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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02BAD it is the complementary color #3FD452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02BAD shade: #C52BA8, #D63DBB, #E74FCE, #F861E1 and #FF73F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02BAD shade: #C02BAD, #AF199A, #9E0787, #8D0074 and #7C0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02BAD shade: #BF2BAC, #BF2B84, #BF2B5D, #BF2B35 and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02BAD shade: #BF2BAC, #AA2BBF, #822BBF, #5A2BBF and #332BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02BAD shade matches the following richer shades: #BF2BAC, #D218BA and #E505C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02BAD shade: #BF2BAC, #AC3E9E, #995190, #866482 and #737774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02BAD shade: #822BBF, #A92BBF, #BF2BAE, #BF2B87 and #BF2B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02BAD shade: #7C1C70, #9E248E, #BF2BAC, #D440C1 and #DB62CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02BAD shade: #C02BAD, #BF5A2B and #2BBF95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02BAD shade: #C02BAD, #AEBF2B and #2BAEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02BAD shade: #C02BAD, #BF5A2B, #2BBF3D and #2B90BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02BAD shade: #C02BAD, #BF872B, #2BBF3D and #2B64BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

Complementary color

CMYK 70 / 0 / 61 / 17

HEX #3FD452

RGB 63 212 82

HSL 127.65, 0.63%, 0.54%

LAB 75.3, -64.37, 51.95

 

CMYK 0 / 78 / 15 / 23

HEX #C52BA8

RGB 197 43 168

HSL 311.3, 0.64%, 0.47%

LAB 47.53, 70.19, -32

 

CMYK 0 / 71 / 13 / 16

HEX #D63DBB

RGB 214 61 187

HSL 310.59, 0.65%, 0.54%

LAB 53.19, 71.3, -34.06

 

CMYK 0 / 66 / 11 / 9

HEX #E74FCE

RGB 231 79 206

HSL 309.87, 0.76%, 0.61%

LAB 59.01, 71.77, -35.67

 

CMYK 0 / 61 / 9 / 3

HEX #F861E1

RGB 248 97 225

HSL 309.14, 0.92%, 0.68%

LAB 64.92, 71.82, -36.96

 

CMYK 0 / 55 / 4 / 0

HEX #FF73F4

RGB 255 115 244

HSL 304.71, 1%, 0.73%

LAB 69.51, 68.99, -40.24

 

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

CMYK 0 / 86 / 12 / 31

HEX #AF199A

RGB 175 25 154

HSL 308.4, 0.75%, 0.39%

LAB 41.44, 67.82, -33.46

 

CMYK 0 / 96 / 15 / 38

HEX #9E0787

RGB 158 7 135

HSL 309.14, 0.92%, 0.32%

LAB 36.31, 64.55, -30.14

 

CMYK 0 / 100 / 18 / 45

HEX #8D0074

RGB 141 0 116

HSL 310.64, 1%, 0.28%

LAB 31.63, 59.6, -25.81

 

CMYK 0 / 100 / 22 / 51

HEX #7C0061

RGB 124 0 97

HSL 313.06, 1%, 0.24%

LAB 27.15, 53.68, -20.82

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAC

RGB 191 43 172

HSL 307.7, 0.63%, 0.46%

LAB 46.69, 69.45, -35.76

 

CMYK 0 / 77 / 31 / 25

HEX #BF2B84

RGB 191 43 132

HSL 323.92, 0.63%, 0.46%

LAB 44.9, 64.2, -14.5

 

CMYK 0 / 77 / 51 / 25

HEX #BF2B5D

RGB 191 43 93

HSL 339.73, 0.63%, 0.46%

LAB 43.65, 60.36, 7.76

 

CMYK 0 / 77 / 72 / 25

HEX #BF2B35

RGB 191 43 53

HSL 355.95, 0.63%, 0.46%

LAB 42.86, 57.86, 31.43

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAC

RGB 191 43 172

HSL 307.7, 0.63%, 0.46%

LAB 46.69, 69.45, -35.76

 

CMYK 11 / 77 / 0 / 25

HEX #AA2BBF

RGB 170 43 191

HSL 291.49, 0.63%, 0.46%

LAB 44.28, 68.21, -50.96

 

CMYK 32 / 77 / 0 / 25

HEX #822BBF

RGB 130 43 191

HSL 275.27, 0.63%, 0.46%

LAB 38.26, 60.88, -60.99

 

CMYK 53 / 77 / 0 / 25

HEX #5A2BBF

RGB 90 43 191

HSL 259.05, 0.63%, 0.46%

LAB 33.27, 54.69, -69.36

 

CMYK 73 / 77 / 0 / 25

HEX #332BBF

RGB 51 43 191

HSL 243.24, 0.63%, 0.46%

LAB 29.89, 50.43, -75.04

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAC

RGB 191 43 172

HSL 307.7, 0.63%, 0.46%

LAB 46.69, 69.45, -35.76

 

CMYK 0 / 89 / 11 / 18

HEX #D218BA

RGB 210 24 186

HSL 307.74, 0.79%, 0.46%

LAB 49.37, 79.2, -39.53

 

CMYK 0 / 98 / 12 / 10

HEX #E505C9

RGB 229 5 201

HSL 307.5, 0.96%, 0.46%

LAB 52.93, 86.45, -42.39

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAC

RGB 191 43 172

HSL 307.7, 0.63%, 0.46%

LAB 46.69, 69.45, -35.76

 

CMYK 0 / 64 / 8 / 33

HEX #AC3E9E

RGB 172 62 158

HSL 307.64, 0.47%, 0.46%

LAB 45.2, 56.17, -30

 

CMYK 0 / 47 / 6 / 40

HEX #995190

RGB 153 81 144

HSL 307.5, 0.31%, 0.46%

LAB 45.18, 39.11, -21.86

 

CMYK 0 / 25 / 3 / 47

HEX #866482

RGB 134 100 130

HSL 307.06, 0.15%, 0.46%

LAB 46.7, 19.06, -11.34

 

CMYK 3 / 0 / 3 / 53

HEX #737774

RGB 115 119 116

HSL 135, 0.02%, 0.46%

LAB 49.62, -2.12, 1.12

 

CMYK 32 / 77 / 0 / 25

HEX #822BBF

RGB 130 43 191

HSL 275.27, 0.63%, 0.46%

LAB 38.26, 60.88, -60.99

 

CMYK 12 / 77 / 0 / 25

HEX #A92BBF

RGB 169 43 191

HSL 291.08, 0.63%, 0.46%

LAB 44.12, 68.02, -51.23

 

CMYK 0 / 77 / 9 / 25

HEX #BF2BAE

RGB 191 43 174

HSL 306.89, 0.63%, 0.46%

LAB 46.79, 69.75, -36.78

 

CMYK 0 / 77 / 29 / 25

HEX #BF2B87

RGB 191 43 135

HSL 322.7, 0.63%, 0.46%

LAB 45.02, 64.55, -16.15

 

CMYK 0 / 77 / 50 / 25

HEX #BF2B5F

RGB 191 43 95

HSL 338.92, 0.63%, 0.46%

LAB 43.7, 60.52, 6.59

 

CMYK 0 / 77 / 10 / 51

HEX #7C1C70

RGB 124 28 112

HSL 307.5, 0.63%, 0.3%

LAB 30.12, 49.59, -25.86

 

CMYK 0 / 77 / 10 / 38

HEX #9E248E

RGB 158 36 142

HSL 307.87, 0.63%, 0.38%

LAB 38.7, 59.71, -30.69

 

CMYK 0 / 77 / 10 / 25

HEX #BF2BAC

RGB 191 43 172

HSL 307.7, 0.63%, 0.46%

LAB 46.69, 69.45, -35.76

 

CMYK 0 / 70 / 9 / 17

HEX #D440C1

RGB 212 64 193

HSL 307.7, 0.63%, 0.54%

LAB 53.51, 70.7, -37.06

 

CMYK 0 / 55 / 7 / 14

HEX #DB62CC

RGB 219 98 204

HSL 307.44, 0.63%, 0.62%

LAB 60.03, 60.48, -33.08

 

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

CMYK 0 / 53 / 77 / 25

HEX #BF5A2B

RGB 191 90 43

HSL 19.05, 0.63%, 0.46%

LAB 50.17, 37.59, 44.84

 

CMYK 77 / 0 / 22 / 25

HEX #2BBF95

RGB 43 191 149

HSL 162.97, 0.63%, 0.46%

LAB 69.43, -47.65, 10.52

 

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

CMYK 9 / 0 / 77 / 25

HEX #AEBF2B

RGB 174 191 43

HSL 66.89, 0.63%, 0.46%

LAB 73.83, -23.68, 66.72

 

CMYK 77 / 9 / 0 / 25

HEX #2BAEBF

RGB 43 174 191

HSL 186.89, 0.63%, 0.46%

LAB 65.39, -28.21, -18.57

 

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

CMYK 0 / 53 / 77 / 25

HEX #BF5A2B

RGB 191 90 43

HSL 19.05, 0.63%, 0.46%

LAB 50.17, 37.59, 44.84

 

CMYK 77 / 0 / 68 / 25

HEX #2BBF3D

RGB 43 191 61

HSL 127.3, 0.63%, 0.46%

LAB 68.1, -62.81, 52.73

 

CMYK 77 / 25 / 0 / 25

HEX #2B90BF

RGB 43 144 191

HSL 199.05, 0.63%, 0.46%

LAB 56.31, -12.44, -32.55

 

CMYK 0 / 78 / 10 / 25

HEX #C02BAD

RGB 192 43 173

HSL 307.65, 0.63%, 0.46%

LAB 46.91, 69.81, -35.99

 

CMYK 0 / 29 / 77 / 25

HEX #BF872B

RGB 191 135 43

HSL 37.3, 0.63%, 0.46%

LAB 60.41, 13.29, 54.84

 

CMYK 77 / 0 / 68 / 25

HEX #2BBF3D

RGB 43 191 61

HSL 127.3, 0.63%, 0.46%

LAB 68.1, -62.81, 52.73

 

CMYK 77 / 48 / 0 / 25

HEX #2B64BF

RGB 43 100 191

HSL 216.89, 0.63%, 0.46%

LAB 43.34, 14.15, -53.09

 

Description

Color code: HEX #C02BAD | qconv.com Color code: HEX #C02BAD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 43 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 43 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 10 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 10% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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