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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0323D it is the complementary color #3FCDC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0323D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0323D shade: #C53238, #D6444B, #E7565E, #F86871 and #FF7A84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0323D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0323D shade: #C0323D, #AF202A, #9E0E17, #8D0004 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0323D shade: #BF313C and #BF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0323D shade: #BF313C, #BF3162, #BF3188, #BF31AF and #A831BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0323D shade matches the following richer shades: #BF313C, #D21E2C and #E50A1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0323D shade: #BF313C, #AB454C, #98585D, #846B6D and #717F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0323D shade: #BF3188, #BF3163, #BF313D, #BF4B31 and #BF7131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0323D shade: #7D2027, #9E2932, #BF313C, #D04953 and #D96A72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0323D shade: #C0323D, #AEBF31 and #3175BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0323D shade: #C0323D, #3DBF31 and #313DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0323D shade: #C0323D, #AEBF31, #31BFB3 and #4231BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0323D shade: #C0323D, #84BF31, #31BFB3 and #6C31BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

Complementary color

CMYK 69 / 0 / 5 / 20

HEX #3FCDC2

RGB 63 205 194

HSL 175.35, 0.59%, 0.53%

LAB 75.21, -39.55, -5.47

 

CMYK 0 / 75 / 72 / 23

HEX #C53238

RGB 197 50 56

HSL 357.55, 0.6%, 0.48%

LAB 44.85, 57.55, 32.28

 

CMYK 0 / 68 / 65 / 16

HEX #D6444B

RGB 214 68 75

HSL 357.12, 0.64%, 0.55%

LAB 50.62, 57.29, 28.8

 

CMYK 0 / 63 / 59 / 9

HEX #E7565E

RGB 231 86 94

HSL 356.69, 0.75%, 0.62%

LAB 56.54, 56.65, 25.85

 

CMYK 0 / 58 / 54 / 3

HEX #F86871

RGB 248 104 113

HSL 356.25, 0.91%, 0.69%

LAB 62.55, 55.81, 23.36

 

CMYK 0 / 52 / 48 / 0

HEX #FF7A84

RGB 255 122 132

HSL 355.49, 1%, 0.74%

LAB 67.16, 51.44, 19.01

 

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

CMYK 0 / 82 / 76 / 31

HEX #AF202A

RGB 175 32 42

HSL 355.8, 0.69%, 0.41%

LAB 38.4, 55.87, 32.07

 

CMYK 0 / 91 / 85 / 38

HEX #9E0E17

RGB 158 14 23

HSL 356.25, 0.84%, 0.34%

LAB 33.23, 54.42, 36.66

 

CMYK 0 / 100 / 97 / 45

HEX #8D0004

RGB 141 0 4

HSL 358.3, 1%, 0.28%

LAB 28.57, 51.61, 40.25

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 74 / 69 / 25

HEX #BF313C

RGB 191 49 60

HSL 355.35, 0.59%, 0.47%

LAB 43.65, 56.25, 28.18

 

CMYK 0 / 74 / 74 / 25

HEX #BF3131

RGB 191 49 49

HSL 0, 0.59%, 0.47%

LAB 43.5, 55.74, 34.52

 

CMYK 0 / 74 / 69 / 25

HEX #BF313C

RGB 191 49 60

HSL 355.35, 0.59%, 0.47%

LAB 43.65, 56.25, 28.18

 

CMYK 0 / 74 / 49 / 25

HEX #BF3162

RGB 191 49 98

HSL 339.3, 0.59%, 0.47%

LAB 44.45, 58.88, 5.8

 

CMYK 0 / 74 / 29 / 25

HEX #BF3188

RGB 191 49 136

HSL 323.24, 0.59%, 0.47%

LAB 45.7, 62.84, -15.71

 

CMYK 0 / 74 / 8 / 25

HEX #BF31AF

RGB 191 49 175

HSL 306.76, 0.59%, 0.47%

LAB 47.45, 68.14, -36.32

 

CMYK 12 / 74 / 0 / 25

HEX #A831BF

RGB 168 49 191

HSL 290.28, 0.59%, 0.47%

LAB 44.64, 65.9, -50.41

 

CMYK 0 / 74 / 69 / 25

HEX #BF313C

RGB 191 49 60

HSL 355.35, 0.59%, 0.47%

LAB 43.65, 56.25, 28.18

 

CMYK 0 / 86 / 79 / 18

HEX #D21E2C

RGB 210 30 44

HSL 355.33, 0.75%, 0.47%

LAB 45.38, 66.14, 40.5

 

CMYK 0 / 96 / 88 / 10

HEX #E50A1B

RGB 229 10 27

HSL 355.34, 0.92%, 0.47%

LAB 48.2, 73.33, 53.17

 

CMYK 0 / 74 / 69 / 25

HEX #BF313C

RGB 191 49 60

HSL 355.35, 0.59%, 0.47%

LAB 43.65, 56.25, 28.18

 

CMYK 0 / 60 / 56 / 33

HEX #AB454C

RGB 171 69 76

HSL 355.88, 0.43%, 0.47%

LAB 43.41, 42.43, 17.41

 

CMYK 0 / 42 / 39 / 40

HEX #98585D

RGB 152 88 93

HSL 355.31, 0.27%, 0.47%

LAB 44.86, 26.97, 8.59

 

CMYK 0 / 19 / 17 / 48

HEX #846B6D

RGB 132 107 109

HSL 355.2, 0.1%, 0.47%

LAB 47.66, 10.25, 2.62

 

CMYK 11 / 0 / 1 / 50

HEX #717F7E

RGB 113 127 126

HSL 175.71, 0.06%, 0.47%

LAB 52.06, -5.34, -1.21

 

CMYK 0 / 74 / 29 / 25

HEX #BF3188

RGB 191 49 136

HSL 323.24, 0.59%, 0.47%

LAB 45.7, 62.84, -15.71

 

CMYK 0 / 74 / 48 / 25

HEX #BF3163

RGB 191 49 99

HSL 338.87, 0.59%, 0.47%

LAB 44.48, 58.96, 5.22

 

CMYK 0 / 74 / 68 / 25

HEX #BF313D

RGB 191 49 61

HSL 354.93, 0.59%, 0.47%

LAB 43.67, 56.3, 27.59

 

CMYK 0 / 61 / 74 / 25

HEX #BF4B31

RGB 191 75 49

HSL 10.99, 0.59%, 0.47%

LAB 47.4, 45.16, 38.85

 

CMYK 0 / 41 / 74 / 25

HEX #BF7131

RGB 191 113 49

HSL 27.04, 0.59%, 0.47%

LAB 55.18, 25.65, 47.08

 

CMYK 0 / 74 / 69 / 51

HEX #7D2027

RGB 125 32 39

HSL 355.48, 0.59%, 0.31%

LAB 28.22, 40.13, 19.42

 

CMYK 0 / 74 / 68 / 38

HEX #9E2932

RGB 158 41 50

HSL 355.38, 0.59%, 0.39%

LAB 36.15, 48.21, 23.67

 

CMYK 0 / 74 / 69 / 25

HEX #BF313C

RGB 191 49 60

HSL 355.35, 0.59%, 0.47%

LAB 43.65, 56.25, 28.18

 

CMYK 0 / 65 / 60 / 18

HEX #D04953

RGB 208 73 83

HSL 355.56, 0.59%, 0.55%

LAB 50.45, 53.84, 23.64

 

CMYK 0 / 51 / 47 / 15

HEX #D96A72

RGB 217 106 114

HSL 355.68, 0.59%, 0.63%

LAB 58.3, 44.2, 16.24

 

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

CMYK 9 / 0 / 74 / 25

HEX #AEBF31

RGB 174 191 49

HSL 67.18, 0.59%, 0.47%

LAB 73.86, -23.42, 64.85

 

CMYK 74 / 39 / 0 / 25

HEX #3175BF

RGB 49 117 191

HSL 211.27, 0.59%, 0.47%

LAB 48.43, 4.16, -44.94

 

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

CMYK 68 / 0 / 74 / 25

HEX #3DBF31

RGB 61 191 49

HSL 114.93, 0.59%, 0.47%

LAB 68.37, -60.87, 57.64

 

CMYK 74 / 68 / 0 / 25

HEX #313DBF

RGB 49 61 191

HSL 234.93, 0.59%, 0.47%

LAB 33.46, 39.98, -69.16

 

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

CMYK 9 / 0 / 74 / 25

HEX #AEBF31

RGB 174 191 49

HSL 67.18, 0.59%, 0.47%

LAB 73.86, -23.42, 64.85

 

CMYK 74 / 0 / 6 / 25

HEX #31BFB3

RGB 49 191 179

HSL 174.93, 0.59%, 0.47%

LAB 70.29, -39.13, -4.6

 

CMYK 65 / 74 / 0 / 25

HEX #4231BF

RGB 66 49 191

HSL 247.18, 0.59%, 0.47%

LAB 32.07, 48.75, -71.41

 

CMYK 0 / 74 / 68 / 25

HEX #C0323D

RGB 192 50 61

HSL 355.35, 0.59%, 0.47%

LAB 43.98, 56.26, 28.02

 

CMYK 31 / 0 / 74 / 25

HEX #84BF31

RGB 132 191 49

HSL 84.93, 0.59%, 0.47%

LAB 71.14, -40.15, 61.3

 

CMYK 74 / 0 / 6 / 25

HEX #31BFB3

RGB 49 191 179

HSL 174.93, 0.59%, 0.47%

LAB 70.29, -39.13, -4.6

 

CMYK 43 / 74 / 0 / 25

HEX #6C31BF

RGB 108 49 191

HSL 264.93, 0.59%, 0.47%

LAB 36.26, 54.69, -64.37

 

Description

Color code: HEX #C0323D | qconv.com Color code: HEX #C0323D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 50 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 50 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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