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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C019AF it is the complementary color #3FE650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C019AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C019AF shade: #C519AA, #D62BBD, #E73DD0, #F84FE3 and #FF61F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C019AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C019AF shade: #C019AF, #AF079C, #9E0089, #8D0076 and #7C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C019AF shade: #C219B1, #C21983, #C21956, #C21928 and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C019AF shade: #C219B1, #A619C2, #7819C2, #4B19C2 and #1D19C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C019AF shade matches the following richer shades: #C219B1 and #D407BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C019AF shade: #C219B1, #B02BA3, #9F3D95, #8D4E87 and #7B6078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C019AF shade: #7919C2, #A619C2, #C219B1, #C21984 and #C21957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C019AF shade: #79106E, #9E1490, #C219B1, #E222CF and #E747D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C019AF shade: #C019AF, #C24C19 and #19C28F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C019AF shade: #C019AF, #B1C219 and #19B1C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C019AF shade: #C019AF, #C24C19, #19C22A and #198FC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C019AF shade: #C019AF, #C27F19, #19C22A and #195DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

Complementary color

CMYK 73 / 0 / 65 / 10

HEX #3FE650

RGB 63 230 80

HSL 126.11, 0.77%, 0.57%

LAB 80.87, -70.44, 58.99

 

CMYK 0 / 87 / 14 / 23

HEX #C519AA

RGB 197 25 170

HSL 309.42, 0.77%, 0.44%

LAB 46.27, 74.4, -35.16

 

CMYK 0 / 80 / 12 / 16

HEX #D62BBD

RGB 214 43 189

HSL 308.77, 0.68%, 0.5%

LAB 51.49, 76.71, -37.88

 

CMYK 0 / 74 / 10 / 9

HEX #E73DD0

RGB 231 61 208

HSL 308.12, 0.78%, 0.57%

LAB 56.96, 78.11, -40.03

 

CMYK 0 / 68 / 8 / 3

HEX #F84FE3

RGB 248 79 227

HSL 307.46, 0.92%, 0.64%

LAB 62.59, 78.86, -41.73

 

CMYK 0 / 62 / 4 / 0

HEX #FF61F6

RGB 255 97 246

HSL 303.42, 1%, 0.69%

LAB 66.87, 76.77, -45.47

 

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

CMYK 0 / 96 / 11 / 31

HEX #AF079C

RGB 175 7 156

HSL 306.79, 0.92%, 0.36%

LAB 40.68, 70.64, -35.87

 

CMYK 0 / 100 / 13 / 38

HEX #9E0089

RGB 158 0 137

HSL 307.97, 1%, 0.31%

LAB 36.13, 65.68, -31.67

 

CMYK 0 / 100 / 16 / 45

HEX #8D0076

RGB 141 0 118

HSL 309.79, 1%, 0.28%

LAB 31.74, 59.87, -26.91

 

CMYK 0 / 100 / 20 / 51

HEX #7C0063

RGB 124 0 99

HSL 312.1, 1%, 0.24%

LAB 27.26, 53.94, -21.96

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 0 / 87 / 32 / 24

HEX #C21983

RGB 194 25 131

HSL 322.37, 0.77%, 0.43%

LAB 43.95, 69.03, -15.28

 

CMYK 0 / 87 / 56 / 24

HEX #C21956

RGB 194 25 86

HSL 338.34, 0.77%, 0.43%

LAB 42.52, 65.01, 10.65

 

CMYK 0 / 87 / 79 / 24

HEX #C21928

RGB 194 25 40

HSL 354.67, 0.77%, 0.43%

LAB 41.72, 62.7, 37.96

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 14 / 87 / 0 / 24

HEX #A619C2

RGB 166 25 194

HSL 290.06, 0.77%, 0.43%

LAB 42.3, 72.48, -55.94

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 61 / 87 / 0 / 24

HEX #4B19C2

RGB 75 25 194

HSL 257.75, 0.77%, 0.43%

LAB 29.63, 60.85, -77.19

 

CMYK 85 / 87 / 0 / 24

HEX #1D19C2

RGB 29 25 194

HSL 241.42, 0.77%, 0.43%

LAB 26.31, 58.25, -82.8

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 0 / 97 / 10 / 17

HEX #D407BF

RGB 212 7 191

HSL 306.15, 0.94%, 0.43%

LAB 49.39, 82.02, -42.4

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 0 / 76 / 7 / 31

HEX #B02BA3

RGB 176 43 163

HSL 305.86, 0.61%, 0.43%

LAB 43.66, 64.83, -35.36

 

CMYK 0 / 62 / 6 / 38

HEX #9F3D95

RGB 159 61 149

HSL 306.12, 0.45%, 0.43%

LAB 42.58, 51.64, -28.84

 

CMYK 0 / 45 / 4 / 45

HEX #8D4E87

RGB 141 78 135

HSL 305.71, 0.29%, 0.43%

LAB 42.55, 35.19, -20.61

 

CMYK 0 / 22 / 2 / 52

HEX #7B6078

RGB 123 96 120

HSL 306.67, 0.12%, 0.43%

LAB 44.14, 15.37, -9.3

 

CMYK 38 / 87 / 0 / 24

HEX #7919C2

RGB 121 25 194

HSL 274.08, 0.77%, 0.43%

LAB 35.31, 65.8, -67.62

 

CMYK 14 / 87 / 0 / 24

HEX #A619C2

RGB 166 25 194

HSL 290.06, 0.77%, 0.43%

LAB 42.3, 72.48, -55.94

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 0 / 87 / 32 / 24

HEX #C21984

RGB 194 25 132

HSL 322.01, 0.77%, 0.43%

LAB 43.99, 69.14, -15.84

 

CMYK 0 / 87 / 55 / 24

HEX #C21957

RGB 194 25 87

HSL 337.99, 0.77%, 0.43%

LAB 42.54, 65.08, 10.05

 

CMYK 0 / 87 / 9 / 53

HEX #79106E

RGB 121 16 110

HSL 306.29, 0.77%, 0.27%

LAB 28.28, 51.96, -27.53

 

CMYK 0 / 87 / 9 / 38

HEX #9E1490

RGB 158 20 144

HSL 306.09, 0.78%, 0.35%

LAB 37.45, 63.93, -33.89

 

CMYK 0 / 87 / 9 / 24

HEX #C219B1

RGB 194 25 177

HSL 306.04, 0.77%, 0.43%

LAB 46.09, 74.78, -39.61

 

CMYK 0 / 85 / 8 / 11

HEX #E222CF

RGB 226 34 207

HSL 305.94, 0.77%, 0.51%

LAB 53.83, 83.42, -44.44

 

CMYK 0 / 69 / 7 / 9

HEX #E747D7

RGB 231 71 215

HSL 306, 0.77%, 0.59%

LAB 58.42, 75.95, -41.71

 

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

CMYK 0 / 61 / 87 / 24

HEX #C24C19

RGB 194 76 25

HSL 18.11, 0.77%, 0.43%

LAB 47.89, 45, 50.94

 

CMYK 87 / 0 / 26 / 24

HEX #19C28F

RGB 25 194 143

HSL 161.89, 0.77%, 0.43%

LAB 70.02, -51.9, 14.57

 

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

CMYK 9 / 0 / 87 / 24

HEX #B1C219

RGB 177 194 25

HSL 66.04, 0.77%, 0.43%

LAB 74.83, -24.45, 72.13

 

CMYK 87 / 9 / 0 / 24

HEX #19B1C2

RGB 25 177 194

HSL 186.04, 0.77%, 0.43%

LAB 66.17, -30.19, -19.08

 

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

CMYK 0 / 61 / 87 / 24

HEX #C24C19

RGB 194 76 25

HSL 18.11, 0.77%, 0.43%

LAB 47.89, 45, 50.94

 

CMYK 87 / 0 / 78 / 24

HEX #19C22A

RGB 25 194 42

HSL 126.04, 0.77%, 0.43%

LAB 68.72, -67.23, 60.09

 

CMYK 87 / 26 / 0 / 24

HEX #198FC2

RGB 25 143 194

HSL 198.11, 0.77%, 0.43%

LAB 55.83, -12.42, -35.01

 

CMYK 0 / 87 / 9 / 25

HEX #C019AF

RGB 192 25 175

HSL 306.11, 0.77%, 0.43%

LAB 45.63, 74.12, -39.19

 

CMYK 0 / 35 / 87 / 24

HEX #C27F19

RGB 194 127 25

HSL 36.21, 0.77%, 0.43%

LAB 58.71, 18.44, 59.69

 

CMYK 87 / 0 / 78 / 24

HEX #19C22A

RGB 25 194 42

HSL 126.04, 0.77%, 0.43%

LAB 68.72, -67.23, 60.09

 

CMYK 87 / 52 / 0 / 24

HEX #195DC2

RGB 25 93 194

HSL 215.86, 0.77%, 0.43%

LAB 41.11, 18.25, -58.47

 

Description

Color code: HEX #C019AF | qconv.com Color code: HEX #C019AF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 25 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 25 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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