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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C034F2 it is the complementary color #3FCB0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C034F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C034F2 shade: #C534ED, #D646FF, #E758FF, #F86AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C034F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C034F2 shade: #C034F2, #AF22DF, #9E10CC, #8D00B9 and #7C00A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C034F2 shade: #C136F2, #F236F1, #F236BE, #F2368B and #F23658

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C034F2 shade: #C136F2, #8E36F2, #5B36F2 and #3636F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C034F2 shade matches the following richer shades: #C136F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C034F2 shade: #C136F2, #B847E1, #B058CF, #A86ABE and #A07BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C034F2 shade: #5B36F2, #8E36F2, #C036F2, #F236F2 and #F236C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C034F2 shade: #970DC8, #B40FEF, #C136F2, #CD5CF5 and #D983F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C034F2 shade: #C034F2, #F23642 and #36F274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C034F2 shade: #C034F2, #F2C036 and #36F2C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C034F2 shade: #C034F2, #F23642, #68F236 and #36F2E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C034F2 shade: #C034F2, #F26236, #68F236 and #36C6F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

Complementary color

CMYK 69 / 0 / 94 / 20

HEX #3FCB0D

RGB 63 203 13

HSL 104.21, 0.88%, 0.42%

LAB 72.09, -65.99, 69.55

 

CMYK 17 / 78 / 0 / 7

HEX #C534ED

RGB 197 52 237

HSL 287.03, 0.84%, 0.57%

LAB 52.33, 78.72, -64.14

 

CMYK 16 / 73 / 0 / 0

HEX #D646FF

RGB 214 70 255

HSL 286.7, 1%, 0.64%

LAB 57.94, 79.39, -65.01

 

CMYK 9 / 65 / 0 / 0

HEX #E758FF

RGB 231 88 255

HSL 291.38, 1%, 0.67%

LAB 62.67, 76.3, -57.31

 

CMYK 3 / 58 / 0 / 0

HEX #F86AFF

RGB 248 106 255

HSL 297.18, 1%, 0.71%

LAB 67.64, 72.92, -49.28

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

CMYK 22 / 85 / 0 / 13

HEX #AF22DF

RGB 175 34 223

HSL 284.76, 0.75%, 0.5%

LAB 46.43, 77.19, -65.93

 

CMYK 23 / 92 / 0 / 20

HEX #9E10CC

RGB 158 16 204

HSL 285.32, 0.85%, 0.43%

LAB 41.22, 74.53, -63.59

 

CMYK 24 / 100 / 0 / 27

HEX #8D00B9

RGB 141 0 185

HSL 285.73, 1%, 0.36%

LAB 36.3, 70.67, -60.58

 

CMYK 25 / 100 / 0 / 35

HEX #7C00A6

RGB 124 0 166

HSL 284.82, 1%, 0.33%

LAB 31.89, 64.93, -56.53

 

CMYK 20 / 78 / 0 / 5

HEX #C136F2

RGB 193 54 242

HSL 284.36, 0.88%, 0.58%

LAB 52.27, 78.34, -67.07

 

CMYK 0 / 78 / 0 / 5

HEX #F236F1

RGB 242 54 241

HSL 300.32, 0.88%, 0.58%

LAB 59.77, 87.05, -54.07

 

CMYK 0 / 78 / 21 / 5

HEX #F236BE

RGB 242 54 190

HSL 316.6, 0.88%, 0.58%

LAB 57.3, 80.08, -29.04

 

CMYK 0 / 78 / 43 / 5

HEX #F2368B

RGB 242 54 139

HSL 332.87, 0.88%, 0.58%

LAB 55.46, 74.61, -1.96

 

CMYK 0 / 78 / 64 / 5

HEX #F23658

RGB 242 54 88

HSL 349.15, 0.88%, 0.58%

LAB 54.26, 70.91, 26.79

 

CMYK 20 / 78 / 0 / 5

HEX #C136F2

RGB 193 54 242

HSL 284.36, 0.88%, 0.58%

LAB 52.27, 78.34, -67.07

 

CMYK 41 / 78 / 0 / 5

HEX #8E36F2

RGB 142 54 242

HSL 268.09, 0.88%, 0.58%

LAB 45.36, 70.19, -78.62

 

CMYK 62 / 78 / 0 / 5

HEX #5B36F2

RGB 91 54 242

HSL 251.81, 0.88%, 0.58%

LAB 40.04, 63.87, -87.57

 

CMYK 78 / 78 / 0 / 5

HEX #3636F2

RGB 54 54 242

HSL 240, 0.88%, 0.58%

LAB 37.54, 60.89, -91.77

 

CMYK 20 / 78 / 0 / 5

HEX #C136F2

RGB 193 54 242

HSL 284.36, 0.88%, 0.58%

LAB 52.27, 78.34, -67.07

 

CMYK 20 / 78 / 0 / 5

HEX #C136F2

RGB 193 54 242

HSL 284.36, 0.88%, 0.58%

LAB 52.27, 78.34, -67.07

 

CMYK 18 / 68 / 0 / 12

HEX #B847E1

RGB 184 71 225

HSL 284.03, 0.72%, 0.58%

LAB 51.99, 67.41, -58.02

 

CMYK 15 / 57 / 0 / 19

HEX #B058CF

RGB 176 88 207

HSL 284.37, 0.55%, 0.58%

LAB 52.64, 54.36, -46.81

 

CMYK 12 / 44 / 0 / 25

HEX #A86ABE

RGB 168 106 190

HSL 284.29, 0.39%, 0.58%

LAB 54.4, 39.24, -34.37

 

CMYK 8 / 29 / 0 / 32

HEX #A07BAD

RGB 160 123 173

HSL 284.4, 0.23%, 0.58%

LAB 56.74, 23.55, -21.05

 

CMYK 62 / 78 / 0 / 5

HEX #5B36F2

RGB 91 54 242

HSL 251.81, 0.88%, 0.58%

LAB 40.04, 63.87, -87.57

 

CMYK 41 / 78 / 0 / 5

HEX #8E36F2

RGB 142 54 242

HSL 268.09, 0.88%, 0.58%

LAB 45.36, 70.19, -78.62

 

CMYK 21 / 78 / 0 / 5

HEX #C036F2

RGB 192 54 242

HSL 284.04, 0.88%, 0.58%

LAB 52.12, 78.17, -67.31

 

CMYK 0 / 78 / 0 / 5

HEX #F236F2

RGB 242 54 242

HSL 300, 0.88%, 0.58%

LAB 59.82, 87.2, -54.54

 

CMYK 0 / 78 / 21 / 5

HEX #F236C0

RGB 242 54 192

HSL 315.96, 0.88%, 0.58%

LAB 57.39, 80.33, -30.06

 

CMYK 25 / 94 / 0 / 22

HEX #970DC8

RGB 151 13 200

HSL 284.28, 0.88%, 0.42%

LAB 39.64, 73.23, -63.87

 

CMYK 25 / 94 / 0 / 6

HEX #B40FEF

RGB 180 15 239

HSL 284.2, 0.88%, 0.5%

LAB 47.34, 83.92, -73.49

 

CMYK 20 / 78 / 0 / 5

HEX #C136F2

RGB 193 54 242

HSL 284.36, 0.88%, 0.58%

LAB 52.27, 78.34, -67.07

 

CMYK 16 / 62 / 0 / 4

HEX #CD5CF5

RGB 205 92 245

HSL 284.31, 0.88%, 0.66%

LAB 59.18, 67.03, -57.54

 

CMYK 12 / 47 / 0 / 3

HEX #D983F7

RGB 217 131 247

HSL 284.48, 0.88%, 0.74%

LAB 67.8, 51.68, -44.91

 

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

CMYK 0 / 78 / 73 / 5

HEX #F23642

RGB 242 54 66

HSL 356.17, 0.88%, 0.58%

LAB 53.93, 69.87, 39.2

 

CMYK 78 / 0 / 52 / 5

HEX #36F274

RGB 54 242 116

HSL 139.79, 0.88%, 0.58%

LAB 84.77, -71.15, 47.69

 

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

CMYK 0 / 21 / 78 / 5

HEX #F2C036

RGB 242 192 54

HSL 44.04, 0.88%, 0.58%

LAB 80.09, 5.31, 71.13

 

CMYK 78 / 0 / 21 / 5

HEX #36F2C0

RGB 54 242 192

HSL 164.04, 0.88%, 0.58%

LAB 86.05, -56.68, 11.3

 

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

CMYK 0 / 78 / 73 / 5

HEX #F23642

RGB 242 54 66

HSL 356.17, 0.88%, 0.58%

LAB 53.93, 69.87, 39.2

 

CMYK 57 / 0 / 78 / 5

HEX #68F236

RGB 104 242 54

HSL 104.04, 0.88%, 0.58%

LAB 85.36, -68.14, 72.96

 

CMYK 78 / 0 / 5 / 5

HEX #36F2E6

RGB 54 242 230

HSL 176.17, 0.88%, 0.58%

LAB 87, -47.01, -7.2

 

CMYK 21 / 79 / 0 / 5

HEX #C034F2

RGB 192 52 242

HSL 284.21, 0.88%, 0.58%

LAB 51.92, 78.77, -67.64

 

CMYK 0 / 60 / 78 / 5

HEX #F26236

RGB 242 98 54

HSL 14.04, 0.88%, 0.58%

LAB 59.78, 53.15, 51.79

 

CMYK 57 / 0 / 78 / 5

HEX #68F236

RGB 104 242 54

HSL 104.04, 0.88%, 0.58%

LAB 85.36, -68.14, 72.96

 

CMYK 78 / 18 / 0 / 5

HEX #36C6F2

RGB 54 198 242

HSL 194.04, 0.88%, 0.58%

LAB 74.56, -22.84, -32.39

 

Description

Color code: HEX #C034F2 | qconv.com Color code: HEX #C034F2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 52 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 52 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 79 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 79% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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