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Color name
HEX #C02012

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02012 it is the complementary color #3FDFED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02012 shade: #C5200D, #D63220, #E74433, #F85646 and #FF6859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02012 shade: #C02012, #AF0E00, #9E0000, #8D0000 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02012 shade: #BF2012 and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02012 shade: #BF2012, #BF4F12, #BF7D12, #BFAC12 and #A4BF12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02012 shade matches the following richer shades: #BF2012 and #D01201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02012 shade: #BF2012, #AE2E23, #9D3C34, #8D4A45 and #7C5955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02012 shade: #BF1263, #BF1234, #BF1D12, #BF4C12 and #BF7A12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02012 shade: #74130B, #9A190E, #BF2012, #E52615 and #EC4637

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02012 shade: #C02012, #91BF12 and #124CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02012 shade: #C02012, #12BF1D and #1D12BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02012 shade: #C02012, #91BF12, #12B4BF and #4012BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02012 shade: #C02012, #5DBF12, #12B4BF and #7412BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

Complementary color

CMYK 73 / 6 / 0 / 7

HEX #3FDFED

RGB 63 223 237

HSL 184.83, 0.83%, 0.59%

LAB 81.81, -35.61, -18.63

 

CMYK 0 / 84 / 93 / 23

HEX #C5200D

RGB 197 32 13

HSL 6.2, 0.88%, 0.41%

LAB 42.66, 61.48, 51.83

 

CMYK 0 / 77 / 85 / 16

HEX #D63220

RGB 214 50 32

HSL 5.93, 0.74%, 0.48%

LAB 47.86, 61.88, 49.35

 

CMYK 0 / 71 / 78 / 9

HEX #E74433

RGB 231 68 51

HSL 5.67, 0.79%, 0.55%

LAB 53.34, 61.59, 46.18

 

CMYK 0 / 65 / 72 / 3

HEX #F85646

RGB 248 86 70

HSL 5.39, 0.93%, 0.62%

LAB 59.02, 60.89, 43.07

 

CMYK 0 / 59 / 65 / 0

HEX #FF6859

RGB 255 104 89

HSL 5.42, 1%, 0.67%

LAB 63.25, 56.58, 37.96

 

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

CMYK 0 / 92 / 100 / 31

HEX #AF0E00

RGB 175 14 0

HSL 4.8, 1%, 0.34%

LAB 36.8, 58.69, 50.86

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 83 / 91 / 25

HEX #BF2012

RGB 191 32 18

HSL 4.86, 0.83%, 0.41%

LAB 41.46, 59.85, 48.57

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 0 / 83 / 91 / 25

HEX #BF2012

RGB 191 32 18

HSL 4.86, 0.83%, 0.41%

LAB 41.46, 59.85, 48.57

 

CMYK 0 / 59 / 91 / 25

HEX #BF4F12

RGB 191 79 18

HSL 21.16, 0.83%, 0.41%

LAB 47.9, 42.33, 53.22

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D12

RGB 191 125 18

HSL 37.11, 0.83%, 0.41%

LAB 57.83, 18.08, 60.68

 

CMYK 0 / 10 / 91 / 25

HEX #BFAC12

RGB 191 172 18

HSL 53.41, 0.83%, 0.41%

LAB 69.91, -7.39, 69.97

 

CMYK 14 / 0 / 91 / 25

HEX #A4BF12

RGB 164 191 18

HSL 69.36, 0.83%, 0.41%

LAB 73.02, -28.61, 71.5

 

CMYK 0 / 83 / 91 / 25

HEX #BF2012

RGB 191 32 18

HSL 4.86, 0.83%, 0.41%

LAB 41.46, 59.85, 48.57

 

CMYK 0 / 91 / 100 / 18

HEX #D01201

RGB 208 18 1

HSL 4.93, 0.99%, 0.41%

LAB 44.01, 66.89, 57.54

 

CMYK 0 / 83 / 91 / 25

HEX #BF2012

RGB 191 32 18

HSL 4.86, 0.83%, 0.41%

LAB 41.46, 59.85, 48.57

 

CMYK 0 / 74 / 80 / 32

HEX #AE2E23

RGB 174 46 35

HSL 4.75, 0.67%, 0.41%

LAB 39.7, 50.89, 37.43

 

CMYK 0 / 62 / 67 / 38

HEX #9D3C34

RGB 157 60 52

HSL 4.57, 0.5%, 0.41%

LAB 38.98, 39.9, 25.89

 

CMYK 0 / 48 / 51 / 45

HEX #8D4A45

RGB 141 74 69

HSL 4.17, 0.34%, 0.41%

LAB 39.56, 27.71, 15.73

 

CMYK 0 / 28 / 31 / 51

HEX #7C5955

RGB 124 89 85

HSL 6.15, 0.19%, 0.41%

LAB 41.35, 13.83, 8.01

 

CMYK 0 / 91 / 48 / 25

HEX #BF1263

RGB 191 18 99

HSL 331.91, 0.83%, 0.41%

LAB 41.86, 66.43, 1.44

 

CMYK 0 / 91 / 73 / 25

HEX #BF1234

RGB 191 18 52

HSL 348.21, 0.83%, 0.41%

LAB 40.83, 63.54, 29.65

 

CMYK 0 / 85 / 91 / 25

HEX #BF1D12

RGB 191 29 18

HSL 3.82, 0.83%, 0.41%

LAB 41.21, 60.54, 48.4

 

CMYK 0 / 60 / 91 / 25

HEX #BF4C12

RGB 191 76 18

HSL 20.12, 0.83%, 0.41%

LAB 47.35, 43.75, 52.83

 

CMYK 0 / 36 / 91 / 25

HEX #BF7A12

RGB 191 122 18

HSL 36.07, 0.83%, 0.41%

LAB 57.11, 19.73, 60.13

 

CMYK 0 / 84 / 91 / 55

HEX #74130B

RGB 116 19 11

HSL 4.57, 0.83%, 0.25%

LAB 24.33, 40.58, 31.47

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 0 / 83 / 91 / 25

HEX #BF2012

RGB 191 32 18

HSL 4.86, 0.83%, 0.41%

LAB 41.46, 59.85, 48.57

 

CMYK 0 / 83 / 91 / 10

HEX #E52615

RGB 229 38 21

HSL 4.9, 0.83%, 0.49%

LAB 49.62, 69.1, 56.62

 

CMYK 0 / 70 / 77 / 7

HEX #EC4637

RGB 236 70 55

HSL 4.97, 0.83%, 0.57%

LAB 54.54, 62.57, 45.6

 

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

CMYK 24 / 0 / 91 / 25

HEX #91BF12

RGB 145 191 18

HSL 75.95, 0.83%, 0.41%

LAB 71.78, -36.34, 69.97

 

CMYK 91 / 60 / 0 / 25

HEX #124CBF

RGB 18 76 191

HSL 219.88, 0.83%, 0.41%

LAB 36.1, 27.92, -64.88

 

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

CMYK 91 / 0 / 85 / 25

HEX #12BF1D

RGB 18 191 29

HSL 123.82, 0.83%, 0.41%

LAB 67.63, -67.62, 62.62

 

CMYK 85 / 91 / 0 / 25

HEX #1D12BF

RGB 29 18 191

HSL 243.82, 0.83%, 0.41%

LAB 25.12, 59.78, -83

 

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

CMYK 24 / 0 / 91 / 25

HEX #91BF12

RGB 145 191 18

HSL 75.95, 0.83%, 0.41%

LAB 71.78, -36.34, 69.97

 

CMYK 91 / 6 / 0 / 25

HEX #12B4BF

RGB 18 180 191

HSL 183.82, 0.83%, 0.41%

LAB 66.92, -32.97, -16.28

 

CMYK 66 / 91 / 0 / 25

HEX #4012BF

RGB 64 18 191

HSL 255.95, 0.83%, 0.41%

LAB 27.53, 61.34, -78.93

 

CMYK 0 / 83 / 91 / 25

HEX #C02012

RGB 192 32 18

HSL 4.83, 0.83%, 0.41%

LAB 41.66, 60.13, 48.81

 

CMYK 51 / 0 / 91 / 25

HEX #5DBF12

RGB 93 191 18

HSL 93.99, 0.83%, 0.41%

LAB 69.21, -54.55, 66.8

 

CMYK 91 / 6 / 0 / 25

HEX #12B4BF

RGB 18 180 191

HSL 183.82, 0.83%, 0.41%

LAB 66.92, -32.97, -16.28

 

CMYK 39 / 91 / 0 / 25

HEX #7412BF

RGB 116 18 191

HSL 273.99, 0.83%, 0.41%

LAB 33.79, 66.12, -68.39

 

Description

Color code: HEX #C02012 | qconv.com Color code: HEX #C02012 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 32 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 32 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 91% 25% C M Y K

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Provide designers and agencies with accurate color values.

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