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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C021D2 it is the complementary color #3FDE2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C021D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C021D2 shade: #C521CD, #D633E0, #E745F3, #F857FF and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C021D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C021D2 shade: #C021D2, #AF0FBF, #9E00AC, #8D0099 and #7C0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C021D2 shade: #C221D4, #D421B6, #D42186, #D42155 and #D42125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C021D2 shade: #C221D4, #9121D4, #6121D4, #3121D4 and #2121D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C021D2 shade matches the following richer shades: #C221D4 and #D10DE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C021D2 shade: #C221D4, #B235C0, #A249AC, #925C98 and #827085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C021D2 shade: #6021D4, #8F21D4, #BF21D4, #D421B9 and #D42189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C021D2 shade: #80168C, #A11BB0, #C221D4, #D03DE1 and #D961E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C021D2 shade: #C021D2, #D43021 and #21D477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C021D2 shade: #C021D2, #D4BF21 and #21D4BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C021D2 shade: #C021D2, #D43021, #36D421 and #21C5D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C021D2 shade: #C021D2, #D46621, #36D421 and #218FD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

Complementary color

CMYK 72 / 0 / 80 / 13

HEX #3FDE2D

RGB 63 222 45

HSL 113.9, 0.73%, 0.52%

LAB 78.16, -70.65, 68.37

 

CMYK 4 / 84 / 0 / 20

HEX #C521CD

RGB 197 33 205

HSL 297.21, 0.72%, 0.47%

LAB 48.72, 78.02, -51.73

 

CMYK 4 / 77 / 0 / 12

HEX #D633E0

RGB 214 51 224

HSL 296.53, 0.74%, 0.54%

LAB 54.08, 79.9, -53.86

 

CMYK 5 / 72 / 0 / 5

HEX #E745F3

RGB 231 69 243

HSL 295.86, 0.88%, 0.61%

LAB 59.63, 80.99, -55.5

 

CMYK 3 / 66 / 0 / 0

HEX #F857FF

RGB 248 87 255

HSL 297.5, 1%, 0.67%

LAB 64.96, 80.37, -53.52

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

CMYK 8 / 92 / 0 / 25

HEX #AF0FBF

RGB 175 15 191

HSL 294.55, 0.85%, 0.4%

LAB 43.09, 75.02, -52.84

 

CMYK 8 / 100 / 0 / 33

HEX #9E00AC

RGB 158 0 172

HSL 295.12, 1%, 0.34%

LAB 38.28, 70.89, -49.49

 

CMYK 8 / 100 / 0 / 40

HEX #8D0099

RGB 141 0 153

HSL 295.29, 1%, 0.3%

LAB 33.9, 65.13, -45.23

 

CMYK 7 / 100 / 0 / 47

HEX #7C0086

RGB 124 0 134

HSL 295.52, 1%, 0.26%

LAB 29.43, 59.24, -40.87

 

CMYK 8 / 84 / 0 / 17

HEX #C221D4

RGB 194 33 212

HSL 293.97, 0.73%, 0.48%

LAB 48.65, 78.61, -55.9

 

CMYK 0 / 84 / 14 / 17

HEX #D421B6

RGB 212 33 182

HSL 310.06, 0.73%, 0.48%

LAB 50.05, 77.52, -36.1

 

CMYK 0 / 84 / 37 / 17

HEX #D42186

RGB 212 33 134

HSL 326.15, 0.73%, 0.48%

LAB 48.01, 71.9, -10.63

 

CMYK 0 / 84 / 60 / 17

HEX #D42155

RGB 212 33 85

HSL 342.57, 0.73%, 0.48%

LAB 46.63, 67.93, 17.49

 

CMYK 0 / 84 / 83 / 17

HEX #D42125

RGB 212 33 37

HSL 358.66, 0.73%, 0.48%

LAB 45.93, 65.86, 44.99

 

CMYK 8 / 84 / 0 / 17

HEX #C221D4

RGB 194 33 212

HSL 293.97, 0.73%, 0.48%

LAB 48.65, 78.61, -55.9

 

CMYK 32 / 84 / 0 / 17

HEX #9121D4

RGB 145 33 212

HSL 277.54, 0.73%, 0.48%

LAB 40.99, 70.82, -68.66

 

CMYK 54 / 84 / 0 / 17

HEX #6121D4

RGB 97 33 212

HSL 261.45, 0.73%, 0.48%

LAB 34.77, 64.85, -79.12

 

CMYK 77 / 84 / 0 / 17

HEX #3121D4

RGB 49 33 212

HSL 245.36, 0.73%, 0.48%

LAB 30.63, 61.15, -86.11

 

CMYK 84 / 84 / 0 / 17

HEX #2121D4

RGB 33 33 212

HSL 240, 0.73%, 0.48%

LAB 29.82, 60.46, -87.46

 

CMYK 8 / 84 / 0 / 17

HEX #C221D4

RGB 194 33 212

HSL 293.97, 0.73%, 0.48%

LAB 48.65, 78.61, -55.9

 

CMYK 10 / 94 / 0 / 9

HEX #D10DE8

RGB 209 13 232

HSL 293.7, 0.89%, 0.48%

LAB 51.46, 87.02, -62.63

 

CMYK 8 / 84 / 0 / 17

HEX #C221D4

RGB 194 33 212

HSL 293.97, 0.73%, 0.48%

LAB 48.65, 78.61, -55.9

 

CMYK 7 / 72 / 0 / 25

HEX #B235C0

RGB 178 53 192

HSL 293.96, 0.57%, 0.48%

LAB 46.73, 66.77, -47.55

 

CMYK 6 / 58 / 0 / 33

HEX #A249AC

RGB 162 73 172

HSL 293.94, 0.4%, 0.48%

LAB 46.21, 51.05, -36.81

 

CMYK 4 / 39 / 0 / 40

HEX #925C98

RGB 146 92 152

HSL 294, 0.25%, 0.48%

LAB 47.02, 32.31, -23.87

 

CMYK 2 / 16 / 0 / 48

HEX #827085

RGB 130 112 133

HSL 291.43, 0.09%, 0.48%

LAB 49.53, 11.09, -8.92

 

CMYK 55 / 84 / 0 / 17

HEX #6021D4

RGB 96 33 212

HSL 261.12, 0.73%, 0.48%

LAB 34.66, 64.75, -79.3

 

CMYK 33 / 84 / 0 / 17

HEX #8F21D4

RGB 143 33 212

HSL 276.87, 0.73%, 0.48%

LAB 40.7, 70.54, -69.15

 

CMYK 10 / 84 / 0 / 17

HEX #BF21D4

RGB 191 33 212

HSL 292.96, 0.73%, 0.48%

LAB 48.16, 78.1, -56.72

 

CMYK 0 / 84 / 13 / 17

HEX #D421B9

RGB 212 33 185

HSL 309.05, 0.73%, 0.48%

LAB 50.2, 77.92, -37.61

 

CMYK 0 / 84 / 35 / 17

HEX #D42189

RGB 212 33 137

HSL 325.14, 0.73%, 0.48%

LAB 48.12, 72.21, -12.29

 

CMYK 9 / 84 / 0 / 45

HEX #80168C

RGB 128 22 140

HSL 293.9, 0.73%, 0.32%

LAB 31.94, 56.95, -40.53

 

CMYK 9 / 85 / 0 / 31

HEX #A11BB0

RGB 161 27 176

HSL 293.96, 0.73%, 0.4%

LAB 40.4, 68.13, -48.44

 

CMYK 8 / 84 / 0 / 17

HEX #C221D4

RGB 194 33 212

HSL 293.97, 0.73%, 0.48%

LAB 48.65, 78.61, -55.9

 

CMYK 8 / 73 / 0 / 12

HEX #D03DE1

RGB 208 61 225

HSL 293.78, 0.73%, 0.56%

LAB 54.22, 75.95, -54.25

 

CMYK 6 / 58 / 0 / 10

HEX #D961E6

RGB 217 97 230

HSL 294.14, 0.73%, 0.64%

LAB 60.79, 64.86, -46.53

 

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

CMYK 0 / 77 / 84 / 17

HEX #D43021

RGB 212 48 33

HSL 5.03, 0.73%, 0.48%

LAB 47.26, 61.91, 48.21

 

CMYK 84 / 0 / 44 / 17

HEX #21D477

RGB 33 212 119

HSL 148.83, 0.73%, 0.48%

LAB 75.29, -62.79, 34.26

 

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

CMYK 0 / 10 / 84 / 17

HEX #D4BF21

RGB 212 191 33

HSL 52.96, 0.73%, 0.48%

LAB 76.9, -7.71, 73.29

 

CMYK 84 / 0 / 10 / 17

HEX #21D4BF

RGB 33 212 191

HSL 172.96, 0.73%, 0.48%

LAB 76.78, -46.48, -1.59

 

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

CMYK 0 / 77 / 84 / 17

HEX #D43021

RGB 212 48 33

HSL 5.03, 0.73%, 0.48%

LAB 47.26, 61.91, 48.21

 

CMYK 75 / 0 / 84 / 17

HEX #36D421

RGB 54 212 33

HSL 112.96, 0.73%, 0.48%

LAB 74.81, -69.63, 68.29

 

CMYK 84 / 7 / 0 / 17

HEX #21C5D4

RGB 33 197 212

HSL 185.03, 0.73%, 0.48%

LAB 72.9, -33.63, -18.73

 

CMYK 9 / 84 / 0 / 18

HEX #C021D2

RGB 192 33 210

HSL 293.9, 0.73%, 0.48%

LAB 48.19, 77.94, -55.5

 

CMYK 0 / 52 / 84 / 17

HEX #D46621

RGB 212 102 33

HSL 23.13, 0.73%, 0.48%

LAB 55.69, 39.45, 55.5

 

CMYK 75 / 0 / 84 / 17

HEX #36D421

RGB 54 212 33

HSL 112.96, 0.73%, 0.48%

LAB 74.81, -69.63, 68.29

 

CMYK 84 / 33 / 0 / 17

HEX #218FD4

RGB 33 143 212

HSL 203.13, 0.73%, 0.48%

LAB 56.8, -5.27, -43.64

 

Description

Color code: HEX #C021D2 | qconv.com Color code: HEX #C021D2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 33 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 33 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 84 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 84% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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