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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C020CE it is the complementary color #3FDF31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C020CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C020CE shade: #C520C9, #D632DC, #E744EF, #F856FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C020CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C020CE shade: #C020CE, #AF0EBB, #9E00A8, #8D0095 and #7C0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C020CE shade: #C120CF, #CF20AE, #CF207F, #CF2050 and #CF2021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C020CE shade: #C120CF, #9220CF, #6320CF, #3420CF and #2020CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C020CE shade matches the following richer shades: #C120CF and #D20DE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C020CE shade: #C120CF, #B134BC, #A147A9, #905B95 and #806E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C020CE shade: #6320CF, #9220CF, #C120CF, #CF20AF and #CF2081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C020CE shade: #7F1588, #A01BAC, #C120CF, #D339E0 and #DB5DE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C020CE shade: #C020CE, #CF3520 and #20CF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C020CE shade: #C020CE, #CFC120 and #20CFC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C020CE shade: #C020CE, #CF3520, #2FCF20 and #20BBCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C020CE shade: #C020CE, #CF6920, #2FCF20 and #2086CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

Complementary color

CMYK 72 / 0 / 78 / 13

HEX #3FDF31

RGB 63 223 49

HSL 115.17, 0.73%, 0.53%

LAB 78.49, -70.72, 67.54

 

CMYK 2 / 84 / 0 / 21

HEX #C520C9

RGB 197 32 201

HSL 298.58, 0.73%, 0.46%

LAB 48.41, 77.6, -49.91

 

CMYK 3 / 77 / 0 / 14

HEX #D632DC

RGB 214 50 220

HSL 297.88, 0.71%, 0.53%

LAB 53.76, 79.54, -52.1

 

CMYK 3 / 72 / 0 / 6

HEX #E744EF

RGB 231 68 239

HSL 297.19, 0.84%, 0.6%

LAB 59.3, 80.66, -53.8

 

CMYK 3 / 66 / 0 / 0

HEX #F856FF

RGB 248 86 255

HSL 297.51, 1%, 0.67%

LAB 64.83, 80.73, -53.72

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

CMYK 6 / 93 / 0 / 27

HEX #AF0EBB

RGB 175 14 187

HSL 295.84, 0.86%, 0.39%

LAB 42.79, 74.5, -50.98

 

CMYK 6 / 100 / 0 / 34

HEX #9E00A8

RGB 158 0 168

HSL 296.43, 1%, 0.33%

LAB 38.01, 70.26, -47.53

 

CMYK 5 / 100 / 0 / 42

HEX #8D0095

RGB 141 0 149

HSL 296.78, 1%, 0.29%

LAB 33.63, 64.48, -43.23

 

CMYK 5 / 100 / 0 / 49

HEX #7C0082

RGB 124 0 130

HSL 297.23, 1%, 0.25%

LAB 29.15, 58.58, -38.81

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 0 / 85 / 16 / 19

HEX #CF20AE

RGB 207 32 174

HSL 311.31, 0.73%, 0.47%

LAB 48.7, 75.65, -33.58

 

CMYK 0 / 85 / 39 / 19

HEX #CF207F

RGB 207 32 127

HSL 327.43, 0.73%, 0.47%

LAB 46.75, 70.25, -8.36

 

CMYK 0 / 85 / 61 / 19

HEX #CF2050

RGB 207 32 80

HSL 343.54, 0.73%, 0.47%

LAB 45.47, 66.55, 18.85

 

CMYK 0 / 85 / 84 / 19

HEX #CF2021

RGB 207 32 33

HSL 359.66, 0.73%, 0.47%

LAB 44.81, 64.61, 45.66

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 29 / 85 / 0 / 19

HEX #9220CF

RGB 146 32 207

HSL 279.09, 0.73%, 0.47%

LAB 40.65, 70.22, -66.32

 

CMYK 52 / 85 / 0 / 19

HEX #6320CF

RGB 99 32 207

HSL 262.97, 0.73%, 0.47%

LAB 34.38, 64.15, -76.86

 

CMYK 75 / 85 / 0 / 19

HEX #3420CF

RGB 52 32 207

HSL 246.86, 0.73%, 0.47%

LAB 30.08, 60.28, -84.11

 

CMYK 85 / 85 / 0 / 19

HEX #2020CF

RGB 32 32 207

HSL 240, 0.73%, 0.47%

LAB 29.02, 59.37, -85.9

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 7 / 94 / 0 / 11

HEX #D20DE3

RGB 210 13 227

HSL 295.23, 0.89%, 0.47%

LAB 51.31, 86.4, -60.03

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 6 / 72 / 0 / 26

HEX #B134BC

RGB 177 52 188

HSL 295.15, 0.57%, 0.47%

LAB 46.22, 66.21, -46.04

 

CMYK 5 / 58 / 0 / 34

HEX #A147A9

RGB 161 71 169

HSL 295.1, 0.41%, 0.47%

LAB 45.56, 51.17, -36.08

 

CMYK 3 / 39 / 0 / 42

HEX #905B95

RGB 144 91 149

HSL 294.83, 0.24%, 0.47%

LAB 46.42, 31.61, -23.03

 

CMYK 2 / 15 / 0 / 49

HEX #806E82

RGB 128 110 130

HSL 294, 0.08%, 0.47%

LAB 48.7, 10.92, -8.4

 

CMYK 52 / 85 / 0 / 19

HEX #6320CF

RGB 99 32 207

HSL 262.97, 0.73%, 0.47%

LAB 34.38, 64.15, -76.86

 

CMYK 29 / 85 / 0 / 19

HEX #9220CF

RGB 146 32 207

HSL 279.09, 0.73%, 0.47%

LAB 40.65, 70.22, -66.32

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 0 / 85 / 15 / 19

HEX #CF20AF

RGB 207 32 175

HSL 310.97, 0.73%, 0.47%

LAB 48.75, 75.79, -34.09

 

CMYK 0 / 85 / 38 / 19

HEX #CF2081

RGB 207 32 129

HSL 326.74, 0.73%, 0.47%

LAB 46.82, 70.45, -9.48

 

CMYK 7 / 85 / 0 / 47

HEX #7F1588

RGB 127 21 136

HSL 295.3, 0.73%, 0.31%

LAB 31.41, 56.31, -38.91

 

CMYK 7 / 84 / 0 / 33

HEX #A01BAC

RGB 160 27 172

HSL 295.03, 0.73%, 0.39%

LAB 39.98, 67.28, -46.76

 

CMYK 7 / 85 / 0 / 19

HEX #C120CF

RGB 193 32 207

HSL 295.2, 0.73%, 0.47%

LAB 48.1, 77.83, -53.91

 

CMYK 6 / 75 / 0 / 12

HEX #D339E0

RGB 211 57 224

HSL 295.33, 0.73%, 0.55%

LAB 54.19, 77.62, -53.7

 

CMYK 5 / 60 / 0 / 10

HEX #DB5DE6

RGB 219 93 230

HSL 295.18, 0.73%, 0.63%

LAB 60.43, 67.1, -47.09

 

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

CMYK 0 / 74 / 85 / 19

HEX #CF3520

RGB 207 53 32

HSL 7.2, 0.73%, 0.47%

LAB 46.86, 58.79, 47.97

 

CMYK 85 / 0 / 41 / 19

HEX #20CF7B

RGB 32 207 123

HSL 151.2, 0.73%, 0.47%

LAB 73.78, -60.41, 30.25

 

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

CMYK 0 / 7 / 85 / 19

HEX #CFC120

RGB 207 193 32

HSL 55.2, 0.73%, 0.47%

LAB 76.99, -10.93, 73.41

 

CMYK 85 / 0 / 7 / 19

HEX #20CFC1

RGB 32 207 193

HSL 175.2, 0.73%, 0.47%

LAB 75.32, -43.84, -4.83

 

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

CMYK 0 / 74 / 85 / 19

HEX #CF3520

RGB 207 53 32

HSL 7.2, 0.73%, 0.47%

LAB 46.86, 58.79, 47.97

 

CMYK 77 / 0 / 85 / 19

HEX #2FCF20

RGB 47 207 32

HSL 114.86, 0.73%, 0.47%

LAB 73.11, -69.19, 66.96

 

CMYK 85 / 10 / 0 / 19

HEX #20BBCF

RGB 32 187 207

HSL 186.86, 0.73%, 0.47%

LAB 69.72, -30.46, -20.83

 

CMYK 7 / 84 / 0 / 19

HEX #C020CE

RGB 192 32 206

HSL 295.17, 0.73%, 0.47%

LAB 47.87, 77.5, -53.71

 

CMYK 0 / 49 / 85 / 19

HEX #CF6920

RGB 207 105 32

HSL 25.03, 0.73%, 0.47%

LAB 55.56, 35.91, 55.47

 

CMYK 77 / 0 / 85 / 19

HEX #2FCF20

RGB 47 207 32

HSL 114.86, 0.73%, 0.47%

LAB 73.11, -69.19, 66.96

 

CMYK 85 / 35 / 0 / 19

HEX #2086CF

RGB 32 134 207

HSL 205.03, 0.73%, 0.47%

LAB 53.88, -1.93, -45.44

 

Description

Color code: HEX #C020CE | qconv.com Color code: HEX #C020CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 32 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 32 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 84 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 84% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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