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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02378 it is the complementary color #3FDC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02378 shade: #C52373, #D63586, #E74799, #F859AC and #FF6BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02378 shade: #C02378, #AF1165, #9E0052, #8D003F and #7C002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02378 shade: #C22479, #C2244F and #C22424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02378 shade: #C22479, #C224A4, #B524C2, #8A24C2 and #6024C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02378 shade matches the following richer shades: #C22479 and #D4117B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02378 shade: #C22479, #AF3678, #9D4976, #8A5B75 and #786E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02378 shade: #B524C2, #C224A5, #C2247B, #C22450 and #C22426

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02378 shade: #7C174E, #9F1D63, #C22479, #DA358E and #E058A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02378 shade: #C02378, #C28B24 and #24BAC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02378 shade: #C02378, #7BC224 and #247BC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02378 shade: #C02378, #C28B24, #24C26B and #245BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02378 shade: #C02378, #C2BA24, #24C26B and #242BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

Complementary color

CMYK 71 / 0 / 39 / 14

HEX #3FDC87

RGB 63 220 135

HSL 147.52, 0.69%, 0.55%

LAB 78.46, -59.25, 30.36

 

CMYK 0 / 82 / 42 / 23

HEX #C52373

RGB 197 35 115

HSL 330.37, 0.7%, 0.45%

LAB 44.67, 66.02, -4.28

 

CMYK 0 / 75 / 37 / 16

HEX #D63586

RGB 214 53 134

HSL 329.81, 0.66%, 0.52%

LAB 50.17, 67.28, -7.36

 

CMYK 0 / 69 / 34 / 9

HEX #E74799

RGB 231 71 153

HSL 329.25, 0.77%, 0.59%

LAB 55.88, 67.82, -9.82

 

CMYK 0 / 64 / 31 / 3

HEX #F859AC

RGB 248 89 172

HSL 328.68, 0.92%, 0.66%

LAB 61.72, 67.89, -11.83

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BBF

RGB 255 107 191

HSL 325.95, 1%, 0.71%

LAB 66.16, 64.76, -15.86

 

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

CMYK 0 / 90 / 42 / 31

HEX #AF1165

RGB 175 17 101

HSL 328.1, 0.82%, 0.38%

LAB 38.65, 62.98, -4.93

 

CMYK 0 / 100 / 48 / 38

HEX #9E0052

RGB 158 0 82

HSL 328.86, 1%, 0.31%

LAB 33.73, 59.55, -0.34

 

CMYK 0 / 100 / 55 / 45

HEX #8D003F

RGB 141 0 63

HSL 333.19, 1%, 0.28%

LAB 29.47, 54.03, 5.65

 

CMYK 0 / 100 / 65 / 51

HEX #7C002C

RGB 124 0 44

HSL 338.71, 1%, 0.24%

LAB 25.16, 48.5, 12.05

 

CMYK 0 / 81 / 38 / 24

HEX #C22479

RGB 194 36 121

HSL 327.72, 0.69%, 0.45%

LAB 44.39, 65.63, -8.46

 

CMYK 0 / 81 / 59 / 24

HEX #C2244F

RGB 194 36 79

HSL 343.67, 0.69%, 0.45%

LAB 43.21, 62.1, 15.99

 

CMYK 0 / 81 / 81 / 24

HEX #C22424

RGB 194 36 36

HSL 0, 0.69%, 0.45%

LAB 42.55, 60.1, 41.03

 

CMYK 0 / 81 / 38 / 24

HEX #C22479

RGB 194 36 121

HSL 327.72, 0.69%, 0.45%

LAB 44.39, 65.63, -8.46

 

CMYK 0 / 81 / 15 / 24

HEX #C224A4

RGB 194 36 164

HSL 311.39, 0.69%, 0.45%

LAB 46.19, 70.76, -31.75

 

CMYK 7 / 81 / 0 / 24

HEX #B524C2

RGB 181 36 194

HSL 295.06, 0.69%, 0.45%

LAB 45.61, 72.69, -50.49

 

CMYK 29 / 81 / 0 / 24

HEX #8A24C2

RGB 138 36 194

HSL 278.73, 0.69%, 0.45%

LAB 38.83, 65.21, -61.78

 

CMYK 51 / 81 / 0 / 24

HEX #6024C2

RGB 96 36 194

HSL 262.78, 0.69%, 0.45%

LAB 33.23, 59.16, -71.17

 

CMYK 0 / 81 / 38 / 24

HEX #C22479

RGB 194 36 121

HSL 327.72, 0.69%, 0.45%

LAB 44.39, 65.63, -8.46

 

CMYK 0 / 92 / 42 / 17

HEX #D4117B

RGB 212 17 123

HSL 327.38, 0.85%, 0.45%

LAB 46.75, 73.44, -5.81

 

CMYK 0 / 81 / 38 / 24

HEX #C22479

RGB 194 36 121

HSL 327.72, 0.69%, 0.45%

LAB 44.39, 65.63, -8.46

 

CMYK 0 / 69 / 31 / 31

HEX #AF3678

RGB 175 54 120

HSL 327.27, 0.53%, 0.45%

LAB 42.93, 54.8, -10.4

 

CMYK 0 / 54 / 25 / 38

HEX #9D4976

RGB 157 73 118

HSL 327.86, 0.37%, 0.45%

LAB 43.12, 40.34, -9.16

 

CMYK 0 / 34 / 15 / 46

HEX #8A5B75

RGB 138 91 117

HSL 326.81, 0.21%, 0.45%

LAB 44.48, 23.42, -6.8

 

CMYK 0 / 8 / 4 / 53

HEX #786E73

RGB 120 110 115

HSL 330, 0.04%, 0.45%

LAB 47.47, 4.86, -1.37

 

CMYK 7 / 81 / 0 / 24

HEX #B524C2

RGB 181 36 194

HSL 295.06, 0.69%, 0.45%

LAB 45.61, 72.69, -50.49

 

CMYK 0 / 81 / 15 / 24

HEX #C224A5

RGB 194 36 165

HSL 311.01, 0.69%, 0.45%

LAB 46.24, 70.9, -32.27

 

CMYK 0 / 81 / 37 / 24

HEX #C2247B

RGB 194 36 123

HSL 326.96, 0.69%, 0.45%

LAB 44.46, 65.84, -9.59

 

CMYK 0 / 81 / 59 / 24

HEX #C22450

RGB 194 36 80

HSL 343.29, 0.69%, 0.45%

LAB 43.23, 62.17, 15.4

 

CMYK 0 / 81 / 80 / 24

HEX #C22426

RGB 194 36 38

HSL 359.24, 0.69%, 0.45%

LAB 42.57, 60.16, 39.95

 

CMYK 0 / 81 / 37 / 51

HEX #7C174E

RGB 124 23 78

HSL 327.33, 0.69%, 0.29%

LAB 27.97, 46.45, -7

 

CMYK 0 / 82 / 38 / 38

HEX #9F1D63

RGB 159 29 99

HSL 327.69, 0.69%, 0.37%

LAB 36.27, 56.34, -7.53

 

CMYK 0 / 81 / 38 / 24

HEX #C22479

RGB 194 36 121

HSL 327.72, 0.69%, 0.45%

LAB 44.39, 65.63, -8.46

 

CMYK 0 / 76 / 35 / 15

HEX #DA358E

RGB 218 53 142

HSL 327.64, 0.69%, 0.53%

LAB 51.16, 69.15, -10.62

 

CMYK 0 / 61 / 28 / 12

HEX #E058A2

RGB 224 88 162

HSL 327.35, 0.69%, 0.61%

LAB 57.5, 60.23, -12.78

 

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

CMYK 0 / 28 / 81 / 24

HEX #C28B24

RGB 194 139 36

HSL 39.11, 0.69%, 0.45%

LAB 61.71, 12.16, 58.75

 

CMYK 81 / 4 / 0 / 24

HEX #24BAC2

RGB 36 186 194

HSL 183.04, 0.69%, 0.45%

LAB 69.03, -33.73, -14.74

 

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

CMYK 37 / 0 / 81 / 24

HEX #7BC224

RGB 123 194 36

HSL 86.96, 0.69%, 0.45%

LAB 71.5, -45.35, 65.42

 

CMYK 81 / 37 / 0 / 24

HEX #247BC2

RGB 36 123 194

HSL 206.96, 0.69%, 0.45%

LAB 50.02, 0.14, -44.16

 

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

CMYK 0 / 28 / 81 / 24

HEX #C28B24

RGB 194 139 36

HSL 39.11, 0.69%, 0.45%

LAB 61.71, 12.16, 58.75

 

CMYK 81 / 0 / 45 / 24

HEX #24C26B

RGB 36 194 107

HSL 146.96, 0.69%, 0.45%

LAB 69.48, -58.37, 32.87

 

CMYK 81 / 53 / 0 / 24

HEX #245BC2

RGB 36 91 194

HSL 219.11, 0.69%, 0.45%

LAB 40.82, 20.44, -58.92

 

CMYK 0 / 82 / 38 / 25

HEX #C02378

RGB 192 35 120

HSL 327.52, 0.69%, 0.45%

LAB 43.89, 65.28, -8.63

 

CMYK 0 / 4 / 81 / 24

HEX #C2BA24

RGB 194 186 36

HSL 56.96, 0.69%, 0.45%

LAB 74.01, -12.87, 69.47

 

CMYK 81 / 0 / 45 / 24

HEX #24C26B

RGB 36 194 107

HSL 146.96, 0.69%, 0.45%

LAB 69.48, -58.37, 32.87

 

CMYK 81 / 78 / 0 / 24

HEX #242BC2

RGB 36 43 194

HSL 237.34, 0.69%, 0.45%

LAB 29.41, 50.35, -77.64

 

Description

Color code: HEX #C02378 | qconv.com Color code: HEX #C02378 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 35 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 35 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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