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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01FC3 it is the complementary color #3FE03C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01FC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01FC3 shade: #C51FBE, #D631D1, #E743E4, #F855F7 and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01FC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01FC3 shade: #C01FC3, #AF0DB0, #9E009D, #8D008A and #7C0077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01FC3 shade: #BF1EC2, #C21E99, #C21E6D, #C21E41 and #C21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01FC3 shade: #BF1EC2, #931EC2, #671EC2, #3B1EC2 and #1E1EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01FC3 shade matches the following richer shades: #BF1EC2 and #D10CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01FC3 shade: #BF1EC2, #AE30B0, #9C439E, #8B558C and #796779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01FC3 shade: #651EC2, #911EC2, #BD1EC2, #C21E9C and #C21E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01FC3 shade: #79137B, #9C199E, #BF1EC2, #DB2CDE and #E14FE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01FC3 shade: #C01FC3, #C23A1E and #1EC27B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01FC3 shade: #C01FC3, #C2BD1E and #1EC2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01FC3 shade: #C01FC3, #C23A1E, #24C21E and #1EA7C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01FC3 shade: #C01FC3, #C26B1E, #24C21E and #1E76C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

Complementary color

CMYK 72 / 0 / 73 / 12

HEX #3FE03C

RGB 63 224 60

HSL 118.9, 0.73%, 0.56%

LAB 78.86, -70.29, 64.39

 

CMYK 0 / 84 / 4 / 23

HEX #C51FBE

RGB 197 31 190

HSL 302.53, 0.73%, 0.45%

LAB 47.71, 76.13, -44.64

 

CMYK 0 / 77 / 2 / 16

HEX #D631D1

RGB 214 49 209

HSL 301.82, 0.67%, 0.52%

LAB 53.05, 78.1, -46.95

 

CMYK 0 / 71 / 1 / 9

HEX #E743E4

RGB 231 67 228

HSL 301.1, 0.77%, 0.58%

LAB 58.61, 79.24, -48.74

 

CMYK 0 / 66 / 0 / 3

HEX #F855F7

RGB 248 85 247

HSL 300.37, 0.92%, 0.65%

LAB 64.3, 79.81, -50.15

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

CMYK 1 / 93 / 0 / 31

HEX #AF0DB0

RGB 175 13 176

HSL 299.63, 0.86%, 0.37%

LAB 42.06, 72.91, -45.65

 

CMYK 0 / 100 / 1 / 38

HEX #9E009D

RGB 158 0 157

HSL 300.38, 1%, 0.31%

LAB 37.3, 68.55, -42.04

 

CMYK 0 / 100 / 2 / 45

HEX #8D008A

RGB 141 0 138

HSL 301.28, 1%, 0.28%

LAB 32.91, 62.76, -37.59

 

CMYK 0 / 100 / 4 / 51

HEX #7C0077

RGB 124 0 119

HSL 302.42, 1%, 0.24%

LAB 28.42, 56.83, -33.02

 

CMYK 2 / 85 / 0 / 24

HEX #BF1EC2

RGB 191 30 194

HSL 298.9, 0.73%, 0.44%

LAB 46.84, 75.83, -48.42

 

CMYK 0 / 85 / 21 / 24

HEX #C21E99

RGB 194 30 153

HSL 315, 0.73%, 0.44%

LAB 45.22, 70.64, -26.69

 

CMYK 0 / 85 / 44 / 24

HEX #C21E6D

RGB 194 30 109

HSL 331.1, 0.73%, 0.44%

LAB 43.51, 65.86, -2.34

 

CMYK 0 / 85 / 66 / 24

HEX #C21E41

RGB 194 30 65

HSL 347.2, 0.73%, 0.44%

LAB 42.43, 62.71, 23.71

 

CMYK 0 / 85 / 85 / 24

HEX #C21E1E

RGB 194 30 30

HSL 0, 0.73%, 0.44%

LAB 41.99, 61.39, 43.67

 

CMYK 2 / 85 / 0 / 24

HEX #BF1EC2

RGB 191 30 194

HSL 298.9, 0.73%, 0.44%

LAB 46.84, 75.83, -48.42

 

CMYK 24 / 85 / 0 / 24

HEX #931EC2

RGB 147 30 194

HSL 282.8, 0.73%, 0.44%

LAB 39.63, 68.32, -60.42

 

CMYK 47 / 85 / 0 / 24

HEX #671EC2

RGB 103 30 194

HSL 266.71, 0.73%, 0.44%

LAB 33.37, 62.11, -70.91

 

CMYK 70 / 85 / 0 / 24

HEX #3B1EC2

RGB 59 30 194

HSL 250.61, 0.73%, 0.44%

LAB 28.78, 57.85, -78.64

 

CMYK 85 / 85 / 0 / 24

HEX #1E1EC2

RGB 30 30 194

HSL 240, 0.73%, 0.44%

LAB 27.02, 56.29, -81.62

 

CMYK 2 / 85 / 0 / 24

HEX #BF1EC2

RGB 191 30 194

HSL 298.9, 0.73%, 0.44%

LAB 46.84, 75.83, -48.42

 

CMYK 1 / 94 / 0 / 17

HEX #D10CD4

RGB 209 12 212

HSL 299.1, 0.89%, 0.44%

LAB 50.18, 84.07, -53.3

 

CMYK 2 / 85 / 0 / 24

HEX #BF1EC2

RGB 191 30 194

HSL 298.9, 0.73%, 0.44%

LAB 46.84, 75.83, -48.42

 

CMYK 1 / 73 / 0 / 31

HEX #AE30B0

RGB 174 48 176

HSL 299.06, 0.57%, 0.44%

LAB 44.59, 64.88, -41.63

 

CMYK 1 / 58 / 0 / 38

HEX #9C439E

RGB 156 67 158

HSL 298.68, 0.4%, 0.44%

LAB 43.58, 49.66, -32.71

 

CMYK 1 / 39 / 0 / 45

HEX #8B558C

RGB 139 85 140

HSL 298.91, 0.24%, 0.44%

LAB 44.06, 31.56, -21.33

 

CMYK 0 / 15 / 0 / 53

HEX #796779

RGB 121 103 121

HSL 300, 0.08%, 0.44%

LAB 45.83, 10.62, -7.38

 

CMYK 48 / 85 / 0 / 24

HEX #651EC2

RGB 101 30 194

HSL 265.98, 0.73%, 0.44%

LAB 33.11, 61.87, -71.33

 

CMYK 25 / 85 / 0 / 24

HEX #911EC2

RGB 145 30 194

HSL 282.07, 0.73%, 0.44%

LAB 39.32, 68, -60.94

 

CMYK 3 / 85 / 0 / 24

HEX #BD1EC2

RGB 189 30 194

HSL 298.17, 0.73%, 0.44%

LAB 46.5, 75.46, -48.98

 

CMYK 0 / 85 / 20 / 24

HEX #C21E9C

RGB 194 30 156

HSL 313.9, 0.73%, 0.44%

LAB 45.36, 71.03, -28.28

 

CMYK 0 / 85 / 42 / 24

HEX #C21E70

RGB 194 30 112

HSL 330, 0.73%, 0.44%

LAB 43.61, 66.13, -4.07

 

CMYK 2 / 85 / 0 / 52

HEX #79137B

RGB 121 19 123

HSL 298.85, 0.73%, 0.28%

LAB 29.31, 53.36, -34.17

 

CMYK 1 / 84 / 0 / 38

HEX #9C199E

RGB 156 25 158

HSL 299.1, 0.73%, 0.36%

LAB 38.26, 64.67, -41.15

 

CMYK 2 / 85 / 0 / 24

HEX #BF1EC2

RGB 191 30 194

HSL 298.9, 0.73%, 0.44%

LAB 46.84, 75.83, -48.42

 

CMYK 1 / 80 / 0 / 13

HEX #DB2CDE

RGB 219 44 222

HSL 298.99, 0.73%, 0.52%

LAB 54.17, 82.27, -52.53

 

CMYK 1 / 65 / 0 / 11

HEX #E14FE4

RGB 225 79 228

HSL 298.79, 0.73%, 0.6%

LAB 59.16, 73.79, -47.92

 

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

CMYK 0 / 70 / 85 / 24

HEX #C23A1E

RGB 194 58 30

HSL 10.24, 0.73%, 0.44%

LAB 45.07, 52.79, 46.4

 

CMYK 85 / 0 / 37 / 24

HEX #1EC27B

RGB 30 194 123

HSL 154.02, 0.73%, 0.44%

LAB 69.68, -55.91, 24.79

 

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

CMYK 0 / 3 / 85 / 24

HEX #C2BD1E

RGB 194 189 30

HSL 58.17, 0.73%, 0.44%

LAB 74.8, -14.57, 71.61

 

CMYK 85 / 0 / 3 / 24

HEX #1EC2BD

RGB 30 194 189

HSL 178.17, 0.73%, 0.44%

LAB 71.24, -39.37, -8.7

 

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

CMYK 0 / 70 / 85 / 24

HEX #C23A1E

RGB 194 58 30

HSL 10.24, 0.73%, 0.44%

LAB 45.07, 52.79, 46.4

 

CMYK 81 / 0 / 85 / 24

HEX #24C21E

RGB 36 194 30

HSL 117.8, 0.73%, 0.44%

LAB 68.79, -66.82, 63.49

 

CMYK 85 / 14 / 0 / 24

HEX #1EA7C2

RGB 30 167 194

HSL 189.88, 0.73%, 0.44%

LAB 63.18, -24.88, -23.63

 

CMYK 2 / 84 / 0 / 24

HEX #C01FC3

RGB 192 31 195

HSL 298.9, 0.73%, 0.44%

LAB 47.14, 75.96, -48.52

 

CMYK 0 / 45 / 85 / 24

HEX #C26B1E

RGB 194 107 30

HSL 28.17, 0.73%, 0.44%

LAB 54.11, 29.46, 54.24

 

CMYK 81 / 0 / 85 / 24

HEX #24C21E

RGB 36 194 30

HSL 117.8, 0.73%, 0.44%

LAB 68.79, -66.82, 63.49

 

CMYK 85 / 39 / 0 / 24

HEX #1E76C2

RGB 30 118 194

HSL 207.8, 0.73%, 0.44%

LAB 48.42, 2.66, -46.71

 

Description

Color code: HEX #C01FC3 | qconv.com Color code: HEX #C01FC3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 31 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 31 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 84 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 84% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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