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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C03418 it is the complementary color #3FCBE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C03418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C03418 shade: #C53413, #D64626, #E75839, #F86A4C and #FF7C5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C03418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C03418 shade: #C03418, #AF2205, #9E1000, #8D0000 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C03418 shade: #BF3318 and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C03418 shade: #BF3318, #BF6018, #BF8E18, #BFBB18 and #96BF18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C03418 shade matches the following richer shades: #BF3318 and #D02806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C03418 shade: #BF3318, #AD3F29, #9C4B3A, #8B564C and #79625D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C03418 shade: #BF1855, #BF1828, #BF3318, #BF6018 and #BF8D18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C03418 shade: #75200E, #9A2A13, #BF3318, #E33E1C and #E85D41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C03418 shade: #C03418, #81BF18 and #183FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C03418 shade: #C03418, #18BF33 and #3318BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C03418 shade: #C03418, #81BF18, #18A3BF and #5518BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C03418 shade: #C03418, #4FBF18, #18A3BF and #8718BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

Complementary color

CMYK 73 / 12 / 0 / 9

HEX #3FCBE7

RGB 63 203 231

HSL 190, 0.78%, 0.58%

LAB 75.78, -27.83, -24.57

 

CMYK 0 / 74 / 90 / 23

HEX #C53413

RGB 197 52 19

HSL 11.12, 0.82%, 0.42%

LAB 44.76, 55.74, 51.08

 

CMYK 0 / 67 / 82 / 16

HEX #D64626

RGB 214 70 38

HSL 10.91, 0.7%, 0.49%

LAB 50.47, 54.94, 48.85

 

CMYK 0 / 62 / 75 / 9

HEX #E75839

RGB 231 88 57

HSL 10.69, 0.78%, 0.56%

LAB 56.35, 53.83, 46.2

 

CMYK 0 / 57 / 69 / 3

HEX #F86A4C

RGB 248 106 76

HSL 10.47, 0.92%, 0.64%

LAB 62.33, 52.57, 43.63

 

CMYK 0 / 51 / 63 / 0

HEX #FF7C5F

RGB 255 124 95

HSL 10.88, 1%, 0.69%

LAB 66.9, 47.67, 39.16

 

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

CMYK 0 / 81 / 97 / 31

HEX #AF2205

RGB 175 34 5

HSL 10.24, 0.94%, 0.35%

LAB 38.32, 54.46, 49.62

 

CMYK 0 / 90 / 100 / 38

HEX #9E1000

RGB 158 16 0

HSL 6.08, 1%, 0.31%

LAB 33.22, 53.68, 46.96

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 50 / 87 / 25

HEX #BF6018

RGB 191 96 24

HSL 25.87, 0.78%, 0.42%

LAB 51.28, 33.9, 53.84

 

CMYK 0 / 26 / 87 / 25

HEX #BF8E18

RGB 191 142 24

HSL 42.4, 0.78%, 0.42%

LAB 62.07, 8.84, 62.52

 

CMYK 0 / 2 / 87 / 25

HEX #BFBB18

RGB 191 187 24

HSL 58.56, 0.78%, 0.42%

LAB 73.99, -15, 72.1

 

CMYK 21 / 0 / 87 / 25

HEX #96BF18

RGB 150 191 24

HSL 74.73, 0.78%, 0.42%

LAB 72.1, -34.2, 69.31

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 81 / 97 / 18

HEX #D02806

RGB 208 40 6

HSL 10.1, 0.94%, 0.42%

LAB 45.55, 62.57, 56.7

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 64 / 76 / 32

HEX #AD3F29

RGB 173 63 41

HSL 10, 0.62%, 0.42%

LAB 42.15, 43.79, 36.63

 

CMYK 0 / 52 / 63 / 39

HEX #9C4B3A

RGB 156 75 58

HSL 10.41, 0.46%, 0.42%

LAB 41.85, 32.29, 25.81

 

CMYK 0 / 38 / 45 / 45

HEX #8B564C

RGB 139 86 76

HSL 9.52, 0.29%, 0.42%

LAB 42.26, 20.77, 15.04

 

CMYK 0 / 19 / 23 / 53

HEX #79625D

RGB 121 98 93

HSL 10.71, 0.13%, 0.42%

LAB 43.64, 8.42, 6.33

 

CMYK 0 / 87 / 55 / 25

HEX #BF1855

RGB 191 24 85

HSL 338.08, 0.78%, 0.42%

LAB 41.82, 64.37, 10.22

 

CMYK 0 / 87 / 79 / 25

HEX #BF1828

RGB 191 24 40

HSL 354.25, 0.78%, 0.42%

LAB 41.03, 62.09, 37.05

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 50 / 87 / 25

HEX #BF6018

RGB 191 96 24

HSL 25.87, 0.78%, 0.42%

LAB 51.28, 33.9, 53.84

 

CMYK 0 / 26 / 87 / 25

HEX #BF8D18

RGB 191 141 24

HSL 42.04, 0.78%, 0.42%

LAB 61.82, 9.39, 62.32

 

CMYK 0 / 73 / 88 / 54

HEX #75200E

RGB 117 32 14

HSL 10.49, 0.79%, 0.26%

LAB 26.29, 36.2, 31.99

 

CMYK 0 / 73 / 88 / 40

HEX #9A2A13

RGB 154 42 19

HSL 10.22, 0.78%, 0.34%

LAB 35.15, 45.29, 40.05

 

CMYK 0 / 73 / 87 / 25

HEX #BF3318

RGB 191 51 24

HSL 9.7, 0.78%, 0.42%

LAB 43.52, 54.27, 47.59

 

CMYK 0 / 73 / 88 / 11

HEX #E33E1C

RGB 227 62 28

HSL 10.25, 0.78%, 0.5%

LAB 51.68, 61.86, 55.22

 

CMYK 0 / 60 / 72 / 9

HEX #E85D41

RGB 232 93 65

HSL 10.06, 0.78%, 0.58%

LAB 57.43, 52.31, 43.23

 

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

CMYK 32 / 0 / 87 / 25

HEX #81BF18

RGB 129 191 24

HSL 82.28, 0.78%, 0.42%

LAB 70.87, -42.33, 67.78

 

CMYK 87 / 67 / 0 / 25

HEX #183FBF

RGB 24 63 191

HSL 225.99, 0.78%, 0.42%

LAB 32.94, 36.76, -70.05

 

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

CMYK 87 / 0 / 73 / 25

HEX #18BF33

RGB 24 191 51

HSL 129.7, 0.78%, 0.42%

LAB 67.8, -65.76, 56.16

 

CMYK 73 / 87 / 0 / 25

HEX #3318BF

RGB 51 24 191

HSL 249.7, 0.78%, 0.42%

LAB 27.07, 58.72, -79.73

 

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

CMYK 32 / 0 / 87 / 25

HEX #81BF18

RGB 129 191 24

HSL 82.28, 0.78%, 0.42%

LAB 70.87, -42.33, 67.78

 

CMYK 87 / 15 / 0 / 25

HEX #18A3BF

RGB 24 163 191

HSL 190.06, 0.78%, 0.42%

LAB 61.78, -24.25, -24.11

 

CMYK 55 / 87 / 0 / 25

HEX #5518BF

RGB 85 24 191

HSL 261.92, 0.78%, 0.42%

LAB 30.27, 61.29, -74.32

 

CMYK 0 / 73 / 88 / 25

HEX #C03418

RGB 192 52 24

HSL 10, 0.78%, 0.42%

LAB 43.84, 54.23, 47.93

 

CMYK 59 / 0 / 87 / 25

HEX #4FBF18

RGB 79 191 24

HSL 100.24, 0.78%, 0.42%

LAB 68.74, -58.19, 65.12

 

CMYK 87 / 15 / 0 / 25

HEX #18A3BF

RGB 24 163 191

HSL 190.06, 0.78%, 0.42%

LAB 61.78, -24.25, -24.11

 

CMYK 29 / 87 / 0 / 25

HEX #8718BF

RGB 135 24 191

HSL 279.88, 0.78%, 0.42%

LAB 37.05, 67.34, -62.93

 

Description

Color code: HEX #C03418 | qconv.com Color code: HEX #C03418 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 52 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 52 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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