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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01FF7 it is the complementary color #3FE008. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01FF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01FF7 shade: #C51FF2, #D631FF, #E743FF, #F855FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01FF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01FF7 shade: #C01FF7, #AF0DE4, #9E00D1, #8D00BE and #7C00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01FF7 shade: #C122F7, #F722F4, #F722BA, #F72281 and #F72247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01FF7 shade: #C122F7, #8722F7, #4E22F7 and #2222F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01FF7 shade matches the following richer shades: #C122F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01FF7 shade: #C122F7, #B834E4, #AE47D2, #A559BF and #9C6CAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01FF7 shade: #4C22F7, #8522F7, #BE22F7, #F722F7 and #F722BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01FF7 shade: #9007BF, #AE08E7, #C122F7, #CC49F8 and #D771FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01FF7 shade: #C01FF7, #F72230 and #22F769

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01FF7 shade: #C01FF7, #F7BE22 and #22F7BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01FF7 shade: #C01FF7, #F72230, #5AF722 and #22F7E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01FF7 shade: #C01FF7, #F75322, #5AF722 and #22C5F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

Complementary color

CMYK 72 / 0 / 96 / 12

HEX #3FE008

RGB 63 224 8

HSL 104.72, 0.93%, 0.45%

LAB 78.69, -72.49, 75.45

 

CMYK 19 / 87 / 0 / 5

HEX #C51FF2

RGB 197 31 242

HSL 287.2, 0.89%, 0.54%

LAB 50.99, 84.51, -69.11

 

CMYK 16 / 81 / 0 / 0

HEX #D631FF

RGB 214 49 255

HSL 288.06, 1%, 0.6%

LAB 55.8, 85.57, -68.46

 

CMYK 9 / 74 / 0 / 0

HEX #E743FF

RGB 231 67 255

HSL 292.34, 1%, 0.63%

LAB 60.09, 83.6, -61.43

 

CMYK 3 / 67 / 0 / 0

HEX #F855FF

RGB 248 85 255

HSL 297.53, 1%, 0.67%

LAB 64.7, 81.09, -53.92

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

CMYK 23 / 94 / 0 / 11

HEX #AF0DE4

RGB 175 13 228

HSL 285.21, 0.89%, 0.47%

LAB 45.64, 81.52, -70.06

 

CMYK 24 / 100 / 0 / 18

HEX #9E00D1

RGB 158 0 209

HSL 285.36, 1%, 0.41%

LAB 41.01, 77.2, -66.81

 

CMYK 26 / 100 / 0 / 25

HEX #8D00BE

RGB 141 0 190

HSL 284.53, 1%, 0.37%

LAB 36.71, 71.59, -62.87

 

CMYK 27 / 100 / 0 / 33

HEX #7C00AB

RGB 124 0 171

HSL 283.51, 1%, 0.34%

LAB 32.31, 65.87, -58.85

 

CMYK 22 / 86 / 0 / 3

HEX #C122F7

RGB 193 34 247

HSL 284.79, 0.93%, 0.55%

LAB 50.92, 84.23, -72.06

 

CMYK 0 / 86 / 1 / 3

HEX #F722F4

RGB 247 34 244

HSL 300.85, 0.93%, 0.55%

LAB 59.39, 92.36, -56.3

 

CMYK 0 / 86 / 25 / 3

HEX #F722BA

RGB 247 34 186

HSL 317.18, 0.93%, 0.55%

LAB 56.55, 84.89, -27.82

 

CMYK 0 / 86 / 48 / 3

HEX #F72281

RGB 247 34 129

HSL 333.24, 0.93%, 0.55%

LAB 54.56, 79.39, 2.8

 

CMYK 0 / 86 / 71 / 3

HEX #F72247

RGB 247 34 71

HSL 349.58, 0.93%, 0.55%

LAB 53.36, 75.96, 35.9

 

CMYK 22 / 86 / 0 / 3

HEX #C122F7

RGB 193 34 247

HSL 284.79, 0.93%, 0.55%

LAB 50.92, 84.23, -72.06

 

CMYK 45 / 86 / 0 / 3

HEX #8722F7

RGB 135 34 247

HSL 268.45, 0.93%, 0.55%

LAB 42.78, 76.75, -85.7

 

CMYK 68 / 86 / 0 / 3

HEX #4E22F7

RGB 78 34 247

HSL 252.39, 0.93%, 0.55%

LAB 36.89, 71.89, -95.63

 

CMYK 86 / 86 / 0 / 3

HEX #2222F7

RGB 34 34 247

HSL 240, 0.93%, 0.55%

LAB 34.4, 70.02, -99.85

 

CMYK 22 / 86 / 0 / 3

HEX #C122F7

RGB 193 34 247

HSL 284.79, 0.93%, 0.55%

LAB 50.92, 84.23, -72.06

 

CMYK 22 / 86 / 0 / 3

HEX #C122F7

RGB 193 34 247

HSL 284.79, 0.93%, 0.55%

LAB 50.92, 84.23, -72.06

 

CMYK 19 / 77 / 0 / 11

HEX #B834E4

RGB 184 52 228

HSL 285, 0.77%, 0.55%

LAB 49.8, 74.78, -63.25

 

CMYK 17 / 66 / 0 / 18

HEX #AE47D2

RGB 174 71 210

HSL 284.46, 0.61%, 0.55%

LAB 49.69, 62.3, -53.25

 

CMYK 14 / 53 / 0 / 25

HEX #A559BF

RGB 165 89 191

HSL 284.71, 0.44%, 0.55%

LAB 50.58, 47.67, -40.98

 

CMYK 10 / 38 / 0 / 32

HEX #9C6CAD

RGB 156 108 173

HSL 284.31, 0.28%, 0.55%

LAB 52.74, 30.82, -27.24

 

CMYK 69 / 86 / 0 / 3

HEX #4C22F7

RGB 76 34 247

HSL 251.83, 0.93%, 0.55%

LAB 36.74, 71.77, -95.89

 

CMYK 46 / 86 / 0 / 3

HEX #8522F7

RGB 133 34 247

HSL 267.89, 0.93%, 0.55%

LAB 42.53, 76.53, -86.12

 

CMYK 23 / 86 / 0 / 3

HEX #BE22F7

RGB 190 34 247

HSL 283.94, 0.93%, 0.55%

LAB 50.46, 83.79, -72.83

 

CMYK 0 / 86 / 0 / 3

HEX #F722F7

RGB 247 34 247

HSL 300, 0.93%, 0.55%

LAB 59.56, 92.79, -57.7

 

CMYK 0 / 86 / 23 / 3

HEX #F722BE

RGB 247 34 190

HSL 316.06, 0.93%, 0.55%

LAB 56.72, 85.35, -29.87

 

CMYK 25 / 96 / 0 / 25

HEX #9007BF

RGB 144 7 191

HSL 284.67, 0.93%, 0.39%

LAB 37.56, 71.33, -62.04

 

CMYK 25 / 97 / 0 / 9

HEX #AE08E7

RGB 174 8 231

HSL 284.66, 0.93%, 0.47%

LAB 45.55, 82.39, -71.9

 

CMYK 22 / 86 / 0 / 3

HEX #C122F7

RGB 193 34 247

HSL 284.79, 0.93%, 0.55%

LAB 50.92, 84.23, -72.06

 

CMYK 18 / 71 / 0 / 3

HEX #CC49F8

RGB 204 73 248

HSL 284.91, 0.93%, 0.63%

LAB 56.47, 75.1, -63.57

 

CMYK 14 / 55 / 0 / 2

HEX #D771FA

RGB 215 113 250

HSL 284.67, 0.93%, 0.71%

LAB 64.29, 60.71, -52.1

 

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

CMYK 0 / 86 / 81 / 3

HEX #F72230

RGB 247 34 48

HSL 356.06, 0.93%, 0.55%

LAB 53.09, 75.2, 48.5

 

CMYK 86 / 0 / 57 / 3

HEX #22F769

RGB 34 247 105

HSL 140, 0.93%, 0.55%

LAB 85.95, -76.1, 54.05

 

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

CMYK 0 / 23 / 86 / 3

HEX #F7BE22

RGB 247 190 34

HSL 43.94, 0.93%, 0.55%

LAB 80.02, 7.92, 76.99

 

CMYK 86 / 0 / 23 / 3

HEX #22F7BE

RGB 34 247 190

HSL 163.94, 0.93%, 0.55%

LAB 87.28, -60.7, 14.05

 

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

CMYK 0 / 86 / 81 / 3

HEX #F72230

RGB 247 34 48

HSL 356.06, 0.93%, 0.55%

LAB 53.09, 75.2, 48.5

 

CMYK 64 / 0 / 86 / 3

HEX #5AF722

RGB 90 247 34

HSL 104.23, 0.93%, 0.55%

LAB 86.41, -73.84, 78.58

 

CMYK 86 / 0 / 6 / 3

HEX #22F7E9

RGB 34 247 233

HSL 176.06, 0.93%, 0.55%

LAB 88.33, -49.78, -6.82

 

CMYK 22 / 87 / 0 / 3

HEX #C01FF7

RGB 192 31 247

HSL 284.72, 0.93%, 0.55%

LAB 50.57, 84.65, -72.63

 

CMYK 0 / 66 / 86 / 3

HEX #F75322

RGB 247 83 34

HSL 13.8, 0.93%, 0.55%

LAB 58.11, 60.61, 59.42

 

CMYK 64 / 0 / 86 / 3

HEX #5AF722

RGB 90 247 34

HSL 104.23, 0.93%, 0.55%

LAB 86.41, -73.84, 78.58

 

CMYK 86 / 20 / 0 / 3

HEX #22C5F7

RGB 34 197 247

HSL 194.08, 0.93%, 0.55%

LAB 74.18, -22.28, -35.69

 

Description

Color code: HEX #C01FF7 | qconv.com Color code: HEX #C01FF7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 31 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 31 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 87 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 87% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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