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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C028AF it is the complementary color #3FD750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C028AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C028AF shade: #C528AA, #D63ABD, #E74CD0, #F85EE3 and #FF70F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C028AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C028AF shade: #C028AF, #AF169C, #9E0489, #8D0076 and #7C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C028AF shade: #BE27AE, #BE2785, #BE275C, #BE2733 and #BE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C028AF shade: #BE27AE, #A727BE, #7E27BE, #5527BE and #2C27BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C028AF shade matches the following richer shades: #BE27AE, #D114BC and #E402CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C028AF shade: #BE27AE, #AC3A9F, #994C91, #875F82 and #747174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C028AF shade: #7D27BE, #A527BE, #BE27AF, #BE2787 and #BE275F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C028AF shade: #7A196F, #9C208E, #BE27AE, #D638C5 and #DD5BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C028AF shade: #C028AF, #BE5427 and #27BE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C028AF shade: #C028AF, #AFBE27 and #27AFBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C028AF shade: #C028AF, #BE5427, #27BE36 and #2791BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C028AF shade: #C028AF, #BE8227, #27BE36 and #2764BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

Complementary color

CMYK 71 / 0 / 63 / 16

HEX #3FD750

RGB 63 215 80

HSL 126.71, 0.66%, 0.55%

LAB 76.21, -65.58, 53.85

 

CMYK 0 / 80 / 14 / 23

HEX #C528AA

RGB 197 40 170

HSL 310.32, 0.66%, 0.46%

LAB 47.35, 71.25, -33.46

 

CMYK 0 / 73 / 12 / 16

HEX #D63ABD

RGB 214 58 189

HSL 309.62, 0.66%, 0.53%

LAB 52.95, 72.55, -35.6

 

CMYK 0 / 67 / 10 / 9

HEX #E74CD0

RGB 231 76 208

HSL 308.9, 0.76%, 0.6%

LAB 58.71, 73.16, -37.28

 

CMYK 0 / 62 / 8 / 3

HEX #F85EE3

RGB 248 94 227

HSL 308.18, 0.92%, 0.67%

LAB 64.57, 73.32, -38.62

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F6

RGB 255 112 246

HSL 303.78, 1%, 0.72%

LAB 69.11, 70.62, -41.96

 

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

CMYK 0 / 87 / 11 / 31

HEX #AF169C

RGB 175 22 156

HSL 307.45, 0.78%, 0.39%

LAB 41.36, 68.66, -34.8

 

CMYK 0 / 97 / 13 / 38

HEX #9E0489

RGB 158 4 137

HSL 308.18, 0.95%, 0.32%

LAB 36.29, 65.19, -31.4

 

CMYK 0 / 100 / 16 / 45

HEX #8D0076

RGB 141 0 118

HSL 309.79, 1%, 0.28%

LAB 31.74, 59.87, -26.91

 

CMYK 0 / 100 / 20 / 51

HEX #7C0063

RGB 124 0 99

HSL 312.1, 1%, 0.24%

LAB 27.26, 53.94, -21.96

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AE

RGB 190 39 174

HSL 306.36, 0.66%, 0.45%

LAB 46.25, 70.6, -37.64

 

CMYK 0 / 79 / 30 / 25

HEX #BE2785

RGB 190 39 133

HSL 322.65, 0.66%, 0.45%

LAB 44.36, 65.19, -15.94

 

CMYK 0 / 79 / 52 / 25

HEX #BE275C

RGB 190 39 92

HSL 338.94, 0.66%, 0.45%

LAB 43.02, 61.16, 7.47

 

CMYK 0 / 79 / 73 / 25

HEX #BE2733

RGB 190 39 51

HSL 355.23, 0.66%, 0.45%

LAB 42.21, 58.66, 31.82

 

CMYK 0 / 79 / 79 / 25

HEX #BE2727

RGB 190 39 39

HSL 0, 0.66%, 0.45%

LAB 42.07, 58.21, 38.63

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AE

RGB 190 39 174

HSL 306.36, 0.66%, 0.45%

LAB 46.25, 70.6, -37.64

 

CMYK 12 / 79 / 0 / 25

HEX #A727BE

RGB 167 39 190

HSL 290.86, 0.66%, 0.45%

LAB 43.34, 68.63, -51.92

 

CMYK 34 / 79 / 0 / 25

HEX #7E27BE

RGB 126 39 190

HSL 274.57, 0.66%, 0.45%

LAB 37.12, 61.43, -62.28

 

CMYK 55 / 79 / 0 / 25

HEX #5527BE

RGB 85 39 190

HSL 258.28, 0.66%, 0.45%

LAB 32.03, 55.54, -70.82

 

CMYK 77 / 79 / 0 / 25

HEX #2C27BE

RGB 44 39 190

HSL 241.99, 0.66%, 0.45%

LAB 28.65, 51.62, -76.52

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AE

RGB 190 39 174

HSL 306.36, 0.66%, 0.45%

LAB 46.25, 70.6, -37.64

 

CMYK 0 / 90 / 10 / 18

HEX #D114BC

RGB 209 20 188

HSL 306.67, 0.83%, 0.45%

LAB 49.11, 79.83, -41.12

 

CMYK 0 / 99 / 11 / 11

HEX #E402CA

RGB 228 2 202

HSL 306.9, 0.98%, 0.45%

LAB 52.73, 86.62, -43.29

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AE

RGB 190 39 174

HSL 306.36, 0.66%, 0.45%

LAB 46.25, 70.6, -37.64

 

CMYK 0 / 66 / 8 / 33

HEX #AC3A9F

RGB 172 58 159

HSL 306.84, 0.5%, 0.45%

LAB 44.66, 57.97, -31.44

 

CMYK 0 / 50 / 5 / 40

HEX #994C91

RGB 153 76 145

HSL 306.23, 0.34%, 0.45%

LAB 44.21, 41.93, -23.96

 

CMYK 0 / 30 / 4 / 47

HEX #875F82

RGB 135 95 130

HSL 307.5, 0.17%, 0.45%

LAB 45.56, 22.38, -13.06

 

CMYK 0 / 3 / 0 / 55

HEX #747174

RGB 116 113 116

HSL 300, 0.01%, 0.45%

LAB 47.99, 1.76, -1.25

 

CMYK 34 / 79 / 0 / 25

HEX #7D27BE

RGB 125 39 190

HSL 274.17, 0.66%, 0.45%

LAB 36.98, 61.27, -62.52

 

CMYK 13 / 79 / 0 / 25

HEX #A527BE

RGB 165 39 190

HSL 290.07, 0.66%, 0.45%

LAB 43.02, 68.26, -52.46

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AF

RGB 190 39 175

HSL 305.96, 0.66%, 0.45%

LAB 46.3, 70.74, -38.15

 

CMYK 0 / 79 / 29 / 25

HEX #BE2787

RGB 190 39 135

HSL 321.85, 0.66%, 0.45%

LAB 44.44, 65.43, -17.04

 

CMYK 0 / 79 / 50 / 25

HEX #BE275F

RGB 190 39 95

HSL 337.75, 0.66%, 0.45%

LAB 43.1, 61.41, 5.71

 

CMYK 0 / 80 / 9 / 52

HEX #7A196F

RGB 122 25 111

HSL 306.8, 0.66%, 0.29%

LAB 29.36, 49.91, -26.44

 

CMYK 0 / 79 / 9 / 39

HEX #9C208E

RGB 156 32 142

HSL 306.77, 0.66%, 0.37%

LAB 37.94, 60.42, -31.91

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AE

RGB 190 39 174

HSL 306.36, 0.66%, 0.45%

LAB 46.25, 70.6, -37.64

 

CMYK 0 / 74 / 8 / 16

HEX #D638C5

RGB 214 56 197

HSL 306.46, 0.66%, 0.53%

LAB 53.12, 74.33, -39.95

 

CMYK 0 / 59 / 6 / 13

HEX #DD5BCF

RGB 221 91 207

HSL 306.46, 0.66%, 0.61%

LAB 59.31, 64.59, -35.89

 

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

CMYK 0 / 56 / 79 / 25

HEX #BE5427

RGB 190 84 39

HSL 17.88, 0.66%, 0.45%

LAB 48.8, 40.06, 45.36

 

CMYK 79 / 0 / 24 / 25

HEX #27BE91

RGB 39 190 145

HSL 162.12, 0.66%, 0.45%

LAB 68.97, -48.64, 12.03

 

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

CMYK 8 / 0 / 79 / 25

HEX #AFBE27

RGB 175 190 39

HSL 65.96, 0.66%, 0.45%

LAB 73.6, -22.92, 67.71

 

CMYK 79 / 8 / 0 / 25

HEX #27AFBE

RGB 39 175 190

HSL 185.96, 0.66%, 0.45%

LAB 65.6, -29.41, -17.71

 

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

CMYK 0 / 56 / 79 / 25

HEX #BE5427

RGB 190 84 39

HSL 17.88, 0.66%, 0.45%

LAB 48.8, 40.06, 45.36

 

CMYK 79 / 0 / 72 / 25

HEX #27BE36

RGB 39 190 54

HSL 125.96, 0.66%, 0.45%

LAB 67.67, -63.66, 54.98

 

CMYK 79 / 24 / 0 / 25

HEX #2791BE

RGB 39 145 190

HSL 197.88, 0.66%, 0.45%

LAB 56.49, -13.78, -31.71

 

CMYK 0 / 79 / 9 / 25

HEX #C028AF

RGB 192 40 175

HSL 306.71, 0.66%, 0.45%

LAB 46.74, 70.9, -37.44

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 79 / 0 / 72 / 25

HEX #27BE36

RGB 39 190 54

HSL 125.96, 0.66%, 0.45%

LAB 67.67, -63.66, 54.98

 

CMYK 79 / 47 / 0 / 25

HEX #2764BE

RGB 39 100 190

HSL 215.76, 0.66%, 0.45%

LAB 43.16, 13.33, -52.82

 

Description

Color code: HEX #C028AF | qconv.com Color code: HEX #C028AF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 40 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 40 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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