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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01CEA it is the complementary color #3FE315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01CEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01CEA shade: #C51CE5, #D62EF8, #E740FF, #F852FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01CEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01CEA shade: #C01CEA, #AF0AD7, #9E00C4, #8D00B1 and #7C009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01CEA shade: #BF1AEA, #EA1ADC, #EA1AA4, #EA1A6C and #EA1A34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01CEA shade: #BF1AEA, #881AEA, #501AEA and #1A1AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01CEA shade matches the following richer shades: #BF1AEA and #CB06FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01CEA shade: #BF1AEA, #B42FD6, #A843C1, #9C57AD and #906B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01CEA shade: #4E1AEA, #861AEA, #BD1AEA, #EA1ADF and #EA1AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01CEA shade: #840FA2, #A313C8, #BF1AEA, #CA40ED and #D466F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01CEA shade: #C01CEA, #EA1A1E and #1AEA6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01CEA shade: #C01CEA, #EABD1A and #1AEABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01CEA shade: #C01CEA, #EA1A1E, #47EA1A and #1AEAE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01CEA shade: #C01CEA, #EA551A, #47EA1A and #1AAFEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

Complementary color

CMYK 72 / 0 / 91 / 11

HEX #3FE315

RGB 63 227 21

HSL 107.77, 0.83%, 0.49%

LAB 79.64, -73.13, 74.77

 

CMYK 14 / 88 / 0 / 10

HEX #C51CE5

RGB 197 28 229

HSL 290.45, 0.79%, 0.5%

LAB 49.93, 82.82, -63.5

 

CMYK 14 / 81 / 0 / 3

HEX #D62EF8

RGB 214 46 248

HSL 289.9, 0.94%, 0.58%

LAB 55.1, 85.1, -65.7

 

CMYK 9 / 75 / 0 / 0

HEX #E740FF

RGB 231 64 255

HSL 292.46, 1%, 0.63%

LAB 59.78, 84.5, -61.93

 

CMYK 3 / 68 / 0 / 0

HEX #F852FF

RGB 248 82 255

HSL 297.57, 1%, 0.66%

LAB 64.33, 82.13, -54.51

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

CMYK 19 / 95 / 0 / 16

HEX #AF0AD7

RGB 175 10 215

HSL 288.29, 0.91%, 0.44%

LAB 44.57, 79.55, -64.36

 

CMYK 19 / 100 / 0 / 23

HEX #9E00C4

RGB 158 0 196

HSL 288.37, 1%, 0.38%

LAB 40.01, 74.91, -60.89

 

CMYK 20 / 100 / 0 / 31

HEX #8D00B1

RGB 141 0 177

HSL 287.8, 1%, 0.35%

LAB 35.67, 69.23, -56.85

 

CMYK 22 / 100 / 0 / 38

HEX #7C009E

RGB 124 0 158

HSL 287.09, 1%, 0.31%

LAB 31.24, 63.45, -52.74

 

CMYK 18 / 89 / 0 / 8

HEX #BF1AEA

RGB 191 26 234

HSL 287.6, 0.83%, 0.51%

LAB 49.2, 83.09, -67.56

 

CMYK 0 / 89 / 6 / 8

HEX #EA1ADC

RGB 234 26 220

HSL 304.04, 0.83%, 0.51%

LAB 55.48, 87.9, -49.16

 

CMYK 0 / 89 / 30 / 8

HEX #EA1AA4

RGB 234 26 164

HSL 320.19, 0.83%, 0.51%

LAB 52.85, 81.02, -20.85

 

CMYK 0 / 89 / 54 / 8

HEX #EA1A6C

RGB 234 26 108

HSL 336.35, 0.83%, 0.51%

LAB 51.05, 76.09, 10.15

 

CMYK 0 / 89 / 78 / 8

HEX #EA1A34

RGB 234 26 52

HSL 352.5, 0.83%, 0.51%

LAB 50.07, 73.32, 42.42

 

CMYK 18 / 89 / 0 / 8

HEX #BF1AEA

RGB 191 26 234

HSL 287.6, 0.83%, 0.51%

LAB 49.2, 83.09, -67.56

 

CMYK 42 / 89 / 0 / 8

HEX #881AEA

RGB 136 26 234

HSL 271.73, 0.83%, 0.51%

LAB 41.08, 75.92, -81.16

 

CMYK 66 / 89 / 0 / 8

HEX #501AEA

RGB 80 26 234

HSL 255.58, 0.83%, 0.51%

LAB 34.77, 71.07, -91.79

 

CMYK 89 / 89 / 0 / 8

HEX #1A1AEA

RGB 26 26 234

HSL 240, 0.83%, 0.51%

LAB 31.58, 68.96, -97.19

 

CMYK 18 / 89 / 0 / 8

HEX #BF1AEA

RGB 191 26 234

HSL 287.6, 0.83%, 0.51%

LAB 49.2, 83.09, -67.56

 

CMYK 20 / 98 / 0 / 0

HEX #CB06FE

RGB 203 6 254

HSL 287.66, 0.99%, 0.51%

LAB 51.82, 90.28, -74.44

 

CMYK 18 / 89 / 0 / 8

HEX #BF1AEA

RGB 191 26 234

HSL 287.6, 0.83%, 0.51%

LAB 49.2, 83.09, -67.56

 

CMYK 16 / 78 / 0 / 16

HEX #B42FD6

RGB 180 47 214

HSL 287.78, 0.67%, 0.51%

LAB 47.74, 73, -58.62

 

CMYK 13 / 65 / 0 / 24

HEX #A843C1

RGB 168 67 193

HSL 288.1, 0.5%, 0.51%

LAB 47.22, 59.32, -47.44

 

CMYK 10 / 50 / 0 / 32

HEX #9C57AD

RGB 156 87 173

HSL 288.14, 0.34%, 0.51%

LAB 48.14, 42.46, -34.43

 

CMYK 6 / 30 / 0 / 40

HEX #906B99

RGB 144 107 153

HSL 288.26, 0.18%, 0.51%

LAB 50.39, 23.19, -19.29

 

CMYK 67 / 89 / 0 / 8

HEX #4E1AEA

RGB 78 26 234

HSL 255, 0.83%, 0.51%

LAB 34.6, 70.95, -92.08

 

CMYK 43 / 89 / 0 / 8

HEX #861AEA

RGB 134 26 234

HSL 271.15, 0.83%, 0.51%

LAB 40.81, 75.7, -81.6

 

CMYK 19 / 89 / 0 / 8

HEX #BD1AEA

RGB 189 26 234

HSL 287.02, 0.83%, 0.51%

LAB 48.88, 82.79, -68.09

 

CMYK 0 / 89 / 5 / 8

HEX #EA1ADF

RGB 234 26 223

HSL 303.17, 0.83%, 0.51%

LAB 55.64, 88.31, -50.6

 

CMYK 0 / 89 / 28 / 8

HEX #EA1AA8

RGB 234 26 168

HSL 319.04, 0.83%, 0.51%

LAB 53.01, 81.45, -22.96

 

CMYK 19 / 91 / 0 / 36

HEX #840FA2

RGB 132 15 162

HSL 287.76, 0.83%, 0.35%

LAB 33.68, 63.13, -51.14

 

CMYK 19 / 91 / 0 / 22

HEX #A313C8

RGB 163 19 200

HSL 287.73, 0.83%, 0.43%

LAB 41.88, 74.1, -60.15

 

CMYK 18 / 89 / 0 / 8

HEX #BF1AEA

RGB 191 26 234

HSL 287.6, 0.83%, 0.51%

LAB 49.2, 83.09, -67.56

 

CMYK 15 / 73 / 0 / 7

HEX #CA40ED

RGB 202 64 237

HSL 287.86, 0.83%, 0.59%

LAB 54.38, 75.87, -60.79

 

CMYK 12 / 58 / 0 / 5

HEX #D466F1

RGB 212 102 241

HSL 287.48, 0.83%, 0.67%

LAB 61.53, 63.4, -51.54

 

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

CMYK 0 / 89 / 87 / 8

HEX #EA1A1E

RGB 234 26 30

HSL 358.85, 0.83%, 0.51%

LAB 49.89, 72.79, 53.56

 

CMYK 89 / 0 / 55 / 8

HEX #1AEA6A

RGB 26 234 106

HSL 143.08, 0.83%, 0.51%

LAB 81.9, -72.5, 48.77

 

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

CMYK 0 / 19 / 89 / 8

HEX #EABD1A

RGB 234 189 26

HSL 47.02, 0.83%, 0.51%

LAB 78.44, 2.7, 76.9

 

CMYK 89 / 0 / 19 / 8

HEX #1AEABD

RGB 26 234 189

HSL 167.02, 0.83%, 0.51%

LAB 83.31, -56.39, 8.91

 

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

CMYK 0 / 89 / 87 / 8

HEX #EA1A1E

RGB 234 26 30

HSL 358.85, 0.83%, 0.51%

LAB 49.89, 72.79, 53.56

 

CMYK 70 / 0 / 89 / 8

HEX #47EA1A

RGB 71 234 26

HSL 107.02, 0.83%, 0.51%

LAB 81.98, -73.74, 76.03

 

CMYK 89 / 0 / 2 / 8

HEX #1AEAE6

RGB 26 234 230

HSL 178.85, 0.83%, 0.51%

LAB 84.37, -45.45, -11.13

 

CMYK 18 / 88 / 0 / 8

HEX #C01CEA

RGB 192 28 234

HSL 287.77, 0.83%, 0.51%

LAB 49.47, 82.91, -67.11

 

CMYK 0 / 64 / 89 / 8

HEX #EA551A

RGB 234 85 26

HSL 17.02, 0.83%, 0.51%

LAB 56.15, 55.29, 59.9

 

CMYK 70 / 0 / 89 / 8

HEX #47EA1A

RGB 71 234 26

HSL 107.02, 0.83%, 0.51%

LAB 81.98, -73.74, 76.03

 

CMYK 89 / 25 / 0 / 8

HEX #1AAFEA

RGB 26 175 234

HSL 197.02, 0.83%, 0.51%

LAB 67.14, -15.66, -39.6

 

Description

Color code: HEX #C01CEA | qconv.com Color code: HEX #C01CEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 28 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 28 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 88 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 88% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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