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Color name
HEX #C02A31

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02A31 it is the complementary color #3FD5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02A31 shade: #C52A2C, #D63C3F, #E74E52, #F86065 and #FF7278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02A31 shade: #C02A31, #AF181E, #9E060B, #8D0000 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02A31 shade: #C02A31 and #C02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02A31 shade: #C02A31, #C02A5A, #C02A82, #C02AAB and #AE2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02A31 shade matches the following richer shades: #C02A31, #D31720 and #E6040F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02A31 shade: #C02A31, #AD3D42, #9A5054, #876365 and #747676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02A31 shade: #C02A82, #C02A5A, #C02A32, #C04B2A and #C0732A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02A31 shade: #7D1B20, #9F2329, #C02A31, #D53F46 and #DC6167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02A31 shade: #C02A31, #AAC02A and #2A6EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02A31 shade: #C02A31, #32C02A and #2A32C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02A31 shade: #C02A31, #AAC02A, #2AC0B9 and #412AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02A31 shade: #C02A31, #7DC02A, #2AC0B9 and #6E2AC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

Complementary color

CMYK 70 / 0 / 3 / 16

HEX #3FD5CE

RGB 63 213 206

HSL 177.2, 0.64%, 0.54%

LAB 77.93, -39.86, -7.89

 

CMYK 0 / 79 / 78 / 23

HEX #C52A2C

RGB 197 42 44

HSL 359.23, 0.65%, 0.47%

LAB 43.81, 59.57, 38.07

 

CMYK 0 / 72 / 71 / 16

HEX #D63C3F

RGB 214 60 63

HSL 358.83, 0.65%, 0.54%

LAB 49.36, 59.64, 34.28

 

CMYK 0 / 66 / 65 / 9

HEX #E74E52

RGB 231 78 82

HSL 358.43, 0.76%, 0.61%

LAB 55.12, 59.19, 30.99

 

CMYK 0 / 61 / 59 / 3

HEX #F86065

RGB 248 96 101

HSL 358.03, 0.92%, 0.67%

LAB 61.01, 58.45, 28.18

 

CMYK 0 / 55 / 53 / 0

HEX #FF7278

RGB 255 114 120

HSL 357.45, 1%, 0.72%

LAB 65.48, 54.17, 23.49

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 86 / 83 / 31

HEX #AF181E

RGB 175 24 30

HSL 357.62, 0.76%, 0.39%

LAB 37.59, 57.4, 38.17

 

CMYK 0 / 96 / 93 / 38

HEX #9E060B

RGB 158 6 11

HSL 358.03, 0.93%, 0.32%

LAB 32.75, 55.33, 42.18

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 78 / 53 / 25

HEX #C02A5A

RGB 192 42 90

HSL 340.8, 0.64%, 0.46%

LAB 43.65, 60.69, 9.67

 

CMYK 0 / 78 / 32 / 25

HEX #C02A82

RGB 192 42 130

HSL 324.8, 0.64%, 0.46%

LAB 44.91, 64.51, -13.25

 

CMYK 0 / 78 / 11 / 25

HEX #C02AAB

RGB 192 42 171

HSL 308.4, 0.64%, 0.46%

LAB 46.71, 69.8, -35.11

 

CMYK 9 / 78 / 0 / 25

HEX #AE2AC0

RGB 174 42 192

HSL 292.8, 0.64%, 0.46%

LAB 44.89, 69.45, -50.54

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 89 / 85 / 17

HEX #D31720

RGB 211 23 32

HSL 357.13, 0.8%, 0.46%

LAB 45.03, 67.35, 46.68

 

CMYK 0 / 98 / 93 / 10

HEX #E6040F

RGB 230 4 15

HSL 357.08, 0.97%, 0.46%

LAB 48.19, 73.9, 57.94

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 65 / 62 / 32

HEX #AD3D42

RGB 173 61 66

HSL 357.32, 0.48%, 0.46%

LAB 42.18, 46.06, 21.98

 

CMYK 0 / 48 / 45 / 40

HEX #9A5054

RGB 154 80 84

HSL 356.76, 0.32%, 0.46%

LAB 43.13, 31.15, 11.7

 

CMYK 0 / 27 / 25 / 47

HEX #876365

RGB 135 99 101

HSL 356.67, 0.15%, 0.46%

LAB 45.65, 14.87, 4.58

 

CMYK 2 / 0 / 0 / 54

HEX #747676

RGB 116 118 118

HSL 180, 0.01%, 0.46%

LAB 49.47, -0.75, -0.27

 

CMYK 0 / 78 / 32 / 25

HEX #C02A82

RGB 192 42 130

HSL 324.8, 0.64%, 0.46%

LAB 44.91, 64.51, -13.25

 

CMYK 0 / 78 / 53 / 25

HEX #C02A5A

RGB 192 42 90

HSL 340.8, 0.64%, 0.46%

LAB 43.65, 60.69, 9.67

 

CMYK 0 / 78 / 74 / 25

HEX #C02A32

RGB 192 42 50

HSL 356.8, 0.64%, 0.46%

LAB 42.9, 58.33, 33.32

 

CMYK 0 / 61 / 78 / 25

HEX #C04B2A

RGB 192 75 42

HSL 13.2, 0.64%, 0.46%

LAB 47.5, 45.24, 42.69

 

CMYK 0 / 40 / 78 / 25

HEX #C0732A

RGB 192 115 42

HSL 29.2, 0.64%, 0.46%

LAB 55.72, 24.68, 50.81

 

CMYK 0 / 78 / 74 / 51

HEX #7D1B20

RGB 125 27 32

HSL 356.94, 0.64%, 0.3%

LAB 27.43, 41.62, 23.01

 

CMYK 0 / 78 / 74 / 38

HEX #9F2329

RGB 159 35 41

HSL 357.1, 0.64%, 0.38%

LAB 35.47, 50.15, 28.48

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 0 / 70 / 67 / 16

HEX #D53F46

RGB 213 63 70

HSL 357.2, 0.64%, 0.54%

LAB 49.67, 58.59, 30.52

 

CMYK 0 / 56 / 53 / 14

HEX #DC6167

RGB 220 97 103

HSL 357.07, 0.64%, 0.62%

LAB 56.83, 48.66, 20.69

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 11 / 0 / 78 / 25

HEX #AAC02A

RGB 170 192 42

HSL 68.8, 0.64%, 0.46%

LAB 73.81, -25.88, 66.9

 

CMYK 78 / 43 / 0 / 25

HEX #2A6EC0

RGB 42 110 192

HSL 212.8, 0.64%, 0.46%

LAB 46.24, 8.04, -49.02

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 74 / 0 / 78 / 25

HEX #32C02A

RGB 50 192 42

HSL 116.8, 0.64%, 0.46%

LAB 68.42, -63.62, 59.92

 

CMYK 78 / 74 / 0 / 25

HEX #2A32C0

RGB 42 50 192

HSL 236.8, 0.64%, 0.46%

LAB 30.83, 46.23, -74.1

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 11 / 0 / 78 / 25

HEX #AAC02A

RGB 170 192 42

HSL 68.8, 0.64%, 0.46%

LAB 73.81, -25.88, 66.9

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B9

RGB 42 192 185

HSL 177.2, 0.64%, 0.46%

LAB 70.66, -38.63, -7.36

 

CMYK 66 / 78 / 0 / 25

HEX #412AC0

RGB 65 42 192

HSL 249.2, 0.64%, 0.46%

LAB 30.84, 52.51, -74.03

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 35 / 0 / 78 / 25

HEX #7DC02A

RGB 125 192 42

HSL 86.8, 0.64%, 0.46%

LAB 71.03, -43.52, 63.31

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B9

RGB 42 192 185

HSL 177.2, 0.64%, 0.46%

LAB 70.66, -38.63, -7.36

 

CMYK 43 / 78 / 0 / 25

HEX #6E2AC0

RGB 110 42 192

HSL 267.2, 0.64%, 0.46%

LAB 35.55, 58.25, -66.12

 

Description

Color code: HEX #C02A31 | qconv.com Color code: HEX #C02A31 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 42 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 42 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 74% 25% C M Y K

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Provide designers and agencies with accurate color values.

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