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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01F8C it is the complementary color #3FE073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01F8C shade: #C51F87, #D6319A, #E743AD, #F855C0 and #FF67D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01F8C shade: #C01F8C, #AF0D79, #9E0066, #8D0053 and #7C0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01F8C shade: #C11F8D, #C11F61, #C11F36 and #C11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01F8C shade: #C11F8D, #C11FB8, #9E1FC1, #721FC1 and #471FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01F8C shade matches the following richer shades: #C11F8D and #D30D93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01F8C shade: #C11F8D, #AF3286, #9D4480, #8B567A and #786873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01F8C shade: #9E1FC1, #C11FB9, #C11F8E, #C11F63 and #C11F38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01F8C shade: #7A1459, #9E1A73, #C11F8D, #DD2DA4 and #E350B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01F8C shade: #C01F8C, #C1731F and #1FC1B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01F8C shade: #C01F8C, #8EC11F and #1F8EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01F8C shade: #C01F8C, #C1731F, #1FC153 and #1F6EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01F8C shade: #C01F8C, #C1A31F, #1FC153 and #1F3DC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

Complementary color

CMYK 72 / 0 / 49 / 12

HEX #3FE073

RGB 63 224 115

HSL 139.38, 0.72%, 0.56%

LAB 79.39, -64.05, 41.55

 

CMYK 0 / 84 / 31 / 23

HEX #C51F87

RGB 197 31 135

HSL 322.41, 0.73%, 0.45%

LAB 45.08, 68.97, -15.95

 

CMYK 0 / 77 / 28 / 16

HEX #D6319A

RGB 214 49 154

HSL 321.82, 0.67%, 0.52%

LAB 50.48, 70.66, -18.87

 

CMYK 0 / 71 / 25 / 9

HEX #E743AD

RGB 231 67 173

HSL 321.22, 0.77%, 0.58%

LAB 56.11, 71.55, -21.18

 

CMYK 0 / 66 / 23 / 3

HEX #F855C0

RGB 248 85 192

HSL 320.61, 0.92%, 0.65%

LAB 61.88, 71.88, -23.05

 

CMYK 0 / 60 / 17 / 0

HEX #FF67D3

RGB 255 103 211

HSL 317.37, 1%, 0.7%

LAB 66.26, 69.15, -26.97

 

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

CMYK 0 / 93 / 31 / 31

HEX #AF0D79

RGB 175 13 121

HSL 320, 0.86%, 0.37%

LAB 39.21, 65.6, -16.67

 

CMYK 0 / 100 / 35 / 38

HEX #9E0066

RGB 158 0 102

HSL 321.27, 1%, 0.31%

LAB 34.45, 61.44, -12.22

 

CMYK 0 / 100 / 41 / 45

HEX #8D0053

RGB 141 0 83

HSL 324.68, 1%, 0.28%

LAB 30.13, 55.76, -6.73

 

CMYK 0 / 100 / 48 / 51

HEX #7C0040

RGB 124 0 64

HSL 329.03, 1%, 0.24%

LAB 25.73, 50.02, -0.9

 

CMYK 0 / 84 / 27 / 24

HEX #C11F8D

RGB 193 31 141

HSL 319.26, 0.72%, 0.44%

LAB 44.58, 68.75, -20.44

 

CMYK 0 / 84 / 50 / 24

HEX #C11F61

RGB 193 31 97

HSL 335.56, 0.72%, 0.44%

LAB 43.03, 64.36, 4.44

 

CMYK 0 / 84 / 72 / 24

HEX #C11F36

RGB 193 31 54

HSL 351.48, 0.72%, 0.44%

LAB 42.13, 61.69, 30.07

 

CMYK 0 / 84 / 84 / 24

HEX #C11F1F

RGB 193 31 31

HSL 0, 0.72%, 0.44%

LAB 41.87, 60.91, 42.97

 

CMYK 0 / 84 / 27 / 24

HEX #C11F8D

RGB 193 31 141

HSL 319.26, 0.72%, 0.44%

LAB 44.58, 68.75, -20.44

 

CMYK 0 / 84 / 5 / 24

HEX #C11FB8

RGB 193 31 184

HSL 303.33, 0.72%, 0.44%

LAB 46.68, 74.49, -42.81

 

CMYK 18 / 84 / 0 / 24

HEX #9E1FC1

RGB 158 31 193

HSL 287.04, 0.72%, 0.44%

LAB 41.37, 69.68, -56.92

 

CMYK 41 / 84 / 0 / 24

HEX #721FC1

RGB 114 31 193

HSL 270.74, 0.72%, 0.44%

LAB 34.82, 62.97, -67.88

 

CMYK 63 / 84 / 0 / 24

HEX #471FC1

RGB 71 31 193

HSL 254.81, 0.72%, 0.44%

LAB 29.84, 58.14, -76.27

 

CMYK 0 / 84 / 27 / 24

HEX #C11F8D

RGB 193 31 141

HSL 319.26, 0.72%, 0.44%

LAB 44.58, 68.75, -20.44

 

CMYK 0 / 94 / 30 / 17

HEX #D30D93

RGB 211 13 147

HSL 319.39, 0.88%, 0.44%

LAB 47.29, 76.02, -19.61

 

CMYK 0 / 84 / 27 / 24

HEX #C11F8D

RGB 193 31 141

HSL 319.26, 0.72%, 0.44%

LAB 44.58, 68.75, -20.44

 

CMYK 0 / 71 / 23 / 31

HEX #AF3286

RGB 175 50 134

HSL 319.68, 0.56%, 0.44%

LAB 42.94, 58.09, -18.97

 

CMYK 0 / 57 / 18 / 38

HEX #9D4480

RGB 157 68 128

HSL 319.55, 0.4%, 0.44%

LAB 42.55, 44.36, -16.15

 

CMYK 0 / 38 / 12 / 45

HEX #8B567A

RGB 139 86 122

HSL 319.25, 0.24%, 0.44%

LAB 43.58, 27.57, -11.17

 

CMYK 0 / 13 / 4 / 53

HEX #786873

RGB 120 104 115

HSL 318.75, 0.07%, 0.44%

LAB 45.81, 8.43, -3.81

 

CMYK 18 / 84 / 0 / 24

HEX #9E1FC1

RGB 158 31 193

HSL 287.04, 0.72%, 0.44%

LAB 41.37, 69.68, -56.92

 

CMYK 0 / 84 / 4 / 24

HEX #C11FB9

RGB 193 31 185

HSL 302.96, 0.72%, 0.44%

LAB 46.74, 74.64, -43.31

 

CMYK 0 / 84 / 26 / 24

HEX #C11F8E

RGB 193 31 142

HSL 318.89, 0.72%, 0.44%

LAB 44.62, 68.87, -20.99

 

CMYK 0 / 84 / 49 / 24

HEX #C11F63

RGB 193 31 99

HSL 334.81, 0.72%, 0.44%

LAB 43.09, 64.52, 3.27

 

CMYK 0 / 84 / 71 / 24

HEX #C11F38

RGB 193 31 56

HSL 350.74, 0.72%, 0.44%

LAB 42.16, 61.78, 28.89

 

CMYK 0 / 84 / 27 / 52

HEX #7A1459

RGB 122 20 89

HSL 319.41, 0.72%, 0.28%

LAB 27.73, 48.16, -14.69

 

CMYK 0 / 84 / 27 / 38

HEX #9E1A73

RGB 158 26 115

HSL 319.55, 0.72%, 0.36%

LAB 36.45, 58.71, -17.42

 

CMYK 0 / 84 / 27 / 24

HEX #C11F8D

RGB 193 31 141

HSL 319.26, 0.72%, 0.44%

LAB 44.58, 68.75, -20.44

 

CMYK 0 / 80 / 26 / 13

HEX #DD2DA4

RGB 221 45 164

HSL 319.43, 0.72%, 0.52%

LAB 51.76, 74.53, -22.74

 

CMYK 0 / 65 / 21 / 11

HEX #E350B3

RGB 227 80 179

HSL 319.59, 0.72%, 0.6%

LAB 57.39, 66.56, -22.76

 

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

CMYK 0 / 40 / 84 / 24

HEX #C1731F

RGB 193 115 31

HSL 31.11, 0.72%, 0.44%

LAB 55.78, 24.74, 55.26

 

CMYK 84 / 0 / 7 / 24

HEX #1FC1B4

RGB 31 193 180

HSL 175.19, 0.72%, 0.44%

LAB 70.68, -41.44, -4.61

 

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

CMYK 26 / 0 / 84 / 24

HEX #8EC11F

RGB 142 193 31

HSL 78.89, 0.72%, 0.44%

LAB 72.22, -38.05, 67.71

 

CMYK 84 / 26 / 0 / 24

HEX #1F8EC1

RGB 31 142 193

HSL 198.89, 0.72%, 0.44%

LAB 55.57, -11.78, -34.85

 

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

CMYK 0 / 40 / 84 / 24

HEX #C1731F

RGB 193 115 31

HSL 31.11, 0.72%, 0.44%

LAB 55.78, 24.74, 55.26

 

CMYK 84 / 0 / 57 / 24

HEX #1FC153

RGB 31 193 83

HSL 139.26, 0.72%, 0.44%

LAB 68.79, -62.27, 43.81

 

CMYK 84 / 43 / 0 / 24

HEX #1F6EC1

RGB 31 110 193

HSL 210.74, 0.72%, 0.44%

LAB 46.03, 7.34, -49.95

 

CMYK 0 / 84 / 27 / 25

HEX #C01F8C

RGB 192 31 140

HSL 319.38, 0.72%, 0.44%

LAB 44.35, 68.41, -20.2

 

CMYK 0 / 16 / 84 / 24

HEX #C1A31F

RGB 193 163 31

HSL 48.89, 0.72%, 0.44%

LAB 67.75, -1.45, 65.44

 

CMYK 84 / 0 / 57 / 24

HEX #1FC153

RGB 31 193 83

HSL 139.26, 0.72%, 0.44%

LAB 68.79, -62.27, 43.81

 

CMYK 84 / 68 / 0 / 24

HEX #1F3DC1

RGB 31 61 193

HSL 228.89, 0.72%, 0.44%

LAB 32.87, 39.19, -71.33

 

Description

Color code: HEX #C01F8C | qconv.com Color code: HEX #C01F8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 31 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 31 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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