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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0183D it is the complementary color #3FE7C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0183D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0183D shade: #C51838, #D62A4B, #E73C5E, #F84E71 and #FF6084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0183D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0183D shade: #C0183D, #AF062A, #9E0017, #8D0004 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0183D shade: #BF183C and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0183D shade: #BF183C, #BF1869, #BF1896, #BA18BF and #8D18BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0183D shade matches the following richer shades: #BF183C and #D00633

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0183D shade: #BF183C, #AD2946, #9C3A50, #8B4C59 and #795D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0183D shade: #BF1898, #BF186B, #BF183F, #BF1D18 and #BF4A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0183D shade: #750E25, #9A1331, #BF183C, #E31C48 and #E84166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0183D shade: #C0183D, #BFB918 and #1881BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0183D shade: #C0183D, #3FBF18 and #183FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0183D shade: #C0183D, #BFB918, #18BF98 and #181DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0183D shade: #C0183D, #92BF18, #18BF98 and #4418BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

Complementary color

CMYK 73 / 0 / 16 / 9

HEX #3FE7C2

RGB 63 231 194

HSL 166.79, 0.78%, 0.58%

LAB 82.97, -50.76, 5.85

 

CMYK 0 / 88 / 72 / 23

HEX #C51838

RGB 197 24 56

HSL 348.9, 0.78%, 0.43%

LAB 42.47, 64.28, 29.46

 

CMYK 0 / 80 / 65 / 16

HEX #D62A4B

RGB 214 42 75

HSL 348.49, 0.68%, 0.5%

LAB 47.57, 65.77, 24.94

 

CMYK 0 / 74 / 59 / 9

HEX #E73C5E

RGB 231 60 94

HSL 348.07, 0.78%, 0.57%

LAB 52.98, 66.4, 21.16

 

CMYK 0 / 69 / 54 / 3

HEX #F84E71

RGB 248 78 113

HSL 347.65, 0.92%, 0.64%

LAB 58.6, 66.45, 18.02

 

CMYK 0 / 62 / 48 / 0

HEX #FF6084

RGB 255 96 132

HSL 346.42, 1%, 0.69%

LAB 62.75, 63.06, 12.9

 

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

CMYK 0 / 97 / 76 / 31

HEX #AF062A

RGB 175 6 42

HSL 347.22, 0.93%, 0.35%

LAB 36.76, 60.56, 30.23

 

CMYK 0 / 100 / 85 / 38

HEX #9E0017

RGB 158 0 23

HSL 351.27, 1%, 0.31%

LAB 32.55, 56.39, 36.04

 

CMYK 0 / 100 / 97 / 45

HEX #8D0004

RGB 141 0 4

HSL 358.3, 1%, 0.28%

LAB 28.57, 51.61, 40.25

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 87 / 69 / 25

HEX #BF183C

RGB 191 24 60

HSL 347.07, 0.78%, 0.42%

LAB 41.3, 62.89, 25.28

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 87 / 69 / 25

HEX #BF183C

RGB 191 24 60

HSL 347.07, 0.78%, 0.42%

LAB 41.3, 62.89, 25.28

 

CMYK 0 / 87 / 45 / 25

HEX #BF1869

RGB 191 24 105

HSL 330.9, 0.78%, 0.42%

LAB 42.38, 65.96, -1.57

 

CMYK 0 / 87 / 21 / 25

HEX #BF1896

RGB 191 24 150

HSL 314.73, 0.78%, 0.42%

LAB 44.13, 70.77, -26.61

 

CMYK 3 / 87 / 0 / 25

HEX #BA18BF

RGB 186 24 191

HSL 298.2, 0.78%, 0.42%

LAB 45.43, 75.56, -48.97

 

CMYK 26 / 87 / 0 / 25

HEX #8D18BF

RGB 141 24 191

HSL 282.04, 0.78%, 0.42%

LAB 37.98, 68.22, -61.38

 

CMYK 0 / 87 / 69 / 25

HEX #BF183C

RGB 191 24 60

HSL 347.07, 0.78%, 0.42%

LAB 41.3, 62.89, 25.28

 

CMYK 0 / 97 / 75 / 18

HEX #D00633

RGB 208 6 51

HSL 346.63, 0.94%, 0.42%

LAB 43.91, 69.11, 34.74

 

CMYK 0 / 87 / 69 / 25

HEX #BF183C

RGB 191 24 60

HSL 347.07, 0.78%, 0.42%

LAB 41.3, 62.89, 25.28

 

CMYK 0 / 76 / 60 / 32

HEX #AD2946

RGB 173 41 70

HSL 346.82, 0.62%, 0.42%

LAB 39.43, 54.1, 15.87

 

CMYK 0 / 63 / 49 / 39

HEX #9C3A50

RGB 156 58 80

HSL 346.53, 0.46%, 0.42%

LAB 39.02, 42.71, 8.49

 

CMYK 0 / 45 / 36 / 45

HEX #8B4C59

RGB 139 76 89

HSL 347.62, 0.29%, 0.42%

LAB 40.21, 28.12, 4.18

 

CMYK 0 / 23 / 18 / 53

HEX #795D63

RGB 121 93 99

HSL 347.14, 0.13%, 0.42%

LAB 42.45, 12.43, 0.97

 

CMYK 0 / 87 / 20 / 25

HEX #BF1898

RGB 191 24 152

HSL 314.01, 0.78%, 0.42%

LAB 44.23, 71.02, -27.67

 

CMYK 0 / 87 / 44 / 25

HEX #BF186B

RGB 191 24 107

HSL 330.18, 0.78%, 0.42%

LAB 42.45, 66.14, -2.73

 

CMYK 0 / 87 / 67 / 25

HEX #BF183F

RGB 191 24 63

HSL 345.99, 0.78%, 0.42%

LAB 41.36, 63.04, 23.47

 

CMYK 0 / 85 / 87 / 25

HEX #BF1D18

RGB 191 29 24

HSL 1.8, 0.78%, 0.42%

LAB 41.25, 60.65, 45.76

 

CMYK 0 / 61 / 87 / 25

HEX #BF4A18

RGB 191 74 24

HSL 17.96, 0.78%, 0.42%

LAB 47.03, 44.8, 50.42

 

CMYK 0 / 88 / 68 / 54

HEX #750E25

RGB 117 14 37

HSL 346.6, 0.79%, 0.26%

LAB 24.42, 43.32, 15.59

 

CMYK 0 / 88 / 68 / 40

HEX #9A1331

RGB 154 19 49

HSL 346.67, 0.78%, 0.34%

LAB 33.04, 53.38, 20.24

 

CMYK 0 / 87 / 69 / 25

HEX #BF183C

RGB 191 24 60

HSL 347.07, 0.78%, 0.42%

LAB 41.3, 62.89, 25.28

 

CMYK 0 / 88 / 68 / 11

HEX #E31C48

RGB 227 28 72

HSL 346.73, 0.78%, 0.5%

LAB 49.04, 72, 29.15

 

CMYK 0 / 72 / 56 / 9

HEX #E84166

RGB 232 65 102

HSL 346.71, 0.78%, 0.58%

LAB 53.92, 65.58, 17.67

 

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

CMYK 0 / 3 / 87 / 25

HEX #BFB918

RGB 191 185 24

HSL 57.84, 0.78%, 0.42%

LAB 73.44, -13.98, 71.66

 

CMYK 87 / 32 / 0 / 25

HEX #1881BF

RGB 24 129 191

HSL 202.28, 0.78%, 0.42%

LAB 51.45, -5.56, -40.2

 

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

CMYK 67 / 0 / 87 / 25

HEX #3FBF18

RGB 63 191 24

HSL 105.99, 0.78%, 0.42%

LAB 68.3, -61.85, 64.57

 

CMYK 87 / 67 / 0 / 25

HEX #183FBF

RGB 24 63 191

HSL 225.99, 0.78%, 0.42%

LAB 32.94, 36.76, -70.05

 

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

CMYK 0 / 3 / 87 / 25

HEX #BFB918

RGB 191 185 24

HSL 57.84, 0.78%, 0.42%

LAB 73.44, -13.98, 71.66

 

CMYK 87 / 0 / 20 / 25

HEX #18BF98

RGB 24 191 152

HSL 165.99, 0.78%, 0.42%

LAB 69.27, -48.59, 8.63

 

CMYK 87 / 85 / 0 / 25

HEX #181DBF

RGB 24 29 191

HSL 238.2, 0.78%, 0.42%

LAB 26.26, 55.61, -81.12

 

CMYK 0 / 88 / 68 / 25

HEX #C0183D

RGB 192 24 61

HSL 346.79, 0.78%, 0.42%

LAB 41.53, 63.2, 24.98

 

CMYK 24 / 0 / 87 / 25

HEX #92BF18

RGB 146 191 24

HSL 76.17, 0.78%, 0.42%

LAB 71.85, -35.8, 69

 

CMYK 87 / 0 / 20 / 25

HEX #18BF98

RGB 24 191 152

HSL 165.99, 0.78%, 0.42%

LAB 69.27, -48.59, 8.63

 

CMYK 64 / 87 / 0 / 25

HEX #4418BF

RGB 68 24 191

HSL 255.81, 0.78%, 0.42%

LAB 28.5, 59.84, -77.32

 

Description

Color code: HEX #C0183D | qconv.com Color code: HEX #C0183D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 24 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 24 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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