 72.76, -29.54, 57.86

 

CMYK 66 / 18 / 0 / 25

HEX #409DBF

RGB 64 157 191

HSL 196.06, 0.5%, 0.5%

LAB 60.75, -16.67, -25.63

 

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

CMYK 0 / 36 / 66 / 25

HEX #BF7B40

RGB 191 123 64

HSL 27.87, 0.5%, 0.5%

LAB 57.67, 20.98, 42.42

 

CMYK 66 / 0 / 49 / 25

HEX #40BF62

RGB 64 191 98

HSL 136.06, 0.5%, 0.5%

LAB 68.92, -54.68, 36.81

 

CMYK 66 / 31 / 0 / 25

HEX #4084BF

RGB 64 132 191

HSL 207.87, 0.5%, 0.5%

LAB 53.33, -2.61, -37.16

 

CMYK 0 / 67 / 19 / 25

HEX #C0409C

RGB 192 64 156

HSL 316.88, 0.5%, 0.5%

LAB 48.6, 60.35, -23.27

 

CMYK 0 / 15 / 66 / 25

HEX #BFA240

RGB 191 162 64

HSL 46.3, 0.5%, 0.5%

LAB 67.49, -0.37, 53.16

 

CMYK 66 / 0 / 49 / 25

HEX #40BF62

RGB 64 191 98

HSL 136.06, 0.5%, 0.5%

LAB 68.92, -54.68, 36.81

 

CMYK 66 / 51 / 0 / 25

HEX #405EBF

RGB 64 94 191

HSL 225.83, 0.5%, 0.5%

LAB 42.55, 20.94, -54.33

 

Description

Color code: HEX #C0409C | qconv.com Color code: HEX #C0409C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 64 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 64 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 19 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 19% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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