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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01EAF it is the complementary color #3FE150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01EAF shade: #C51EAA, #D630BD, #E742D0, #F854E3 and #FF66F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01EAF shade: #C01EAF, #AF0C9C, #9E0089, #8D0076 and #7C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01EAF shade: #C21EB1, #C21E85, #C21E59, #C21E2C and #C21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01EAF shade: #C21EB1, #A71EC2, #7B1EC2, #4F1EC2 and #231EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01EAF shade matches the following richer shades: #C21EB1 and #D40CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01EAF shade: #C21EB1, #B030A3, #9E4394, #8C5586 and #796778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01EAF shade: #7B1EC2, #A71EC2, #C21EB2, #C21E86 and #C21E5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01EAF shade: #7B1370, #9E1990, #C21EB1, #DE2CCB and #E44FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01EAF shade: #C01EAF, #C24F1E and #1EC291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01EAF shade: #C01EAF, #B2C21E and #1EB2C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01EAF shade: #C01EAF, #C24F1E, #1EC22F and #1E91C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01EAF shade: #C01EAF, #C2811E, #1EC22F and #1E60C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

Complementary color

CMYK 72 / 0 / 64 / 12

HEX #3FE150

RGB 63 225 80

HSL 126.3, 0.73%, 0.56%

LAB 79.32, -68.84, 57.3

 

CMYK 0 / 85 / 14 / 23

HEX #C51EAA

RGB 197 30 170

HSL 309.7, 0.74%, 0.45%

LAB 46.58, 73.49, -34.67

 

CMYK 0 / 78 / 12 / 16

HEX #D630BD

RGB 214 48 189

HSL 309.04, 0.67%, 0.51%

LAB 51.93, 75.45, -37.2

 

CMYK 0 / 71 / 10 / 9

HEX #E742D0

RGB 231 66 208

HSL 308.36, 0.77%, 0.58%

LAB 57.5, 76.57, -39.17

 

CMYK 0 / 66 / 8 / 3

HEX #F854E3

RGB 248 84 227

HSL 307.68, 0.92%, 0.65%

LAB 63.21, 77.1, -40.74

 

CMYK 0 / 60 / 4 / 0

HEX #FF66F6

RGB 255 102 246

HSL 303.53, 1%, 0.7%

LAB 67.59, 74.79, -44.35

 

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

CMYK 0 / 93 / 11 / 31

HEX #AF0C9C

RGB 175 12 156

HSL 306.99, 0.87%, 0.37%

LAB 40.86, 70.11, -35.59

 

CMYK 0 / 100 / 13 / 38

HEX #9E0089

RGB 158 0 137

HSL 307.97, 1%, 0.31%

LAB 36.13, 65.68, -31.67

 

CMYK 0 / 100 / 16 / 45

HEX #8D0076

RGB 141 0 118

HSL 309.79, 1%, 0.28%

LAB 31.74, 59.87, -26.91

 

CMYK 0 / 100 / 20 / 51

HEX #7C0063

RGB 124 0 99

HSL 312.1, 1%, 0.24%

LAB 27.26, 53.94, -21.96

 

CMYK 0 / 85 / 9 / 24

HEX #C21EB1

RGB 194 30 177

HSL 306.22, 0.73%, 0.44%

LAB 46.41, 73.87, -39.12

 

CMYK 0 / 85 / 31 / 24

HEX #C21E85

RGB 194 30 133

HSL 322.32, 0.73%, 0.44%

LAB 44.36, 68.28, -15.88

 

CMYK 0 / 85 / 54 / 24

HEX #C21E59

RGB 194 30 89

HSL 338.41, 0.73%, 0.44%

LAB 42.94, 64.22, 9.36

 

CMYK 0 / 85 / 77 / 24

HEX #C21E2C

RGB 194 30 44

HSL 354.88, 0.73%, 0.44%

LAB 42.12, 61.8, 36.08

 

CMYK 0 / 85 / 85 / 24

HEX #C21E1E

RGB 194 30 30

HSL 0, 0.73%, 0.44%

LAB 41.99, 61.39, 43.67

 

CMYK 0 / 85 / 9 / 24

HEX #C21EB1

RGB 194 30 177

HSL 306.22, 0.73%, 0.44%

LAB 46.41, 73.87, -39.12

 

CMYK 14 / 85 / 0 / 24

HEX #A71EC2

RGB 167 30 194

HSL 290.12, 0.73%, 0.44%

LAB 42.82, 71.61, -55.09

 

CMYK 37 / 85 / 0 / 24

HEX #7B1EC2

RGB 123 30 194

HSL 274.02, 0.73%, 0.44%

LAB 36.05, 64.73, -66.4

 

CMYK 59 / 85 / 0 / 24

HEX #4F1EC2

RGB 79 30 194

HSL 257.93, 0.73%, 0.44%

LAB 30.61, 59.51, -75.56

 

CMYK 82 / 85 / 0 / 24

HEX #231EC2

RGB 35 30 194

HSL 241.83, 0.73%, 0.44%

LAB 27.24, 56.49, -81.23

 

CMYK 0 / 85 / 9 / 24

HEX #C21EB1

RGB 194 30 177

HSL 306.22, 0.73%, 0.44%

LAB 46.41, 73.87, -39.12

 

CMYK 0 / 94 / 10 / 17

HEX #D40CBF

RGB 212 12 191

HSL 306.3, 0.89%, 0.44%

LAB 49.52, 81.63, -42.19

 

CMYK 0 / 85 / 9 / 24

HEX #C21EB1

RGB 194 30 177

HSL 306.22, 0.73%, 0.44%

LAB 46.41, 73.87, -39.12

 

CMYK 0 / 73 / 7 / 31

HEX #B030A3

RGB 176 48 163

HSL 306.09, 0.57%, 0.44%

LAB 44.22, 63.23, -34.48

 

CMYK 0 / 58 / 6 / 38

HEX #9E4394

RGB 158 67 148

HSL 306.59, 0.4%, 0.44%

LAB 43.39, 48.43, -26.98

 

CMYK 0 / 39 / 4 / 45

HEX #8C5586

RGB 140 85 134

HSL 306.55, 0.24%, 0.44%

LAB 43.94, 30.73, -17.89

 

CMYK 0 / 15 / 1 / 53

HEX #796778

RGB 121 103 120

HSL 303.33, 0.08%, 0.44%

LAB 45.8, 10.42, -6.83

 

CMYK 37 / 85 / 0 / 24

HEX #7B1EC2

RGB 123 30 194

HSL 274.02, 0.73%, 0.44%

LAB 36.05, 64.73, -66.4

 

CMYK 14 / 85 / 0 / 24

HEX #A71EC2

RGB 167 30 194

HSL 290.12, 0.73%, 0.44%

LAB 42.82, 71.61, -55.09

 

CMYK 0 / 85 / 8 / 24

HEX #C21EB2

RGB 194 30 178

HSL 305.85, 0.73%, 0.44%

LAB 46.46, 74.01, -39.62

 

CMYK 0 / 85 / 31 / 24

HEX #C21E86

RGB 194 30 134

HSL 321.95, 0.73%, 0.44%

LAB 44.4, 68.39, -16.43

 

CMYK 0 / 85 / 54 / 24

HEX #C21E5A

RGB 194 30 90

HSL 338.05, 0.73%, 0.44%

LAB 42.97, 64.29, 8.76

 

CMYK 0 / 85 / 9 / 52

HEX #7B1370

RGB 123 19 112

HSL 306.35, 0.73%, 0.28%

LAB 29.02, 51.98, -27.61

 

CMYK 0 / 84 / 9 / 38

HEX #9E1990

RGB 158 25 144

HSL 306.32, 0.73%, 0.36%

LAB 37.8, 62.9, -33.33

 

CMYK 0 / 85 / 9 / 24

HEX #C21EB1

RGB 194 30 177

HSL 306.22, 0.73%, 0.44%

LAB 46.41, 73.87, -39.12

 

CMYK 0 / 80 / 9 / 13

HEX #DE2CCB

RGB 222 44 203

HSL 306.4, 0.73%, 0.52%

LAB 53.65, 80.05, -42.49

 

CMYK 0 / 65 / 7 / 11

HEX #E44FD4

RGB 228 79 212

HSL 306.44, 0.73%, 0.6%

LAB 58.83, 71.95, -39.4

 

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

CMYK 0 / 59 / 85 / 24

HEX #C24F1E

RGB 194 79 30

HSL 17.93, 0.73%, 0.44%

LAB 48.45, 43.72, 49.36

 

CMYK 85 / 0 / 25 / 24

HEX #1EC291

RGB 30 194 145

HSL 162.07, 0.73%, 0.44%

LAB 70.11, -51.06, 13.62

 

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

CMYK 8 / 0 / 85 / 24

HEX #B2C21E

RGB 178 194 30

HSL 65.85, 0.73%, 0.44%

LAB 74.91, -23.9, 71.19

 

CMYK 85 / 8 / 0 / 24

HEX #1EB2C2

RGB 30 178 194

HSL 185.85, 0.73%, 0.44%

LAB 66.53, -30.35, -18.53

 

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

CMYK 0 / 59 / 85 / 24

HEX #C24F1E

RGB 194 79 30

HSL 17.93, 0.73%, 0.44%

LAB 48.45, 43.72, 49.36

 

CMYK 85 / 0 / 76 / 24

HEX #1EC22F

RGB 30 194 47

HSL 126.22, 0.73%, 0.44%

LAB 68.8, -66.44, 58.58

 

CMYK 85 / 25 / 0 / 24

HEX #1E91C2

RGB 30 145 194

HSL 197.93, 0.73%, 0.44%

LAB 56.51, -13.18, -33.96

 

CMYK 0 / 84 / 9 / 25

HEX #C01EAF

RGB 192 30 175

HSL 306.3, 0.73%, 0.44%

LAB 45.95, 73.19, -38.69

 

CMYK 0 / 34 / 85 / 24

HEX #C2811E

RGB 194 129 30

HSL 36.22, 0.73%, 0.44%

LAB 59.22, 17.47, 58.59

 

CMYK 85 / 0 / 76 / 24

HEX #1EC22F

RGB 30 194 47

HSL 126.22, 0.73%, 0.44%

LAB 68.8, -66.44, 58.58

 

CMYK 85 / 51 / 0 / 24

HEX #1E60C2

RGB 30 96 194

HSL 215.85, 0.73%, 0.44%

LAB 42.06, 16.65, -56.93

 

Description

Color code: HEX #C01EAF | qconv.com Color code: HEX #C01EAF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 30 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 30 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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