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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C033CE it is the complementary color #3FCC31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C033CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C033CE shade: #C533C9, #D645DC, #E757EF, #F869FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C033CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C033CE shade: #C033CE, #AF21BB, #9E0FA8, #8D0095 and #7C0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C033CE shade: #BF32CD, #CD32B1, #CD3287, #CD325D and #CD3234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C033CE shade: #BF32CD, #9532CD, #6B32CD, #4132CD and #3232CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C033CE shade matches the following richer shades: #BF32CD, #D01DE2 and #E108F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C033CE shade: #BF32CD, #AE46B9, #9D5BA4, #8D708F and #7C847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C033CE shade: #6B32CD, #9432CD, #BE32CD, #CD32B3 and #CD328A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C033CE shade: #81228B, #A02AAC, #BF32CD, #CA53D5 and #D474DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C033CE shade: #C033CE, #CD4132 and #32CD80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C033CE shade: #C033CE, #CDBE32 and #32CDBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C033CE shade: #C033CE, #CD4132, #41CD32 and #32BECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C033CE shade: #C033CE, #CD7032, #41CD32 and #328FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

Complementary color

CMYK 69 / 0 / 76 / 20

HEX #3FCC31

RGB 63 204 49

HSL 114.58, 0.61%, 0.5%

LAB 72.54, -64.74, 61.78

 

CMYK 2 / 75 / 0 / 21

HEX #C533C9

RGB 197 51 201

HSL 298.4, 0.6%, 0.49%

LAB 50.04, 72.87, -47.31

 

CMYK 3 / 69 / 0 / 14

HEX #D645DC

RGB 214 69 220

HSL 297.62, 0.68%, 0.57%

LAB 55.81, 73.67, -48.84

 

CMYK 3 / 64 / 0 / 6

HEX #E757EF

RGB 231 87 239

HSL 296.84, 0.83%, 0.64%

LAB 61.69, 73.93, -50.01

 

CMYK 3 / 59 / 0 / 0

HEX #F869FF

RGB 248 105 255

HSL 297.2, 1%, 0.71%

LAB 67.49, 73.34, -49.52

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

CMYK 6 / 82 / 0 / 27

HEX #AF21BB

RGB 175 33 187

HSL 295.32, 0.7%, 0.43%

LAB 43.93, 71.15, -49.14

 

CMYK 6 / 91 / 0 / 34

HEX #9E0FA8

RGB 158 15 168

HSL 296.08, 0.84%, 0.36%

LAB 38.62, 68.47, -46.56

 

CMYK 5 / 100 / 0 / 42

HEX #8D0095

RGB 141 0 149

HSL 296.78, 1%, 0.29%

LAB 33.63, 64.48, -43.23

 

CMYK 5 / 100 / 0 / 49

HEX #7C0082

RGB 124 0 130

HSL 297.23, 1%, 0.25%

LAB 29.15, 58.58, -38.81

 

CMYK 7 / 76 / 0 / 20

HEX #BF32CD

RGB 191 50 205

HSL 294.58, 0.61%, 0.5%

LAB 49.21, 72.62, -51

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B1

RGB 205 50 177

HSL 310.84, 0.61%, 0.5%

LAB 50.02, 71.25, -33.3

 

CMYK 0 / 76 / 34 / 20

HEX #CD3287

RGB 205 50 135

HSL 327.1, 0.61%, 0.5%

LAB 48.27, 65.99, -10.98

 

CMYK 0 / 76 / 55 / 20

HEX #CD325D

RGB 205 50 93

HSL 343.35, 0.61%, 0.5%

LAB 47.04, 62.12, 12.9

 

CMYK 0 / 76 / 75 / 20

HEX #CD3234

RGB 205 50 52

HSL 359.23, 0.61%, 0.5%

LAB 46.32, 59.8, 36.69

 

CMYK 7 / 76 / 0 / 20

HEX #BF32CD

RGB 191 50 205

HSL 294.58, 0.61%, 0.5%

LAB 49.21, 72.62, -51

 

CMYK 27 / 76 / 0 / 20

HEX #9532CD

RGB 149 50 205

HSL 278.32, 0.61%, 0.5%

LAB 42.88, 64.65, -61.52

 

CMYK 48 / 76 / 0 / 20

HEX #6B32CD

RGB 107 50 205

HSL 262.06, 0.61%, 0.5%

LAB 37.51, 57.68, -70.51

 

CMYK 68 / 76 / 0 / 20

HEX #4132CD

RGB 65 50 205

HSL 245.81, 0.61%, 0.5%

LAB 33.59, 52.43, -77.1

 

CMYK 76 / 76 / 0 / 20

HEX #3232CD

RGB 50 50 205

HSL 240, 0.61%, 0.5%

LAB 32.63, 51.11, -78.72

 

CMYK 7 / 76 / 0 / 20

HEX #BF32CD

RGB 191 50 205

HSL 294.58, 0.61%, 0.5%

LAB 49.21, 72.62, -51

 

CMYK 8 / 87 / 0 / 11

HEX #D01DE2

RGB 208 29 226

HSL 294.52, 0.77%, 0.5%

LAB 51.59, 83.93, -59.04

 

CMYK 9 / 97 / 0 / 3

HEX #E108F7

RGB 225 8 247

HSL 294.48, 0.94%, 0.5%

LAB 54.97, 92.08, -65.27

 

CMYK 7 / 76 / 0 / 20

HEX #BF32CD

RGB 191 50 205

HSL 294.58, 0.61%, 0.5%

LAB 49.21, 72.62, -51

 

CMYK 6 / 62 / 0 / 27

HEX #AE46B9

RGB 174 70 185

HSL 294.26, 0.45%, 0.5%

LAB 48.11, 57.94, -41.32

 

CMYK 4 / 45 / 0 / 36

HEX #9D5BA4

RGB 157 91 164

HSL 294.25, 0.29%, 0.5%

LAB 48.67, 38.78, -28.29

 

CMYK 1 / 22 / 0 / 44

HEX #8D708F

RGB 141 112 143

HSL 296.13, 0.12%, 0.5%

LAB 50.96, 17.14, -12.57

 

CMYK 6 / 0 / 7 / 48

HEX #7C847B

RGB 124 132 123

HSL 113.33, 0.04%, 0.5%

LAB 54.26, -4.75, 3.83

 

CMYK 48 / 76 / 0 / 20

HEX #6B32CD

RGB 107 50 205

HSL 262.06, 0.61%, 0.5%

LAB 37.51, 57.68, -70.51

 

CMYK 28 / 76 / 0 / 20

HEX #9432CD

RGB 148 50 205

HSL 277.94, 0.61%, 0.5%

LAB 42.74, 64.47, -61.76

 

CMYK 7 / 76 / 0 / 20

HEX #BE32CD

RGB 190 50 205

HSL 294.19, 0.61%, 0.5%

LAB 49.05, 72.42, -51.26

 

CMYK 0 / 76 / 13 / 20

HEX #CD32B3

RGB 205 50 179

HSL 310.06, 0.61%, 0.5%

LAB 50.11, 71.53, -34.33

 

CMYK 0 / 76 / 33 / 20

HEX #CD328A

RGB 205 50 138

HSL 325.94, 0.61%, 0.5%

LAB 48.38, 66.32, -12.63

 

CMYK 7 / 76 / 0 / 45

HEX #81228B

RGB 129 34 139

HSL 294.29, 0.61%, 0.34%

LAB 33.3, 53.35, -37.72

 

CMYK 7 / 76 / 0 / 33

HEX #A02AAC

RGB 160 42 172

HSL 294.46, 0.61%, 0.42%

LAB 41.39, 63.18, -44.49

 

CMYK 7 / 76 / 0 / 20

HEX #BF32CD

RGB 191 50 205

HSL 294.58, 0.61%, 0.5%

LAB 49.21, 72.62, -51

 

CMYK 5 / 61 / 0 / 16

HEX #CA53D5

RGB 202 83 213

HSL 294.92, 0.61%, 0.58%

LAB 55.63, 64.25, -45.26

 

CMYK 4 / 48 / 0 / 13

HEX #D474DD

RGB 212 116 221

HSL 294.86, 0.61%, 0.66%

LAB 63.1, 52.88, -37.92

 

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

CMYK 0 / 68 / 76 / 20

HEX #CD4132

RGB 205 65 50

HSL 5.81, 0.61%, 0.5%

LAB 48.25, 54.34, 39.92

 

CMYK 76 / 0 / 38 / 20

HEX #32CD80

RGB 50 205 128

HSL 150.19, 0.61%, 0.5%

LAB 73.48, -56.83, 27.31

 

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

CMYK 0 / 7 / 76 / 20

HEX #CDBE32

RGB 205 190 50

HSL 54.19, 0.61%, 0.5%

LAB 76.09, -9.67, 67.51

 

CMYK 76 / 0 / 7 / 20

HEX #32CDBE

RGB 50 205 190

HSL 174.19, 0.61%, 0.5%

LAB 74.86, -42.22, -3.85

 

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

CMYK 0 / 68 / 76 / 20

HEX #CD4132

RGB 205 65 50

HSL 5.81, 0.61%, 0.5%

LAB 48.25, 54.34, 39.92

 

CMYK 68 / 0 / 76 / 20

HEX #41CD32

RGB 65 205 50

HSL 114.19, 0.61%, 0.5%

LAB 72.9, -64.62, 61.83

 

CMYK 76 / 7 / 0 / 20

HEX #32BECD

RGB 50 190 205

HSL 185.81, 0.61%, 0.5%

LAB 70.81, -30.94, -18.06

 

CMYK 7 / 75 / 0 / 19

HEX #C033CE

RGB 192 51 206

HSL 294.58, 0.61%, 0.5%

LAB 49.53, 72.68, -51.05

 

CMYK 0 / 45 / 76 / 20

HEX #CD7032

RGB 205 112 50

HSL 24, 0.61%, 0.5%

LAB 56.88, 32.06, 48.95

 

CMYK 68 / 0 / 76 / 20

HEX #41CD32

RGB 65 205 50

HSL 114.19, 0.61%, 0.5%

LAB 72.9, -64.62, 61.83

 

CMYK 76 / 30 / 0 / 20

HEX #328FCD

RGB 50 143 205

HSL 204, 0.61%, 0.5%

LAB 56.81, -6.12, -39.66

 

Description

Color code: HEX #C033CE | qconv.com Color code: HEX #C033CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 51 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 51 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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