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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C021AA it is the complementary color #3FDE55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C021AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C021AA shade: #C521A5, #D633B8, #E745CB, #F857DE and #FF69F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C021AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C021AA shade: #C021AA, #AF0F97, #9E0084, #8D0071 and #7C005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C021AA shade: #C021AA, #C0217F, #C02154, #C02129 and #C02121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C021AA shade: #C021AA, #AB21C0, #8021C0, #5521C0 and #2A21C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C021AA shade matches the following richer shades: #C021AA and #D20EB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C021AA shade: #C021AA, #AE339D, #9C4590, #895782 and #776975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C021AA shade: #8021C0, #AB21C0, #C021AB, #C02180 and #C02156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C021AA shade: #79156B, #9D1B8B, #C021AA, #DC2EC4 and #E251CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C021AA shade: #C021AA, #C05621 and #21C095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C021AA shade: #C021AA, #ABC021 and #21ABC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C021AA shade: #C021AA, #C05621, #21C036 and #218BC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C021AA shade: #C021AA, #C08521, #21C036 and #215BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

Complementary color

CMYK 72 / 0 / 62 / 13

HEX #3FDE55

RGB 63 222 85

HSL 128.3, 0.71%, 0.56%

LAB 78.44, -67.33, 54.21

 

CMYK 0 / 83 / 16 / 23

HEX #C521A5

RGB 197 33 165

HSL 311.71, 0.71%, 0.45%

LAB 46.54, 72.2, -31.76

 

CMYK 0 / 76 / 14 / 16

HEX #D633B8

RGB 214 51 184

HSL 311.04, 0.67%, 0.52%

LAB 51.98, 73.93, -34.22

 

CMYK 0 / 70 / 12 / 9

HEX #E745CB

RGB 231 69 203

HSL 310.37, 0.77%, 0.59%

LAB 57.61, 74.87, -36.15

 

CMYK 0 / 65 / 10 / 3

HEX #F857DE

RGB 248 87 222

HSL 309.69, 0.92%, 0.66%

LAB 63.38, 75.26, -37.68

 

CMYK 0 / 59 / 5 / 0

HEX #FF69F1

RGB 255 105 241

HSL 305.6, 1%, 0.71%

LAB 67.81, 72.78, -41.25

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 91 / 14 / 31

HEX #AF0F97

RGB 175 15 151

HSL 309, 0.84%, 0.37%

LAB 40.72, 69.06, -32.78

 

CMYK 0 / 100 / 16 / 38

HEX #9E0084

RGB 158 0 132

HSL 309.87, 1%, 0.31%

LAB 35.86, 65.01, -28.99

 

CMYK 0 / 100 / 20 / 45

HEX #8D0071

RGB 141 0 113

HSL 311.91, 1%, 0.28%

LAB 31.47, 59.21, -24.15

 

CMYK 0 / 100 / 24 / 51

HEX #7C005E

RGB 124 0 94

HSL 314.52, 1%, 0.24%

LAB 27, 53.29, -19.09

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 83 / 34 / 25

HEX #C0217F

RGB 192 33 127

HSL 324.53, 0.71%, 0.44%

LAB 43.98, 66.5, -12.81

 

CMYK 0 / 83 / 56 / 25

HEX #C02154

RGB 192 33 84

HSL 340.75, 0.71%, 0.44%

LAB 42.66, 62.65, 12.05

 

CMYK 0 / 83 / 79 / 25

HEX #C02129

RGB 192 33 41

HSL 356.98, 0.71%, 0.44%

LAB 41.93, 60.44, 37.48

 

CMYK 0 / 83 / 83 / 25

HEX #C02121

RGB 192 33 33

HSL 0, 0.71%, 0.44%

LAB 41.85, 60.2, 41.83

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 11 / 83 / 0 / 25

HEX #AB21C0

RGB 171 33 192

HSL 292.08, 0.71%, 0.44%

LAB 43.58, 71.26, -52.66

 

CMYK 33 / 83 / 0 / 25

HEX #8021C0

RGB 128 33 192

HSL 275.85, 0.71%, 0.44%

LAB 36.9, 64.14, -63.81

 

CMYK 56 / 83 / 0 / 25

HEX #5521C0

RGB 85 33 192

HSL 259.62, 0.71%, 0.44%

LAB 31.4, 58.49, -73.04

 

CMYK 78 / 83 / 0 / 25

HEX #2A21C0

RGB 42 33 192

HSL 243.4, 0.71%, 0.44%

LAB 27.81, 54.94, -79.11

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 93 / 13 / 18

HEX #D20EB7

RGB 210 14 183

HSL 308.27, 0.88%, 0.44%

LAB 48.8, 80.02, -38.67

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 71 / 10 / 32

HEX #AE339D

RGB 174 51 157

HSL 308.29, 0.55%, 0.44%

LAB 43.95, 60.79, -31.34

 

CMYK 0 / 56 / 8 / 39

HEX #9C4590

RGB 156 69 144

HSL 308.28, 0.39%, 0.44%

LAB 43.27, 46.19, -24.78

 

CMYK 0 / 36 / 5 / 46

HEX #895782

RGB 137 87 130

HSL 308.4, 0.22%, 0.44%

LAB 43.87, 27.77, -15.61

 

CMYK 0 / 12 / 2 / 53

HEX #776975

RGB 119 105 117

HSL 308.57, 0.06%, 0.44%

LAB 46.06, 7.85, -4.67

 

CMYK 33 / 83 / 0 / 25

HEX #8021C0

RGB 128 33 192

HSL 275.85, 0.71%, 0.44%

LAB 36.9, 64.14, -63.81

 

CMYK 11 / 83 / 0 / 25

HEX #AB21C0

RGB 171 33 192

HSL 292.08, 0.71%, 0.44%

LAB 43.58, 71.26, -52.66

 

CMYK 0 / 83 / 11 / 25

HEX #C021AB

RGB 192 33 171

HSL 307.92, 0.71%, 0.44%

LAB 45.95, 72, -36.31

 

CMYK 0 / 83 / 33 / 25

HEX #C02180

RGB 192 33 128

HSL 324.15, 0.71%, 0.44%

LAB 44.02, 66.6, -13.37

 

CMYK 0 / 83 / 55 / 25

HEX #C02156

RGB 192 33 86

HSL 340, 0.71%, 0.44%

LAB 42.71, 62.79, 10.86

 

CMYK 0 / 83 / 12 / 53

HEX #79156B

RGB 121 21 107

HSL 308.4, 0.7%, 0.28%

LAB 28.55, 50.22, -25.17

 

CMYK 0 / 83 / 11 / 38

HEX #9D1B8B

RGB 157 27 139

HSL 308.31, 0.71%, 0.36%

LAB 37.51, 61.48, -30.73

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 79 / 11 / 14

HEX #DC2EC4

RGB 220 46 196

HSL 308.28, 0.71%, 0.52%

LAB 53.12, 78.19, -39.31

 

CMYK 0 / 64 / 9 / 11

HEX #E251CE

RGB 226 81 206

HSL 308.28, 0.71%, 0.6%

LAB 58.52, 69.79, -36.5

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 55 / 83 / 25

HEX #C05621

RGB 192 86 33

HSL 20, 0.71%, 0.44%

LAB 49.46, 39.64, 48.84

 

CMYK 83 / 0 / 22 / 25

HEX #21C095

RGB 33 192 149

HSL 163.77, 0.71%, 0.44%

LAB 69.61, -49.05, 10.75

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 11 / 0 / 83 / 25

HEX #ABC021

RGB 171 192 33

HSL 67.92, 0.71%, 0.44%

LAB 73.85, -25.78, 69.38

 

CMYK 83 / 11 / 0 / 25

HEX #21ABC0

RGB 33 171 192

HSL 187.92, 0.71%, 0.44%

LAB 64.37, -27.32, -20.7

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 55 / 83 / 25

HEX #C05621

RGB 192 86 33

HSL 20, 0.71%, 0.44%

LAB 49.46, 39.64, 48.84

 

CMYK 83 / 0 / 72 / 25

HEX #21C036

RGB 33 192 54

HSL 127.92, 0.71%, 0.44%

LAB 68.23, -64.97, 55.54

 

CMYK 83 / 28 / 0 / 25

HEX #218BC0

RGB 33 139 192

HSL 200, 0.71%, 0.44%

LAB 54.65, -10.27, -35.72

 

CMYK 0 / 83 / 11 / 25

HEX #C021AA

RGB 192 33 170

HSL 308.3, 0.71%, 0.44%

LAB 45.9, 71.86, -35.8

 

CMYK 0 / 31 / 83 / 25

HEX #C08521

RGB 192 133 33

HSL 37.74, 0.71%, 0.44%

LAB 59.97, 14.48, 58.15

 

CMYK 83 / 0 / 72 / 25

HEX #21C036

RGB 33 192 54

HSL 127.92, 0.71%, 0.44%

LAB 68.23, -64.97, 55.54

 

CMYK 83 / 53 / 0 / 25

HEX #215BC0

RGB 33 91 192

HSL 218.11, 0.71%, 0.44%

LAB 40.59, 19.39, -58.13

 

Description

Color code: HEX #C021AA | qconv.com Color code: HEX #C021AA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 33 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 33 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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