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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0397C it is the complementary color #3FC683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0397C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C0397C: #C53977, #D64B8A, #E75D9D, #F86FB0 and #FF81C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0397C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C0397C: #C0397C, #AF2769, #9E1556, #8D0343 and #7C0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

Complementary color

CMYK 68 / 0 / 34 / 22

HEX #3FC683

RGB 63 198 131

HSL 150.22, 0.54%, 0.51%

LAB 71.61, -51.65, 23.27

 

CMYK 0 / 71 / 40 / 23

HEX #C53977

RGB 197 57 119

HSL 333.43, 0.55%, 0.5%

LAB 47.14, 59.81, -3.09

 

CMYK 0 / 65 / 36 / 16

HEX #D64B8A

RGB 214 75 138

HSL 332.81, 0.63%, 0.57%

LAB 53.13, 59.85, -5.36

 

CMYK 0 / 60 / 32 / 9

HEX #E75D9D

RGB 231 93 157

HSL 332.17, 0.74%, 0.64%

LAB 59.21, 59.54, -7.2

 

CMYK 0 / 55 / 29 / 3

HEX #F86FB0

RGB 248 111 176

HSL 331.53, 0.91%, 0.7%

LAB 65.33, 59, -8.73

 

CMYK 0 / 49 / 24 / 0

HEX #FF81C3

RGB 255 129 195

HSL 328.57, 1%, 0.75%

LAB 70.11, 55.23, -12.18

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 78 / 40 / 31

HEX #AF2769

RGB 175 39 105

HSL 330.88, 0.64%, 0.42%

LAB 40.55, 58.31, -4.63

 

CMYK 0 / 87 / 46 / 38

HEX #9E1556

RGB 158 21 86

HSL 331.53, 0.77%, 0.35%

LAB 34.96, 56.71, -1.14

 

CMYK 0 / 98 / 52 / 45

HEX #8D0343

RGB 141 3 67

HSL 332.17, 0.96%, 0.28%

LAB 29.75, 53.86, 3.36

 

CMYK 0 / 100 / 61 / 51

HEX #7C0030

RGB 124 0 48

HSL 336.77, 1%, 0.24%

LAB 25.26, 48.76, 9.42

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 70 / 47 / 25

HEX #C03966

RGB 192 57 102

HSL 340, 0.54%, 0.49%

LAB 45.76, 56.69, 5.22

 

CMYK 0 / 70 / 59 / 25

HEX #C0394F

RGB 192 57 79

HSL 350.22, 0.54%, 0.49%

LAB 45.22, 54.83, 18.63

 

CMYK 0 / 70 / 70 / 25

HEX #C03939

RGB 192 57 57

HSL 0, 0.54%, 0.49%

LAB 44.84, 53.52, 31.44

 

CMYK 0 / 59 / 70 / 25

HEX #C04F39

RGB 192 79 57

HSL 9.78, 0.54%, 0.49%

LAB 48.38, 44.03, 35.58

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 70 / 35 / 5

HEX #F3489D

RGB 243 72 157

HSL 330.18, 0.88%, 0.62%

LAB 58.15, 71.12, -8.56

 

CMYK 0 / 69 / 36 / 85

HEX #270C19

RGB 39 12 25

HSL 331.11, 0.53%, 0.1%

LAB 6.91, 15.84, -2.49

 

CMYK 0 / 70 / 36 / 65

HEX #5A1B3A

RGB 90 27 58

HSL 330.48, 0.54%, 0.23%

LAB 21.07, 32.11, -4.46

 

CMYK 0 / 70 / 35 / 45

HEX #8D2A5B

RGB 141 42 91

HSL 330.3, 0.54%, 0.36%

LAB 34.14, 46.06, -5.95

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 21 / 70 / 25

HEX #C09739

RGB 192 151 57

HSL 41.78, 0.54%, 0.49%

LAB 64.67, 5.62, 53.29

 

CMYK 70 / 7 / 0 / 25

HEX #39B2C0

RGB 57 178 192

HSL 186.22, 0.54%, 0.49%

LAB 66.91, -28.2, -16.8

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 35 / 0 / 70 / 25

HEX #7CC039

RGB 124 192 57

HSL 90.22, 0.54%, 0.49%

LAB 71.06, -42.98, 58.22

 

CMYK 70 / 35 / 0 / 25

HEX #397CC0

RGB 57 124 192

HSL 210.22, 0.54%, 0.49%

LAB 50.79, 1.39, -41.75

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 21 / 70 / 25

HEX #C09739

RGB 192 151 57

HSL 41.78, 0.54%, 0.49%

LAB 64.67, 5.62, 53.29

 

CMYK 70 / 0 / 35 / 25

HEX #39C07C

RGB 57 192 124

HSL 149.78, 0.54%, 0.49%

LAB 69.49, -51.68, 24.08

 

CMYK 70 / 49 / 0 / 25

HEX #3961C0

RGB 57 97 192

HSL 222.22, 0.54%, 0.49%

LAB 43.1, 18.29, -54.04

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 0 / 70 / 25

HEX #C0C039

RGB 192 192 57

HSL 60, 0.54%, 0.49%

LAB 75.58, -15.93, 64.21

 

CMYK 70 / 0 / 35 / 25

HEX #39C07C

RGB 57 192 124

HSL 149.78, 0.54%, 0.49%

LAB 69.49, -51.68, 24.08

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

Description

Color code: HEX #C0397C | qconv.com Color code: HEX #C0397C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 57 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 57 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 35% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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